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Interior Design – Hardwood vs. Laminate flooring…

 Today we have many choices when it comes to flooring, especially wood flooring.  

Both have their pros and cons so let’s go over them.

Some features to take into consideration are as follows.  Laminate flooring is more uniform in pattern, which can create a more cohesive look.  It’s also easier to care for, as it can be a bit more fade and scratch resistant, with some being water-resistant.  While real hardwood flooring seems to be the more popular choice, it requires a little more care and maintenance.  And no two pieces are alike which creates a more natural look.  However, hardwood can be replaced if a piece is damaged and in need of repair, or even sanded a few times if refinishing is needed, while you run the risk of a discontinued style and pattern with a laminate. The latter is something I am currently experiencing.  It can take only four to five years for a laminate floor to become obsolete.

Now if you’re upgrading your floors for resale, then real hardwood is the way to go as it will add to your homes overall value.  But we can only install what we can afford, right?  The cost of laminate vs. hardwood can be considerable.   The average cost of a laminate today is about 2.89 a square foot for a mid-range item, while you can pay 8.00 to 14.00 or more for a hardwood based on the type of wood you choose.

As for maintaining your floors, its simple.  Laminates require a good sweeping and a warm, damp mop. While hardwood needs a good sweeping as well, you can mop with vinegar and warm water.  Be mindful not to saturate the floor as it can harm the wood. 

So do a little research, measuring and price comparing before you decide what is going into your home.

And as always, enjoy!

“URBAN DEATH TOUR OF TERROR”

Are you ready for the Halloween season?

You may be ready for Halloween. But are you ready for “URBAN DEATH TOUR OF TERROR?!”

North Hollywood’s scariest haunted house attraction returns this October with their all-new and extra-terrifying haunted maze and show attraction!

“URBAN DEATH TOUR OF TERROR: Haunted Theatre Attraction!” returns for its seventh year to shock and delight audiences with its fun n’ freaky twist on the haunted house, with their exciting new maze and show attraction!

Created and directed by Zombie Joe and Jana Wimer, “Urban Death” first shocked audiences in 2005, revealing our deepest fears through a series of wordless, non-linear vignettes and intense physical performances. “URBAN DEATH TOUR OF TERROR: Haunted Theatre Attraction!” is bold, terrifying, and entirely unique.

You are advised to purchase tickets early, as this event consistently sells out. Don’t come alone.


“There may be many spooky stage productions around this Halloween, but few will approach the level of this one.” – Andy Webster, The New York Times

“Zombie Joe’s Underground and Halloween go together like Norman Bates and motels, as demonstrated by ‘Urban Death’.” – David C. Nichols, LA Times

“Shows like…Zombie Joe’s ‘Urban Death’ hearken back to the Grand Guignol and Artaud’s Theatre of Cruelty, frightening us in new, experimental, and unexpected ways.” – Graham Skipper, Blumhouse.com

“Creepy, sad, sinister, and even satirical, ‘Urban Death Tour of Terror’ is not just the same old nightmare.” – Steve Biodrowski, Hollywood Gothique

ALL NEW in 2019! “Urban Death Tour of Terror: Haunted Theatre Attraction! KIDS VERSION!”

Jana Wimer, Zombie Joe’s Underground Theatre Company’s co-director/co-creator told us a bit more about the family friendly version on Saturdays at 7PM.

I believe family-friendly horror is an untapped market, especially in theatre. There are lots of kids who love spooky things, but very few spooky things that both parents and kids can enjoy. We are doing a family-friendly version so both adults and their kids can experience a Halloween haunt together! There is nothing else in the world like Urban Death. It transcends horror, and people leave inspired and transformed. It changes lives!

WHAT:

“URBAN DEATH TOUR OF TERROR: Haunted Theatre Attraction!”

WHEN:

October 4 – November 2
Friday and Saturday evenings at 8:00pm / 9:00pm / 10:00pm / 10:45pm / 11:30pm

Ages 16+

KIDS’ VERSION! October 5 – November 2, plus Thursday, October 31 (Halloween).
Saturdays at 7PM

For Ages 8+

WHERE:

Zombie Joe’s Underground Theatre Group
4850 Lankershim Blvd.
North Hollywood, CA 91601

TICKETS:

http://zombiejoes.tix.com

Tickets $20

MORE INFO:

818-202-4120

http://zombiejoes.com/ & http://www.urbandeath.com/

https://www.instagram.com/p/B2UlfTpnNUy/

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Actors, Don’t Judge Your Work.

 An increasing number of actors at my studio have been working lately.

 It looks like there is a lot of work out there and the actors who are good and talented are booking.  Most classes have one or two actors out due to a job. It’s great to see.

Recently, I’ve noticed a pattern in some of the conversations about the jobs that some are booking.  Here are a few comments I’ve heard recently.  “Yea, I booked this gig, but it’s only a few lines.”  “It was just for one day and It’s just a bit part.”  “A friend recommended me and I stepped in, I didn’t audition so I don’t really considerate it a job.” “It was just a few days, a co-star.” “It was a guest star, but it was only one day.”  “It’s only a pilot,” “The money was only…” blah, blah, blah,…. it goes on and on.

I saw them downplaying as if the only “real job” is when the money or names attached are big, or people know about the project and it has high visibility and popularity.  Do you do this? Are you humble or ashamed? Either way, I say to you,  STOP, STOP, STOP!!   This is all your ego.

You are an actor, and actors act, I don’t care about the size, money, or glory. I am interested in actors working, I tell them.

I shared a conversation I had with my accountant years ago. He has an advanced degree and specializes in complicated real estate returns. He loves to sink his teeth into complex returns. One day a person came into his office with a simple 1040, easy basic return.  I asked why he takes those jobs on with his extremely sophisticated training and experience.  He looked me straight in the eye and said, “Because I’m an accountant, this is what I do and who I am. This person needs my services!” This was a passionate, talented, dedicated professional. It touched me. Made me think, would your doctor refuse to see you because you have a simple cold, since he is trained for much more complicated issues? No, he is a doctor, and he treats patients, no matter how big or small, serious or not.

So actors, stop judging yourself through the status of your jobs.

Your work is to act, take every job and see it as an opportunity and gift to do what you do, which is acting.  That energy will grow with you, and send a positive message to the universe.   Every job should be a celebration. There are no small acting jobs.  I tell my students, “You are an actor, and if you believe in the project, then celebrate, and do the work. That is who we are and what we do.  Besides, you never know who you might meet, or what may come of it.  Work begets work so keep your attitude positive.”

Till next time, take care.

It: Chapter Two

Movie review of Stephen King’s “It: Chapter Two”

If you saw It upon its release in 2017 and were unfamiliar with Stephen King’s book, you might be forgiven for believing that we had seen the last of Pennywise, the favorite murderous clown of County Derry. However It was a palpable hit, hence we have It Chapter Two, which covers the second half of King’s bestseller. Whereas the Losers Club (circa 1989) members were portrayed by a talented, albeit unknown team of young actors (all seen via flashbacks), the reunited Losers include such formidable talent as Bill Hader, Jessica Chastain and James McAvoy. 

The premise for It Chapter Two is pretty straight-forward. Twenty-seven years after the Losers thought they had vanquished Pennywise (Bill Skarsgard), it is clear (especially to the viewer) that It has returned. Since the Losers had promised to return to Derry if ever they needed to confront It again, the stage is set for a final, possibly apocalyptic confrontation. However, in order to get there, the Losers must go their separate ways to recover mementos that can be used in the final battle. Meanwhile Pennywise continues taunting the Losers, while continuing to prey on the young and vulnerable.

Gary Daubermann’s adaptation is fairly faithful (up to a point) and provides the occasional good insight into the disillusionment that comes with growing older, the tricks that memory can play on you—and the importance of friendship. There are also some good scenes which balance friendship and fear, as when a dinner and drinks reunion of the Losers turns into mayhem minus the mirth. Director Andy Muschietti has assembled a team of fine adult actors for the grown-up Losers (also including James Ransone, Jay Ryan and Isaiah Mustafa), while the youthful members impress yet again (especially Sophia Lillis, Finn Wolfhard, and Jeremy Ray Taylor). However at a running time of nearly three hours (at least it feels that way), It Chapter Two is something less than the sum of its parts. The individual journeys become a tad repetitive (as do the scares—less of It gnashing its teeth would be more) and detract from the overall tension. In addition, the long-awaited confrontation (and I mean that literally) is a letdown, since the method the Losers employ might cause the viewer to react with “If it was that simple, why didn’t they think of that before?” At least this viewer did. If one would like a clue (spoiler alert for 70s horror film fans), it reminded me of the method that Roddy McDowall used to confront an evil force in The Legend of Hell House. You’ve been warned.

September 19 NoHo News:

…

NoHo News! Valley Film Festival. Kebab. Idyll. Ballet Goes Broadway. We Do Theatre.

Here’s your NoHo arts community update!

We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood. Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

 

NoHo News! Valley Film Festival. Kebab. Idyll. Ballet Goes Broadway. We Do Theatre.

Follow NoHo News with Bloglovin

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

 

Effective Ways to Develop a Thriving Photography Business

Even though it may appear as though the market is already saturated with tons of photographers, you can still start a thriving photography business.

If you have a passion for taking pictures of infants or weddings, there’s room for you within the niche you’re most interested in. The key is to develop a plan that will work for you in the long run. 

Development

If you are not a great photographer in the beginning, that’s okay. It’s something you can work on. If you have potential, you can always build on that. Start by taking photos of your friends and family for free. Take classes that teach you more about different techniques and tools. Learn how to edit your photography. Consider how to use a DSLR camera. Learn how to work magic on your smartphone to create beautiful photographs. As you develop your skill set, your confidence will grow. Truthfully, a lot of people just want really beautiful pictures. They don’t care about your educational background. Make the investment in yourself to learn more about your areas of expertise, and hone in on those.

Tools

Make an investment to purchase various tools. You have to purchase tools based on the type of photography services you are going to provide. If you want to specialize in newborn photography, it’s good to purchase items like backdrops, props and cameras that will allow you to get great photos without distracting a baby when they’re sleeping, irritated or hungry. If you’re going to be taking photos in bright light, you’ll need specific tools that can offset the brightness so that you can still get a great shot. When clients pay you for your photography services, they don’t care about the settings or the issues that you’re facing for the day. It doesn’t matter if your camera isn’t picking up the light because of the sun, you have to figure out a way to get the shot. There are tons of online websites that will provide tons of great tools for you to invest in for your business.

It’s also important to consider your website. For most photographers, it’s great to have a website that allows your clients to privately view the photos from their sessions. This will require a different amount of bandwidth. Consider options like a payment plan or processing system for your website. Take a look at options like Big Commerce to make the systems work efficiently for you. If you’re not a tech-savvy person, don’t set yourself up by trying to build your website on your own. Instead, invest systems that are easy to install and use.

Marketing & Visibility

When you’re developing a brand as a photographer, one of the easiest places to develop your marketing strategy is a social media platform. Instagram is probably one of the best options to consider. Facebook is also a great option. Consistently produce excellent photos, and tag the people who are in the photos. Tag the brands that are featured in the photos. If you are taking pictures of a bride, tag the different businesses that are included in the photo. This means that you can include the brand who created the dress, the accessories and more. You can also tag the hairstylist and the makeup artist for that photo. All of those different entities will probably repost the photo to their page. As their followers get in contact with that photo, they’ll naturally want to follow you. This easily increases your visibility. As you do these types of steps on a daily basis, it’ll be easier to gain traction over time. 

