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Back to the Future:Lankershim Train Depot Gets A Redo

A Landmark from Valley’s Past Becomes Its Future

From North Hollywood Councilman Paul Krekorian

Lankershim Train Depot, North Hollywood Train Depot www.nohoartsdistrict.com

“When the Lankershim Train Depot was built in 1896, it was the Southern Pacific Railroad’s first rail line in the San Fernando Valley and quickly became the transit hub of this fast-developing area. The depot’s history tells the story of the Valley’s transformation. What started out as a high-platform station for loading trains with goods and produce from San Fernando Valley farms and packing plants, later became the transportation center for its growing population and the North Hollywood’s Pacific Electric Red Car pedestrian station until the line closed in 1952.

The old depot is one of the few remaining wood-frame, 19th century railroad stations in Southern California. With this restored Lankershim Depot, Metro has led the way in preserving a vital part of our transportation heritage.

North Hollywood Train Depot, Lankershim Train Depot www.nohoartsdistrict.com

Metro first began the $3.6 million restoration work in 2010 with the removal of contaminated soils, roofing and lead-based paint throughout the structure, along with the stabilization of the historic exterior woodwork. Over the last year, the 118-year-old structure was given a new building foundation, electric and plumbing systems, platforms, signage and seismic upgrades. Metro contractors have also rehabilitated sidings, eaves, windows and doors.

Metro staff deserves a lot of credit for their work to restore this important station, as does my colleague, Councilmember Tom LaBonge, who spearheaded the effort to save it from the beginning.

The Lankershim Depot is now a community jewel and a symbol of what NoHo has become. Soon, the depot will house a new business, bike hub, museum or something else for the neighborhood to enjoy. We’ll know more about what’s to come in the next few months.

NoHo is a bustling center of art and commerce–a place where you can live well, shop at your favorite boutique, catch a movie, eat an excellent meal, and find any amenity you could ever want. The renovated Lankershim Depot is really going to improve the look of this neighborhood and contribute to its vitality. It’s all very exciting here in NoHo. Transit is improving, our cultural institutions are improving and our quality of life is improving. Metro is making a big difference in our San Fernando Valley. Our work with the community will ensure a bright future for North Hollywood.

Click HERE to view pictures from last week’s celebration of the Lankershim Depot Restoration.”

North Hollywood Train Depot www.nohoartsdistrict.com

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com.

Acting Blog – Holidays – Escapes, breaks, and breakthroughs.

I give this lecture in my class every year as the holidays approach, and we spend quite a bit of time talking about and working with this topic. I’ll share a bit of it here. As we all know, a good acting class should challenge you, open you up, and get you in touch with your emotional life. It’s the process of unraveling yourself to be raw, present, vulnerable, and exposed. That’s what the acting instrument is – a present, vulnerable, affected being, raw with truth. Our work is to get in touch with and master our emotions, so we can utilize, not be victimized, by them.

Let’s talk about the holidays, as they often present moments that bring up many feelings (both positive and negative). The holiday season seems to be the time of year when depression heightens, drug prescriptions increase, liquor sales peak, loneliness intensifies, and people gain the most weight. But why?

One reason may be that during the holidays many issues come to the surface. It’s often the time of year when “family of origin issues” hit hardest. Many people need to comfort themselves, and in effect anesthetize themselves, in order to not feel the pain of their family issues, patterns, and histories.

Over the years I’ve noticed that many actors take a break from class over the holidays. They’ll say, “I’ll be off through the holidays, see you in January – need some time to think about things;” or “I’m short on money during this season;” or “I just need a break, and think this would be a good time.” I understand, it is a hectic time of year, and we all have lives we need to live.

But for those who choose to remain in class, I notice something powerful happens. This time of year can offer actors the opportunity to delve in and discover their uncomfortable feelings, then connect and dance with them. After speaking with many of my teaching colleagues, I have noticed that in November and December acting classes are the smallest, yet consistently boast the greatest number of breakthroughs and rapid creative growth. I believe during this time actors get more in touch with themselves; their vulnerabilities, anger, pain, and whatever unconsciously drives them.

My advice for those in class: work harder and take bigger risks. Share when appropriate. For those of you on break, I suggest to get a journal and write in it every day. Write down your feelings, what is going on in your world, what you’re grateful for, as well as what ails you. Have a catharsis on the page, if not the stage. For others, maybe a clean break is exactly what you need.

Whatever you decide, do it for the right reason for you. Be in touch with it, own it, and take care of yourself in the process. Whatever your personal situation, or your creative choices, embrace and enjoy this time of year, and I wish you the best during the upcoming holiday season.

Who will win the Film Festival Flix Short Award?

You choose the short film competition winner

Film Festival Fix short film competition - www.nohoartsdistrict.com

Film Festival Flix offers NoHo film goers VIP tickets to critically acclaimed films and audience favorites from top film festivals around the world; and enables attendees to interact with filmmakers and actors in the comfort of a North Hollywood theater and via simulcast.

But did you know that Film Festival Flix also celebrates the short film art form and the filmmakers that make them? They host a monthly, online short film competition and, each year, in November, the nine monthly finalist films will compete for the $2,500 cash Grand Prize. So save the date, Thursday, November 13, to watch the finalists’ films, hear from the filmmakers, vote to award the grand-prize winner, and enjoy an evening of film in the NoHo Arts District.

WHAT: Film Festival Flix Short Film Competition
WHEN: Thursday, November 13

SCHEDULE OF EVENTS:
6:00pm Red Carpet Photos and Pre-Event Hosted Wine and Beer – Michael Roud Photography Studio (11223 Magnolia Blvd.)

7:30pm Film Premiere – “2014 Short Film Competition Finals” at NoHo Laemmle 7 Theaters (5240 Lankershim Blvd.)

9:30pm Voting

9:45pm Reception at Eclectic Wine Bar and Grill (5156 Lankershim Blvd.)

GET TICKETS>>

THE WINNING FILMS

January – Binky
When a troubled woman is questioned by a seemingly detached interrogator they both discover a profound connection that is beyond their wildest dreams.

February – Out of Time
When a scientist creates a time travel device, she suddenly must use it to flee a current crisis only to find herself adventuring from time to time to solve her problem in the present.

March – In Defense of Traditional Marriage
As Sam and Alex prepare to get married in the heated climate of modern middle-America, their friends gather to show them support, even if their family is uncomfortably absent. Each friend takes the time to give an interview for the happy couple’s wedding video, until the ceremony begins. As Sam starts walking down the aisle, the viewing audience will start to realize something is not quite what it seems. As the ensemble cast finally gets to see their friends joined together forever, none of them realize the true horror that awaits them.

April – It’s a Cold Cold Night
A heartbroken romantic has a bizarre encounter with a drunk stranger.

May – Ins and Outs
INS & Outs follows Agents Jackson and Washington on their rounds as they root out illegal immigrants hiding in the nooks and crannies of our cities. A routine call of suspicious behavior turns into more than they bargained for and our heroes have to make some tough decisions about how to dispense justice.

June – Rooftop
Johnny Sanchez, a greasy, scumbag, prince of crime, is picking off rival dealers. Determined to find out how, Lionel Hamlin perches on a rooftop to spy on him. Lionel, however, is unprepared for what happens next: a young couple sneaks up to the roof for some ice cream, locking the door behind them. Suddenly stranded on a rooftop with Sanchez getting away, Lionel and the kids have to figure out how to get off the roof without alerting anyone or getting killed.

July Ljósið – The Light
A man desires to overcome the restraint of his fears and embarks on a journey towards discovery through life, love, and self. Ljósið is an extraordinary performance piece of stunning emotion as two dancers explore the boundaries of loss, love, denial and acceptance.

August – Fail/Safe
A beautiful and mysterious woman infiltrates a notorious clan of gangsters to steal a priceless relic. Their fail safe system to retrieve her and the item crumbles as the henchmen turn against one another and abandon their loyalties to the alliance and to the Kingpin.

September – The Little Things
Girl meets Boy, breaks up with Boy, and finds Boy again, but is it a happy-ever-after? “The Little Things” follows Claire and Tom’s relationship during and after college, questioning what constitutes a happy ending in contemporary romcoms.

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com.

Is the 99-seat theatre dead?

Is the end near for the 99-seat theatre?

With 20+ live theatres in the NoHo Arts District i, any and all discussion about the strength and health of the theatre community in L.A., or the rest of the nation, concerns us. We here at www.nohoartsdistrict.com try our best to support and promote the great theatre we do here in North Hollywood. The following was reprinted by permission from our friend, Maria Gobetti, artistic director at the Victory Theatre Center.

Victory Theatre Center 99 seat plan

“The reason this debate is one sided is because it is convenient for those who oppose 99-seat theatre.

I have called AEA and asked to be admitted to their meetings with members. I am a member and also own a theatre. As a hyphenate actress-producer I am not allowed. So my point of view, which is honed by 30 years in the 99-seat theatre movement, will not be heard. I don’t make a living from theatre. I make a living as an active acting coach and teacher and as an actress in other than equity union work. I would gladly pay up the dues and come off honorary withdrawal status to attend and speak rationally and reasonably in those meetings of my fellow union members. Equity was my parent union way back.

I wonder: Will the actor members of membership theatres be refused admittance to meetings on the same grounds? There is certainly a wall being built and critical information is being deliberately suppressed.

Were it not for people like Tom Ormeny, Jay McAdams, and John Flynn…very little of the theatres’ points of view would be out there. If you want the 99-seat movement to be sustained, those of us who believe in it need to speak out and make the effort to reach the AEA members.

Hopefully the press will seek out the opposing point of views and explore them.

At the Victory, we treasure artists and treat them with respect.

There is a reason for 99-seat theatre…and a need for it. Even if a couple of more mid-sized houses were to spring up (this in spite of how difficult the contract is, and how poorly most mid-sized houses are doing financially), there is not, and would not be enough equity work to keep the over 7000 members of that union working or making a living wage. Unfortunately, one to three additional Equity houses would not provide enough work to keep its members happy or financially stable.

I certainly don’t think AEA is the enemy, but I do have objections to the way things are being handled. It broke my heart to go against my parent union as one of the original plaintiffs in the Equity Waiver Wars over 30 years ago. I know that Equity board members have gone on record recently, saying waiver is impeding the growth of the mid-sized movement. This is certainly not true. When we went into the lawsuit, we called Chicago, San Francisco, and Denver, etc. They all said they lost their small theatres because AEA made inroads into the theatres by promising concessions. These small 99-seat houses tried to make a go of it with onerous contracts and died. Now there are practically no 99-seat theatres anywhere but in Los Angeles. (To fund-raise for the 12 performance contract that exists in New York is absurd.) AND the mid-sized house movement is stalled with an onerous contract.

Further, I remember the head of Equity (Eddie Weston) saying 30 years ago in a meeting for 1 Cent-for-the Arts (which Tom Ormeny started in Los Angeles) that he would “do everything in his power to destroy Equity Waiver”. That is a quote. I was there. I heard him say it to the very man who began the 1 Cent- for-the- Arts movement. So, it is difficult to view AEA as entirely non-adversarial to the Pro-99-seat members of the theatre community. However, I am working on understanding what I can do to help theatre in L.A. Trying to deal with a union that shuts me out makes that difficult.

