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“The Night Elvis Kissed James Dean”

“The Night Elvis Kissed James Dean” is a story of two beautiful boys meeting and falling in love during high school has a gorgeous, poignant, unabashedly L.A., retro feel to it.  Set as it is in the last year of the 50s, the story revolves around Billy and Jason. Billy a mirror image of James Dean and Jason equally so of Elvis, the story is told by Billy as he recollects the very beginnings of what would be a lifetime relationship, way back, when being gay in America was still illegal. 

Waide Riddle writes with such an evocative style.  As we read the boys story we can almost smell the sweat of the hallway lockers, the pungent scent of the brill cream, the sweet ocean night air as the boys swim together, discovering their deep need for each other as they fumble their way into love.

The story is passionate, funny, thrilling and real.  Los Angeles in the last year of the 50s, with race and sex and art and power all gloriously heightened, colliding and changing at break neck speed. These two boys, so devoted to each other, so totally of their time pull us into their journey, we care about them, we fall as completely as they do for each other.  So young, so tender, so on the edge of everything.  It’s a great read and these characters jump off the page, begging to be set in immortal celluloid, images 50 feet high, just as their idols were so many years ago.  I love this kind of work.  Clear, unencumbered by affectation and totally free of self obsession or triteness.  As fresh and sweet and flavourful as the cherry on an ice cream float.

I’d love to read more adventures of these two… Bravo!

Kindle, paperback book and audio book (narrated by Faris Monshi) available on Amazon>>

“The Night Elvis Kissed James Dean”

A Short Story by Waide Riddle

It was 1958.

The year two 17-year-old boys met and fell in love with each other.

Those two boys were myself, Billy Sanders, and still to this day, the love of    my life, Jason Blue.

It had been just over 3 years since Jimmy Dean had died in a car crash.  James was my man.  It nearly killed me when I heard the news.  I loved J.D.  He was cool.  The coolest.  He ruled and still does.  Not only did I try to act like him, I dressed like him and cut my hair like him, too . . .

And his lips . . . Wow!

At 17 I was a car lover and fanatic.  And that’s exactly what I wanted to do in life.  I wanted to be a car mechanic. Yep.  Fix cars and own my own garage someday.  From a Coupe de Ville to Oldsmobile to a Chevy to a Cadillac . . . I knew cars.

At school I was nicknamed James—for guess who?  Yeah. Even the teachers told me I looked like Mr. Cool himself.  I liked that.

And then there’s Elvis.

I mean Jason Blue.

He had the blackest hair, the bluest eyes, the most perfect unkempt pompadour you’d ever seen.  And when he’d grin… you’d think… you’d swear you were lookin’ right at Elvis.

All the girls would flock to him—sorry ladies, he’s still all mine.

Jason was a dead ringer.  The real Elvis was only about 3 years into his music career, but every kid in the nation loved him.  He was just as cool as J.D.

Jason loved his attention and I loved mine. He was a physical fitness freak.  Wrestling and the weight room were his favorites.  He knew he was destined to be a P.E. teacher or own a gym.

In school we were known only as best friends and we stuck together like glue.  Nothing more would enter into anybody’s mind for the duration of our junior and senior years at Hollywood High School in Hollywood, California.

1958 was a great year for tunes.  “That’ll Be the Day” by Buddy Holly made all the kids jump to their feet.  “Party Doll” by Buddy Knox was still a crowd pleaser at the sock hops after 2 years, and of course, I can’t forget “Diana” by Paul Anka and “Why Do Fools Fall in Love” by Frankie Lymon.

They just don’t make music like that anymore . . . do they?

I remember the first time I saw Jason.  It was mid-October.  L.A. was a comfortable cool.  I had just finished gym and wanted to splash my face and hair with some water.  The sinks, showers, lockers and urinals were behind the gymnasium.

Yes, I was quite a peeper.  I loved to look at all the other guys.  They would run around butt naked with those muscles shining and flexing.  Some of the boys would wrap towels around their waists to walk to the sinks and urinals.  And, yeah, I found that really sexy.  I would always notice the bulge and size of their penis.  Their fleshy bottoms curved to meet muscular legs and calves…

I went to a sink, turned the water on and started splashing my face.  The water was cool and felt great.  I ran my fingers through my gelled hair and looked in the mirror.  And instead of looking at myself, for some reason I focused my attention to the showers directly behind me.

A few of my class and gym buddies were rinsing.  That’s not what caught my attention.

It was to my extreme side and corner…

That’s when I first saw him… Jason Blue.  I had never seen any male so beautiful.

I watched as the water glided over his face and black hair.  The way he ran his fingers and hands over his nipples, stomach and …  well… you know. Soaping those areas gently, and rinsing them thoroughly.  He then turned around.

I had a full view in the mirror of his back, bottom and legs.  The water cascaded over his back.  Over his buns and through that beautiful crevice.

I just stood there staring at this beautiful guy . . .

Suddenly I realized he had already turned around and was staring right back at me in the mirror.

He grinned.

An Elvis grin.

I was not only embarrassed . . . but nervous.  I got out of there as fast as I could.

I headed for the cafeteria.  Got a lunch tray, then sat down at an empty table near the center of the room.

All I could think of was what a close call I had just had.  I was lucky . . . but the showers always made me weak.

I laughed under my breath and felt relieved.

It was at that moment that Jason sat down directly across from me with his lunch.

I was in shock—speechless—looking at him.

He began to eat, not even paying any mind to me or the situation.  When he did look up, he gave me that grin again.

“Hi” he said.

“Hi” back.

Then he introduced himself.

“My name’s Jason . . . Jason Blue.”

“I’m Billy Sanders.”

He went straight to the point and told me he had noticed me for several weeks and was too shy to approach me.  But then he noticed me staring at him in the locker room.

Man, did that conversation move fast or what?

But that was Jason.  Always first to the punch.

He whispered to me across the table how he thought I was handsome and he loved the shape of my lips.

I told him how sexy I thought his grin was… and the grin only got bigger.

We reminded each other how much we looked like Elvis and James Dean;  how glad and happy we were that neither one of us were “alone” in our lives anymore.

Jason asked me out.  I said, “Yes.”

Saturday night he wanted to take me to a special look-out point on Mulholland Drive.  It would be a full moon night and crystal clear.

The very thought of being with him . . . alone . . . a date . . . just the two of us . . . I couldn’t wait. It gave me the butterflies.

He grinned that Elvis grin again.

I followed that up with my J.D. pout and that worked every time.

He wasn’t kidding about the look-out point.  It was breathtaking.  The moon cast such an ominous glow on L.A.  We could see forever . . . .

The car was his parents’.  A white with black trim Olds.  Great engine.  Great sound.  Great ride.  I complimented him on its upkeep.  He was flattered.

Jason kept the tunes up on the car radio.  I remember them well, “Rock Around the Clock” by Bill Haley and the Comets, “Summertime Blues” by Eddie Cochran and “Breathless” by Jerry Lee Lewis.