Before you post your clients, make sure you have their permission first. If this means that they need to sign a waiver so that you can use their photos for your social media promotion strategies, make sure you do that. Never put yourself in a position where you’re in trouble from a legal perspective.

Professionalism

Maintain a high level of professionalism. Unfortunately, there are tons of photographers who sabotage themselves because they’re unprofessional. They either show up late, take a longer amount of time to get the shot or don’t provide the photos in a great turnaround time. Instead, be impeccable with your word. Be intentional with your customers. Be honest about what your turnaround time truly is. Consider offering a sneak peek of photos to satiate the appetite of your anticipatory clients. Get the photos completed in an appropriate amount of time. Once your clients have paid you, it is your responsibility to deliver. This one facet alone will set you apart from tons of photographers on the market. 

Maintaining a creative business is not an easy task to undertake. However, when you adopt these habits and maintain consistency, it’ll be easier to gain momentum. In the beginning, you’ll feel like a fish out of water because this is new territory. However, if you focus on the end goal, you’ll be able to make it through any challenge in a way that helps you to grow and succeed.

Mac Duffy & Friends Presents “Adventures of Mac Duffy & Friends”

September 7 through December 21, every Saturday at 11.30am

The Secret Rose, 11246 Magnolia Blvd., North Hollywood, 91601

This is a wonderful improvised musical adventure show for kids.  Although I am very, very far from being a kid, I absolutely loved it too!!

Mac Duffy and his friends, a beautifully boisterous and wildly creative group of a half dozen or so young actors, are experts in improvisation in both acting and singing.  They build a classic adventure story around whatever answers the children in the audience give to their very specific questions.  Then they expertly weave this story around songs that they also improvise. It’s quite magical.

macduffy

The kids in the audience were absolutely transfixed and many of them, even the very shiest among them, ended up on the stage themselves.  The subject matter is all very, very sweet and funny and squeaky clean and 100 % focused on the kids.  It’s an hour spent with people who clearly love what they do and who they do it for.  It’s artful and inspired and touching and hilarious. I loved every second of “Adventures of Mac Duffy & Friends” and so did the rest of the audience.

Children’s theatre can be a bit of a crapshoot frankly.  But this show is by far the best I’ve seen.  It’s also the most musical.  Mac Duffy acts as a conductor as he playfully manipulates the story and the cast and brings it all gloriously together, with so much love and fun.

I highly recommend “Adventure of Mac Duffy & Friends.”  It’s brilliant fun on a Saturday morning at the Secret Rose in NoHo.  Your kids will love it and so will you!

https://www.macduffypro.com

The first time that I saw Julian Shah -Tayler

The first time that I saw Julian Shah -Tayler he was at a Los Angeles Music Network’s LAMN JAM at Skinnys in NoHo Arts District.

Shaw was performing his original music with his band “The Singularity” and I remember thinking that his material was dripping with David Bowie all through his set. Tayler is good, very good and at composing his own works he is impeccable. His work has appeared in films such as: Maleficent (2014), Plush (2013) and Riot On Red Church Street (2012).

Tayler has won awards for the music he composed for film such as The 2014 Golden Trailer award for his “Maleficent” and ASCAP’s Homegrown Hits “Talking In Your Sleep” 2012.

I was so impressed that I wrote a column on him a few years ago which focused on his work with The Singularity. This time, I would like to talk about his Bowie tribute act “The Band That Fell To Earth: A David Bowie Odyssey.” This band is so true to the Bowie persona that it’s scary and had me dancing all over the place at The Standard/ Mmhmmm a while back. In fact, Tayler appeared as Bowie on the cover of the LA Weekly’s March 9, 2017 issue that focused on tribute bands and was also Interviewed for the article.

The place was packed with fans that knew every word to every song. My companion, Michele Coombe, was no exception and actually went out onto the dance floor and was bopping around with a bunch of happy fans. even scenester Sal Gomez put in an appearance at this show which blew me away because he had just shown up at the Love-In reunion at Griffith Park by the Merry-goRound. I hardly ever see this photog at any gigs that I go to and now he’s at two. FYI Coombe’s licence plate is “Soul Lov” on a red “Kia.” I should have realized that one of Vicky Hamilton’s favorite acts is Bowie when Coombe and I were on Hamilton’s “Appetite For Dysfuntion” tour in and around Los Angeles/Hollywood and she took us for a pass by of the place he lived in Hollywood when he was first coming up. The parties…oh my.

As I looked around all I could see were happy Bowie fan’s faces dancing all around me which includes my back as back there was Nick Lachey and my friend Vicky Hamilton was wondering if he was producing Tayler these days. We concluded that Lachey must be a fan.

Tayler can be found on Facebook and Youtube as well as his website which is www.singularitymusic.com; Instagram account is “The_singularity_music” and you can listen to his music on “Dropbox.com drop by and say hello to him sometime. A fan has mused: What if Bowie, Depeche Mode and The Cure had a baby? Tayler’s comeback was classic “The Singularity makes music that everybody says is 80’s Revival. It’s not my fault. I just love rock and synth pop and new wave. I try my best to be supermodern and all that good stuff, But it always comes back to what you’re comfortable with, I guess. So I will just leave it at that.”

Another great talent that I met through Tess Taylor’s LAMN is Richard Honig.

He has been crafting songs for children for a few years now and finally has a finished product that he wants to share with the public. His “Be The Change” EP dropped on 9/13/19 and the title is based upon a quote by Gandhi “You must be the change you wish to see in the world.” It is a spiritual pop music for children and is meant to inspire, empower and transform them with a positive message.

Although Honig has said that his music is for children, I must admit that I also like it and find “Be The Change” to be very uplifting for anyone that listens to it. Honig hopes to spread the values that he holds dear such as the “Principles of every religion; kindness and Compassion.” “I seek to build people up and not take them down,” Honig adds as he explains his motivation for writing the three song EP.

Honig cites as his influences as The Clash because “They had a political viewpoint that challenged people,” and also Michael Jackson “Due to his ability to create Pop music with a message that can appeal to all ages.” Honig believes that his “Be The Change” is like Jackson’s “We Are The World” in that they inspire people to act in more positive ways. Honig added that he could have written Jackson’s “Man In The Mirror.”

Honig’s background in music began with studying music theory in college and then he took music lessons. “I don’t read music, I allow it to come to me intuitively” Honig explained.

As of September 13, 2019 his EP is available on Spotify, streamed on Apple Music/Beats and Youtube. In addition to this EP, Honig is planning to release an album which will begin in 2020.

Stephen Bray produced this fledgling effort with Honig and is slated to assist Honig with his album next year. Bray is best known for his work with the “Material Girl” herself…Madonna “Get Into The Groove” and “Express Yourself.” Bray is also known for winning a Grammy Award In 2017 for “Best Musical Theater Album” for “The Color Purple.

Honig, an East Coast transplant, has worked as a Financial Production Accountant on film and worked for 11 years at Walt Disney Television Animation on shows for ABC Television, Cable Networks and all Children’s Programming.

“I work in animation and people there have told me that my voice would make a great animated character. A series created around My voice and music,” Honig informs. Honig also added that he has studied at Second City Improv in 2016 and is looking to create Characters and sketches to use his comedy and music in.

What is Honig’s bottom line? “Be The Change was written to empower children to create the world they want to live in. It’s meant to build community and bring people together.” What is Honig’s future plan for his music? He would like to create a “Woodstock” for children where children’s performers such as himself and “Raffi” et al could come together and help empower children to create the world that they want.

London Calling? Experience Possibly the Best Pub Tour in the World!

London’s sights and landmarks such as Big Ben, Westminster Abbey, Tower Bridge and the changing of the guard at Buckingham Palace are crowded but “must-see” tourist attractions.

But I’d suggest after you do those, toss your guidebook in the rubbish bin and head for a truly authentic London experience – Eating Europe’s London Old Docks Historic Pub Tour. You’ll learn about the fascinating history of this bustling trading port, full of thieves, dockers, sailors and pirates. And, you’ll get to eat and drink to your heart’s delight over an almost 4-hour time period, tasting London’s best craft brews, ciders, and its finest pub grub, including the best fish and chips you’ll ever taste, traditional “bangers and mash,” and many more dishes that’ll be sure to wow.

Our group explored four of the oldest taverns left on the riverside and took a deeper look at what lurked beneath the surface with our excellent local guide.

Our first stop was The Mayflower pub.  And to be honest, I wasn’t prepared for the historical slap in the face that I got; it was from the landing steps to this pub that the pilgrim fathers set sail aboard The Mayflower ship for America in the 1600s! So, with a sense of wonder and excitement it was “down the hatch” with our first ale of the tour (the “Scurvy Ale”), which was paired with a delicious bangers and mash plate. The pub was very atmospheric and had several signs and plaques commemorating the 23 families who were on board the Mayflower. (There are now 28 million Americans living today who can trace their genealogy directly back to these families.)

As we left The Mayflower, we caught a train that carried us under the river, via the Thames Tunnel, designed by eminent 19th-century engineer Isambard Kingdom Brunel and once considered the eighth wonder of the world. It was originally designed to allow horse-drawn carriages to pass under the River Thames. It eventually then became the starting point of the mass transportation model we now know as “the Tube.” Today you can still see the original brickworks in the tunnel. The tunnel’s grand entrance hall reopened to the public a few years ago for the first time in about 150 years.

Exiting the tunnel, we walked over to our second pub – The Prospect of Whitby. This is the site of the oldest riverside tavern in London, dating from around 1520. It was astonishing to think that there has been a pub on this site since the time of Henry VIII! And, the infamous pirate Captain Kidd was a regular patron here too!  You can still see the original 400-year-old flagged stone floor in the building. We saw a noose hanging outside the pub along the river which was put there to commemorate Judge Jeffreys, a notorious judge in the 17th century who sentenced many river criminals to death. His nickname was “The Hanging Judge” as he showed little mercy to criminals. It was at this pub where we’d all agree we ate the best fish-n-chips we have ever had (and most likely ever will eat) in our lives. Included with the dish are the famous British mushy peas. We learned about how various ales are made while drinking a traditional in-house ale only found on this side of the Atlantic. The views of the river Thames from this pub were fantastic.

Up next, we headed over to our third pub – Turner’s Old Star – one of the last few remaining traditional east end pubs. This is an artist hangout type of place and named after Britain’s famous artist Joseph Turner. (Turner apparently was exceptionally secretive, especially over women.  From the age of 25 he was to keep several mistresses who were to bear him four illegitimate children.) There have been many movies filmed inside this east end pub. We met the owners and ate a homemade steak pie and washed it down with a London Pride ale.

While we were feeling quite full and content by now, we saved some room for our last stop of the day at The Dickins Inn near the Tower Bridge. This large, timber-framed, 18th century warehouse is named after Britain’s beloved storyteller Charles Dickens. (The pub was opened by his great grandson.) Hitting the spot for us after partaking in so much great food and ale throughout the day, a light crisp refreshing cider was served.  We all raised a toast to our wonderful and knowledgeable local guide, Leigh Savage, and enjoyed the lively atmosphere of the place.