I’m sure Equity has spent money on its new multimillion dollar building. I’m sure they are trying to now find state funding for theatre. Well I wish them lots of luck on that, sincerely. We have been so de-funded that we rank 50th in the country.

I believe an open dialogue with ALL MEMBERS, including hyphenates, is the best way to go. AEA is using 20th Century procedures in the 21st Century. The by-laws can be changed and for good reason… a democratic forum for all union members should be the order of the day. It is silly to call 99-seat theatre producers “employers”. The system is voluntary and the fees paid are honorariums not salaries. The theaters are not making money but are fostering real services for actors. Yes, we could have better product, yes we can improve, but we are here and we need to stay here.

I believe the members of AEA will vote to keep the plan if they are provided with the real facts and not the exaggerated claims that are being put out by those with an agenda to eliminate the choices 99-seat provides to actors.

Let’s put out the word – Pro-99-seat theatre. It has struggled and flourished for over 30 years and has an important function in helping, breeding, and sustaining talent in the theatre and entertainment community of Los Angeles. Send this to everyone on your Twitter, Facebook, etc. lists.

And please read the very articulate, informed Pro-99-seat theatre opinions HERE from others in our theatre community for more information.

Most sincerely,
Maria Gobetti
Artistic Director
The Victory Theatre Center”

For more background on the Equity Waiver, the 99-Seat Plan, check out this L.A. Times article>>
Read more by our other theatre friends Rogue Machine Theatre here>>

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com.

LAPD North Hollywood Division Update: Empty Buildings

LAPD Update from North Hollywood Senior Lead Officer Catalano

Officer John Catalano Vacant BuildingsThere are numerous vacant buildings in the NoHo Arts Area as a result of the recent recession and the crash of the real estate market. This includes residential and commercial properties. As a department, we are constantly addressing complaints of trespassing, loitering and vandalism of such properties. We now see more scams involving fraudulent leases where someone who does not have any legal right to a property will lease it to an unsuspecting party who just paid stranger thousands of dollars for what they believed was a legitimate rental. It is usually only a short time after taking possession do they find out they are now a victim of a financial scam with little to no recourse in locating the suspect who defrauded them.

Suspects have located vacant properties, immediately changed the locks and submitted ads on web sites such as Craigslist to find a quick renter. The properties are usually rented for under market value and the entire transaction is all done in cash for the first and lasts month security deposit. A lease is usually provided and renters never know it’s fraudulent until the actual owner shows up at the property. This is usually when the police are called and we are to determine the best and legal solution for this incident.

A little different scenario just occurred in the middle of arts area concerning three large adjacent properties with ample parking and large office space. A creative individual took over the vacant properties that are now bank owned as a result of the recent foreclosures. He sub-leased the first property to a truck company that paid him just under a thousand dollars a month to store their trucks. The middle property was leased to a person who stored vehicles for a slightly less amount and the third property was used as a daily rental for people going to the many area attractions.

The creative individual is no longer renting spaces at the property. He has now moved to a new location and we are working with the property owners to better secure the property pending the approval of permits to demolish the building for more residential units.

I’m just glad he was not providing valet parking.

John Catalano
Senior Lead Officer
LAPD – North Hollywood Division
32740@lapd.lacity.org

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com.

Dana Foglia Dance Brings VATIC to NoHo

Who’s Beyoncé having Sweet Dreams about?

Dana Foglia Dance Vatic NoHo www.nohoartsdistrict.com

“I woke up and said ‘Dana has the right outfits!’” says Beyoncé of her choreographer and movement coach, Dana Foglia. “I knew the female dancers should wear Dana’s company white hooded leotards for “Mine.” I’ve seen her work and the dance always looks so clean.”

If you were one of the millions of viewers that saw Beyoncé’s Michael Jackson Vanguard performance at the 2014 MTV Video Music Awards, then you too saw the white hooded leotards that Beyoncée is referring to, as they were worn by her dancers in the performance of Mine at the beginning of her medley.

Dana is Beyoncé’s choreographer and movement coach, and has been instrumental in creating the moves that the Beyhive loves to see their Queen Bey do show after show. When she’s not working with Beyoncé, she is creating future icons in dance through her company, Dana Foglia Dance. From November 14th through November 16th Dana Foglia Dance will present their full-length theatrical production, Vatic, at NoHo’s historic El Portal Theater.

First debuted in New York City in 2011, this full length, futuristic, athletic, and memorizing show takes you on a journey like never before. With her fusion of Contemporary, Hip-Hop, and a hint of Vegas Cirque, Dana and her company embark on a journey that is foreseeing the future, all while creating an interactive experience. The dancers are persuasive in telling their story, and percussive in their bodies, all while bringing the music to life. Vatic takes its audience to another place, allowing them to feel something almost unimaginable, transfixing them and always wanting more. Dana Foglia has created a movement way ahead of this time and truly has raised the bar for what dance can be with ‘Vatic’.

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“Futuristic,” “Athletic,” “Super-Human,” and “Other-Worldly” are just some of the words used to describe Dana Foglia Dance.

Dana Foglia Dance has worked with some of today’s biggest names in entertainment such as Beyoncé, Ariana Grande, Jennifer Lopez, Pharrell, Brandy, Christina Aguilera, Common, Jhene Aiko, Sean Paul, Demi Lavato, and Mariah Carey. They have performed on the sets and stages of popular television, award, and Broadway shows such as Hit the Floor, The Voice, American Idol, Saturday Night Live, the Grammy Awards, the Teen Choice Awards, the BET Awards, the VMAs (MTV’s Video Music Awards),the AMAs (American Music Awards), the Billboard Awards, and in the Broadway musical “Holler If Ya Hear Me.”

This company brings together classical technique, raw street style, strength, and sophistication that results in a performance that will keep its audience at the edge of their seats. Dana Foglia, the artistic director and choreographer of the company, has performed with and/or choreographed for some of today’s top artists such as Beyoncé, Janet Jackson, Rihanna, Kelis, New Kids on the Block, and Fantasia. Additionally, she has served as assistant choreographer on Beyoncé’s I Am…World Tour in 2009, choreographed several numbers in Beyonce’s 2013 The Mrs. Carter Show World Tour, and choreographed the “Haunted” music video from Beyoncé’s self-titled visual album. More recently, she has served as one of the choreographers for Beyoncé and Jay-Z’s On the Run Tour, and again, Beyoncé’s 2014 MTV VMA performance.

Dana Foglia Dance’s upcoming production will serve as a platform for Dana Foglia to push her boundaries as an artist, express herself, and challenge her dancers. “I want the audience to feel, and to feel in a way they never felt before,” says Dana.

Dana Foglia Dance Vatic NoHo www.nohoartsdistrict.com

November 14-16 at El Portal Theatre in the NoHo Arts District. TICKETS>>

**** @OfficialNoHo

For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com.

How to Prepare and Condition for Long Hikes

IncaTrail Hikers 1

With the weather cooling down a bit here in SoCal in our “winter” months, it’s usually terrific hiking weather. So start planning some day hikes and really enjoy the sights and sounds and the scenery that outdoors and nature has to offer.

One thing I always recommend is if you are going to buy some new hiking shoes, break them in at least a week before your big hike so you don’t get blisters. Just wear them around the house and make sure they feel good. By the way, the best time to try on new hiking shoes is towards the end of the day. That’s because our feet are usually more swollen at that point of the day. You wouldn’t want to buy a pair of shoes that are too tight because you tried them on in the morning.

One of the best ways to prep for a hike is walking stairs. Create a routine of walking up 10 flights of stairs, at least twice a day. If you don’t have access to a stairwell, use a park bench or something you can step up and down on. This activates your glutes and quads which will be your major muscles doing the work when hiking through elevation.

If an inside gym is more ideal for you, then crank up the incline on a treadmill to level 10 or so and just walk. Try to do at least 30 minutes. If you need to interval it, you can do 2 minutes at level 10, then turn it down to level 2 for 1 minute, and then back up to level 10 and repeat for at least 30 minutes.

Another method of conditioning for a long day hike is to fill up a backpack with about 30 – 50 pounds of weight and just hike some local short trails. This will get your heart pumpin’ and legs burnin’ for sure! But it’s oh so good to get you up to par for a longer duration hike.

When you do go on your long day hike, make sure to bring at the very least 3 liters of water (I always use a backpack that has a bladder, and additionally I have a belt that holds a bottle of water). It’s always a good idea to bring a flashlight, some munchies for energy, and have a clear picture of how long your trail is and how long it will take. Do your research ahead of time so there’s no surprises along the way. Hiking with a partner or a group is always suggested.

I’m excited to be organizing another international Active Hiking Trip, and here’s the official group trip page for the April 16-24, 2015 Peru Adventure, featuring the 4-day hike to Machu Pichu on the Classic Inca Trail.

http://www.zephyradventures.com/adventures/peru-machu-picchu-inca-trail-private-trek-with-jack-witt/

We’ll arrive at sunrise to the ruins of Machu Picchu on Earth Day 2015. How cool is that!? Our group will have private porters and a private chef travelling with us too. It’s luxury camping at its best!

*** This experience is high on the bucket list for many people. My group is limited to 20 people. Passes to the trail sell out well in advance, so a $500 non refundable deposit is due no later than December to secure a spot on this Adventure if you’d like to come along with me.

We’ll be doing some local hikes to prep for the trip. If you’d like to join us, sign up for free on my MeetUp page at http://www.meetup.com/incatrail/

See you on the Trails !

Cheers,

Jack Witt, MS, CPT
Fitness and Health Coach
“Get Fit with Witt”
Individuals / Groups / Corporate
310.562.5629 Cell / 818.760.3891 Main
www.getfitwithWitt.com
https://twitter.com/GetfitwithWitt

* New exercise & diet books “Tight, Tone, and Trim” and “Cut, Cool, and Confident“

* Peru Adventure Trip with Machu Picchu Hike April 16-24, 2015

Toluca Lake Christmas Trees – North Hollywood-Burbank, Studio City

Best price for christmas trees in north hollywood! Toluca Lake Christmas Trees

Toluca Lake Christmas Trees discount coupon
Print card as coupon

Offer Expires Dec 24 2014

With purchase of a tree present this coupon to receive:
Free admittance to petting zoo.
Free water stand.
$4 Off any tree marked $40 to $60
$5 Off any tree marked $50 or more.

Toluca Lake Christmas Tree Lot and Petting Zoo
open 10 am to 9pm every day.
10601 Riverside Drive North Hollywood (at Cahuenga next to Toluca Lake Flowers)
818 -505-8039 and 818- 769-1151

The Toluca Lake Christmas Tree lot in the North Hollywood NOHO area prides itself of its Holiday Christmas Trees. Family owned by the Toluca Lake Flowers Shop, they have been serving the community for 67 years.

The Toluca Lake Christmas Tree offers a myriad of beautiful trees such as Noble Firs, Grand Firs and Douglas Firs; even living Christmas trees such as Living Nordman Fir, Dwarf Alberta Spruce trees. Trees vary in range from table tops to 15 footers.