I could tell he was as nervous as I was.  Simple meaningless chit-chat. An uncomfortable pause that led to…

What do I say next?

We just sat there.  Song after song.

Minutes.

Then he turned the radio down and looked at me.

Elvis was my first thought.

“You’re so handsome . . . I wanna kiss you so bad . . .” He said.

I was completely numb from head to toe.  No guy had ever said that to me before.

He leaned over towards me and I met him halfway.

Those Elvis lips were so soft.  So gentle.  His breath was fresh.  He may have been watching me for all I know, but my eyes were closed.

Our lips parted together and I felt him ease his tongue into my mouth.  My tongue met his.  The sensation was . . . powerful.  I pressed my mouth firmly against his.  I felt his fingers and palms cradle my face.

No man had ever touched me like that before.  No boy — or girl — had ever made me feel so good.

That was the night Elvis kissed James Dean.

With no apologies or regrets.

We settled back.

Jason turned the radio up and held my hand.  We were both silent but kept looking at each other.  Memorizing . . . every curve . . . every detail . . . of our faces.

I remember that night so well.

I remember the breeze that kicked up and gently breathed through the car, chilling us.

I remember Jason holding me and warming me and kissing my neck.

I thanked God at that moment. Yes, God.

I thanked him because I felt so safe for the first time.

The next night, Sunday, Jason came over to meet my folks and have dinner.

They got along great, especially with Dad.  They talked about wrestling, firearms and the service.

Was Jason interested in the service?

“If I’m ever called, then it’s my responsibility.”

With that said, my mom was immediately taken with him and invited him over for pop and dessert any night he wanted.

Jason accepted.

Mom and Dad approved of my new friend.

During the next week, it was my turn.  His mom and dad loved to watch “The Honeymooners” and “I Love Lucy.”  They had a great sense of humor and they loved their son.  Both expressed gratitude that Jason had made up his mind to seek a future in physical education.

“Why, he’s even taught me a few things about my body,” his mother had said proudly.

“He’ll make a fine coach one day,” his father added.

Of course, Elvis Presley finally entered the conversation and “The King” took it over.  I was told how Jason had all his records, pictures and whatever else was available.

“Because he’s the coolest . . . along with Jimmy Dean,” Jason said.

This guy was smart.

Then I was invited to go to Jason’s room to see the “Elvis Shrine.”

“Jason is so proud of it.  Why don’t you show Billy your collection?  Billy, you’ll be amazed.  Take him to your room and show him.”  His mother said that with such excitement. It was obvious she was also a fan.

Alone with The King, again . . .

Jason’s room was Elvis.  From top to bottom.  Picture-size posters, singles, movie star magazines and framed portraits of the rocker.  The room spoke for itself.

He flipped “Jailhouse Rock” on his turntable and started dancing.  Hell, he even had the hips and movements down.

I think people would have laughed at the imitation, but I didn’t.  He was serious.  I thought it was . . . just sexy.  He moved towards me and pressed his pelvis against mine.  I moved and shifted with his body with the music.

This guy knew how to dance, too.

—

Halloween Night.  It fell on a Friday.  Jason was insistent on taking me out.  He said it was a surprise and I would have a great time.  I’d have to forego the usual trick or treating with the buddies, parties, costumes or a double horror feature at the Grauman’s Chinese Theatre. How could I resist? I chose Jason’s night out.

 We both dressed in T-shirts, jeans and jeans jacket and wing tips.

No costumes.

The “cool” look, you know.  Anyway, it turned out to be a club on Sunset Blvd.  I wondered if I could get in and he assured me that he knew everyone that worked there.  They were all his friends.

OK . . .

He was right.  The minute we walked in, it seemed like Jason was only known as Elvis.  Everyone did know him.

He took me by my hand and led me further into the club.  I was surprised by this action.  But, as I looked around, I noticed only men there.  No women.  Only beautiful, handsome men.  Cool looking men.  Greasers, jocks, military types; even rock-a-billy.

As I looked more closely, I realized some of these men were holding hands, hugging and kissing each other.

Ah, man . . . I had never been in a club like that before.  I had no idea there were so many of us.  It was a wonderful feeling.  This place was packed and the energy was electric.  In the back, I got a glimpse of a dance floor.

He asked me if I was nervous or uncomfortable.  I was not.  He grinned and continued to lead me to a pool table where we were greeted by four other guys our age.

Tad, David, Greg and Sam.

These guys were cool to the core.  Their looks alone defined what the 50’s were all about.

Too cool.  Too slick with that rebel-like edge.

Wow!

Tad.  He reminded me a lot of Paul Newman.

David.  He had that Montgomery Clift seriousness.  And the profile.

Greg.  Just like Kirk Douglas, he sported a dimple on his chin and when he smiled, he had the most perfect whites.

As for Sam, he had a quiet look about him.  Kinda sad eyes like Ricky Nelson.

Jason introduced me.  Each shook my hand and I was then welcomed into this profoundly hot “gang.”  They didn’t have a name for it, but then again, a name wasn’t needed.  They knew who could belong and they knew who did not.

I was flattered.

Jason asked me if I played pool.

I said “No, I don’t.”  He’d have to teach me.

Turned out they all had a few pointers for me.

I loved the attention.

Tad was amazed at my Dean likeness and kept staring at me.  Those Newman eyes could melt a candle.

We played pool for quite a while.  The jukebox didn’t stop spinning hot tunes.  This place ruled.  Jason knew I was having a blast.  Then it happened.  The music roared.  “Hound Dog” by Elvis bounced Jason to his feet.  He grabbed me.

“Ya gotta dance with me, Billy.”

Sure.

“Ya know how to jitterbug?”

Sure.

And then there we were on the dance floor.  James and Elvis.  We owned it.  We worked it.  He knew how to lead and I eased into every spin, turn, step and jump.

“Hound Dog” had never been that exciting to dance to before.  I don’t even remember the other dancers’ on the floor.  I just remember the fascination and attraction I had for Jason.

Was this one of those temporary puppy love phases or was it for real?

Only the first part frightened me.

Elvis stopped singing and immediately the jukebox was playing The Teddy Bears’ “To Know Him Is To Love Him.”

We stood there breathless and breathing hard. Then I asked him if he still wanted to dance with me.  He pulled me against his chest.  I felt his head rest on my shoulder so I rested mine on his.  We swayed, yet barely moved.

I confess, I was in heaven.  This guy, by the name of Jason Blue, was the man I wanted to spend the rest of my life with.

I turned my face towards his neck.  I kissed him.  I could smell the most subtle hint of musk and spice.  He returned the kiss on my neck.

I wanted to feel his lips again on mine.  This time I wasn’t so shy.

I kissed him.  His lips were so soft.  A slight whisker scratch rubbed my face.

I loved that sensation.

The Teddy Bears were over.  “Tequila” by The Champs came on and the crowd went crazy.

“Do you know this line dance?” he asked me.

No.

“Watch, it’s really cool.”

I stepped back to the edge of the dance floor and watched it fill up with lines of dudes.  Handsome men.