The Historic London Old Docks Pub Tour by Eating Europe is quite possibly my favorite pub tour in the world (and I’ve been to many a pub tour with my Active World Journeys travel brand). Not only for the food and beverage value, but for the authenticity, history, and atmosphere of all the stops. I really felt like I was transported back to the 1600’s – 1700’s along the river Thames for an afternoon of booze and grub and good conversation with friends. One thing is for sure, this is the perfect way to experience London a little deeper, at a slower pace, and away from all the main tourist traps.

Huzzah!

Pacific Ballet Dance Theatre GOES BROADWAY!

***

“Pacific Ballet Dance Theatre GOES BROADWAY!” Is a unique, interpretive fusion of jazz and ballet, celebrating Broadway’s most beloved and memorable moments from “Chicago,” “West Side Story,” “On the Town,” “Hair,” “Les Misérables,” “Carousel” and “The Phantom of the Opera.”

Pacific Ballet Dance Theatre GOES BROADWAY! via www.nohoartsdistrict.com

Artistic director Natasha Middleton blends a mixture of the original classic dance with vibrant and innovative choreography, paying tribute to unforgettable favorites, including “All That Jazz,” “America,”’ “I Dreamed a Dream,” “The Music of the Night” and more.

The evening is filled with the legendary music of Leonard Bernstein, John Kander, Andrew Lloyd Webber, Galt MacDermot, Richard Rodgers and Oscar Hammerstein and Claude-Michel Schönberg.

We asked Pacific Ballet Dance Theatre’s artistic director, Natasha Middleton, more on why she chose to focus this performance on Broadway.

Before I became the Artistic Director of Pacific Ballet Dance Theatre, I performed in many musicals. Loved musicals since childhood. Mother was opera singer, so singing was my family. Father was ballet dancer and director, so I wanted the best of both worlds. Musical was the answer. My company dancers were so excited when I told them we were dancing from different Broadway musicals. Something they always wanted to do.

My favorite musical is “Chicago.” I danced the role of Velma several years ago. My second favorite is “My Fair Lady” (not doing in this production) and then “The Phantom of the Opera,” which we are doing a section of.

Pacific Ballet Dance Theatre GOES BROADWAY! via www.nohoartsdistrict.com

“The Phantom of The Opera” is danced by our principal dancers: Grigori Arakelyan and Irina Gharibyan as Christine. “Cinderella” (the musical) danced by principal dancers; Elen Harutyunyan as Cinderella and Preston Swovelin as Prince Christopher. Principal dancer Damara Titmus will dance as Miss Turnstiiles in “On The Town” and Louise in “Carousel.” In “On The Town” the three Sailors are danced by Richard Biglia as Gabey, Ian Schwaner as Ozzie and Edgar Khachaturov as Chip. In “Les Misérables”, ballerina Alina Bormotova will dance a solo as Fantine in “I Dreamed a Dream.” Dancer, Ian Schwaner will also dance a solo as Jean Valjean in “Bring Him Home”…..and more.

The show has a little bit for everyone. Recommended for children starting from age 5. “On The Town” is family fun, as well as “Cinderella” and “West Side Story,” and “Hair.” The more dramatic pieces are “Les Misérables” and “Carousel.” The more spicy piece is Cell Block Tango from “Chicago.”

Meet two North Hollywood ballerinas, Ani Hovhannisyan and Bridie Connors.

Pacific Ballet Dance Theatre GOES BROADWAY! via www.nohoartsdistrict.com
Ani Hovhannisyan

Ani Hovhannisyan is now in her fifth season with Pacific Ballet Dance Theatre. She is an exciting dramatic dancer. Originally from Yerevan, Armenia, Ani first trained under artistic director, Natasha Middleton in classical ballet. Ani, is also a champion salsa dancer, and teaches ballroom, zumba and latin dancing. She also received her degree in dance at Glendale Community College. Over the years, Ani danced with Pacific Ballet Dance Theatre in the following productions, “Gayane,” “Gypsies,” “British Beat,” “Dance in the USA,” and now in “Pacific Ballet Dance Theatre GOES BROADWAY.” She will be featured in “West Side Story,” “Chicago” and “Hair.”

“Pacific Ballet Dance Theatre GOES BROADWAY!”
Bridie Connors

Bridie Connors of Pacific Ballet Dance Theatre Bridie Connors is originally from New Zealand and now living in North Hollywood, CA. She danced with the Aukland Ballet, the Albany Ballet in such roles as Aurora in “Sleeping Beauty” and the Snow Queen in “The Nutcracker.” She moved to New York and danced with Danspace Project and the Ajkun Ballet Theatre. She joined Pacific Ballet Dance Theatre in 2017, and danced in their tour of “Carmen,” “Gayane” and “Masquerade.” Bridie Connors is excited to perform in “Pacific Ballet Dance Theatre GOES BROADWAY,” and will be featured in “On The Town,” “West Side Story,” “Hair” and “Les Misérables.” 

WHEN:

OCTOBER 13, 2019 5 pm

WHERE:

Alex Theatre
216 North Brand Blvd.
Glendale, CA 91203

TICKET INFO:

Ticket prices $55/65/75 and $125 (includes VIP reception at 4:00 pm .prior to the performance)

Special student and senior prices are available

818-243-ALEX (2539)

We got presale ticket deals just for us! $10 off.

Use code: BROADWAY

TICKETS>>

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict. 

“Pacific Ballet Dance Theatre GOES BROADWAY!”, Alex theatre, NoHo Arts District, official NoHo Arts District Guide, wwwnohoartsdistrict.com, Los Angeles ballet companies, L.A. ballet companies, Los Angeles ballet, L.A. ballet, NoHo News,

Community Hike at Coldwater Canyon Park

***

Nature is calling! Join Councilmember Krekorian, Assemblymember Nazarian and TreePeople for a morning hike in beautiful Coldwater Canyon Park!

Tree giveaway to the first 50 people!

LIMITED PARKING! Parking is very limited at the location. Please carpool or use alternative transportation, rideshare, etc.

No pets are allowed on this hike.

Remember to dress accordingly for the weather and the outdoors, and to bring water and sunscreen.

Participants should meet at the TreePeople conference center before the hike begins at 8 am.

WHEN:

Saturday, September 28, 2019 at 8am – 10am

8:00 AM Light Refreshments
8:30 AM Hear from the experts and your representatives about fire safety
9:00 AM Take a hike! Easy and intermediate hiking trails for hikers at all levels.

WHERE:

Coldwater Canyon Park
12601 Mulholland Dr.
Studio City

Community Hike at Coldwater Canyon Park with Councilmember Krekorian, Assemblymember Nazarian and TreePeople via the official NoHo Arts District Guide; www.nohoartsdistrict.com

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict. 

 

THE CONFESSION OF STANLEY WILLARD – THE GHOST OF RIDGEMOOR DRIVE – PART 2

Read part 1

It’s been just over a year since Stanley Willard confessed to being a child killer to me.

After his confession from August 2018, I immediately went to the North Hollywood Police Department and handed over the recording. My phone was returned and I went home that night feeling as if I were a character in a Thomas Harris novel.

Days later I received a phone call from the Chief of Police telling me they had picked up Stanley and had him in custody.

“So, that’s great. What’s the problem?”

“He’s refusing to talk to us. He will only talk to you. He demands to only talk to you.”

“Oh…”

The next thing I know, I was sitting in a dark interrogation room at the N.H.P.D., directly across from Stanley, wondering how the hell I got myself into this mess. The Chief, and his two detectives, Billings and Wilson, watched from the other side, through a one-way mirror.

“Stanley… I can’t help you… you know that, right?

“But, I trust ya. I know you believe me.”

“I understand that, Stanley… thank you… but, you’ve confessed to multiple murders. Children that you’ve murdered. That changes everything.”

“Ya gotta help me. I can’t take their voices anymore. The screaming. They’re in ma’ head.”

“Where are the bodies, Stanley? There are no bodies. That’s what they want to know. That’s what they need to know. You’ve confessed to it, described it in every detail, but there are no bodies to back you up. They’ve got to have bodies to pursue this.”

“Ya wanna know what a little boy sounds like when you rape him?”

“Where’s the body, Stanley? Help us help you.”

“I smashed a little girl’s skull in once… or, twice… I can’t remember.”

“Give the parents closure.”

Long pause.

“Would you go with me?”

“Where?”

“To the drainage pipe where I put Lance… his body… I got to get his screams outta ma’ head!”

“What makes you think if the body is found, the screaming is going to stop?”

“Oh, it just gotta! The screams just gotta! They will. They must!”

“The screaming will stop if you take us to where you put Lance?”

“Yes. I’ll take you there… I’ll take you… Just make this horrible crying STOP!”

“OK. We’re gonna get you some help, too. How’s that? Medication. Doctors. A place to sleep. Whatever it takes. How does that sound?”

Stanley began to cry.

“Thank you. Thank you. Thank you. I know I need the help. I can’t stop all this wailing.”

At that moment, The Police Chief, and detectives Billings and Wilson came in. “OK, Stanley.” The Chief said, “We’re all going to take a ride to the drainage pipe. How’s that?”

“Oh, Thank you, thank you, thank you.”

——-

It was raining and coming down in thick sheets.

As I rode in the cruiser with the Chief, Stanley in the cruiser behind us with the detectives, I had to wonder, surely, he’s mentally ill, but that doesn’t mean he did it. It could be all a made-up horror tale that he’s just good at telling. Or, he did do it, and Mother Nature is hiding the bodies. Or, he forgot. Or again, he’s leading us all on a wild goose chase. But, he knows so much information… but, no proof or evidence. Also, you can’t rule out the possibility of the Supernatural. Why? In all cases, everything must be considered, no matter how fantastical it may seem.

Some People are Evil. Or, Evil possesses them.

When someone is murdered violently, does the Spirit actually wait till their body is discovered to have closure? And, then, walk into the Light?

Is it their Spirit that somehow catches our human attention, and in someway guides us to the body?

Or, is it just one F’ed up m*ther f*cker?

The cruisers turned on to Ridgemoor Drive. It was late and the headlights against the trees in the darkness played mind-tricks; making shadows seem to literally jump-out and sway at you.

As we made our way up the hillside, I could have sworn I saw movement where the drainage pipe was up ahead, or, perhaps it was the rain and reflections.

“That’s odd…” The Chief said.

“What?”

“I thought I saw something.”

Him, too?

Water cascaded down the hillside from the pipe.

The rain fell in big drops as the wind danced in gusts.

We parked; the red and blue lights from the cruisers flicked hypnotically like strobe-lights across the hill and trees; almost dizzying as we got out of the cars and edged our way up to the piping that was gushing water.

Stanley stayed close to me, his head was lowered like a wounded animal and he was still crying. “I’m so sorry, I’m just so sorry… but, please make it stop.”

When we came to the drainage pipe, the Chief wasted no time, he had Billings change into a  yellow waterproof suit; he then began the process of clearing the brush from the pipe entrance. Wilson shadowed him and pulled the strainer off. This allowed for more water to gush through. Billings cleared more debris out, then aimed a flashlight up into a dreadful darkness.

All of us were on edge. My instincts told me we were just about to un-cover death and be stained for it.

Stanley whimpered. “I’m sorry, Lance, for what I done to you. I really am. I really am. But, ya gotta stop your screaming!”