Most tree lots have the trees exposed to the elements. The Toluca Lake Christmas trees are kept under cover to ensure the freshest tree possible and to protect them from the sun.
The moment they arrive, all trees are placed and kept in a water stand to grantee freshness. The water is checked every day all day long. Many other Christmas lots never keep the trees in water and are kept in the heat of the sun. “ I give the customers the water stand for free”, commented Steve Benveniste who has bee the proprietor of the Toluca Lake Christmas Trees since 1981. “Keeping them in water also helps reduce the chance of them catching on fire. I want my customers to have a fresh and fragrant tree throughout the season. I feel better about it.”
The freshest of Christmas trees are brought in directly from the best Christmas Tree farm in Oregon . They also fire proof the trees as an extra service for those who want it. Other services include: delivery, pick up, white flocking, clear fire proofing and decorating.

The Toluca Lake Flowers Shop will care for all your holiday floral needs. We have holiday centerpieces, beautiful bouquets and stunning floral arrangements made fresh upon your order in thick wicker baskets, ceramic containers or clear glass vases. Wreaths, Garlands and customized Poinsettias available in small plant sizes to large lobby size bushes as well as beautiful hangings.
Toluca Lake Christmas Trees and Toluca Lake Flowers Shop services all major Studios, Hotels, Banks, Car Dealerships and Communities though ought the grater Los Angeles area.
We are competitively priced and our services as well as our quality are unmatched!

Your ultimate Christmas decorations can be organized by us . Be it a corporate party where you require a Christmas centerpiece for your tables or just decking your halls.
Beat the holiday madness and call in your order now!!! 818 505-8039

We look forward to serving you again this Holiday Season.

http://tolucalake-pumpkins-christmastrees.com

Sustainable Indifference at NoHo Senior Arts Colony

NoHo Senior Arts Colony will feature the artwork Sharon March, at its latest professional art exhibition titled “Sustainable Indifference.”

Sharon March NoHo Senior Arts Colony www.nohoartsdistrict.com

The NoHo Senior Arts Colony, a senior apartment community for adults ages 62+, will feature the artwork Sharon March at its latest professional art exhibition titled “Sustainable Indifference.” The apartment community will welcome this latest art exhibition by hosting a free opening art reception on Tuesday, November 4 from 6- 8PM. The event is open to the public and will include live entertainment, refreshments, and a chance to meet the artist.

The works in Sustainable Indifference, a selection of paintings, drawings and photography, explore social and emotional ambiguities in our culture. Oils on canvas include varied contemporary abstracts. The approaches are as diverse as the subject matter.

A technical pen is used to create the series of ink on paper. Cross-hatched lines form intimate images of the vulnerable.

Inspired by the large-scale homeless population in Los Angeles, Sharon took up black-and-white street photography. Her photos are visual documentation of the ignored.

Sharon March NoHo Senior Arts Colony www.nohoartsdistrict.com

OPENING RECEPTION: Tuesday, November 4, 2014- 6:00 – 8:00 pm

ON VIEW: November 4 – December 22, 2014
Open Daily 10am to 5pm

WHERE: The Gallery@NOHOSAC | 10747 Magnolia Blvd., N. Hollywood, CA 91601 | 818.985.2200

Sharon March NoHo Senior Arts Colony Sustainable Indifference www.nohoartsdistrict.com

Sharon March

“I am intrigued by the emotional life that defines and, if allowed, disintegrates our will. With images formed with color and line, I strive to communicate who we are and what we share.”

After years as a dedicated foodie in the wholesale gourmet food industry in Miami, she has returned to her art full-time. She founded ArtView Gallery in Chatham, NY, which featured innovative contemporary art by emerging and established artists. Exhibits explored sculpture, photography, and abstractions as well as traditional representational pieces.

Sharon was born in New York City, where she studied art at Hunter College. As an art director she worked in advertising in Manhattan and Miami. Painting in oils and drawing with ink have been her mediums of choice. A move to LA in 2013 began an interest in street photography.

The Gallery @ NoHoSAC: A Nonprofit EngAGE presents ~ The Gallery @ NoHoSAC. NoHo Senior Arts Colony. A contemporary space that is the perfect backdrop to display the work of today’s visual artists. The gallery is located in the NoHo Senior Arts Colony and the space is shared with The Road Theatre Company.

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com.  

Movie Review – Birdman – or A Star is Re-born

Birdman or (The Unexpected Virtue of ignorance) puts Michael Keaton back where he belongs: at the center of a comic, edgy, exhilarating cinematic endeavor that makes full use of his expansive talents. Containing certain parallels that are impossible to ignore, Birdman casts Keaton as Riggan Thomson, a has-been Hollywood actor whose main claim to fame is that he portrayed the superhero Birdman, only to desert the franchise after only two films.

Now he wants to revive his career on Broadway by writing, directing and starring in an adaptation of Raymond Carver’s What We talk About When We Talk About Love. It’s not long after the film begins that we realize that Riggan is fighting a war on many fronts: his new lead actor (Edward Norton) has an uncompromising desire for realism, as well as the ability to alienate anyone he comes in contact with; Riggan’s girlfriend (Andrea Riseborough) may be pregnant—and would like to know where he relationship is heading; his recovering drug-addict daughter (Emma Stone) has a penchant for saying what she thinks, none of it being comforting to Riggan; he believes perhaps rightly) that the critics are out to get him for being a Hollywood dabbler without stage training); and all the while he is taunted by Birdman himself, a younger version that mocks Riggan’s pretensions towards art.

As directed by Alejandro Gonzalez Inarritu, with a script by Inarritu, Nicolas Giacobone, Alexander Dinelaris and Armando Bo, Birdman is riveting from start to finish. Filmed to resemble one continuous long take for most of the film, the effect is that of being thrust into Riggan’s external battles and inner conflicts. We follow him from encounter to encounter, most within the increasingly narrow confines of the St. James Theater (where much of the movie was filmed). Enhanced by a score that allows for classical interludes as well as an insistent drum score, Birdman takes on a journey through Riggan’s struggle to get the play ready for opening night—and prove himself to be a viable, relevant presence in the current cultural landscape.

The performances are all top-notch, with no false notes to be had. Edward Norton, who had his own brush with superheroism with The Incredible Hulk, is dynamic as the brash, arrogant Shiner who is both Riggan’s bane and possible artistic salvation; Emma Stone is terrific as Riggan’s plain-talking daughter who recognizes something of worth in both Riggan and Shiner; Amy Ryan makes her limited appearances count as Riggan’s concerned ex; Naomi Watts and Andrea Riseborough excel as the two leading ladies at professional and personal crossroads, while Zach Galifianakis is a revelation in a subdued, layered performance as Riggan’s conscientious manager. Towering above it all (almost literally at times) is Keaton’s powerhouse performance as Riggan. Whether he is trashing his dressing room, desperately trying to cope with Shiner’s machinations, attempting to justify himself to his ex-wife or the Times critic (an acidic Lindsay Duncan) or expressing encouraging endearments to Watts and Stone, Keaton takes Riggan’s contradictory qualities and molds them into one complex, entirely credible character who will perhaps reap the rewards come Oscar time.

 

One mile NoHo has LOTS to do.

Here’s your NoHo arts community update!

We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District. Every OTHER Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of the NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood…ENJOY NOHO!

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, bookmark nohoartsdistrict.com.  

Halloween Pet Safety Tips

Howl-o-ween is almost here! Now that your furry loved ones are ready to prance in their spiffy pet costumes, read up on these safety tips to cover all the bases on this year’s Halloween, which lands on a busy Friday night. Keep these tips in mind as you frequent the town or have the party come to you.

No Halloween Candy!

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Halloween treats are for us humans, not our pets. Your doggies and kitties love the same pet treats year-round, so avoid getting fancy with candy meant for people. Specifically, chocolate is one of the most toxic to pets. Many dogs are inherently attracted to the taste and smell of chocolate, making it especially important to keep them away. Have your pets’ yummy familiar treats handy and readily available to avoid this problem. Candy other than chocolate should also be avoided. When large amounts of sugary, high-fat candy is ingested, pets may develop pancreatitis, which is a very painful inflammation of the pancreas and is potentially fatal. Watch out for symptoms such as loss of appetite, lethargy, diarrhea and vomiting. Avoid this danger by keeping the treats away and keeping a close eye on your pet throughout the night.

Keep Pumpkin Away From Pumpkin

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Jack-o-lanterns are the most popular Halloween decoration by far, but the festive decor should be kept in designated areas to keep pets and passer bys safe. If eaten, decorations like pumpkin and corn can cause pets an upset stomach. Electrical wires used for lighting decorations should also be out of plain access to avoid being chewed on. Your pet may not usually chew on wires, but a layout of new wires in a familiar place may be tempting. If candles are used, be especially safe with where the pumpkins are placed. Candles can cause hazards if knocked over. Cats are likely to gravitate toward the flicker of the flame to play with it.

Keep the Birthday Suit Option

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Pet costumes are always super fun, but don’t force them. Wearing a costume for some pets can cause undue stress, so make sure before you put them in one that they absolutely love it! Choose a costume that does not restrict any natural movements, and have your pet try it on before the big night to observe any allergic reaction or fidgeting. If there are any signs of discomfort or distress, better to let your pet hit the big night in his/her birthday suit instead!

I.D., MICROCHIP AND TAG!

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This is a year-round protector, but always double check everything before a big holiday. Halloween is a very outdoors event which makes it easy to lose pets. If you’re staying in, the opening of house doors for trick-or-treaters or invited guests leave more opportunity for pets to bolt out, especially if your pet gets anxious with so much front door activity. Along with maintaining proper identification, consider having your pets in a separate room away from all the activity. It’s okay to have a party pooper! The knocking and shouting at your home entrance often causes a lot of stress which adds to the possibility of runaways. Keep your pets cozy and safe in their own room and shower them with hugs and pet treats throughout the night.

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Recap and share these tips on your instagram with hashtag #NoHo and #Howloween using the pic below. We’d also love to see your pets on the big night! Tweet us and tag us, and enjoy your Halloween!

4th Annual World Dance Awards Brings Biggest Names in Dance World

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4th Annual World Dance Awards Brings
Biggest Names in Dance World Together to Celebrate Best in Media Choreography
“So You Think You Can Dance,” “Dancing With The Stars,” “American Idol,” “American Music Awards,” “Emmy Awards,” “Kids Choice Awards” and many more

 

WDA 2014 Back

WHAT: World Dance Awards 2014 with Host Robert Hoffman (“Step Up 2:The Streets”)

WHO: Produced and Presented by Allen Walls & Carey Ysais
Celebrities expected to attend: Debbie Allen, Jamal Simms, Sharon Leal, Chris Judd, Cynthia Manley, Dave Shelton, Calista Carradine, Pamela Bach-Hasselhoff, Drew Waters, Reatha Grey, Miss Malibu 2014, Sam Sarpong, Trae Ireland, Carmit Bachar, Quinton Aaron, Urban Xtreme, Vincent Paterson, Christopher Scott, Liz Imperio, Jeff Hornaday, Fatima Robinson, Rick Moore, Eric “EZ” Zuley and more

WHERE: AVALON Hollywood 1735 Vine St., Los Angeles, CA. 90028 (323) 462-8900

WHEN: Sunday, November 2, 2014 Red Carpet at 6pm & Show 7pm
For more information visit: www.WorldDanceAwards.com

ADMISSION: Tickets are on sale now! General Admission – $15. presale/$20. at door,
Reserved Seats – $30. presale/$40. at door, VIP Seats – $50. presale/$60. at door

ONLINE TICKETING: http://www.worlddanceawards.com/buy-tickets/

PHONE TICKET ORDERS: (818) 261-9474

“World Dance Awards” is an annual international dance awards show, honoring the best in media choreography. The categories are: Feature Film, Television Episodic, Television Live Performance Award Show/Special, Commercials, Music Video, and Concert/Live performance. This annual event will bring attention to the Professional Dance community through performances and celebration.