I soon realized this was no ordinary line dance.

The combinations and movements were titillating and visually erotic. It all worked with the music and that made it even more exciting.

High school sock hops were never like this.

The club was full of laughter, clapping and stomping.

And I had wished it wouldn’t end.

All those gyrations, pelvic thrusts and crotch grabs.

Oh Elvis, what would your mother and father say?

Tequila!

After The Champs, “Rebel Rouser” by Duane Eddy came on.  Jason, in a sweat and out- of- breath, walked over to me.

“Was that not the coolest line dance you’ve ever seen?”

The coolest.

It was getting late and we both needed to use the boys’ room.

Not only was it also packed, but I was surprised to find that I wasn’t the only guy that stood in front of a mirror with a comb and made sure every hair was in place.  “Pleasantly” surprised.

Men are just as vain.

Guy talk is guy talk.

Sam, Greg, David and Tad were also in the john.  They wanted me to go cruising with them on the weekends. Jason told me it was a lot of fun, that they had been hanging out together for years.

How could I resist?

I’d love to go.

Meet new people.

Check out cars and paint jobs and listen to hot tunes.

What a life!

So, on weekends, that’s exactly what I did.  I spent time with “the gang.”  Jason was always there and always protective.  We’d go to Santa Monica, Venice, Muscle Beach, Zuma, Malibu and watch all the men.  They were fine.  Real fine.

Blasting our radios going down Sunset Blvd.  “Chantilly Lace” by The Big Bopper, “Hard Headed Woman” by “The King,” “Great Balls of Fire” by Jerry Lee Lewis.

Saturday nights we’d hit the Hollywood Bowl, then make our way down to Dolores Restaurant on Santa Monica Blvd.  Chocolate milk shakes, ice cream sundaes, hot dogs, hamburgers, fries and root beer floats.  That was what our menu was like.  Wow!

But boy, was it good!

Arlene was always our waitress.  What a character she was.  She reminded me of a Mrs. Potato Head with her diamond studded, cat-eye glasses, big red painted lips and her hair was swept in a bun atop her head.  Arlene was an angel and she loved us.  We were her boys.

After Dolores’s, we’d all drive up the Boulevard to Beverly Hills and then slowly end up back in Hollywood.

Those were the good ole days.

The best times of our lives.

We’d go to the movies, too.  Liz Taylor and Paul Newman in “Cat on a Hot Tin Roof,” revivals of “Baby Doll” with Carroll Baker and “Blackboard Jungle” with Glenn Ford.

Those were some serious men in that picture.  Ha!

Thanksgiving Day.

Mom, Dad and I went to a special church service that morning.  We all dressed our best.  Dad and I in our black suits and hats.  Mom in a blue and black velvet blouse and skirt, hat and heels to match.

I have to admit, we looked great.

During the service, all I could think of was the turkey for dinner … and Jason.  Mother specially invited him over after dinner for dessert.  She had made her famous pumpkin pie.

Her pumpkin pie was the best!

After the service, a couple of girls walked up to me to let me know they were both available to go get sodas and burgers on the weekends.

Sorry girls, I have no interest.

Maybe.  Sometime.  If.  Someday.  Whatever . . . They meant well.

—

Thanksgiving dinner was a feast.  Turkey, dressing, corn on the cob, black-eyed peas, string beans and red wine.  And that was just for starters . . . We were all stuffed and there were plenty of leftovers.

Jason arrived at 6 p.m.  He was a knockout.  Black dress slacks, blue suede shoes, white dress shirt with a black bow tie and a navy blue smoke jacket with black lapels, cuffs and buttons.  His hair was slicked back and parted on the side with a perfect wave over the forehead.

100% knockout.

“Hope I’m not overdressed.  I didn’t have a chance to change,” he said.

Gosh, he was handsome.

Pumpkin pie was served with whipped cream and root beer. Delicious!

Jason and I had two pieces each . . . as if one wasn’t enough.

Afterwards, while Mom washed the dishes and Dad watched TV, I took Jason to my room and we sat on my bed side by side.  There was a lot of silence at first.  He kept staring at me and grinning.

“You’re very special to me, Billy.  I feel something serious is happening between you and I . . . I don’t know if you feel the same way towards me . . .”

I held his hand and gently kissed his fingers one by one.

“No one will ever come between us.  Ever.” I assured him.

I kissed his hand.  He closed his eyes.  He looked as if he was in complete peace.

Then I closed my eyes.

—

Christmas season.

Silver Bells . . . Gold . . . Silver… Copper . . .

I helped Jason and his family decorate and he helped mine.  Both of our trees were medium size pines.  Lots of tinsel.  Lots of bulbs.  Lots of lights.  Lots of Christmas music.

Collections of Doris Day, Sinatra, Nat King Cole, Bing Crosby, Judy Garland and so many more, and we’d gotten so drunk on eggnog.

Our mothers together baked the most incredible Christmas cookies and treats.

Our dads traded ideas about decoration circuits and what would last longest.

Our parents never once said anything—or for that matter asked questions—about their son’s relationship with each other.  I believe, when I look back at that time, they knew.  Maybe it was obvious.  Maybe they saw our happiness together.  The bond between us that made every day beautiful . . . everything right.

New Year’s.

Our folks were apprehensive—to say the least—New Year’s Eve, when everyone got together and “the gang” showed up . . . on Harley Davidson motorcycles.

Jason and I quickly calmed them.

“They’re cool.  Really.”

“But they drive motorcycles . . . and they’ve got tattoos on their arms.”

“Really.  Trust us.  They’re the good guys.”

It took only a few minutes and our parents were having a blast with the boys.

As the evening wore on, the moms and dads wanted to turn in and do their own thing.

It was time for the gang to celebrate the arrival of 1959.

Greg shared Sam’s Harley so Jason and I could share one together.  He drove and I held firmly to his waist.

We cruised the Boulevard, headed towards the club.

If I’m not mistaken, the song to close 1958 was “Splish Splash” by Bobby Darin.  What a night . . . what a year ’58 was . . . I wondered what ’59 would hold for me.  For Jason.

January 1959 — Dear Journal —

. . . I had a dream.  And in this dream Jason and I were wrestling.  Like in a school match.  We even had on wrestling uniforms.  The gym class sat in a circle around us not making a sound.  Staring.  Even Coach Houlihan was there.

I could tell Jason was having fun.  So was I.  I wanted him to overtake me.  To pin me down.  And he did just that.  He flipped me over on my back, straddled me, pinning my arms down with two strong grips.  We were both smiling at each other and laughing.  We were both sweaty and dripping.

“I love you, Billy,” he said.

“I love you, too.”

Then I realized everyone around us was wearing white blindfolds.  Not saying anything . . . something was wrong.

Then Jason looked up, as if someone was distracting him . . .

His face suddenly became angry and flushed.

“No,” he yelled.

I couldn’t see who—or what—he was angry with.  He leapt off me and sprang towards his rage.  I couldn’t see him.  I was frightened and stood up.  All the blindfolds closed in around me.