Billings tied a rope around his waist, slipped a helmet on with a mic attached, then started shimmying his way through the pipe and water.

“See anything?” Wilson asked, holding the other end of the rope steadily.

“Negative.”

There was a long silence. Then, “Oh my God,” Billings said. “ I smell something bad, man. Real bad.”

He was at least fifteen feet deep into the tunneling.

“I think I see something… I’m not sure… moving in deeper to get a closer look…”

He was now about twenty-five feet through … Thirty feet … Thirty-five …Forty…

“I think I see something… Holy sh*t! Something moved! I wanna get a closer look.”

“I don’t like this,” The Chief said. “Tell him to comeback. Abort it…”

“Hey!” Wilson adjusted his mic. “Chief says it’s time to come back! Abort it.”

“Wait!” Echoed from inside, startling all of us, including Stanley. “Oh my God! Oh my God! It’s a cavity… some type of cavern down here… this isn’t on the construction plans… no way…the smell… Hey, I see bodies, but… something’s not right.”

“Bring him back.” The Chief repeated.

Wilson began to reel in the rope slowly.

THERE WAS AN AGONIZING SCREAM FROM BILLINGS!

Suddenly, the rope was being pulled and yanked from the inside at lightening speed. The detective’s screams were guttural and sickening.

We all grabbed for the rope to help Wilson, but it sliced through our hands like a red-hot iron.

Fire blistered & bloody, rope burns are nasty!

Stanley screamed and ran for cover in the cruiser’s back seat. Cowering in a fetal position.

For a moment, I figured him to be a liar for attention.

Billings’ screams stopped. The rope fell limp. The rain and wind slammed us in a high frenzy. No one moved.

“Pull the rope back.” The Chief finally said.

 Wilson reeled in a tattered thread of rope with no Billings on the other side.

The Chief looked puzzled at what was left. “We’re gonna need a lot more back up… I’m sending you back to the station, Waide… you can go from there… we’ll keep Stanley the rest of the night to dry-out…It’s gonna be a long day.”

I didn’t say anything, but I knew it was far from over. I was in bed deep with a self-confessed serial killer/child rapist who knew way too much, no evidence, no proof, lots of facts, something Supernatural, or something else…

Welcome to Studio City.

Shooting on Location on a Budget

One of the best things about filming in Southern California and in Los Angeles in particular is the huge variety of locations.

Deserts, mountains, beaches, fancy houses and dead-end streets, rivers, lakes, oceans and storm drains, nightlife, churches, downtown sky rises and skid row. We’ve got it all and it’s all around us begging to be in frame.

Making a movie and shooting it on location should never be a luxury. It should always be a priority and a necessity.  Los Angeles can be another character in your story, not to mention the free background actors walking through your shot.

In a couple of weekends, myself and my intrepid filmmaking tribe will be driving up to Big Bear to film the final scenes of a post-apocalyptic short.  Unfortunately, due to a rather nasty fall in a theatre three years ago, two horribly painful surgeries and more in my immediate future, I am no longer the one holding the camera, the boom or anything else for that matter.  But I can direct, if seated, and I can certainly supply the sandwiches and the support and the wisdom it’s taken me several decades to amass.

Making the decision to drive three hours and rent a cabin, regardless of the cost, was, for this film, absolutely necessary.  Sometimes you can get away with staying local, shooting in your own home even. But if you have a story you must tell and it happens to be set in very specific locations then you must do everything you can to find a way to shoot in the best possible version of what you need.  Otherwise, what’s the point?

Lazy filmmakers are bad filmmakers…

Locations add serious value to your production.  Climb a tree, hang upside down, drive with the camera person straddling the bonnet, steal locations shamelessly.  A couple of weekends ago we shot in MacArthur Park.  We needed some footage of a reporter covering a march or protest.  I googled “protest marches in LA” and found a Facebook page listing a few coming up and we all met there and filmed whatever we could.  There was a protest rally about LGBTQ and we pinched some shots and it was brilliant!!!

The footage was then cut into the clip that we ran on a TV in the background of a scene…immediately elevating our film.  Small details make all the difference in the world!!!

Using your imagination and your network can bring you remarkable results.  We needed an office, someone knew someone and presto!  We got an office for a day. Offices are notoriously hard to get for free.  The cabin is in fact also free…a favor owed one of our tribe. Tthank you, Arcelia!!

I’ve shot in a fish n chip shop in the UK for free because we fed the cast and crew there…even got the chippy owner to be in it!!  We once asked a bored coach driver if he would circle round and drive in the coach park again for us and he was happy to.  I asked some firemen we could use their cherry picker.  We’ve shot in so many parks in L.A. I’ve lost count and many, many streets.  Car parks are so great, especially at night, and the lighting is amazing!  But watch out for the security guards.

Also, and this is very important, never film public transport.  Airports, train stations, metro…very bad idea.  It’s a terrorist thing.

If you are quick about it you can steal shots just about anywhere.  Even films with actual budgets do that.  The “40 Year Old Virgin” stole many shots.  “Gotta Have It,” “Paranormal Activity,” even some Tarantino films, and I am certain just about all indie movies have some scenes, or maybe a lot, that have absolutely no permission and no budget for them and they just did it anyway.

I have actually never been chased out of a place.  Although, I was once asked to leave a multi-story car park. When someone got murdered once across the street from where we were filming, we just kept going.  The police did eventually drive by and see how much longer we were going to be…totally understandable given the circumstances.

Ahhh, I miss the days of leaping out of a car and furiously filming and leaping back into the car and speeding off.  Alas, I now have fusions and so those days are far behind me…very sad.  But I can at least engineer, coordinate, direct, instruct and encourage and, as a producer, absolutely insist that locations matter.

Because they do.They can make the film and give a gifted filmmaker coverage and nuance and mood.  Locations can make something average amazing and even save rough performances.  Plus, I have found that if you are working with inexperienced or nervous actors, giving them less time to get all wound up in their heads can be very effective.  Watch some films from the 70s!!!! Brilliant use of space over performance.  “The French Connection” anyone!? Or my favorite, “The Taking of Pelham 123,” the original with Walter Matthau, of course, not that unspeakably bad remake.

So locations are more important than just about anything else in a zero budget film.  Given how compact cameras are now, not to mention the iphone, there really is no excuse not to try filming anywhere.  Just don’t get caught, or get ready to run if you are!

By the way, I am not encouraging you to break the law….just bend it a little!!

Have fun filming!!!!

Most dogs in shelters have been killed with kindness

The vast majority of dogs we see from rescues, evaluate in shelters and get in for training that have fear aggression, aggression or reactivity issues have two main problems…certain genetic factors and lots of kindness shared with them.

This is a tough one to communicate properly, though the concept is simple.

Dogs that are not taught a solid “no”, but get lots of love, pets, play and treats end up in shelters, passed to another family or worse. Dogs, just like people, need to learn boundaries and a fair “no” taught from a house that they mostly respect with a relative balance between fun and freedom vs structure and accountability. Notice I didn’t say tons of structure and discipline. That isn’t required for most dog’s initially…and I mean that truly! I’m not this person that believes in a ridiculously strict protocol for how dogs live. BUT I have to teach that to try to help owners reshape their relationships that are often born of freedom, love and treat work only. It’s not forever for most dog’s (some exceptions with human aggression towards owners) but after our program, owners will always need to find that aspect of mostly respect with a relative balance between fun and freedom vs structure and accountability. That balance will be different for each individual dog in their situation. Even where they live makes a huge difference.

Now I know that many of you share love through kindness and discipline. If so, this post is not for you.

This post is to explain most dog’s we see for training where the owners got a puppy or a shelter dog, gave the dog pets, maybe couch time his first night, showed the pup where the food and water was, left the crate open to make the dog comfy, let the dog explore the house, let the child hug the dog, left lots of toys and chews on the floor, let the dog pull to meet the neighbors and neighbor dogs, started treat based only classes and let their dog explore where they want to get comfortable. Lots and lots of kindness right?! Sounds like a pretty good life ❤️

It’s not.

It’s a life that breeds insecurity through a lack of guidance. It encourages seeking defiance through lack of properly taught boundaries with accountability and consistency. When dogs are given freedom, their brain gets accustomed to that and they push and push as a natural animal instinct. They feel they are in control, won’t listen to anyone when it matters and can become aggressive or very insecure. They need your help. They need your love to also mean leadership through guidance and discipline. When people hear discipline they often think punishment. I mean discipline as many things. Discipline is consistency so you don’t breed anxiety. It’s sharing your praise and your “no”s at the right time. It’s knowing how and when to reward and how to communicate “no” properly. Otherwise you get stuck in this pattern of freedom and fun with emotional high’s of disappointment, yelling and not understanding why your dog does the things he does.

I say this because I know many of you out there have fallen into that trap getting a dog from a rescue or shelter or have had to give up your own dog raised as a puppy because of serious issues that developed. If you are wondering what happened, it’s possible you shared the wrong type of love. This post is not to blame anyone. I have met with so many tear-stained faces over the years when their dog killed their cat, bit their child, drags them down the street and they fall or the are getting evicted because of barking. All of these things are difficult for anyone to navigate and I understand not everyone can keep their dog or overcome the issues that developed. I hope that this post serves more as a future lesson for some of you and provides hope for many others that they CAN turn their lives around with their dog. They just have to be willing to change…and sometimes those changes have to be big.

The photo I used is of a rescue dog we worked with for 1 month named Dutch. He was fearful and showing signs of aggression at the shelter when pushed. It took him a LONG time to warm up to us. He wouldn’t warm up to anyone. It was evident we weren’t going to gain his trust anytime soon, even with food. He was on a food strike even though he was already very thin. This worried us and we needed to get him comfortable and eating quickly. It wasn’t love and freedom and food. We gained trust with him by being a strong leader and gaining respect. We did that by teaching him place command and not being allowed to get up when-ever he wanted. We taught him to respect us by teaching him to walk next to us and not smell where he wanted. We also taught him to respect us by not allowing him to check out every dog he saw (he would bond with dogs quickly, but not humans). These are pretty large boundaries we had to re-enforce daily. It made him grow in confidence quickly because he was learning what he could and couldn’t do. The biggest effect seemed to be him learning to trust us because since we were controlling his environment, he wasn’t so scared of walking by people, bikes, noises, etc. He knew we consistently would guide him and hold him accountable and in return, that made him feel safer. This was all before he’d take food from us and work for food. Before long he was looking to us for guidance and eating eagerly, even from our hands. By week two we were counter conditioning petting him on the head with food, working on “come” and by week four he was seeking out new people to smell with all of our food counter-conditioning work we did. Everything works together. The concept is simple, but the execution can be hard. He is a true success story and went to an incredibly dedicated family that already has a good deal of experience with dogs and animals.

If anyone is wondering where I have seen the things I am explaining…it comes from working with dog and animal owners since I was very young, more than 20 years and working in rescues for a decade. It is challenging but rewarding work. I just want to help people and keep dogs in their current homes. It also comes from knowing animal control officers over the years and other trainer’s experiences.

In our current culture, most dogs right now, we are killing with kindness.

The Write Act Presents “Unforgettable”

The Write Act Presents “Unforgettable.” Written by Rochelle Perry. Directed by Cassie Soliday.