We are also excited to announce two special awards!

Next Generation
This year’s “Next Generation” award given to choreographer WILLDABEAST ADAMS who will be given the opportunity perform his piece LIVE at WDA 2014 show.

Next Generation Danceamatic
The “Next Generation Danceamatic” award is given to an online content creator. The winner will be honored by having their award winning video played at the WDA 2014 show.
www.danceamatic.com

PERFORMANCES BY: Anthony Johnson’s Ballet Magique, Jordi Caballero & Ekaterina Fedosova, Andrew Winghart, Nicole Kirkland, Dana Foglia Dance, Control Freaks, Noel Bajandas, Academy of Villains, WillDaBeast Adams

SPONSORS: SAG-AFTRA One Union, Joe Tremaine Conventions & Competitions, Go 2 Talent Agency, BLOC Talent Agency, The Movement Talent Agency, Clear Talent Group, McDonald/Selznick Associates, The S Agency, Ultimate Underground, EZ Way Broadcasting, NOHOArts District.com, Shine On Hollywood Magazine, Dance Plug, Dancers Alliance, Danceamatic , The Carnival, Dancers Global.

*A portion of the proceeds will benefit Career Transition For Dancers*

Program Ad Sponsorships – This is a wonderful opportunity to advertise products and services in a beautiful keepsake program, full of vibrant images and exciting information to be distributed in over 700 programs among our audience members.

Donation Sponsorships – We really appreciate your continuous support in helping keep the art of dance alive. In appreciation for donations, we will offer a special gift and a big “THANK YOU”!

For More Information On Ads or Donations, Contact Allen Walls (818) 261-9474 or Allen@WorldDanceAwards.com Submissions Due: October 21, 2014
All artwork must be in JPG format and at least 300 dpi.

 

Interior Design – What I like about this room Pt 3

I love this space. It reminds me of an apartment I did years ago. It was a small studio apartment and I really needed to be creative with the space planning. This space is very bright and cheerful. Plenty of lighting is key to make this space function well. With tons of storage space, it allows both areas to be set up for multi-use.

The dining area doubles as an office space if needed, while the living area can double as a bedroom. The wheels on the coffee table make it perfect as it’s easy to move when ready to open the sofa into a bed. The enclosed cabinets allow for storage and displaying is easy with the open shelving.

One of the few things I’d change is to add lighting to the living area. Either recessed lights or sconces hard wired into the wall to save space. And may some woven shades could be add for additional privacy.

Enjoy!

No more crazy NoHo parking signs?

‘You shouldn’t need the Rosetta Stone to park in Los Angeles.’

Councilman Paul Krekorian Sets Out to Simplify L.A.’s Confusing Parking Signs

Well, North Hollywood and the rest of Los Angeles, we got some good news on parking. No, they haven’t eliminated parking tickets. But it’s going to be a lot easier now to not get a ticket. Councilmember Paul Krekorian’s idea to make L.A.’s confusing parking signs readable, simple and understandable got an enthusiastic welcome at the L.A. City Council Transportation Committee hearing this week. Krekorian drafted a City Council motion urging the city pursue an alternative, grid-style sign that lays out a 12-hour cycle where parking restrictions are clearly represented in green and red.

Los Angeles parking sign resdesign www.nohoartsdistrict.com

“Everyone who drives in this city has had to deal with deciphering our confusing and complex parking signs, said Krekorian. “I don’t want parking to be a guessing game where people worry about getting ticketed because they can’t easily tell what the restrictions are and when they are in effect. You shouldn’t need the Rosetta Stone to park in Los Angeles. My motion proposes that the city create new, grid-style parking signs that provide more useful information that is both simple and obvious to everyone.”

Los Angeles Parking Signs Redesign www.nohoartsdistrict.com

Read Councilman Krekorian’s parking sign redesign motion

LA’s Department of Transportation agreed with Krekorian’s motion and will bring back multiple sign proposals in 45 days. Then, the full City Council will vote on implementing the signage as a pilot program in a targeted area of the city. Krekorian would like to see the pilot program, if successful, spread throughout all of L.A.

In the meantime, if you see a crazy sign around L.A., take a photo and email it to councilmember.krekorian@lacity.org or post it to the councilman on social media using the hashtag #isawthesign.

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com.  

Black-ish TV Show Review

“The Mythical and Majestic Black Family Returns to Television”

Black-ish comedically details the lives of an upper middle class African American family grappling with the assimilation of black culture into mainstream America. Andre Johnson, known as Dre (played by comedian Anthony Anderson), is a family man who deeply struggles to gain a sense of cultural identity while raising his four kids in a predominantly white, upper-middle-class neighborhood. Helping Dre cope with the pressure of “keepin’ it real” is his wife Rainbow, played by Tracee Ellis Ross (actress and daughter of famed singer Diana Ross) and his father, affectionately known as “Pops” is played by Matrix star Laurence Fishburne.

A bit jarring at times, Black-ish is brave, funny, and highly relatable. It breaks down the doors of antiquated, yet often used racial stereotypes held by both blacks and whites and deals with them head on in a clever and amusing way. The pilot starts off with a profound critique to the black community when father figure Dre states, “Black people have dropped a little bit of their culture and other people have picked it up.” He continues on by pointing out that “In the urban world Justin Timberlake and Robin Thicke are R&B gods, Kim Kardashian is the symbol for big butts, and Asian guys are just un-holdable on the dance floor.” Dre even goes as far as to imagine that his family is standing on the front lawn hearing a white tour guide describing them as “the mythical and majestic black family out of their natural habitat, yet still thriving.”

Since its premiere, ABC’s “Black-ish” debuted to over 10 million viewers making it the season’s No. 1 New TV Show with Adults 18-49. Black-ish makes it easy for the average viewer to connect with its storyline and its plethora of clever jokes, but there might be some subject matters that may just surprise some people. As noted by Linda Holmes from NPR, “there’s a candor about the way that having money affects Dre and Rainbow’s sense of who they are and how they’re raising their kids that’s very uncommon in a world where the obviously rolling-in-dough families on Modern Family, for instance, almost never discuss it.” And she’s right. Whether due to ignorance for some, lack of diversity and/or white privilege for others we are easily blinded to how people, particularly minorities in this country experience the world. But where many sitcoms of the day choose to dance around racial presence, this particular one celebrates it. With that in mind is “the mythical and majestic black family” claim too off base in this day and age? I think not, seeing as most people are unaware of the fact that it has been 13 years since network television premiered a sitcom with an entire black cast (the last show being Bernie Mac Show in 2001). The black family sitcom, so prevalent in the mid to late 1990s has been hugely underrepresented on network television through much of the 2000s. An unfortunate break that, in my opinion, went far too long.

So what makes this sitcom stand out above the rest? It’s the fact that Black-ish successfully reintroduces America to the black family unit in its current and most true form. As an African American who’s also an avid TV viewer, what struck me most about it was the diversity of thought on what it means to be black in America. Much like the real life conversations I’ve personally engaged in each member of the Johnson family carries a unique viewpoint about what “black-ness” means to them. Whether it’s the two youngest twins who didn’t know “Obama was the first black president” or the two oldest siblings who are indifferent toward the same subject, the point is their experiences are valid and no one more valid than the other. That’s the kind of black family I grew up in, it’s the kind many of us grew up in. And that’s what makes this sitcom special.

In the end, Black-ish is smart, hip, and downright funny. Its fresh and interesting approach to conflict and dialog is easily relatable to people of all walks of life. Its brilliant cast makes the show feel warm and friendly even to the hardest of sceptics. At its worst, Black-ish is entertaining, at its best, it might help move the conversation of race forward in this country. Who knows, after 13 years, the Johnsons, similar to the Huxtables, might just be the one mythical family to help wake us up and get America really talking about race again.

Movie Review – Gone Girl – A Virtually Spoiler-Free Review

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Gone Girl, David Fincher’s eagerly anticipated adaptation of Gillian Flynn’s bestseller, is the cinematic equivalent of a page-turner…and one whose pages I did indeed turn during the summer.

While it’s difficult to review a movie as a separate entity when the source material is still fresh in your mind, it’s even more difficult when the very things you might wish to criticize are certain plot developments that could conceivably be perceived as spoilers—thus unintentionally ruining the film for prospective viewers unfamiliar with the twists and turns of Flynn’s generally faithful screenplay.

Gone Girl preserves many of the strengths of Flynn’s novel. The plot centers around Nick Dunne (Ben Affleck), who returns home on his fifth anniversary to find that his wife (Rosamund Pike) is missing—and there is evidence to suggest she may possibly be dead. A sympathetic police detective Boney (an excellent Kim Dickens) leads the investigation, accompanied by her not as accepting partner Officer Gilpin (Patrick Fugit). Through flashbacks, both from Nick’s point of view, as well as Amy’s (courtesy of her journal), the viewer sees a marriage in disrepair, and that Flynn’s real concerns go beyond the traditional thriller structure. Amy and Nick’s marriage has been running on fumes; the romance is long gone, only despair and distrust remain. Their idyllic existence among the sophisticates in New York has given way to the savage realities of today’s economy, as both of them have lost their jobs and have been forced by circumstances to move back to Nick’s hometown in Missouri. The scavenger hunt that Amy forces Nick to play every year has now become a record of Nick’s shortcomings. They have long since stopped having meaningful conversations, including any discussion about whether they should move or not; Nick has made that decision without consulting Amy—much to her eternal dismay.

In broad strokes, Flynn and Fincher create an environment where nothing is what it seems: not Nick, who has his own secrets; not Amy, who has qualities heretofore unknown to her occasionally obtuse husband (as reservoirs of bitterness flood over her journals); not the townspeople who show their support on Sunday and are quick to turn against Nick on Monday. The only one who has any kind of consistent faith in Nick is his twin sister (Carrie Coon, superb). Filmmakers and writers alike have long criticized the fickle, savage nature of the mob mentality, and now with the prevalence of social media and twenty-four hour partisan newscasts, Flynn and Fincher have cast their satirical net a little wider, and the results are effective, if a little obvious (especially since real-life “newscasts” have become virtual parodies themselves). At its best, the movie is brimming with dark humor amidst a pervasive sense of unease and suspicion—all enhanced by Trent Reznor’s haunting score.

The problems with Gone Girl come in the final quarter, as certain plot twists become too difficult to accept, based on our understanding of the characters. Heretofore intelligent characters behave rather stupidly, other characters develop a rather cold-blooded streak, and the final scenes seem to be the result of an author who has written herself into a corner and would like to dodge the traditional thriller route, but finds herself without a convincing, coherent, credible conclusion. While people do behave in an implausible (dare I say incredible) manner in thrillers all the time, the characters should possess at least a modicum (perhaps a scintilla) of plausibility—especially when some presumably meaningful insights about society, marriage and relationships are incorporated within the course of the work.