“No . . .” he yelled again.  It echoed around me.

“Jason, where are you?” I yelled back.

“Mom, Dad . . . No.”  He was guttural and in agony.

And then I awoke.

January was the usual boring month of the year.  School seemed to drag on and the 31st was a hundred years away.

And . . . OK . . . Jason and I, by mere fluke, wound up in two classes together.  Science and English.  Admissions office said it was an accident caused by a secretarial error.

Jason was given the opportunity to go back to his old schedule, but he declined.

Smart guy.

February 3, 1959.

That day struck a terrible blow to so much of the youth across the nation at the time. Buddy Holly, Ritchie Valens and The Big Bopper were all three killed in a plane crash.  We just couldn’t believe it was for real . . .

—

February 14th.  Valentine’s Day.

Jason and I went to Bob’s Big Boy for dinner in Burbank.  Both of us had Coca-Cola and a big steak dinner.  The diner jukebox played “Donna” by Ritchie Valens.  It was fitting, at that moment, a song about genuine love and innocence.  Boyfriends and girlfriends surrounding, but the words held true for us, too.

Jason wanted to take me to the same look-out point on Mulholland Drive that we went to on our first date.  He wanted to give me something . . .

The view was just as beautiful as the first time.  Patti Page and Peggy Lee and Patsy Cline all three played back to back on the radio.

We sat there holding hands, looking at each other in the night.

I wished him Happy Valentine’s Day and kissed him.  We gave each other Valentine-shaped boxes full of chocolates.

I gave him blue—no pun intended—he gave me red.  Then to my surprise, he held out a small ring box to me. When I opened it, I found a men’s gold band.  He put it on my finger and held my hand.  I was speechless.

“I love you, Billy . . . I love you so much.  I don’t know what I’d do without you now . . . you don’t gotta tell me you love me back.  Maybe you don’t . . .”

I was moved.  I was touched by his sincerity.  His honesty. The way his eyes became glassy when he said my name.

I squeezed his hand firmly.

“I love you, too.”

Jason had told me about a hidden swimming hole he knew of just up the coast off the Pacific Coast Highway.  Not many people knew of it.  He wanted to take me there for my birthday, which fell on the second Tuesday of March, so we decided to go on the following Saturday.  (Eighteen years old and would be a Senior before long.  Jason’s birthday is April 19, about a month after mine.)

Anyway, it was the middle of the rainy season in L.A. and that Saturday was overcast with a 50% chance of rain.

We took the chance, hoping Mother Nature would give us a downpour, discouraging anyone to swim at the hole.

We dressed simple.  T-shirts, sneakers and cut-offs.

Leaving about ten in the morning, PCH was an awe-inspiring drive.  The clouds were a murky blue-gray and the ocean was a torrent, deep rich blue.

The radio played loud—just the way we liked it—”Do You Wanna Dance” by Bobby Freeman, “Chantilly Lace” by The Big Bopper, “La Bamba” by Ritchie Valens and “Tears on My Pillow” by Little Anthony and the Imperials.

We drove past Santa Barbara about 25 miles north and then took a dirt road off to the right.  It wound us through a maze of trees and canyon.  Jason stopped the car in front of a cluster of shrub and rock.

“It’s just up a little ways.  We’ll have to walk from here,” he said.

We grabbed our towels and bags and disappeared into the green.

There was a narrow dirt path that we followed.  I couldn’t get over the silence around us.  A quiet that I hadn’t heard in years.  A wonderful natural peace.

We walked a few hundred yards before I saw the swimming hole.  It wasn’t big.  Much smaller than I expected.  Surrounded by rock.  The water was fresh and clear.  I could actually see the bottom.

“It’s beautiful,” I said.

“Isn’t it? . . and it’s not as cold as you might think.  C’mon.”

We put our bags down, spread our towels out and stripped off our shirts.  (Our cut-offs stayed on.)

Jason didn’t hesitate.  He ran for the water and dived in.  When he came to the surface, he just looked at me.

“C’mere . . . it’s not that cold . . . really . . .”

I ran for it.  I dived.  The water wasn’t that cold.  In fact, it was quite comfortable.  When I came up, the water was at shoulder height.

He slowly treaded towards me.

“It’s great.  Not cold at all,” I said.

“I love to swim here.  Follow me to the bottom, OK?  C’mon,” he said, and he took my hand.

The bottom was about 12 to 14 feet deep.  I don’t know how many times we dove in . . . touching the pool floor, then coming back up for air.  I was breathless.  Over and over.  It became a game between the two of us.

Finally we stopped in the chest level water to catch our breaths.

No sound.  Just us.

I watched the water dripping from his hair.  Over his face.  Down his neck.  Down his chest . . . across his shoulders.  I moved in closer to him.  He put his arms around me and held me gently.

It was so quiet.

I held him . . . just as gently.

Moments.  Minutes . . . Later . . .

Jason whispered in my ear, “Look.”

I looked over my shoulder and saw a thick wall of mist-fog cascading through the green and brush, rolling over the pool, enveloping and surrounding us in a thick grayness.

The feeling of wetness encompassed us . . . it began to sprinkle . . . then rain.

We didn’t move.  The drops felt good.  The smell of water was everywhere . . . fresh.

I kissed his lips.  Tasting the rainwater.

“We better get back to the car,” I said.

OK.

We took our time getting to the embankment.  Toweling the best we could.  Putting our shirts and shoes on . . .

That’s when I saw him behind Jason.  It was George—from school.  He sat next to me in Science . . .

He was soaking wet.

I didn’t know what to say.  I was in shock.

“Jason . . . George is here.”

“Who?”

Jason turned around.  We all three stood frozen.  George looked at us as though he’d seen a ghost.  As if terrified.

“. . . I always knew there was something strange about the two of you.  But I didn’t know what it was.  I do now.  I was watching you two in the water over there.  I know what you are.  You’re a couple of homosexuals.  I know what you are.  My church has told me all about it.  You’re sick.  You’re . . . you’re queers . . . you deserve death . . . and God hates you.  It’s in the Bible.  Don’t you know.  My pastor’s told me all about your filth . . . I’m telling . . . I’m gonna tell everybody . . .”

George took off running down the path.

Jason yelled, “No!”

Then he ran after him.

I was right behind Jason.

It didn’t take much for Jason to overtake and tackle George to the muddy ground.  George was screaming hysterically, “I’m tellin’ . . . I’m tellin’!”

“Shut up!” Jason yelled back.

I didn’t know what to do or say.  Jason grabbed George by the throat and began choking him.

“You’re not telling anyone.  Are you?  Are you?  I’ll kill you if you tell a soul.  Do you hear me?”

I could tell he was choking George too hard and Jason wasn’t kidding around.

“Stop it!” I yelled.

George was crying and turning red.  Jason raised his fist over him.

“I could kill you now.  You want me to?  I could kill you right now.”

I went by my first instinct.  With a swift kick to the shoulder, I lunge kicked Jason off.