There’s something about The Brickhouse Theatre.  It’s small, tucked away in the back streets of NoHo, but it has character and presence. 

It gives the work performed there a sense of place and time. Perhaps it’s the exposed brick. It gives the spoken word a warmth and a resonance that you just can’t get from the painted black walls of most smaller theatres in LA.

This play, “Unforgettable,” with its deeply emotional core, needs the support of this particularly special theatre.  The story revolves around an aged Japanese woman who has just lost her husband to gun violence and, through her haze of dementia, she struggles to accept it.  Her young granddaughter, just about to graduate college and a pretty typical woman of her generation and affluent upbringing, is taking care of her while her mother takes a break. 

The two of them wrestle with their collective now and the grandmother’s past, which flits in and out of her mind manifesting on stage with younger versions of herself and her handsome husband, making her unsure of everything.   She quite heartbreakingly has no memory of the night an intruder broke into the house and shot her husband.  So as the play unfolds and her granddaughter tries to find her own role in this strange reversal of care, we laugh with them, we weep with them, and we marvel at the story of one woman’s journey from Japan in the years before the war, her marriage against her families wishes to a Filipino man and their immigration to the states.

It’s a beautiful piece.  The supremely genuine and exquisite performances by the two leads give nuance and pathos and humanity to the story. 

The supporting cast is also wonderful and what begins as a simple story of loss becomes something with much more depth and with an undeniable relevance in today’s world.

As usual, Write Act Repertory has brought us a fascinating and compelling story, filled with excellent performances.  This tender and beautifully moving play is a joy….Bravo!

Ticket info and showtimes

The Brickhouse Theatre, 10950 Peach Grove St., North Hollywood, 91601

It runs till October 13, so don’t miss it! https://www.brownpapertickets.com/event/4334653

Cast:

Tracy S. Lee (Rita), Randi Tahara (Keiko), George Infantado (Joseph), Ami Shimada (Young Keiko), Godfrey Flax (Marc/Police Officer) and Diane Chernansky (Doctor).

Production Team:

John Lant (Producing Artistic Director), Tamra Pica (Producer), Rochelle Perry (Playwright), Cassie Soliday (Director), Isabel Gallegos (Costume Designer), Jonathan Harrison (Associate Producer) and Lynn Barzola (Graphic Designer).

Asaf Amario’s “Idyll” Art Show

***

A new pop up art show by Asaf Amario on Sunday, September 22 in North Hollywood, CA! The exhibition features his new series, Idyll – a collection of 50+ acrylic paintings.

Asaf Amario’s pop-up art show  “Idyll” is September 22 via the official NoHo Arts District Guide; www.nohoartsdistrict.com

Asaf Amario is a Los Angeles-based visual artist known for his realistic portraiture. In his series Idyll, he combines his studies of realism with playful painting techniques in order to craft beautiful and stirring images. The Idyll art exhibition will treat visitors to realistic details, colorful accents and blissful finishes in pictures that are sure to surprise the eye and evoke discussions.

Asaf Amario’s pop-up art show  “Idyll” is September 22 via the official NoHo Arts District Guide; www.nohoartsdistrict.com

“It actually started with an experiment that evolved to this series of paintings,” Asaf explains. “The series includes over 50 paintings, which brings fantastic and unexpected connections. Some of them show chaos with small realistic elements, others present a small magical situation with things that in reality would never come together. Each painting represents a universe full of inspiration taken from the animal kingdom, the lessons and innocence of childhood. They are surrealist paintings painted in a realistic and whimsical approach, it almost feels like they are floating in space.”

https://www.instagram.com/p/BkZ5Y-8A7QF/

“I am originally from Israel, where I began my artistic education as a child. I immigrated to Los Angeles in my early 20s, to be able to paint for a living,” says Asaf. “I was very lucky to be mentored by the great artist Mark Westermoe at his former art school, Associates in Art. I am currently the CEO of Master Custom Paintings, an elite painting company based in North Hollywood. I spend most of my days in NoHo, and it felt like the right place to have a show. A good friend presented me with the opportunity to create a pop-up show at his place, and I jumped on the opportunity. The art scene over here is amazing and I feel very lucky to be part of such community.“

WHEN:

Sunday, September 22

5-8PM

WHERE:

5536 Satsuma Ave.
NoHo Arts District

WEBSITE | INSTAGRAM | FACEBOOK

Asaf Amario’s pop-up art show  “Idyll” is September 22 via the official NoHo Arts District Guide; www.nohoartsdistrict.com

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

September 12 NoHo News:

…

NoHo News! Valley Film Festival. Monster Force Zero. Ballet Goes Broadway. We Do Theatre.

Here’s your NoHo arts community update!

We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood. Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

 

NoHo News! Valley Film Festival. Monster Force Zero. Ballet Goes Broadway. We Do Theatre.

Follow NoHo News with Bloglovin

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

 

Tips for Thwarting Identity Theft

According to a survey conducted by Experian, one of the nation’s leading credit reporting agencies, some 81 percent of Americans rely on banks and credit card companies to monitor their accounts against instances of fraud.

While it’s OK to expect financial institutions to help, you’ll want to take advantage of these tips for thwarting identity theft too.

  1. Treat Your Social Security Card Like Gold — Because It Is

Anybody gaining access to your SSN, along with your address and the correct spelling of your name can spend your money without you realizing it until it’s too late.

Memorize your number so you don’t have to expose the card in public.

If anyone requests your Social Security number, ask why they need it and look for alternatives to providing it. Always keep your card under lock and key and out of sight.

  1. Set Your Phone to Lock Immediately

It only takes a momentary distraction to enable someone to lift your phone and be gone. If you set it down for moment unlocked , they’ll have access to your entire world — without needing your password.

Think of all of the personal information in your phone.

Now, think about how it could be used against you.

Need we say more?

Program your phone to erase itself after three unsuccessful attempts at your password. Along those same lines, register it with another device so you can wipe it remotely if it’s lost. Ditto your tablet and laptop.

  1. Collect Your Mail Every Day

Believe it or not, your pre-approved credit card offers can be responded to by anyone who gets control of them. Thus, it’s imperative to ensure nobody else does.

One simple change of address and that new card is going to someone else. Suddenly, your money is balling in the Bahamas while you’re busting your butt at work in Baltimore.

Opt out of paper offers from your issuers and destroy the ones you get before tossing them in the trash. When you are going to be away from home, always arrange for a trusted friend or neighbor to clear your mailbox each day.

By the way, if your bills suddenly stop arriving, contact the companies behind them to find out why. Your mail could be getting intercepted.

  1. Shred Everything Before Discarding It

Remarkably, crooked-minded people are willing to work harder to steal than earn. They think nothing of going through your garbage to harvest information they can use to gain access to your finances.

Shred every single piece of paper you discard in the trash.

This will give them reams of confetti through which they must sort to find your account information. Cross cutting, rather than linear shredders provide the best protection.

These precautions should be taken with all financially oriented mail and documents. This even applies to collection notices and correspondence with debt relief companies. You’d be amazed what hackers can do with seemingly innocuous information.

 

  1. Review Your Credit Report Annually

You are entitled by law to one free copy of your credit report from each of the three reporting agencies yearly. Get it every year and go over it carefully.

Look for changes — especially new accounts opened since your previous review took place. This can help you catch thieves before they have time to do irreversible damage.

  1. Avoid Public WiFi

It’s way too easy for someone in a hotel, airport, bus station or train terminal to monitor and intercept traffic going over public routers. Wait until you get home to pay that bill, make that transfer or buy things online.

Transmitting financial information out in the open is like walking out of your house, leaving the front door wide open — after you’ve told everyone on social media you’ll be away for ten days.

These basic tips for thwarting identity theft will go a long way toward keeping your money where it belongs — under your control.

Got any others?

Share them in the comments section below.

The 19th annual Valley Film Festival (VFF)

***

The 19th annual Valley Film Festival (VFF) announces its program, festival HQ at The ALL3Y, and continues to prove why it is #UnitedByFilm.

The OG of film festivals in The Valley returns with a nine-day showcase of more than 60 of the best independent films, from the (818) and from around the world, live music, panels, and more, September 21 – September 29, 2019 at The ALL3Y Studios and Laemmle NoHo 7 in the NoHo Arts District. Tickets are $15 and available now at ValleyFilmFest.com.

Opening the 19th festival on September 25 is the West Coast premiere of “STRIVE,” a drama directed by Robert Rippberger, starring Joi Campbell and Danny Glover. “LITTLE BLACK LIE,” shot entirely in the (818) and directed by Todd Theman, closes the festival with its world premiere on September 29.

See some of the featured trailers>>

In addition to film screenings, The Valley Film Festival is taking over ALL3Y Studios, September 21-29, and transforming the historic space into a hub that will include live music, professional development panels, wellness seminars, a distribution market, and literary salon. A few artists that have already signed on include Wolfgang Glattes, author of “Memories of La La Land,” multi-guitar project, The String Revolution, and music supervisor Jon Houlihan (“Deadpool,” “Atomic Blonde,” “Austin Powers”). A complete schedule of events and guest speakers will be added to the festival’s website over the next week.

As seasoned veterans in L.A.’s film community, The Valley Film Festival also continues to lead by example by encouraging the use of the hashtag #UnitedByFilm on social media to bring awareness to conscious programming amongst viewers and creatives alike. “We’re thrilled to be able to offer our local and visiting filmmakers a dedicated creative space to call home,” said VFF’s founder, Tracey Adlai. “Having all of our special events at The ALL3Y allows us to emphasize the “fest” in “festival” and demonstrate how we are #UnitedByFilm, while providing filmmakers quality face-to-face time with their peers.”

The Festival remains fully committed to supporting local independent production by showcasing a record 60% made by Angelenos, Vals, and shot in or about the glamorous San Fernando Valley, while continuing to promote diverse films from around the world, with films from Australia, Canada, Finland, Germany, Ireland, Russian Federation, Switzerland and United Kingdom.

VFF welcomes you to immerse yourself in impactful stories and events unique to our dedication to local and international film lovers, September 21-29, in the NoHo Arts District, with daily programming at The ALL3Y Studios and screenings at the Laemmle NoHo 7, September 25-29. Tickets are $15. For more information and tickets, visit ValleyFilmFest.com.

 

ABOUT THE VALLEY FILM FESTIVAL:

The Valley Film Festival (VFF) supports local and international voices that advance storytelling, while furthering the education, production, and exhibition of film. VFF has been showcasing great content for 19 years and is an all-volunteer non-profit project of Community Partners.

Since its premiere in 2001, alongside the grand reopening of Pacific Theatres at the Sherman Oaks Galleria, The Valley Film Festival holds the proud title of being the first film festival in L.A.’s San Fernando Valley. Our mission is to further the education, production, and distribution of filmmaking in The Valley, with a goal of bringing together established filmmakers, emerging talent, and their audiences on the studio backlot – just North of Hollywood.

WHAT:

The Valley Film Festival 2019

WHEN:

September 21 – September 29, 2019

WHERE:

Laemmle NoHo
5240 Lankershim Blvd.
NoHo Arts District

The ALL3Y Studios
5064 Lankershim Blvd.
NoHo Arts District 

TICKETS:

Tickets are $15.