Fincher and Flynn are fortunate to have a good cast at their disposal. Besides the afore-mentioned Dickens and Coon, Tyler Perry does some of his best work as a slick defense attorney who specializes in cases like Affleck’s, while Neil Patrick Harris is sympathetic in an oddly underdeveloped role as one of Amy’s “admirers.” Rosamund Pike makes for a satisfactory Amy, until the plot demands take their toll; in the end however, it’s Ben Affleck who holds the movie together. As Nick, Affleck conveys a bewildered everyman demeanor that maintains the viewer’s sympathy even as events (and poor choices) conspire against him. Fincher and Flynn are indeed lucky to have Affleck at the center of a generally engrossing film that keeps one interested even if it doesn’t quite hold together in the end.

Independent Filmmaking – Can I? should I? Am I good enough?

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‘The Race’ 2011, Burbank.

Feeling a bit overwhelmed and intimidated?

You are not alone…

This is the beginning of the season of awards, fall film festivals and lots and lots of screenings.

Living in LA we are surrounded by the movie business, and that can be intimidating for very independent filmmakers because, well, everyone is bigger than you.

Or at least that is how it seems at times.

But remember, everyone who lives in a big house, drives a big car and seems to know what they are doing certainly didn’t begin that way. And they still have mortgages and car loans and self-doubt.

So look at the plethora of film makers, venues, screenings, festivals and the like as a good thing.

Go to these events, watch whatever you can, and truly absorb the art of it, because, as very independent filmmakers, the business side of things can be a bit intimidating and ultimately, if you do ever get some actually money to make something, there will be someone else in charge of that stuff anyway.

You don’t need to know everything about everything.

Concentrate on what you do have control over. Right now.

That would be your film. Your art. Your baby.

I recently went to a film festival in LA, by the beach, let’s not say which one…

I had a lovely friend of mine who has made a beautiful and poetic short film, and it was showing at the festival, so I went to support her….

When I got there, things seemed somewhat chaotic.

Actually the people in charge didn’t seem to be in chaos exactly, on Zanex perhaps, or something that had taken them beyond the stage of calm and into the realms of zen.

While this may have been working for them, it certainly wasn’t helping the festival do what it was supposed to, namely show films. We found our way to the film ‘marque’, which is a very kind description. It was 100 degrees and the screen swayed gently as the trucks rumbled by. There was no introduction, no pageantry, and no refreshments. There was also, very importantly, no audience.

This is very important. Why would anyone go to all the trouble of entering a film into a festival, which involves a fee too, when, if they are chosen to take part, for which there is no guarantee regardless of the entry fee, the festival consists of a few people sitting in a tent with a projector and a DVD machine?
The point of festivals, whether it’s music or art of film, is to mix with people who are interested in the same things you are. To revel in the art form, to make connections, to get valuable feedback and maybe even future collaborators. That’s really what filmmakers pay for when they hand over their fees. The hope of getting seen and not just by the other filmmakers with films being shown who are attending the festival.

Clearly this festival was mismanaged. Unforgivable, especially for LA. My friend’s film wasn’t even able to be played! Something wrong with the DVD player! So we relocated to the main hall, which wasn’t bad actually, where it was finally shown but the sound was so low we could barely hear it. My lovely friend was very disappointed, she had just had an infinitely better experience at a festival out of town the week before, thankfully, and we did trot off for a nice lunch afterwards, but really…

I think my point is, if you are brave enough to write it, film it, edit it and put if out into the world, in competition no less, and pay for the privilege, you should at the very least have an audience, some snacks, AC and a bit of respect.

Being selective about the festivals you enter is one thing, and an entirely other article, but you also need to do your homework on what you are attending.

Once you have, with better luck than we had last weekend, then take everything in. The films, the audience, what they respond to and what they are bored by. They are, after all, rather important to the filmmaker. Not that I’m saying you should pander to the crowds, perish the thought, but its smart to know what an audience ‘feels’ and why. This can only benefit you as a film maker.

One of the most surprising things I have got from attending festivals, or screenings, is encouragement. I assumed, before I began attending festivals and quite incorrectly as it turns out, that seeing other filmmakers work and being surrounded by the success of completed projects, might make me feel less worthy somehow. That I would compare my work to that around me and that mine would suffer in the comparison.

But this is not at all the case.

I felt inspired. I felt encouraged and I felt completely at home.

Even though the films I make are made with no money, few resources and no intention for profit, to me they not only compare favorably to films from all over the world, but a lot of the time I actually come away thinking mine were just as good, if not better than most.

That’s not just because I’m being a twit, it’s because we are all talented, we are all capable and we all have our wonderfully unique perspectives and our stories to tell. So why wouldn’t my stories be just as valid as any other?

Sitting in the dark with strangers who are all as feverish about film and filmmakers as you are is a blessing too regularly overlooked and taken for granted. If you see cinema as your church, then being with your congregation, in venues large and small, and the collective inspiration that group worship affords, can only ever make you feel connected to your world of filmmaking.

It can and will inspire you to make more films, big, small and somewhere in-between and always very, very independently.

 

It’s I Love Lucy Day

Today we celebrate the comic genius and the woman who made households around the world laugh…and still laugh! It’s I Love Lucy Day!

I Love Lucy Day www.nohoartsdistrict.com

Monday, Oct. 15, 1951, I Love Lucy premiered at 9 p.m. on CBS. The series, starring the beloved Lucille Ball, Desi Arnaz, Vivian Vance and William Frawley, ran for six seasons and went on to become one of the most watched sitcoms in TV history. Have you watched any episodes recently? The NoHo Arts District dot com team did and we are still laughing. Even after decades, the show still makes you smile and, yes, laugh out loud. The NoHo Arts District honors I Love Lucy with its bronze statue of Lucy and Desi in the Television Academy statue garden, home to statues of TV legends and pioneers.

I Love Lucy, Lucy and Desi statue www.nohoartsdistrict.com 
 NoHo Tours Director showing NoHo Visitors the Television Academy statues of Lucy and Desi

I Love Lucy is always on the most “Best TV Shows of All-Time” lists for a lot of reasons. Aside from it being comic genius it was ahead of its time and a pioneer of TV as we know it.

I Love Lucy show was filmed in front of a live audience, and this was during the time when most shows had a “canned” laugh track.

The show was filmed with three cameras at once so there wouldn’t be a need for retakes of the scene. This would have been difficult and monotonous for a live audience! But did you know? They say that nothing was adlibbed and it was always scripted and well rehearsed.

Desilu, Lucy’s and Desi’s production company, kind of invented the rerun. When Lucille Ball gave birth to their two children, she needed a little time to recover before going back to work. So episodes of the show that had already aired were aired for a second time – and, well, they were very popular. And, voila! The rerun was born.

In 1952, Lucille Ball’s pregnancy was written into the show but they had to use “expecting” because the word pregnant/pregnancy was tabu. Each of the pregnancy episodes had to be reviewed by a minister, priest and rabbi to make sure they wouldn’t be offensive.

I Love Lucy was the first to series to end its run at No. 1 in the Nielsen ratings.

After her divorce from Desi in 1960, Lucille took control of Desilu, becoming the first woman to head a major Hollywood. Desilu produced Star Trek, The Untouchables, My Three Sons, The Andy Griffith Show, The Dick Van Dyke Show and My Favorite Martian.

I Love Lucy broke racial and social barriers because it was the first television series to show an interracial couple.

PBS’s “American Masters” did a great piece on Lucille Ball.

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**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com.  

Kulak’s Woodshed – The Best Kept Secret in the Valley

Recently voted the Best Open Mic in the Los Angeles area.

One little store front on Laurel Canyon Boulevard is home to one little funky music spot. Kulak’s Woodshed is a professional recording studio/listening room and one of the Valley’s best kept secrets. Its eclectic setting has a vibe that is all its own and is a great place to hear both up-and-coming artists as well as the music of seasoned professionals.

Want to play and be heard? Then just take a look around and you’ll find everything from guitars to stand up basses and a plethora of percussion instruments, including a full size drum kit. The dark green painted walls are a treasure trove for vintage items such as record albums, collectors’ books, toys and other bric-a-brac of a bygone era. It’s also impossible to miss the baby grand piano standing proudly in the middle of the room.

My eyes danced around the room and landed on the coolest thing in the world – A high definition camera mounted on the ceiling via an upside down skateboard! The skateboard’s wheels are set on an aluminum track and when the control is triggered, the board and camera roll down the track capturing an amazing view of the room.

I took the time to have a chat with the General Manager of the Woodshed, Jeremy Goldsmith, whom originally hails from London, UK. About six months ago Jeremy encountered Kulak’s Woodshed while exploring open mics throughout Los Angeles.

“I’m pleased to be a part of a very warm community of people who love music and encourage creativity in others. I’m somewhat of a rare breed; a musician who’s good with paperwork!”

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Paul Kulak was looking for volunteers so Jeremy offered to help. Changes are underway as Jeremy revamps the website and live webcast. Kulak’s Woodshed is looking at ways to increase revenue to help fund continuing improvements. The Woodshed is staffed entirely by volunteers. There are ongoing volunteer positions available for fundraising and marketing. Kulak’s Woodshed volunteers also enjoy the exciting opportunity to practice and learn all of the skills required to run a television and recording studio!

The Woodshed, which is a project of the Pasadena Arts Council (itself a nonprofit organization) is a 49 seat, professional recording studio/listening room with 5 HD TV Cameras that broadcast all their events live on the internet. Check out their upcoming events on their Calendar or contact them to book your own studio recording time. Just visit www.kulakswoodshed.com for more information or contact Jeremy at jeremy@kulakswoodshed.com. He’ll be happy to answer any questions you may have.

NoHo Gets A Touch of Romance

Sex and Fun Only Two Miles Way!

Where in North Hollywood can you find an exciting environment to explore human sexuality and to acknowledge the freedom to do so? We know of a place in North Hollywood – “A Touch of Romance” located at 12512 Victory Blvd.

A ouch of Romance www.nohoartsdistrict.com

A Touch of Romance is owned by Peekay, which is a retail leader in educating customers, primarily women and couples about the essential role sexual wellness plays in overall health and well-being. This unique store carries fabulous lingerie, novelties, lotions, toys and many more things left to your imagination. The store also has interactive wellness stations allowing customers to watch and browse educational videos, pamphlets and articles.

Peekay was founded by women and has always supported many charities and causes that are dedicated to advancing the sexual health of women. By staying true to their mission and vision, Peekay continues to make positive contributions to its local neighborhoods and society as a whole.

“Every year we raise money during Condom Week for Planned Parenthood. Last year we raised over $15,000 for Save the Ta-Tas during the month of October. This year, we’re doing the same and donating a percentage of our Sutera Toys sales to Save the Ta-Tas. In the past we’ve also supported Lifelong AIDS Alliance and WSCFF Burn Foundation,” said Kimberly Noble, Sr. Marketing Coordinator

A Touch of Romance www.nohoartsdistrict.com

This is what A Touch of Romances says about SEX:

“Embracing sexuality is the greatest health and beauty secret. It makes the skin glow and the heart pump. Who needs the gym? Sex is the most satisfying and effective wellness treatment. It’s an essential pleasure, good for mind, body and spirit. Sex is great and great sex even better. Sex is the ultimate win win.

Once a taboo subject, sexual wellness is now as important to health-conscious Americans as their physical and mental well being. In North America alone, sexual wellness is a $500-million-per-year industry, and growing, and polls show that 73% of Americans aged 57 to 64 reported being sexually active.”