“Stop it.  You are gonna kill him.”

George leapt to his feet and disappeared down the pathway.

The rain came down harder.  Jason began to cry.  He turned toward me and approached . . . I thought . . . I thought he was going to smash me.  Instead, he held my face in his hands.  I could see pain in his eyes.

“I love you, Billy.  No one will come between us.  I won’t let them.  I will never back down, ever.”

“I know.”

He kissed me.

“I’m not gonna back down.  I won’t be made a fool.  I’ll kill before that happens.”

“I know.”

I don’t know how long we stood there, but it felt like an eternity.  The rain kept falling.  I held his head against me as he wept.

We drove back to L.A. in silence.

—

Come Monday.

All three of us, Jason, George and I stayed away from each other.  Science class had never been so uncomfortable . . .

We were lucky.  George didn’t have any bruising from the choking.  If he did, he covered them up with button-up shirts throughout that following week.

Nothing was ever mentioned or hinted upon again.

April 19, 1959.

Jason Blue’s 18th Birthday.

I took him to see “Vertigo.”  Then I took him to the Beverly Hills Hotel Restaurant for dinner and cake.  German chocolate cake, that is.  It came with a candle on top and the waitress and I sang “Happy Birthday” to him.

That Elvis grin is so handsome.

Afterwards, I drove us up to our look-out point on Mulholland.  We sat on the hood of the car, my head on his shoulder.

The night was crystal clear.  No moon.  No cloud.  A couple of shooting stars . . .

—

May was a quiet month.  It always was.  The kids were waiting patiently for June and the last day of school.

I guess the most exciting thing in May of that year was giving the family car a tune-up.  Big deal!  But it was a good excuse to be with Jason.

He had gotten himself a pair of new Levi’s and folded up his cuffs.  Didn’t wear a shirt . . . I remember how his skin glistened from the sweat.  He’d wiped his face off with a rag . . . I wondered if Levi Strauss knew just how good a new pair of jeans looked on the American man.  Wow!

I helped him repaint his family’s car.  Even the gang came over to pitch in.  We were all a sight.  A bunch of guys with their shirts off working on cars and listening to the jams.

All the girls would come out and make chit-chat with us.  They’d stand around and we’d all be flirtatious with ’em.

As I look back, I know it wasn’t right, but it was the best way we could think of to find a future prom date.  God knows we had the girls of the neighborhood lined up waiting to be asked out.

If they only knew.

June.  School’s End.  1959.

Yeah!

The guys and I shot spit wads at the teachers—when they weren’t looking—we laughed when we nailed ’em in the hair and they stuck.  They didn’t even know what hit’em.

The girls rolled their gum up and threw them at the chalkboard.  Splat.  Stick.  You got the picture?

It’s a blast being a teenager.

 

 

July and August.  1959.

Hot.  Neither one of our families is taking a vacation this year.  Mom and Dad have decided on taking a trip next summer after my graduation.  They’re considering maybe New York City or the Grand Canyon.

I’ve put my vote in for NYC.

They’re not surprised.

Summer of ’59.

There were a lot of hours at the beach with the gang.  Late nights at the club.  Dancing and partying.

It wasn’t all just fun and games, though.  I got a part time mechanic’s job at a garage on Melrose Ave.  My boss was very impressed with my knowledge of cars and within a few weeks, bumped me up to senior mechanic.  That was cool!

After closing hours, it was a great place to hang with Jason and watch the sunset.  The guys would also come by and chill out.  I’d have to keep the soda machine stocked full of Coke.  Man, we went through so many bottles . . .

—

September came and summer was over.  It never lasts long enough . . . does it?

When school started, I had to cut hours at the garage to just Saturdays.

Jason and I were now Seniors.  Our last year at Hollywood High.

George was in a couple of classes with me—Science and English again—he was always cold and never said a word to me.  I always tried to be friendly . . . I didn’t want him as an enemy.  I really didn’t. Chance had it that Jason was also in these classes.  He wasn’t as friendly as I was.  Those two had a different way of looking at things . . . they both held tight silent grounds. One wrong move and they’d both go off like firecrackers.

Tony Curtis, Jayne Mansfield and Julie London were lighting up the screens of America.  Marilyn Monroe and Tony starred together in “Some Like It Hot.”  Now that was a funny movie.  I’ve got to give it to Ms. Monroe, she knew how to walk and talk and wrap a man around her finger all in one movement.

And Mr. Curtis . . . your lips . . . oh boy . . .

There were some great pictures out in ’59 that Jason and I saw.  “Ben Hur,” “Hercules,” “Gidget” and “Pillow Talk.”  Those were true family pictures at that time.

Troy Donahue and Steve Reeves got mine and Jason’s attention.  Just how far would the movie business go to show the actor’s body? . . . Mind you, I’m not complaining.

October 1959

Tragedy and sadness came to my Jason today.  (This is the very week that marks our first year together.)  We were in the middle of English class, taking a spelling test, and the principal’s secretary walks in.  She quietly escorts Jason out of the room.  He glances at me . . . the look in his eyes.

We both knew something was wrong . . .

I haven’t seen or heard from him all day . . .

 

October 1959

Yesterday, Jason’s mother and father were killed in a car accident on a stretch of the Pasadena freeway.

The front tire (driver’s side) blew and the car was flipped several times.  They were killed instantly.  I am in shock . . . I am sad . . . and I grieve with my  Jason.

On the day of the funeral, I had cried.  I cried because of the pain I knew Jason was in.  He loved his mother and father so much.

During the funeral, he just stood and kept his head bowed.  I was by his side and Mom and Dad stood behind me.

Afterwards, I drove Jason home to pick up some clothes and personals.  Mom and Dad had caught a ride from a neighbor.

Jason would be staying with us temporarily till he found his own place and was able to “settle in” from all the changes.

I owe my parents so much for opening their hearts and home to him.  So much . . . thank you . . .

When we got to his place, I walked into the house behind him.  We were both silent.  I closed the front door.  He disappeared into the living room.  I wanted him to have his privacy and peace.  I didn’t move from the entry hall.  It was then I heard Jason breaking down into an aching weep.

I slowly approached the living room.  He was sitting on the sofa.  His head down.  His body was shaking.

I sat down beside him . . . he looked up at me.  Those beautiful eyes were red and full of tears.

I wiped away a tear that was running down his cheek.

“I guess I should pack some clothes.  It won’t take long,” he said.

He got up and went to his room.  I followed.

I watched him remove his suit coat and loosen his tie.

I felt a bit odd so I stepped to the side, giving him his needed space.

He just kept looking at me . . .

“Do you need me to help you?” I said.

“My suitcase is under the bed.”

“OK.  I’ll help you.”

“Wait.”

He pulled his tie off.  Then unbuttoned his shirt.

Butterflies in my stomach.

He stepped towards me.

Inches away.

More butterflies.

My face flushed with sensation.

He caressed my neck . . . then slid my suit coat off of my shoulders.  It fell to the floor.

He whispered, “Can I take your tie off?”