TICKETS>>

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

The Whitefire Theatre Presents “Tales From The Powder Room”

The Whitefire Theatre Presents “Tales From The Powder Room,” Written and Directed by Robyn Migel.

Eight powerful, hilarious and excruciatingly relatable sketches… all set in a ladies bathroom.  

The stories that play out are familiar to us all.  Stressful, tearful, revelatory, singular and all interconnected.

It’s a terrific concept.  Who hasn’t had a life-changing encounter in a ladies powder room?  Why I had a particularly moving conversation with a total stranger just the other day.  It’s something about the bright lights and the leveling activities.  There’s nowhere to hide, all our insecurities are fully visible, reflected in the shiny porcelain tile.

These actresses are absolutely superb.  Brazen and subtle, twisted and profound. 

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The subjects they deal with are every day and utterly devastating.  From period pains to boardroom bullying, office rivalry to an unexpected pregnancy.  A mother counsels her daughter on the phone after she punches a boy who grabbed her breast.  The scourge of the office deals with her rapidly progressing cancer as a co-worker braves her brusk and openly aggressive exterior to offer help in her suffering.  Another sketch deals with the ridiculousness of religious-based bigotry towards a transgender woman whose only sin is being made in her own God’s image.

It’s a lot…but it’s all so perfectly contained in the hour or so we spend getting to know these remarkable and disparate characters that, in the end, it feels like not nearly enough.

This show runs every Saturday night through October 12, I urge you to grab your girlfriends and see it.  These stories might be familiar, but it’s that which makes them relatable and very important to us all. 

“Tales From The Powder Room” won the Encore Producers award this year and I can totally understand why…it’s brilliant!!

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Running from: September 7 through October 12.  Saturdays at 8pm

The Whitefire Theatre, 13500 Ventura Blvd, Sherman Oaks, CA 91423

https://www.facebook.com/Tales-From-the-Powder-Room-2269641103303495/

https://www.brownpapertickets.com/event/4325033

Cast:

Davida Sal, Leah Verrill, Lara Helena, Burgandi Trejo Phoenix, Sandi Milne, Leah Briese, Alyssa Gabrielle Rodriguez, Burgandi Trejo Phoenix and Kamri Lin.

“Student Films”

Since the moment I arrived in Los Angeles, I followed one rule all the way up to the present day, “Working on set is better than not.”

The first “student” film I worked on was through the American Film Institute (AFI). It was a gang-related movie and I played the role of a disloyal gang member. I would get use to playing a lot of gang members, criminal tough guys and drug lords. I worked on student films from UCLA, Chapman University, Loyola Marymount, Columbia School of Film and Television, Los Angeles Film School, and the behemoth of most of my student film career, USC.

My philosophy was that no matter where I was in my career, I would always seek out student films for three reasons;

Reason 1 – Most of the shoots were on weekends and that fit with my weekly schedule of auditions, work and meetings.

Reason 2 – I get to work with young new talent that if they are successful, they would remember me and hire me again when they reach the big time.

Reason 3 – I was usually treated like an “A-List” actor. During the productive years of my career I was doing commercials (both English and Spanish), episodic television, and the occasional short film or pilot, and less frequently, feature films. These young writers, directors and producers loved hiring me because what little clout I had in the “real world,” it magnified in the student film world.

My experience with these young filmmakers, with the exception of too few to mention, was always highly professional, friendly, and resulted in a creative collaboration.

I have kept in contact with most of the filmmakers I have known over the years. Some have gone on to bigger opportunities in their careers, others switch disciplines inside the business, and some have left the business altogether. I must admit there is a great sense of accomplishment that I feel that, for so many filmmakers, I was either in their first films ever, or I was one of their first actors they had ever directed. A lot has changed since I started thirty years ago. The technology has changed from 16mm to 4K, from getting food instead of pay to a decent one-day rate. The quality of the scripts has also grown in depth, diversity and risk.

I could go on and on about the individuality of each film school and tell you many stories both sublime and tragic.

The bottom line is that student films from the beginner to the professional actor have the most important thing in common. We are a collection of artists collaborating, struggling and triumphantly succeeding in creating art together. Actors and filmmakers are my friend, family, my tribe. There is no other place I would rather be than with my fellow artists on a film set. Has it been worth it and will I continue to do student films? The answer is easy, as long as their is a dream of a story being told, I will submit, audition and perform for at the very least; copy, credit, and a meal.

Cheers my friends, keep on making.

Theatre 68 in Association with Autism Works Now Present “Self-Injurious Behavior”

“Self-Injurious Behavior” – Written by Jessica Cavanagh and Directed by Marianne Galloway. 

Running September 6 – 28, Fridays & Saturdays at 8PM, Saturdays and Sundays at 2PM

“Self-Injurious Behavior” is a play about the struggles of life with an autistic child. And although one might imagine that is quite enough of a subject for one show it is not only about that.  It’s also about love and acceptance, and fear and loss, and hope. 

This play was initially developed through a workshop run in the summer of 2018 in Dallas by its writer,  lead actress and emerging playwright, Jessica Cavanagh. Cavanagh then took the play to New York for a 12-performance AEA showcase run at Urban Stages in April of 2019.  So, suffice it to say, this play about such complex and compounding circumstance and emotions has been well and truly prepared for this L.A. premiere. 

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This is the playwright Jessica Cavanagh’s actual life story.  Her son was diagnosed with autism when he was eight, although it’s clear she knew much earlier that he was different from other children.  Cavanagh painstakingly and with vivid, beautiful honesty portrays herself through the most painful time in her life.  She opens up herself to us without fear and it is her brutal, gentle honesty that enthrals us. 

Struggling with her son’s profound autism alone for most of her marriage to his father, until the toll it took unravelled them, Cavanagh lays no blame.  She carefully unfolds their lives for us on stage without judgement or limits.  The order of events runs through two timelines simultaneously, one forward and one backward which is such a brilliant way to give us all the hurt and the love and the loss in one short night of excellent theatre. 

Because life is never linear, is it?  It plays out in circles and hexagons and snakes and ladders.

Cavanagh’s light fills the stage even in the play’s darkest moments.  Her work with the young actor who plays her son is so heartbreakingly real and perfectly performed that I shed tears even in their lightest of moments, especially then in fact.  When we could see the glimmer of what could have been, the ache only a mother feels, the reminder that we are all born who we are no matter what comes next, and that we had better accept and love ourselves that way.

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The rest of the cast is just so impossibly good. 

All gifted actors, all chosen so perfectly for their roles as her sisters, friends and her ex-husband, who we think in some ways we should hate but end up strangely understanding. No judging remember.  It’s not a simple play.  The story is so hard to tell and yet she manages to gift us her joy, her hilarity and her strength as well as her tragedy.  There were many moments when you could literally have heard a pin drop in the theatre…bar the sniffing. 

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Live theatre is a place of magic and healing.  Work like this reminds us of that.  At its best the theatre can pass lifetimes to us by osmosis and love by recognition. 

This play, “Self-Injurious Behavior” is theatre at its utter and complete best.  Go for the cause, stay for the genius storytelling. But truly, you must go.

 

TICKETS>>

 

Theatre 68, 5112 Lankershim Blvd. North Hollywood, CA 91601

Cast:

Jessica Cavanagh, Jude Segrest, Jonathan Brooks, Janie Haddad Tompkins, Jullian Cavanagh, Gisla Stringer, Madison Calhoun and Mitch Lerner

Producers:

Executive Producers Ronnie Marmo, Joe Mantegna, Bren Rapp

Producer Laura Buchwald & co-producers Kristen and Mark Machiedo

BackSTORY: “Do the Right Thing”

***

May you live in exciting times! The Victory Theatre Center will host their next BackSTORY on September 15.

For this month’s BackSTORY, writers will address the themes from Spike Lee’s film “Do the Right Thing.”  Even though the film premiered 30 years ago, Lee’s story is still relevant today.

Storyteller/actor Rashim Cannad will appear along with Anne Cherian, Vicki Juditz and October B.L.U.

https://www.instagram.com/p/B2FfWYwJh2G/

The reader/performers will explore the themes of prejudice, racial violence and separation that continue to rip at the fabric of our society.

WHEN:

Sunday, September 15, 2019 at 7:30pm

WHERE:

Victory Theatre
3326 W. Victory Blvd.
Burbank 91505

TICKETS:

$10 at the door

INFO>>

WHAT IS BackSTORY?

BackSTORY is a bi-monthly evening of true stories, fiction and poetry. Using the title of a classic stage play or movie as inspiration, storytellers and poets write poems and stories to be read aloud. Writers may pen a personal story inspired by the themes of the play. Some have written in the voice of a character from the play and told his or her back story. Some writers have used the words of the title for inspiration. Whatever the writer’s approach, BackSTORY has consistently been a fascinating and eclectic night of theatre.

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Resurrection Fern “Savana” Single Release

This single is a lovely, winsome, love song.  Breathlessly mournful, heartbreakingly sung.

There’s a kind of strength in the vocals though.  It’s not wimpy and broken, Resurrection Fern sings with a strength and a hypnotizing and beautifully pure folksy sound.

This is her first single release from her upcoming EP. Although this song is actually not written by her, she was asked by her very close friend to record it and loved the results so much it’s become the first release… of many, I hope!

She is also at the forefront of the new Twitch TV.  She performs live for her “FernFans” and it’s through this uniquely intimate digital community that she has been able to pursue her independent musical metamorphosis.

She’s Jewel like, with a little Sarah McLachlan for good measure.  Her voice is delicate but powerful and the combined effect works brilliantly.  The song is simple, haunting and very, very catchy…loved it!!

“Savanna” Spotify pre-save link

Artist Links

Official Website

Twitch

Twitter

Youtube Channel

StKi, LLC Presents “To Dad With Love: A Tribute to Buddy Ebsen”

Created by Dustin and Kiki Ebsen. Performed by Kiki Ebsen. Directed by S.E. Feinberg.

September 6 – 22, Friday & Saturday at 8pm, Sunday at 2pm.

I have a confession to make. I have seen this show before.  Last year in fact, when Kiki Ebsen and her stellar team first put it up at Theatre West. 

But like anything good, anything with depth and thoughtfulness and purpose, there are many layers. And the second time around the layers are merely deeper and more interesting.

thumbnail Photo 1   (l to r) Buddy Ebsen and Kiki Ebsen   Photo by Cliff Lipson

Kiki Ebsen is the daughter of Buddy Ebsen – “Beverly Hillbillies,” “Davey Crocket,” “Breakfast at Tiffany’s,” “Barnaby Jones” and decades of Broadway musicals.  He’s a huge star of stage and screen and television.  A gifted musician, songwriter, phenomenal dancer and a beloved and iconic American dad.  Like most dads, he also had many hidden layers and this musical play is Kiki’s journey through those layers.  Her way to uncover who her father was as a man.  For fathers are still men and as a daughter of a complex man myself, I know all too well how far away one must sometimes be from them to see them clearly.

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This production has been years in the making.  Because I saw another connotation of it last year, I can tell that it has been honed and refined and also added to since I saw it last.  It is in fact quite beautifully crafted, each moment and each song carefully chosen, photograph and film clip selected and displayed on the large screens either side of the stage is perfectly balanced and exquisitely formed. 

This is a love letter from Kiki and her brother Dustin, who helped create it, to their father. 