A Touch of Romance www.nohoartsdistrict.com

A Touch of Romance
12512 Victory Blvd.
North Hollywood
818 452-7053

https://www.facebook.com/ATouchofRomanceStores
Twitter: @ShopRomance

Now’s your chance to win a $25 to A Touch of Romance in North Hollywood!

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**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com.  

Dancer Health: Facts from your Feet

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Self-care comes into play once we are aware that we need it! Usually this comes from an injury or pain, or maybe a great instructor or director gives you a heads up about how to become a better you. Being detective-like and curious about health and wellness can lead you to some great discoveries.

Have you looked down in awhile? Your feet can be like the “Check Engine” light going on in your car. Do you know the signs?

Excessive Floor Burn and Bruises:
This can indicate too much force or tension. Try using the breath to phrase the choreography or combination, inhaling and exhaling with key movements. The act of breath exhalation contracts core musculature for greater support. Which leads me to ask, are you supporting your center of movement or are you throwing yourself into the floor? You may need more strengthening and control of your body to synchronize and coordinate your body. Breath support helps this too. Also consider softening into the floor and connect with those points of contact, intentionally and in a connected way.

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Scrunching Toes:
Look down during center. Are your toes flat against the ground or are they scrunched up as though they were grasping the floor for dear life?! This can be a secondary reaction to concentrating really hard on other things that the feet get left behind. This can also be a sign of needing grounding through the leg. One way to do that is to release the excess tension in the feet and shins and calves, and release the weight into the floor. This can also be a sign of weak stabilizing muscles and connectivity through the legs from the pelvis. Conscious movement with attention to the feet can help with alignment and releasing tension patterns. Break down your typical movement, go slow and steady, and problem solve and feel into how to support each movement more fully.

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Take a look at your pointed foot. Are the toes long or scrunching to finish the line of the arch. This is putting undo tension in the bottoms of the feet, calves, and may actually prevent full extension of the knee, proper landing and foot articulation, depth of plie, and on. Again, isolated movement and stretching can help this. Think of the feet as three sections: ankle, arch and toes. Break down your pointing and flexing the sections individually 0 first ankle, then arch, then toes. Then toes, arches and ankles. Pointing and flexing through the feet will allow you to catch your toes before they crunch up. Think about elongating the toes and reaching far away from your heels with them. Visualize your toes laying flat over a ledge. You will strengthen your feet, enhance your point, and heal your feet.

Instep or Arch is Flat:
If the inside of your foot is quite low or flat to the floor, this indicates an imbalance that can affect your whole body. You may have trouble with planter fasciitis, foot pain, ankle sprains, bunions, shin splints or knee pain. A “fallen arch” means the weight is falling toward the inside of your foot, and likely there is excessive outer rotation in excess at the ankle, knee, and/or hips. This can create rotation or imbalance in the pelvis, back, neck, and jaw over time. Make sure to wear supportive shoes (no flip flops or slide on shoes). Find a practitioner who can help you stretch and strengthen the appropriate muscles, and bring balance to your joints and soft tissues (You happen to know one if you are reading this article!)

PHOTO 4

Itchy and Scaly Feet:
Do you have an itchy rash between your toes, or are the bottoms of your feet red, scaly, flaky and dry? You may very well have a fungal infection known as Athlete’s Foot, which is a very common issue for dancers who typically contract it from the dance studio floor. If you have severe athlete’s foot that causes your skin to become cracked, it may lead to the raw tissue underneath being exposed. As well as being very painful and debilitating, it increases your risk of developing a bacterial infection.

It is completely curable and needs some topical ointment to be eliminated. It helps to also make sure your socks and shoes are dry and clean before wearing. Disinfect your floors and bathtub/shower as well. Treat it sooner than later!

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There are many other interesting signs you may be seeing. Feel free to write me with any questions, and we can sleuth together! newpathwellness@gmail.com

Happy dancing!

It’s Italian Day, NoHo!

Columbus Day is a controversial holiday. Yes we know. How many people in North Hollywood actually get the day off? We here at NoHo Arts District dot Com ask our selves “Why do we celebrate Columbus Day?” We’ve got an answer (a lot of them) for you.

But we start to think a bit more deeply about Columbus Day and why we need to celebrate this day. It’s not about the guy who sailed over looking for India. It’s about celebrating Italian Heritage and the insane amount of contributions the Italians have made to our society. Way back in the 1980s, President Reagan declared October as National Italian American Heritage Month. Even the City of L.A. has declared this month Italian American Heritage Month.

 ITALIAN DAY! www.nohoartsdistrict.com

Did you know that we are celebrating the contributions of an estimated 20 million Americans of Italian descent — the fifth largest ethnic group in the United States? – National Italian American Foundation www.niaf.org

But really, when can we finally say goodbye – arrivederci – to the Italian images of the Godfather, fist-pumping bafoons and grease balls? For the millions of Italians and Italian Americans, these images are whole-heartedly inaccurate. Italians have made many significant contributions to our history, culture and every day life.

Here’s a list of our favorite Italian inventions. Our friends at ItaliansRus.com have a huge, mega, comprehensive list that will shock many of you. And yes, Antonio Meucci was the inventor of the telephone and was robbed by Alexander G. Bell. Read more about the scandal>>

Italian Inventions

So try an Italian recipe, kiss an Italian, learn a few Italian phrases and/or book a trip to Italy today. Today everyone is a bit Italian.

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com

2nd Annual Lit Crawl L.A.: NoHo is Los Angeles’s Literary Feast!

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Offering a Walkable Menu of 30+ Literary Happenings in Just One Night

Literature hits the streets of L.A.’s NoHo Arts District at the 2nd annual Lit Crawl L.A.: NoHo. On Wednesday, October 22, 2014 from 7pm to 11pm. Thousands of Angelenos from all corners of the city are expected to come out for a night of literary mayhem.

 

It’s a choose-your-own literary adventure experience with more than 25 restaurants, theaters, galleries, bars and other unique venues hosting more than 30 literary events. From readings to performances, the 2nd annual Lit Crawl L.A.: NoHo will be an unforgettable—and entirely walkable—experience.

Showcasing the best of L.A.’s thriving contemporary literature scene, the participating groups will share fiction, poetry, plays and everything in between. They include The Rumpus, 826LA, Los Angeles Review of Books, Avenue 50’s Poesía Para La Gente, Homeboy Industries, PEN Center USA, The World Stage, Tongue & Groove, The New Short Fiction Series, Hot Dish, Beyond Baroque, Cal State Northridge Alumni Writers and more!

Lit Crawl L.A.: NoHo is FREE and happens in three, 45-minute rounds with NoHo Arts District businesses hosting literary events of all genres. Guests can hang out at one presentation each round or “crawl” from venue to venue. Lit Crawl is partnering with Metro LA to encourage Angelenos to “Go Metro” to the event. The crawl is easily accessible via Metro Red Line, Metro Orange Line and the Metro Bus. Participating Metro Destination Discount venues also offer specials for Metro ticket and TAP Card holders.

Lit Crawl L.A.: NoHo was founded in 2013 by leaders in the local L.A. literary community. Conrad Romo, host of the Tongue & Groove reading series, approached the host of The New Short Fiction Series, Sally Shore, and former West Hollywood Book Fair Director, Rosalind Helfand, with the dream of founding a large scale L.A. crawl that unites literary lovers and creators. The first crawl was a huge success, drawing over 2,000 guests. Numbers are expected to at least double this year. The crawl is receiving tremendous support from the local community and the city of Los Angeles.

Lit Crawl L.A.: NoHo is a project of the EMERGE fiscal sponsorship program of the Pasadena Arts Council and is also a project of the Litquake Foundation. San Francisco’s Litquake literary festival runs every October, with annual Lit Crawls in San Francisco, Manhattan, Brooklyn, Seattle, Austin, Iowa City, Miami, London and Helsinki.

Sponsors also include: City of Los Angeles; Los Angeles City Councilmember Paul Krekorian, District 2; Los Angeles County Supervisor Zev Yaroslavsky; Metro L.A.; County of Los Angeles Public Library; Los Angeles Public Library; NoHo Arts District (www.nohoartsdistrict.com); North Hollywood Business Improvement District; J.h Snyder Co.; Poets & Writers, Inc.; Knitting Factory Entertainment; Julia Drake PR; and PEN Center USA.

What: Lit Crawl L.A.: NoHo
When: Wednesday, October 22, 2014
Times: Round 1, 7:00pm; Round 2, 8:00pm; Round 3, 9:00pm. Closing Party at 10:00pm.
Lit Crawl Location: NoHo Arts District, North Hollywood, CA (locations at www.litcrawl.org/la)
Cost / Tickets: FREE
Public Transportation: Go Metro to Lit Crawl L.A.: NoHo and save! For more details, go to www.metro.net/service/discounts. Metro provides Bus and Rail transportation to North Hollywood via the Metro Red Line and the Metro Orange Line and Metro Bus. For your best
route or more info, visit the Metro Trip Planner or call (323) Go Metro or (323.466.3876).
More Information: www.LitCrawl.org/LA

A Workout for the Working Actor – A Profile on Acting Teacher Fran Montano

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In North Hollywood, CA, located where Lankershim Blvd meets Blix Street, rests a building with the name Actors Workout Studio on the front. You might have even noticed it before, and if you thought it was simply another acting studio, you’d be grossly ill informed.

It’s true, the Actors Workout Studio is the premier training facility in Los Angeles, where anyone– novice or seasoned professional, can get trained and developed in the various techniques and principles of pioneers like Sandy Meisner, Stella Adler and Uta Hagen. But the less obvious and most significant phenomenon that this training makes available to people is the transformation that occurs when an individual becomes present to who they really are as apposed to their default way of being.

“It’s not so much about results in terms of people showing up in movies and television shows, although, that does happen,” says Fran Montano, owner & artistic director of the Actors Workout Studio. “I’ve had people who have taken my class email me and write, ‘Hey, I just want to thank you. By taking your class, I’ve gotten in touch with who I am. And I’ve started my own business, and I’m very happy- and I never would have gotten in touch with that had it not been for your class.’ So the bottom line for me is that they become the person they were meant to be and that we help them discover that.”

Montano is able to achieve this through a series of small, intimate classes, including Scene Study, Cold Reading/Audition Technique, Improvisation, On-Camera Technique and a course that leans heavily towards the Meisner technique. But what really sets Montano’s training apart from everyone else’s is his ability to take away whatever the hidden roadblocks are that hold his students back, freeing them up to create something new, which may or may not include acting. In essence, his training is one part learning a skill and one part discovering yourself.

“90% of what I do is I look at the actor and determine their strengths, their weaknesses and what’s missing. And I fill the gap,” he says. “My classes tend to be aggressive and very confrontational, and that is what’s necessary to remove hurdles. People have to confront a lot of their demons and really open themselves up emotionally.”

And while Montano is confident that he and his school both operate with a high level of integrity, he also understands that the Actors Workout Studio is not for everybody, which is why every student is required to audit a class before they sign up. And even after they sign up, it’s on a month to month basis to ensure the student isn’t locked into something that isn’t working for them. And because of Montano’s organic, back-to-basics approach, it’s very possible that an actor may only need several months before they start seeing results. “Historically, my students tend to move quicker than those in a conventional class,” he says. “They’re going through what they need to go through in order to push through to the next level and book jobs.”