I nodded.

Gently . . . Jason removed my tie.

He kissed my neck.

His lips were close to my ear.

“Would you like to make love to me?  I’d like to make love to you.”

All I could do was nod.

My heart was beating so fast.

He kissed my lips . . . and lingered.  Then he closed the bedroom door.

That was the first time we had made love.

October 1959

. . . I’m sorry you’re having to go through this, Jason.  I know how much you loved your parents.  How much you cared for them.  This shouldn’t have happened.

It’s not fair.

But I love you, Jason.  A lot.  I’m here for you.  Like a friend.  Like a brother.  I want to hold you.  Cry on my shoulder anytime.  I’ll always be here for you.  The two of us.

Together.  Forever.

We had prayed together, me and Jason, one night in early November.  On my bedside.  A silent prayer . . . then a verbal prayer.  He asked God to look after his mother and father and to tell them he loved and missed them . . .

I thanked God for two wonderful parents and the love they had given me, and for taking Jason under their wing.

Mid November.

Jason took me to a Sunset Blvd. tattoo parlor.

“What are we doing here?”

“Tattoos are cool.  Besides, it’s time to get one.”

Cool, eh? . . .

He went first, having the word “Elvis” tattooed on his shoulder.  I sat there grimacing.  He kept a straight face and smiled at me.

“It tickles.”

Yeah, right.

There was a small radio on the counter next to me.  The volume was low, but I could hear Nat King Cole singing “Too Young.”  The tattoo artist turned it up.  Said he liked the song.  It reminded him of a special girl . . .

“Once upon a time . . .”

I listened to the words and how Nat was so magical and emotional as he told the story.

            They try to tell us we’re too young.

            Too young to really be in love.

            They say that love, the word, the word, the only word . . .

            But can’t begin to know the meaning of.

            And yet we’re not too young to know

            This love will last though years may go

            And then some day they may recall

            We were not too young at all . . .

I had the word “Rebel” tattooed on my shoulder.

Don’t let anyone tell you that getting a tattoo “tickles.”  It hurts.  But it sure did look mighty fine, and still does, if I do say so myself.

Mid November.

Marvin Brown and his brother Earl owned a barber shop off of Highland Ave., near Hollywood High.  Marvin cut hair, while Earl shined everybody’s shoes.  They were the funniest black guys . . . two of the funniest men you’d ever meet.  They could make even the most unhappy person laugh and forget their troubles.

Marvin was fat.  Very fat.  Earl was skinny.  He kept the nicest orange-colored cat next to his shine station.  A girl cat, Earl named her ‘Shiny.’  She would just sit across from you and stare at you the whole time.  Never blink an eye.

Those two guys . . . I’d say were in their forties at the time.  Their business was the Brown Brothers Barber Shop.  The three Bs I’d call it.

I took Jason with me on a Saturday.  The “3 Bs” was packed every Saturday.  But the crowd was fun and when there was an overflow inside, you could hang out with the men outside and get a soda next door at the five and dime.

Marvin and Jason and Earl hit it off great.

Marvin knew how to cut the perfect “Elvis” and “J.D.” haircuts.  Earl used the spit and chamois method on our wing tips and loafers.  We were lookin’ good.

It was nice to see Jason truly smiling again and carrying on.  Thanks Marv.  Thanks Earl.

Thanksgiving Dinner 1959.

We all tried.  Mom, Dad and I tried hard to fill the void for Jason.  We could all see he was distant and we knew why.

There was no replacing . . . we just wanted to make it easier.

Mom and Dad have taken to him and treat him like their own son.

 

I heard “Wake Up Little Susie” by the Everly Brothers, “At the Hop” by Danny and the Juniors and “Great Balls of Fire” by Jerry Lee Lewis on the radio today.  Music like that makes me want to get up and dance.

Jason sure is good with swing.  I caught him and Mother in the living room dancing.  He was teaching her.

I’m good with the waltz.

Dick Clark and American Bandstand is becoming the weekly family time for us.  I love watching those singers do their thing.  You can’t even peel Jason away.

 

December 12, 1959 — Saturday

Today, with money in hand, I went to a Hollywood jeweler and bought Jason a gold band.  A very handsome men’s gold band.  Unfortunately, I didn’t have enough for a Cartier.  Ha!

I sure hope he likes it.

You have no idea how scared I was buying Jason’s band.  Walking into the jewelry store, telling the front desk guy I wanted to get a ring for a “gentleman friend.”  He didn’t even bat an eye.  He knew exactly what to suggest, and I went with the first choice.

Instinct had told me so.

Christmas Time.

Getting a Christmas tree is a family thing.  So we all went down together and chose a fir tree.

At home, Mom trimmed it and Jason balanced it and I pulled the decorations from the attic.

Mom played Christmas records, including two of her favorites, Patsy Cline and Judy Garland.

All of us pitched in decorating.  Dad was a fan of candles, so, you guessed it, lots of candles.  Jason loved silver and gold tinsel.  Lots of tinsel.  We let Mom put the star on top of the tree.  She always liked that.  Afterwards, when all the candles were lit and each of us had a mug of eggnog, we relaxed around the shimmering Christmas tree.  In the background, we listened to the Mormon Tabernacle Choir on the turntable . . .

I wish that moment could have lasted forever . . .

Late that night, after Mom and Dad had gone to sleep and Jason and I were in the living room, quiet by the glow of the tree, I took him by the hand and pulled him away.

I led him to the attic . . .

I had a candle in my free hand which created just enough firelight to see each other and turn everything else into shadow and silhouette.

Alone . . . with the door closed . . .

“I have an early Christmas for you,” I said.

I handed him the ring box.  He opened it, and as I put the ring on his finger, he held my hand and caressed me.

“I love you,” he said in a whisper.

“I love you, too.”

“Merry Christmas . . .”

“Merry Christmas . . .”

His face was so beautiful in the candlelight.  The way his eyes sparkled and glinted.  The tuft of hair that fell forward over his forehead.  His Elvis lips that curved to a grin . . .

We kissed.  And kissed.  And kissed.

December 31, 1959.  Thursday Night.  New Year’s Eve.

It was the last night of the year.  And what a year it had been . . .

Jason and I were very much in love, just as we are today.

We had dressed in tuxes with tails and white gloves.  Man, we looked like a million bucks as we drove to the club.

Jason and I danced and partied with our friends Tad, Greg, David and Sam.  Our whole “gang” was there.  They were all great dance partners.

All great friends.

It was New Year’s Eve.  The troubles and pains were forgotten.

I was even able to do “Tequila” when it was played.

And as the crowd cheered and rang in 1960, I took a look around.

Sam, Greg, David and Tad were such beautiful men.  They had shared so much with me.  What did life have in store for them?  For me?  For Jason?

Would it include the two of us together?

All those young men . . . what was ahead for each of them?  I hoped only good.

Champagne was poured.

We toasted.

We hugged.

We laughed.

We cried.

And in the midst of that roaring crowd, I looked at my Jason—he looked at me—and with a grin, mouthed the word.