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A man we all know of course, but the private man, husband, father, artist, we hardly knew at all and Kiki rediscovered him years after his death and after her mother passed away.  While going through a long-forgotten trunk in her mother’s house she found a treasure trove of memorabilia.  Moments from Buddy Ebsen’s life,  records, costumes, screenplays, photographs, letters and precious and amazing bits and pieces of his life and career all tucked safely away like a time capsule. 

My home is covered with my family memories.  In the books and the paintings and the furniture.  In the coats hanging in closets and the sweaters tucked away in drawers.  We keep what we need to wrap around us when those we loved and lost no longer can.  For Kiki and Dustin the treasures are more plentiful.  As children they would search the television airwaves looking for dad, how wonderful that they can now still do the same.

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“To Dad With Love: A Tribute to Buddy Ebsen” is a heartfelt and moving portrait of not just a man but a relationship. 

With the help of an absolutely incredible jazz band and her outstanding vocals,  Kiki tells us about her life with Buddy Ebsen in a very intimate, musical and human way.  She looks past his flaws (we all have those after all) and shows us nothing but thankfulness and love.  This is how I would want my children to remember me quite frankly, with honesty, with love, a few tears and a lot of laughter and pride.  There’s a lovely moment toward the end of the show when Gregory Gast, as Buddy Ebsen, comes on stage and dances with Kiki. Such a touching and poignant way to complete the journey through their lives.

“To Dad With Love: A Tribute to Buddy Ebsen”  is only playing from September 6 to 22.  I guarantee you will love this show.

Theatre West, 3333 Cahuenga Blvd. West, LA, CA 90068

https://www.buddyebsentribute.com

#HearTheStoryOfTheOriginalTinMan – An Interview with Kiki Ebsen

***

Kiki Ebsen returns to Theatre West by popular demand with a newly envisioned, world premiere production of her show “To Dad With Love: A Tribute to Buddy Ebsen” through September 22, 2019.

Multi-talented performer Kiki Ebsen honors her father, entertainer Buddy Ebsen, in a multi-media show, co-designed by Kiki and her brother Dustin Ebsen. The show highlights the icon’s seven-decade career during the best days of stage, film, theatre and television. From his earliest days as a New York song and dance man, Kiki takes the audience back in time as Buddy Ebsen starred in early films such as “Captain January,” “Breakfast at Tiffany’s,” “Banjo on my Knee” and the “Broadway Melody” movies of 1936 and 1938. In addition, Kiki will reflect on his television work in “The Legend of Davey Crockett,” “The Beverly Hillbillies” and “Barnaby Jones.”

With heartfelt love from daughter to father, Kiki remembers her dad, singing beloved songs from Buddy’s film career, accompanied by premier jazz musicians Jeff Colella (piano), Granville “Danny” Young (bass), Kim Richmond (woodwinds) and Kendall Kay (drums).


“To Dad With Love: A Tribute to Buddy Ebsen” –  (l to r) Buddy Ebsen and Kiki Ebsen. Photo by Cliff Lipson.

How did TO DAD WITH LOVE: A TRIBUTE TO BUDDY EBSEN come about?

Kiki: “A decade after my dad’s death, I paused my touring career to reflect on my father’s life and work. A rediscovered acting trunk produced a wealth of resource materials—original scripts, old letters, songbooks, and photos—a montage of my dad’s life. From this I was inspired to record my sixth CD, “Scarecrow Sessions,” in time for Father’s Day 2014. This CD became the genesis for a musical evening.

“In 2015, I developed ‘TO DAD WITH LOVE: A TRIBUTE TO BUDDY EBSEN,’ to perform the music of ‘Scarecrow Sessions’ with a talented jazz band. My brother, Dustin Ebsen, an award-winning videographer, worked with me and added more than 200 images, creating a multimedia slideshow for our music and storytelling montage. This version of the show, coupled with the music of the CD, “Scarecrow Sessions,” achieved substantial audience and critical acclaim during its run from 2015–2017.

“The next natural step was to create an expanded show for the theatre. I am so happy to be bringing back my show for three weeks, after a successful three-day tryout at Theatre West in 2018. This new production celebrates my father’s 70-year career in the entertainment business as well as the 80th Anniversary of the iconic film, “The Wizard of Oz,” for which he created the role of the Tin Woodsman. From George Russel to Jed Clampett to Barnaby Jones, to working with Walt Disney, I tell my dad’s story.”


Shirley Temple and Buddy Ebsen in “Captain January.” Photo courtesy of Buddy Ebsen Private Collection.

How did you dad’s career get started?

Kiki: “My dad made his way to New York City in 1928 with a total of $26.65 given to him by his sister Norma, $1.65 of which was in his pocket and another $25 which was tucked in his right sock, to do the only thing he knew how to do, dance. That’s how it all began.”

What was your dad’s connection with Walt Disney?

Kiki: “My dad is a Disney legend. In 1951 entertainment Walt Disney personally chose my dad to pose for his artists to create The Walt Disney Company’s first fully animated figure called “Dancing Man,” the concept of which, later became known as Audio-Animatronics®, the technology that fuels characters at Disneyland attractions worldwide today, including Great Moments With Mr. Lincoln. As kids, when we were growing up and visited Disneyland, dad would always stop and pause when we went by Great Moments With Mr. Lincoln. We never knew why, until much later in life.”


“The Beverly Hillbillies.” Photo courtesy of Buddy Ebson Private Collection.

What are some of your favorite roles that your dad played?

Kiki: “On television it would be, George Russel in “Davy Crockett” playing opposite Fess Parker; Jed Clampett in “The Beverly Hillbillie”s playing opposite Irene Ryan; and his title role in “Barnaby Jones” playing opposite Lee Meriwether. In film, besides his brief stint in “The Wizard of Oz” as the original Tin Man, among my favorites I would count his appearance as Doc Golightly in “Breakfast at Tiffany’s” playing opposite Audrey Hepburn; Paul Roberts in “Captain January” playing opposite Shirley Temple; and Ted Burke in “Broadway Melody of 1936” playing opposite Eleanor Powell and Robert Taylor.”


“To Dad With Love: A Tribute to Buddy Ebsen” –  (l to r) Kiki Ebsen and Buddy Ebsen as Jed Clampett. Photo by Garry Kluger.

How would you describe your current show?

Kiki: “It’s one-woman show featuring me, the youngest daughter of Buddy Ebsen, telling the story of my dad’s life from my vantage point, and that of my youngest brother, Dustin. S.E. (Steve) Feinberg directs the show. I am supported by dancer Gregory Gast, and a band consisting of Jeff Colella on Piano, Kim Richmond on Woodwinds, Kendall Kay on Drums and Granville ‘Danny’ Young on Bass.”

What advice would you give young people who are entering into the entertainment profession?

Kiki: “The entertainment profession and being an artist can be two very different things. One implies financial gain and the other honest creative expression. I would be clear about your goals going into the profession and move in directions that served your goals. For instance, in high school all I wanted to do was play in a band and for 30 years I performed non-stop worldwide playing keyboards and singing with everyone from Al Jarreau to Chicago to Belinda Carlisle to Tracy Chapman. I was very successful. It took many steps to get there but I was focused on that dream. That led me to songwriting and eventually writing, producing and starring in my own shows. My goal as an artist is to heal myself emotionally through my music and words. Then I have to have that translate to the listener. Being an artist does not always equal financial success. If your goal is to be a hit songwriter, you may want to study today’s music charts for what is selling then search out successful collaborators who can get your songs cut by the next ‘Ariana Grande.’ Bottom line: Love what you do, practice your craft, be prepared to go the distance and surround yourself with a great support team.”

What would your dad say today, if he saw you now?

Kiki: “He’d say: “That’s my girl, doin’ what comes naturally! Kiki’s found her calling and now she’s living her dream!”

TICKETS>>

See you at the theatre! 

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

The Getty Villa Presents “The Heal”

The Getty Villa Presents “The Heal” – Inspired by Sophocles.

Written and Directed by Aaron Posner

Co-Produced by Round House Theatre

Music by Cliff Eberhardt

Playing Thursday, Friday & Saturday at 8pm, now through September 28.

The J. Paul Getty Museum at the Getty Villa, 17085 Pacific Coast Highway, Pacific Palasades, CA 90272

For some reason, I am always a little bit astonished at how funny the ancient Greeks were. Of course this isn’t just a Greek play, strictly speaking. 

It is, in fact, a rather inspired and heartfelt adaptation of the play “Philoctetes” written a couple of thousand years ago by the extraordinarily prolific and most highly decorated of all Greek playwrights,  Sophocles.  It was also one of his last plays, produced towards the very end of his long, distinguished life.   Aaron Posner is the guilty adapteur.  He was, according to him, “in love” with Sophocles’s “Philoctetes” from a very early age – how very ’theatre director’ of him.  So this beautifully wrought and very moving work has for him been a very long time coming. 

What better place to mount such an epic and yet such a truly intimate, human story.  The Getty Villa’s Barbara and Lawrence Fleischman Theatre, a perfect stone amphitheatre with the classical columns of the museum as its backdrop and the warm sea and olive tree scented air enveloping it.  Like Greek mountain goats we teeter to our seats in the steeply and beautifully built theatre and are instantly held captive by the sun-warmed, ancient stones beneath our bottoms and the magic of this utterly excellent production.

The basic story is this: Philoctetes, former friend to Herakles and now owner to the fallen hero’s famous bow that can never miss its mark have been marooned on an island for 10 years,   abandoned there by his comrades on the way back from the Trojan War.  They left him there because while at war, he trespassed on a nymph’s sacred grove, she then turned into a snake and bit him on the heal poisoning him, giving him a wound that would never heal.  So foul-smelling was the wound and so piteous and loud were his cries of pain that no one could stand to be around him, despite his heroic deeds and famous bow.  So King Odysseus tricked him into visiting the island and then sailed off, leaving him there alone.

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Ten years on and the war still raging, the King is sent a sign by the gods that the only way to end the war is with Philoctetes’ bow.  Unable to bring himself to face Philoctetes and ask for it himself, he sends the recently deceased Achilles’ daughter, Niaptoloma, a brave and honorable young woman.  The King persuades her to lie to get the bow, which is totally antithetical to her life-long vow of honesty.  When she arrives on the island and finds Philoctetes or Phil as the King calls him,  Philoctetes remembers her as a child and begs her to return him to his home and the story brilliantly unfolds.

Scattered through the play are the ingenious songs of Cliff Eberhardt who sits on stage with his guitar throughout.  A kind of narrator, a kind of high priest of what perhaps this all really means.  His chorus, a gaggle of lovely ladies, fierce and melodious, and hilarious and relentless, remind us all of the perils of lies, the ruthlessness of ambition and the utter joy of very clever and mellifluous song.

It’s a one-act play of effortlessly dramatic, funny, poignant, meaningful and harmonious storytelling. 

The cast are superb, every one of them and all so exceptionally accomplished.  They fearlessly take on this timeless and purposeful tale and all its ins and outs with poise and passion and….here’s that word again…JOY.  This is my third play at the Getty and they have all been brilliant.  But I have to say this might just be my favorite…don’t tell Aristotle!!

We all need to be reminded, especially lately, that even when things are at their worst, when people around you just couldn’t get any more vile and ridiculous. And when you just can’t hear any more claptrap, some long-dead Greek bloke’s words, reinventing a story told ages before he even existed and then all of it lovingly refashioned for our simple, non-classical, Greek ears can flush you with truth and love and meaning and hope.