And even with 25 years worth of experience in the business as a working actor, appearing in numerous television shows and film, and another 20 years as an acting coach- the Emmy-award winner is probably learning more now than ever. “I’m a perpetual student, and I learn from every student and actor I work with,” he comments. “They teach me about humanity and how one person will respond to a specific set of circumstances completely different from another person. And as a teacher, I learn a lot because sometimes, I’ll think it’s supposed to be one way, and the students show me another way.”

One way Montano has always believed it should be is a way in which artistic expression is easily accessible to everyone, spurred on by the lack there of in his childhood.

Born and raised in Utica, New York, the people in Montano’s world mostly performed in sports and academics only, which would’ve been the case for him as well had it not been for the organ that his parents made him play. “My parents made me take lessons, and I quit after the first two; I hated it,” he remembers. “But I would sit at the organ and listen to the radio, and I would play the music back just from hearing it. So I learned to play by ear.”

Although a gifted musician in the making, Montano did what was conventional, like everyone else around him, and went off to college to study business and biology at State University of New York at Oswego. But metrics and physics never completely quieted the flame that music ignited, so he studied during the day and spent his nights writing and composing piano music. “But I never actually studied music,” he says. “And if you put sheet music in front of me now, I still can’t read it. That’s what made me think I might have something artistic in me that wanted to come out.”

So Montano channeled his artistic expression through his music, a necessary outlet that empowered him all the way to the university finish line, graduating from State University of New York at Oswego in 1977. But it wasn’t until after obtaining a reasonable amount of success in the business world that he turned his attention to another outlet- and in 1980, traded in the four seasons of the East Coast for the palm trees and perpetual sunshine of California. “I literally sold everything, packed up and moved to Los Angeles,” he recalls. “I wanted to see if there was an artist in me. So I started studying acting, and I really connected with it. It got me in touch with my feelings and with who I really was.”

Montano fell in love with acting, but he didn’t necessarily fall in love with the process of training. His real challenge was finding a place where he could study consistently, as he would often have luck with an acting class only to out-grow it weeks later.
“I did background research and studied at a lot of places, but after I got to a certain point- I’d always end up having to leave and find another place because I wanted to learn basic exercises, or scene study, or cold readings or auditioning, and no one place offered all of that,” he remembers. “And then I wanted to actually get work, so I went out and auditioned and joined different theater companies. And I just found myself constantly wandering around.”

Eventually, Montano’s unyielding disposition gained some traction when he found himself in the presence of the late acting coach Edward Kaye Martin, whose curriculum and coaching style satiated Montano’s cravings. Edward noticed the effortlessness with which Montano applied his coaching, and eventually invited him to take on being his apprentice. “And I thought, ‘Well, this will be better than tending bar or painting houses,’” he remembers. “So I mentored with Edward for two years. And I absolutely fell in love with teaching.”

Montano’s affinity for teaching grew so strong that in 1989, he branched off and founded the Actors Workout Studio, a school that would have all the elements he spent much of his time wandering around in search of when he first arrived in Los Angeles. “I wanted to create a place where everything was here and where any actor could come to explore the process of acting,” he recalls. “So if they’ve never acted before and don’t know what it’s about, they can discover it here without feeling embarrassed or intimidated. And experienced actors need a place where they can train and work out too, and they can do that here as well- hence the name ‘Actors Workout Studio.’”

Montano spent much of his time developing his curriculum, which included a mixture of Sandy Meisner, Stella Adler and Uta Hagen techniques; although, he leaned more towards Meisner being that that specific technique better accented his own teaching style. And while perfecting his approach to coaching, he was simultaneously developing himself as a performer, booking roles on some of the hottest shows of the 90’s, like E/R, Melrose Place, The Nanny and Married With Children to name a few. And those weren’t the only performances that garnered him attention.

In 1993, Montano put some of those hours of writing and composing music in his college dorm room to good use when he created a one-man show, showcasing his piano-playing skills. “I played my music, accompanied by a little storytelling, and I would address where the music came from and the inspiration behind it,” he remembers. “And I toured around the country, and I even made a few CD’s. But when I play, I don’t take credit for it; the music really just flows through me.” Montano doesn’t tour much these days, choosing to focus more closely on his family and on his coaching business.

Today, the Actors Workout Studio is thriving, even getting into the business of developing their own material with Montano having taken on finding and empowering writers to develop plays, short films, web series’ and television pilots for his team of talented actors. “That’s what we’re creating in order to raise the stakes for our more advanced actors and writers,” he says. “And it’s a way for me to play bigger and expand our community. And the reason I have the name ‘Actors Workout Studio’ is because it’s really like a studio the way that Universal Studios is a studio. They develop and make projects. We’re the Actors Workout Studio; we’re a community of people who are also building, selling and creating projects.”

And all of these new developments couldn’t come at a better time, with the Actors Workout Studio celebrating 25 years this year. Yes, Fran Montano has been a staple in the NoHo Arts District before there was a district, transforming careers and lives since the very beginning. He’s even writing his first book on acting to chronicle what he’s learned thus far. And with this new expansion in the form of web, TV and film projects, Montano’s insights, knowledge and competencies will reach more people than he could train in a lifetime. And what a time that would be.

“Every person is a unique soul. They have something unique inside them, and as a teacher, I get to discover what’s unique about humanity every time I teach a class. And it’s made me a better director, a better producer and a better actor because I’m learning as I go. And I think it’s made me a better husband and father too. And overall, just a better human being.”

 

Beverly Hills is turning into a dreamland

Beverly Hills artSHOW Celebrates Beverly Hills’ 100th anniversary with Time spent in Dreamland!

Beverly Hills artSHOW www.nohoartsdistrict.com

240 Artists, Family Activities, Casual Cuisines, Libations and more featured on October 18 -19, 2014

It’s that time of year, North Hollywood – the time where we visit and support our visual artists at the Beverly Hills artSHOW. But it gets better. Did you know that Beverly Hills is turning 100? In honor of the 100th anniversary of Beverly Hills, the artSHOW will have a “Dreamland” feature along with 240 nationally acclaimed artists, to be highlighted along four blocks of Beverly Gardens, in the center of Beverly Hills.

“The semiannual Beverly Hills artSHOW has become one of the most popular outdoor art events in Southern California. In its 40 years, the show has attracted thousands of popular, stylish artists and enthusiasts from around the world to the City’s business district and surrounding community,” says Steve Zoet, Beverly Hills Community Services Director.

Beverly Hills’ associations with both Hollywood and a visually gorgeous environment easily lend themselves to this concept – the idea of a light-filled paradise, a dreamland, but also of its flip side, the darker dreams in which the LA detective novel and film noir were born.

WHEN: Saturday, October 18, and Sunday, October 19, 2014, from 10AM-5PM 
WHERE: Beverly Gardens Park. The artSHOW runs along Santa Monica Blvd. from Rodeo Dr. to Rexford Dr.
MORE INFO: website>>

Beverly Hills artSHOW www.nohoartsdistrict.com

Exhibitors interpreting the Dreamland theme include a roster of accomplished artists who will display and in many cases demonstrate their techniques, from large-scale painters, photographers and masters of drawing, to a glass artist and two jewelers. Photographer Charles Frautschi captures radiantly-colored underwater figures in his new media work; Jesse Aldana and Teale Hatheway interpret grand art deco and other classic Los Angeles monuments; and painters of the idyllic side of the Los Angeles landscape include Ray Harris, John Kilduff, and a dazzling watercolorist, James Jones. Two gifted renderers, graphite artist Rene Porter (who won the Best of Show award in May, 2014) along with Andrea Hsu Shouten, who works in the unusual medium of scratchboard, capture darker visions in their respective black and white media. Glass artist Gustavo Santana will bring dreamy lavender vessels, copper jeweler Deidre Greene has created her own Beverly Hills dreamcatcher earrings for the show, and Sean Hill will showcase high-end black and white resin jewelry, a collection he created using a technique he invented.

In addition to the gardens’ winding pathways lined with art, a wine and beer garden, food trucks, live entertainment, and family activities will also be offered. Artists represented at the show will be on site to talk with visitors and patrons about their work. All art is for sale, and patrons come from Southern California and beyond to shop, collect and to celebrate this art-filled weekend.

A Centennial Photo Mosaic and slide show was created for the city’s 100 year anniversary, featuring the people and places of this storied community. The six by six foot composition will be on view near the center of the “300” block by the Wine Garden. 5,100 images are combined in this complex art piece, which were culled from over 30,000 photographs submitted by “Beverly Hill-ites”, sharp observers and fans of the city.

Category awards and major show awards like Best of Show and Most Original Work will be announced in a Sunday afternoon ceremony, at the show’s center, in front of the newly restored Lily Pond, which is also 100 years old.

Beverly Hills artSHOW www.nohoartsdistrict.com

The 2014 artSHOW’s sponsor and media partners include: Infiniti of Beverly Hills, Sotheby’s, coffee brewer Keurig, David Frank Design luxury swings, the LA Weekly, KPCC, the Los Angeles Art Association, Fabrik Magazine, Yelp, Whole Foods Market, Paley Center for Media, and the Beverly Hills Conference and Visitor’s Bureau. Food and Beverage support come from Premiere Events and Beck’s Beer. The show’s charitable partner is Children’s Hospital Los Angeles, and its sister organization, Healing Art with Kids.

All artSHOW activities occur at the historic Beverly Gardens and admission to both days is free. Beverly Gardens is located along Santa Monica Blvd., from Rodeo Drive to Rexford Drive. Convenient, inexpensive parking is available during the artSHOW directly across from the show grounds. For general information about the 2014 Beverly Hills artSHOW, visit www.beverlyhills.org/artshow or call (310) 285-6830.

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com.

Love NoHo? Write with us!

I am a Blogger and Proud of it

Editor’s note: Interested in creating a new blog on nohoartsdistrict.com? Contact Nancy at 818 506-3132 or nancy@nohoartsdistrict.com. Looking for a variety of bloggers. Topics are only limited by your imagination: music, TV, Video Games, Computers and more.

“I have a voice in Los Angeles’ filmmaking community which is why I write for Nohoartsdistrict.com – a true community website. I have been writing for nohoartsdistrict.com for several years now and I love the freedom I have to create what I want and to have like-minded people enjoying my article. It is important for a writer to hone their skills and not to get rusty. It is also nice to say that you are a published writer.

I know my articles get read by hundreds of people with the site’s staff promoting it to its their social media followers and subscribers. Also, my articles have the highest Google ranking and are shared by top filmmaking groups. I live in NoHo and want the world to know about it!

Yesterday I was contacted by a documentary group in China wanting to collaborate on a college educational project…all because I write for nohoartsdistrict.com”  – Samantha Ronceros, NoHo Filmmaking Blog

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com.  

Hiking the Holy Land and walking in the footsteps of Prophets, Kings, and Messiahs

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By far the most mesmerizing, beautiful, and historical trip I’ve ever done was recently to Jordan and Israel where I “Hiked the Holy Land”, experiencing the sights, sounds, aromas and peoples in a more intimate and real way.

After a long flight, I refreshed and rejuvenated by starting at the Dead Sea in Jordan, I did the obligatory “float” in the salty water of the lowest point on earth. After that, rubbing the Dead Sea mineral packed mud all over myself was therapeutic, albeit messy (and didn’t taste good if you get some in your mouth.)