“Forever . . .”

“Forever . . .”

With the stroke of midnight, it was 1960.

                                                    THE END

Benefits of Learning from a Forex Video

Benefits of Learning from a Forex Video

A successful Forex trader is a well-informed Forex trader. Information is key to success in the Forex market, but the information here does not only apply to the information one has at the moment of trading. Rather, it covers all information the trader has accumulated from the moment he decided to get into the game. That includes the lessons he learns when he wants to understand the market. More often than not, people learn by reading online resources, but learning from watching a Forex video is much more effective. 

Learning Forex does not have to be boring. There are many new and exciting ways to understand how to read Forex charts, understand the price momentum, and anticipate trends. There are plenty of free articles online on how you can learn all of these, but reading can be boring for a lot of people. A wall of text, even with a few illustrations here and there, may not be enough. A new and exciting way to understand Forex is learning from watching Forex Video tutorials.

Forex Trading for Beginners

Forex trading, among other forms of trading, is rapidly gaining popularity in the general public as the entry requirement was lowered considerably. There are many trading platforms out there that allow you to start trading Forex with just pennies. So, people start to flock into the market.

Except, there is one small problem. Although the barrier to entry is low, becoming a successful Forex trader is still a challenge for many people. This leads to a growing need for a Forex school of sorts to help people understand the ins and outs of the Forex market.

For this reason, you can find many of these academies and enroll in any Forex trading course. In fact, some of them are even free. Though, the sheer volume of Forex courses out there should already be a red flag. Many of these courses promise big results. Given how unpredictable and complex the Forex market is unless there is sufficient concrete evidence to back up the effectiveness of the course, chances are that it is a scam.

That is the sad reality of the Forex education. Many failed traders turned to Forex education and hope they can find a new Forex trader gullible enough to buy into their courses that actually do not provide much value. So, keep an eye out for that.

However, there are a few reputable platforms out there, some of which provide lessons for free, and their courses consist of both video and reading materials.

Forex Trading for Beginners – Youtube 

As said earlier, for a lot of people, reading is boring. A video tutorial is a breath of fresh air. You absorb information by looking at illustrations and also listen to the speaker who provides explanations. When you read, you absorb all information through your eyes. With videos, you absorb information with both your eyes and ears, which is more effective for many people.

In addition, a video is packed with more value. It is quite easy to write an article and put it out there, but producing a video requires more effort. A 10-minute read contains less information than a 10-minute video. A quick search on YouTube will show you that there are plenty of free videos on the platform explaining the intricacies of the Forex market. It is free and you don’t need any Forex video player either. It’s all on the web.

Overall, video lessons are just far more effective than simple articles. For this reason, many Forex academies online provide their lessons through various mediums, including video lessons. The interaction is livelier on videos than through plain text. Some academies, such as AsiaForexMentor, also provide livestream services.

A livestream is perhaps one of the best ways to learn Forex. Your mentor would go live and you can see them trading on camera. They would explain their interpretation of the market and set up their trades. You can follow along and ask them questions, and get your answers immediately. So, you learn the theories from the course materials and get to practice it soon after, which is something that many Forex schools cannot provide. This is the closest thing you can get to an in-person class.

Video Forex Broker

Videoforex isn’t limited to Forex courses, however. There are a few other Forex trading platforms that provide video assistance should you run into any problems. Other video resources to help you understand how to operate their platform as well. In this case, having access to such videos is a nice-to-have, not a necessity.

While we’re on the subject of brokers, those are important to your success as well. A good Forex trading platform should have minimal spread, which is the difference between the bid and ask price. They should be very responsive when relaying your orders and providing you up-to-date information about price changes on the market. These are just the bare necessities.

Other Forex trading platforms, such as Forex Factory, also provide more resources to the traders, including a discussion forum, news, live feed of the market, and more. What separates a successful trader from the rest is information, and a trading platform should not just provide the bare minimum to its users. Many platforms out there do their best to deliver the best information to help consumers make the right decision.

Learning from a Forex Video

In short, learning the Forex market through a Forex video is a more effective learning method. You get more information in a shorter amount of time. Plus, a change in your learning methods can help you retain information better, which goes a long way in helping you improve as a Forex trader. For this reason, if you want to learn more about Forex and improve your toolkits, consider enrolling in a Forex Academy that provides reading and video materials, or even livestream learning. You can start with AsiaForexMentor as they provide both. They also provide a free sample of their course so you know exactly what you would get from them when you sign up.

 

Unsung Black Heroes – Dr. Rebecca Lee Crumpler and Robert L. Johnson

***

Are we going to not talk about the Black pioneers during Black History Month? No, ma’am Pam! – the famous phrase coined by one of our favorite TikTok creators, Quentin R. Jiles. What we are going to do is share his “Black History 2021 – Unsung Black Heroes” videos that give us a glimpse at the many accomplishments of a variety of Black history makers.

Why did you decide to do this series now?

QJ: I decided to do this project because I feel like we are in a space where the masses is finally listening. And if that is true then I wanted to give a fuller account of Black Americans’ beauty, genius, ingenuity, talents and swag. We have been here. We built here. We push forward here. 

“Today we will be focusing on a woman named Dr. Rebecca Lee Crumpler. Dr. Crumpler was the first African-American woman to receive an M.D. degree.”

Research completed by Intern: Katie Swope
Video Edits and production: Amy Gordon

The Queue With Que Show  |  “Black History 2021 – Unsung Black Heroes”   |   TIKTOK

“Today we will be covering the Life and Impact of Robert L Johnson From his small-town upbringing he would go on to create Black Entertainment Television (BET), become the first African American majority owner of a major sports team in the United States, and the first Black billionaire.”

Research completed by Intern: Josh Aych
Video Edits and production: Amy Gordon 

Francesca del Console is a program manager for L.A. Cultural Exchange – the only art-focused exchange program that brings young artists to train in their craft in L.A. www.laculturalexchange.com

Compensation Payouts for Psychological Injuries

Psychological injuries are likely to occur after taking massive bodily harm and can last for long. Thankfully, under the Personal Injury Laws, psychological sufferings are also compensable. The entitlements and the extent of the compensation depend on the situation as each situation is unique. However, it is likely to compensate for your loss with a strong representation as laws state that compensation for psychological injuries is the legal rights of the injured person. Personal injury claims are known for being complex claims which require intense care and attention. However, if you have a good and valid cause to make a claim, the compensation payout will greatly aid you.

Mental harm after workplace injuries

It is very common to suffer psychological injuries as the incident arisen can be beyond our expectations in our daily routine. Workplace accidents can cause traumatic results. For this reason, the compensation you may receive will surely aid you and your family until the sufferings wear off. If the victim of the accident meets the necessary criteria, in addition to the compensation for economic loss, lump sum payment for psychological injuries can also be awarded. Psychological impacts of a workplace injury can be loss of life expectancy, disfigurements, pain and suffering.