This play may be about our pain, deep wounds and our fear, but it’s also about hope and healing.  This wonderful, funny and oh so clever play made each of us in the audience remember how human we all are, how much more alike we are than not, no matter where we are from or how we live.  It sang its songs of redemption and remembrance and, for a little while, in the dark on a hillside in Malibu, sitting still and paying attention, we all healed a little.

You should never need any particular reason to go to The Getty, or indeed, to see a play, but I’m giving you one. Don’t miss this gem. Don’t miss your chance to reflect on your own mistakes, face them, know them, let them go and heal.  And oh yes, and it’s also very, very, very funny…

“The Heal” is playing Thursday, Friday and Saturday every week now until September 28th…so get your tickets!!! I guarantee this will sell out.

https://tickets.getty.edu/shows/the%20heal/events

Cast:

Eunice Bae, Cliff Eberhardt, Emma Lou Hebert, Eric Hisson, Lester Purry, Kacie Rogers, Jaquita Ta’le

Creative Team:

Ryan Rilette – Artistic Director Round House Theatre

Aaron Posner – Playwright & Director

Erika Chong Shuch – Choreographer

Thom Weave – Scenic & Lighting Designer

Sarah Cubbage – Costume Designer

Andre Pluess – Sound Designer

Gabrielle Hoyt – Dramaturge

Erin Weaver – Dramaturg

Marcedes L. Clanton – Production Stage Manager

An Honest Look at the Digital Nomad Lifestyle

Imagine this: you’re in Bali, you’re laying down in a hammock, you have your laptop with you, and you’re quickly typing away an article.

You finish it, you close your computer, and go straight into the ocean for a quick dip in the water. 

Sounds amazing right? 

But, truth be told, it’s not.

First, sand and computers don’t get along so well. Second, there aren’t any power outlets, no wifi, and for those who have tried working while laying down, you already know it’s a fast track to fall asleep. Fact is, the digital nomad life has been romanticized and idealize, much like love stories in Hollywood. 

This, however, isn’t to say it’s not a life worth pursuing; it’s just simply a matter of making a decision based on the right (and real) information. 

Is the Digital Nomad Lifestyle Worth It?

There’s no right or wrong answer here. It truly depends on a lot of factors, starting by personality traits. There are people who love traveling and seeing new places, and there are some who don’t find as much joy in that. There are people who can be away from friends and family for extended periods of time, and there are some who can’t (either because they don’t want to, they play a caregiver role within their families, they have kids, etc.). 

There are pros and cons to being a digital nomad, just as there are pros and cons to not being one. 

While we can’t give you an answer, we can help you reach a decision by laying out some of the advantages and disadvantages of leading a digital nomad lifestyle. 

Advantages of Digital Nomadism

  1. Flexibility

And we mean this in the most comprehensive way possible. As a digital nomad, you can work whenever and wherever you want from (whether that be Guatemala, Bali, Colombia, Africa, Germany), you have the world to choose from. You can work during the wee hours of the morning, late at night, or during regular business hours. 

  1. You get to travel

This is probably one of the main reasons why people are attracted to digital nomadism, you get to travel as much as you want. As a digital nomad, you can explore new places, try new foods, meet new people, and learn about new cultures. Forget about asking for PTO or vacation time, just pack your bags and pick a new destination. 

Pro tip: most digital nomads aim to stay for at least one month in any given location; this gives them enough time to explore a new city while working full-time. 

  1. It can be cheaper

This one depends entirely on where you are from and where you choose to go, but more often than not, digital nomads pick destinations where the cost of living is cheaper when compared to their hometown. This means you can get more bang for your buck, which can easily translate into more traveling opportunities. 

  1. Expand your network

Not just your professional network, but your personal one as well. When you travel, especially if you travel solo, you meet a lot of people. Some of these individuals might become lifelong friends, some might lead to new business opportunities, and some might inspire you to visit places you hadn’t considered before. Meeting new people, especially from other cultures, is simply a truly enriching experience. 

  1. No commuting, no toxic work environments

As a digital nomad, you will likely stay in accommodations that are conveniently located close to cafes, coworking spaces, or the buzzing activity of a city. If you stay in a co-living building or a hotel with a nice lobby, you don’t have to commute to get to work, you can just plug in wherever you are. Plus, since there is not a set workplace, there’s no need to deal with toxic work environments or distracting coworkers (you’ll eventually miss chatty coworkers, but it comes and goes).  

Disadvantages of Digital Nomadism

  1. Loneliness

Loneliness has been cited as one of the biggest and most common challenges of leading a digital nomad lifestyle. While yes, you get to meet new people, creating a strong, authentic bond takes time, and this is made harder by the fact that people you meet while traveling are also traveling themselves, which means they come and go often. Then there’s also the fact that as a digital nomad, you’re far away from family and loved ones, which can sometimes worsen feelings of loneliness, especially during special dates and occasions like birthdays and end of the year holidays. 

  1. Burn out

Digital nomadism is a double edged sword. While yes, you do get to choose where and when you work from, most digital nomads (and remote workers in general) find it challenging to turn off from work, which can lead to feelings of burnout and stress. To prevent this from happening, you need to hone your time management skills and find a way to have a routine, regardless of where you are. You’ll need to learn when to fight that feeling that you need to always be working. 

  1. Tech issues

As a digital nomad, you won’t be able to travel everywhere. You can, but that doesn’t mean you’ll be able to work from there. Some places are just too remote and don’t have the necessary technology infrastructure to support remote work. Before you head out to a new destination, make sure you research about it and are sure you’ll be able to get wifi and reliable electricity. 

  1. Fatigue

Traveling can be exhausting. Have you ever gone on a trip and loved the feeling once you’re back home? As a digital nomad, you don’t get that feeling. Traveling is taxing and stressful, and we don’t mean just packing and going somewhere, but also the time it takes to plan, to predict the unpredictable, to deal with disappointing accommodation, etc. 

  1. Possessions

More like, lack thereof. If you plan to lead a digital nomad life, you need to account for the fact that you need to travel light and whatever you take with you is all you will have. You’ll be living off of a suitcase or backpack. 

So, is it worth it?

Like we said, you decide. But if you’re not sure and your job allows you to work remotely without any time or geographical constraints, might as well give it a try. 

Top Fascinating Facts About Dogs

Dogs have been constant fixtures in the lives of humans since the early days of cavemen who found themselves followed by wild dogs who probably viewed humans as a source of food – not as prey but as a species that left scraps for them to eat in the form of bones and innards from hunted animals whose carcases were stripped of what humans would eat and the rest was left for the dogs.

It became a symbiotic relationship, from that early dawn of time, until today. Little has changed. We enjoy their company and the bit of protection we feel from having them around. They enjoy the comforts that we can provide for them. There are so many things about dogs that you may not know though … 

  •     Dogs have a great sense of time. Dogs can be trained to remind people to take medications simply by a trainer given the dog a treat at precisely the same time each day, and only when the dog comes and sits. Eventually what happens is that right at 5pm, the dog comes to you, sits down and stares at you. You are reminded to take your blood pressure pill, and the dog gets his treat, possibly a hemp treat from Innovet Pet, that’s good for him. How many of you have forgotten the time and your dog quickly got restless at his normal meal time? Some will even bring you their bowl in an attempt to communicate with you that the time to eat is right now.
  •     Whiskers are necessary to not bump into things. When lighting is poor, your dog uses his whiskers to determine when he is close to something or if an opening is too small for his head and shoulders. He knows that if his shoulders don’t fit, he can’t get through. This is like having his own radar in the dark. Cat’s whiskers do the same sort of work for them, though they can see in the dark much better than dogs can. Your dog doesn’t see much better than you do in the dark, but his sense of smell helps him enormously.
  •     Dogs do not age 7 human years every year. The first year of their life they mature very rapidly, going from a puppy who fits in the palm of your hand, to a physically full-grown animal. While they may fill-out a bit, they are typically close to fully grown at one-year-old. In that first year, they are physically the same maturity as a 15-year-old human. This is why their second year is often called their ‘teen phase’ and they become more independent and challenging sometimes, depending on the breed. At two, they are now aging at close to the 7:1 ratio you’ve come to know.
  •     Dogs hear 4x farther than humans. Dogs hear better than we do too. Their decibel top end is roughly 45,000 decibels while humans top-out around 23,000 decibels. Despite this, puppies are actually born deaf and blind. They develop hearing at approximately three weeks of age and eventually far surpass our hearing abilities.
  •     Dogs smell our moods. So often people say that their dog seems to read their mind and know how they are feeling. This is half-true. They do know how you feel, but it isn’t your mind they are reading. They smell all of the subtle changes in your body chemistry that relate to moods. You sweat when nervous, for example. When dogs learn to detect seizures, just before they happen. What they are actually doing is smelling the chemical changes that are happening in the body in real-time, just prior to the seizure that is the result. This is something that dogs naturally do and are not trained to do, but their natural reactions can be shaped to help the humans know something is afoot. Petblogish have amazing info about dog. You can have a look.
  •     Dogs can smell as much as 10 million times better than you can. To say that dogs have an incredible sense of smell is an enormous understatement. In fact, it’s their superpower. Depending on what their breed is, or mixtures of breeds, they can have anywhere between 125 million to 350 million scent glands in their nose. You, my friend, have only 5 million. Makes you feel inadequate, eh?
  •     The average dog has the intelligence of, at least, a two-year-old. Some dogs, such as a border collie, long hailed as the smartest dog breed on the planet, could possibly be as intelligent as a five-year-old. Go have a conversation with any five-year-old human and be floored at the intelligence your dog could have. 

Dogs are amazing. They bring us to a completely humbled being at times, because of their love and constant devotion. Dogs don’t care what you look like. They don’t care if you wear generic sneakers, they just care if you put the dog dish on the floor on time for breakfast. 

 

Related Topics:

https://nohoartsdistrict.com/all-life/pets-district/item/6443-does-your-dog-suffer-from-anxiety

https://nohoartsdistrict.com/all-life/pets-district/item/6585-the-secret-to-a-well-behaved-dog

https://nohoartsdistrict.com/all-life/pets-district/item/6510-how-to-truly-save-a-dogs-life-from-a-shelter-rescue

Free Bacon Wednesdays at The Federal NoHo

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The Federal NoHo has made Wednesdays even better. How?  It’s All-Day Free Bacon Day!

So what exactly is Free Bacon Wednesdays and why did you choose Wednesdays?

You can add bacon to any dish for no extra charge. Or you can try our weekly bacon specials. 

We did it because it’s hump day. It’s a great way to celebrate that the workweek is more than half way over.

So what have some of your Free Bacon Day specials been? 

The Bacon Day specials change from week to week. But two of our favorites have been:

Free Bacon Day at the Federal NoHo via www.nohoartsdistrict.com
Maple flavored whiskey –  bitters, burnt orange sugar rim with candied bacon garnish.

Free Bacon Day at the Federal NoHo via www.nohoartsdistrict.com
Bacon Peanut Butter Cup – chocolate ganache, bacon infused peanut butter, bacon pieces served chilled.

Follow The Federal NoHo on Instagram!

https://www.instagram.com/p/B1_zXoGFhbZ/

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