My adventure then really commenced down the ancient King’s Highway, heading south to Wadi Rum (a.k.a. “the Lawrence of Arabia desert”). On the way, I stopped at the crusader built Kerak Castle for a walk through with a guide. It’s a mix of dark cavernous spaces, and sunlight piercing hallways and rooms via cracks and holes in the ceilings and walls. It was terrific for pictures, optimizing the shadows and lights.

Treasury

Once down in the Wadi Rum desert, I hired a local Bedouin to take me around in a 4×4 Jeep. Bedouin are the desert nomadic people in the region, going back thousands of years. The landscape of the desert was amazing, and at various points we would stop and visit some of his other Bedouin friends’ tents and have tea. I hiked around a little, and made believe I was “Jack of Arabia”.

Next, it was on to the lost city of Petra in Jordan. This is clearly the highlight of many people’s trip to the region. Made famous in an Indiana Jones movie, it’s a “rose red” city carved into sandstone mountains some 2,000 or so years ago. This place was a hiker’s dream. While some of the structures are visible to anybody just walking through the city, some of the sites are hidden and need to be hiked up to. Breathtaking would be an understatement for this UNESCO World Heritage Site.

Crossing over into Israel now, I had an opportunity to meet the co-founder of the Jesus Trail hiking path and manager of a charming Inn in old town Nazareth  He picked out a 4 hour section of the 4 day Jesus Trail that runs from Nazareth (Jesus’ home town) to Capernaum (where Jesus practiced his ministry) near Lake Galilee for me to do. It was one of the most peaceful and tranquil hikes I’ve ever done, never seeing another person on the trail that day. It was just me and the incredible surroundings. I stopped and reflected a few times about the path I was walking and the significance of the area. There was a nice breeze blowing, the birds were chirping, and I was “having a moment”.

The next day, heading towards the Dead Sea in Israel, I began the climb up to Masada using the Snake Path route. Masada was one of King Herod’s opulent palaces and hangouts, and was the site of a famous Jewish revolt against the Romans. It was only about an hour up, but it sure kicked my butt. Straight up and no shade! There are options to take a cable car up as well. I was second guessing myself at times, but sure glad I accomplished the hike up.

After touring around the ruins high up on Masada in the heat and sun it was time to come down and head a few miles away to a park called Ein Gedi. This was a true desert oasis. I hiked around to an assortment of small waterfalls and natural pools which were sooooo refreshing to dip into after a hot hike.

After a couple days walking around and exploring the Old City of Jerusalem I was taken to the West Bank, to hike a section of the Battir Trail with a Palestinian guide. This trail was very scenic, and it was located in between Jerusalem and Bethlehem. Thousands of untold stories have taken place on this stretch of land indeed.

My two weeks in the Holy Land was perfect. Not a thing went wrong, and everything went right. The hummus, olives, figs, fresh squeezed daily pomegranate juice, Arabian/Muslim and Hebrew/Jewish music, extremely hospitable locals in Jordan, informative and well meaning people in Israel and the West Bank, and the glorious sunrises and sunsets and vistas made this truly an epic trip of a lifetime.

I have decided to share my experience with you, beyond just this article. I will be taking a group to the Holy Land of Jordan and Israel for nature walks and day hikes in late 2015 – early 2016 timeframe. Please let me know if you are interested. I can’t wait to go back. And, I can’t wait to see your excitement and the pleasure of experiencing this section of the world the best way: Literally walking and hiking, close-up through the pages of history.

Special thanks to Catholic Travel Centre , Overseas Travel Jerusalem & Amman, The Jesus Trail and Fauzi Azar Inn, Battir Landscape EcoMusuem and Trail, My driver in Jordan, Hani Nashash , and my driver in Israel and the West Bank, Marwan Bahlwan

Cheers,

Jack Witt, MS, CPT
Fitness and Health Coach
“Get Fit with Witt”
Individuals / Groups / Corporate
310.562.5629 Cell / 818.760.3891 Main
www.getfitwithWitt.com
https://twitter.com/GetfitwithWitt

* New exercise & diet books “Tight, Tone, and Trim” and “Cut, Cool, and Confident“

* Peru Adventure Trip with Machu Picchu Hike April 16-24, 2015

Film Festival Flix brings AUTANA to NoHo

Film Festival Flix brings the films from festivals around the world right to North Hollywood.

Film Festival Flix AUTANA www.nohoartsdistrict.com

Film Festival Flix offers NoHo film goers VIP tickets to critically acclaimed films and audience favorites from top film festivals around the world; and enables attendees to interact with filmmakers and actors in the comfort of their hometown theater and via simulcast. This month, Film Festival Flix brings North Hollywood the action adventure AUTANA.

WHEN: Thursday, October 9th

6PM – Hosted Pre-Reception/Red Carpet – Michael Roud Photography 11223 Magnolia Blvd.
7:30 PM – Screening at Laemmle NoHo 7 5240 Lankershim Blvd.
Post Party – Eclectic Wine Bar and Grill (cash Bar) 5156 Lankershim Blvd.

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Adventure climber Leo Houlding and film maker Alastair Lee are back with another sumptuous production of truly epic proportions. This time Leo (UK) and fellow climbers Sean Leary (USA) and Jason Pickles (Salford) head deep into the Amazon in an attempt to make the first ascent of the east face of the remote tepuy; Cerro Autana.

The action beings with a covert journey via military check-points and secret ports through Amazonas State. Our team of clandestine climbers disguised as tourists travel down the Orinoco River to the remote village of Ceguera where they make a traumatic psychotropic visit to the local Shaman to gain access to the sacred mountain.

From here sweltering humidity, porter chaos and an assortment of jungle nastiest are just a part of this spectacular journey of self-discovery and big wall hunting. Follow our team of redoubtable characters as they find their way up the jungle infested rock face as they are amazed not only at the climbing but a luxury wall camp in the incredible Autana Cave system just below the summit of the tepuy (highest elevated cave system in the world).

An adventure unlike any other, adventure film making takes another step into the unknown with superb results. Original, experimental, entertaining and visually stunning, Posing Productions presents; Autana.

Film Festival Flix AUTANA www.nohoartsdistrict.com

Posing Productions is a dynamic team of climbing creatives breaking free from the cliched and predictable, aspiring to the unusual and adventurous. We love the whole outdoor climbing thang so much we combine the spectacular with humor, action with innovation, breathing heart and soul into all of our work. There are also dvds sold on this site not produced by Posing Productions, these are carefully selected titles by film makers that inspire us. You can be sure any of the films found on this site have that special something that sets them apart.

The Posing Productions website is primarily here to showcase and provide a point of sale for the photographic and film making talents of Alastair Lee who’s collaborations with talented animators and cameramen like David Halsted and David Reeves have produced a string of successful films. The break through act was in 2004 when Alastair teamed up with Dave Halsted to produce Twice Upon a Time in Bolivia which has now been a finalist at over a dozen international mountain film festivals and won six top awards. Their next film Storms an experimental climbing comedy scooped two gongs at the Kendal Mountain Film Festival 2005. In 2006 they produced another successful venture with the climbing blockbuster Set in Stone which ran off with ‘Best Climbing Film’ and the ‘People’s Choice’ at the Kendal Mountain Film Festival, its also picked up a couple of awards in the States and is a must at any mountain film festival line up. In 2007 Alastair went solo as Dave’s animation career took off, to produce PSYCHE which picked up two awards at Kendal 2007, including Best Adventure Film and the People’s Choice Award and has won a further 7 awards around the globe.

Alastair is now well established as one of the UK’s leading adventure film makers since his 2008 release On Sight which has seen rave reviews and won the prestigious Grand Prize and Best Climbing film at the 2008 Kendal Mountain Film Festival. In 2009 Alastair teamed up with top climber Leo Houlding on his most ambitious film to date; The Asgard Project which has won 22 international awards and was broadcast on Discovery Channel’s freeview channel ‘Quest’. A further two epics have been produced with Leo; Autana (2012) and most recently The Last Great Climb which is scooping up gongs around the globe and is being broadcast on National Geographic US in July 2014.

Movie Review – The Equalizer; A Walk Among the Tombstones

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The Equalizer reunites Denzel Washington and his Training Day director Antoine Fuqua for another 1980s television reboot, and a fairly entertaining one at that. If you remember the series with fondness, as I do, you’ll recall it was about retired agent Robert McCall and how he offered help, free of charge, to desperate folks who were usually trapped in life-or-death situations. McCall had, at his disposal, a wealth of experience, contacts, weaponry, and in the hands of that superb actor Edward Woodward, a formidable, occasionally stentorian approach to dealing with miscreants, murderers, and mayhem-makers: “LEAVE HER ALONE—OR I—WILL–KILL–YOU!”

In the capable hands of Washington and Fuqua, with screenplay by Richard Wenk, the approach is basically the same, albeit with a difference in temperament. Retired government operative Bob McCall (Washington) lives a quiet life in Boston working for a Home Depot-like store, helping his overweight friend slim down so he can test for a security job, while engaging in late-night chats at a local diner with a young woman (Chloe Moretz) who is caught up in the sex trade run by a particularly vicious Russian mob. After she is badly beaten, McCall springs into action, taking on the Russian mob, crooked cops, and other mid-range lowlifes. Unlike Woodward’s McCall, Washington’s McCall is a little more reserved, but just as ingenious, lethal and intense as his predecessor.

The same goes for the movie; The Equalizer begins slowly, establishing McCall as a laconic, perceptive, compassionate individual who plays it somewhat close to the vest but whom others can rely on. Once his friends are hurt however, nothing can stop McCall—not even the vile Russian enforcer Teddy (Morton Csokas) who has been summoned to take care of him. The action builds slowly, but the sequences of McCall sizing up and outwitting (and out-killing) the opposition are nicely executed, if lacking in suspense. We know McCall will prevail; the fun is watching how. There’s no real attempt at ambiguity: one early scene where Teddy’s methods horrify even his crooked cop comrade (an excellent David Harbour) is an intriguing element that is quickly dispensed with. In addition, the final confrontation between McCall and the heavily armed mobsters at his “Home Mart’ store is too prolonged for its own good. Overall, though it won’t win Washington and Fuqua any Oscars, The Equalizer remains a reasonably absorbing film that leaves the door open for the inevitable sequel.

A Walk Among the Tombstones, based on Lawrence Block’s novel and starring a superb Liam Neeson (his best role in years) as haunted private detective Matthew Scudder, also looks like it’s positioning itself to be the first of a series. I would welcome it, since the film is an atmospheric, intense, thoroughly engrossing procedural in which Neeson’s Scudder finds himself trying to help some men of dubious means whose loved ones have been kidnapped and/or killed (as in abused and subsequently dismembered). Dan Stevens (of Downton Abbey) plays his main client, while David Harbour (from The Equalizer, soon to be the go-to bad guy), is depravity incarnate as one of the kidnappers.

If you’re a fan of the Block/Scudder series, you’ll find that certain changes have been made (Scudder’s erstwhile girlfriend Elaine is nowhere to be found, for example), but they all help to maintain the focus not only on the brooding, alcoholic Scudder, but on his homeless teenage friend T.J. (Brian “Astro” Bradley) who supplies vital technical and investigative help to a somewhat wary Scudder. Scudder’s investigation leads him to some dark, disturbing places that Scott Frank’s screenplay and direction do not flinch from; moreover the climactic sequence, wherein final reckonings are made, is taut, suspenseful filmmaking at its best. This is a Walk well worth taking.