As the pain and suffering of a victim are unmeasurable, you can talk to your lawyer to have your expectations from the case evaluated. By no means you will be unjustly treated. Stress disorder, major anxiety and depression can occur after being the victim of an accident. To overcome such psychological conditions, a psychotherapy process is likely to be needed. Under the laws, the psychotherapy expenditures are also compensable as these conditions are the result of accidental negligence of another person. In Australia, the Workers Compensation Act states that the worker’s negligence isn’t taken into evaluation in the court’s decision as the Act is based on the no-fault scheme. To clarify, even if the worker was negligent, these payouts are to be awarded to the worker.

Covid-19 and the significant rise of psychological injuries

Covid-19 made an impact on the number of psychological disorders suffered by professionals and individuals. Year-to-date, the psychological injuries occurred in the course of employment is almost doubled itself. Emotional and mental disorders regarding the Covid-19 incidents and overloaded shifts due to the pandemic is compensable. 

Work Health and Safety Laws of Australia demands employers to provide a safe work environment to minimise the risk of stress-related mental injuries due to Covid-19. With the assistance of a workplace safety expert or consultor, the employers are expected to assess the potential stress factors in the workplace and eliminate the risks. A simple risk assessment process can be managed by arranging a group discussion with the workers/employees, and by listening to their concerns as it is the employer’s duty to prevent psychological work-related injuries.

Covid-19 and medical professionals

Among all industry workers, the vast majority of the workers suffering psychological disorders due to Covid-19 are the medical professionals. It is reported that the majority of the stress related injuries occur from unreasonably long shifts, overworking and insufficient work breaks. One of the biggest concerns of medical employees is the exposure to Covid-19 and spreading the infection to their families.

If diagnosable by medical professional, stress-related injuries and psychological conditions are compensable under workers compensation. Workcover Australia strictly enforces a stress-free working environment and regulates the factors that might lead to adverse conditions. Covid-19 exposure is a major risk element and if the employer fails to take necessary care, it can be challenging to maintain the work.

“Villains”

***

LA Writers Centerpresents a free online reading of “Villains” by Marquis Ewing as a part of their “Breathe” online play reading series, which will live stream on the global, commons-based, peer-produced HowlRound TV network at Howlround.tv beginning Saturday, February 27, 2021 at 11 a.m. PDT (San Francisco, UTC-7) / 1 p.m. CDT (Chicago, UTC-5) / 2 p.m. EDT (New York, UTC-4).

When three New York actors (two black and one white), become disillusioned by Hollywood’s lack of racial diversity, they plan to make their own production, only to find themselves becoming victims of their very own destructive biases and interests.

“Villains,” is directed by Susan Dalian, and stars Marc Ewing as Omar and Narrator, Kyle Mattocks as Gerald, Graham Sibley as Jeff, Vera Cherny as Lizavyeta Ivanovna, Matthew Fox as Doug andAlyse Marie reading stage directions.

“The LA Writers Center is proud to be a diverse organization. We have developed new work that has amplified BIPOC and LGBTQIA+ stories for almost two decades. But we can do better.We think instead of speaking, it would be better to listen. Instead of making promises, it would be best to take action. With that in mind, LAWC is partnering with HowlRound to present “Breathe,” an online play reading series designed to advance these stories. We are presenting one reading a month through the end of the year.”

LA Writers Center will announce the rest of the plays in the “Breathe” reading series shortly. Follow their Facebook page for all updates.

Attend, participate, and spread the word. These stories need to be heard, and we are now, more than ever, prepared to listen.

About HowlRound TV: 

HowlRound TV is a global, commons-based peer-produced, open access live-streaming, and video archive project stewarded by the nonprofit HowlRound. HowlRound TV is a free and shared resource for live conversations and performances relevant to the world’s performing arts and cultural fields. Its mission is to break geographic isolation, promote resource sharing, and to develop our knowledge commons collectively.

More Info: 

http://www.lawriterscenter.org/villains-by-marquis-ewing.html   |   https://howlround.com/series/la-writers-centers-breathe

Watch here: https://www.facebook.com/LAWritersCenter/

Dates: 

Saturday, February 27: “Villains” – 11 a.m. PDT (San Francisco, UTC-7) / 1 p.m. CDT (Chicago, UTC-5) / 2 p.m. EDT (New York, UTC-4).

We’re Listening to Billie Holiday ‘s “Strange Fruit”

***

A poem becomes a song and then a civil rights anthem.

Billie Holiday‘s “Strange Fruit” has a tragic beginning and end. It’s a powerful poem and beautifully sung quiet anthem. It is believed that this song was the catalyist for the death of Lady Day.  

Billie Holiday turned “Strange Fruit” into a work of art. The song was inducted into the Grammy Hall of Fame in 1978 and was included in the “Songs of the Century” for Recording Industry of America.

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Gottlieb, W. P. (1947) Portrait of Billie Holiday and Mister, Downbeat, New York, N.Y., ca. Feb. United States, 1947. , Monographic. [Photograph] Retrieved from the Library of Congress, https://www.loc.gov/item/gottlieb.04281/.

But it was originally “Bitter Fruit,” a poem published in 1937 by Abel Meeropol, a Jewish civil rights activist. After seeing the horrific photograph of the August 7, 1930 lynching of Thomas Shipp and Abram Smith in Indiana,  Abel penned the poem as a protest against the lynching of Black Americans and racism in the U.S. Abel and his wife Laura Duncan set the poem to music and performed it as a protest song in the late 1930s.

But it was Billie Holiday who took the song internationally and it has been covered by Nina Simone, UB40 and many others.

“Strange Fruit”

By Billie Holiday and Abel Meeropol (1937)

Southern trees bear strange fruit,
Blood on the leaves and blood at the root,
Black bodies swinging in the southern breeze,
Strange fruit hanging from the poplar trees.

Pastoral scene of the gallant south,
The bulging eyes and the twisted mouth,
Scent of magnolias, sweet and fresh,
Then the sudden smell of burning flesh.

Here is fruit for the crows to pluck,
For the rain to gather, for the wind to suck,
For the sun to rot, for the trees to drop,
Here is a strange and bitter crop.

Hulu’s new feature “The United States vs. Billie Holiday” streams on February 26. It’s the story of “Strange Fruit,” the civil rights protest anthem that became Billie Holiday’s downfall.

For many, Billie Holiday got them through a break up, through finals, a crappy day and so much more. And for others, Lady Day has helped them get through 2020.

Two favorites are “Good Morning Hearthache” and “No Good Man.”  

And, of course, “Lady Sings the Blues.”  

Thank you, Lady Day, for creating the songs that make us move and move us to move forward.


Add more music to your playlist>>

 

Award Season, Does It Still Matter?

By this time last year, I was up to my neck with screenings and Q & As all over town. Warner Bros., Sony, Universal, Paramount, the DGA, the WGAW, and almost any theater of my choice. I also had screeners sent to me or available on streaming services, or from the studios with their own dedicated websites precisely for pushing their products “For Your Consideration.” I loved it. I looked forward to this time of year because I wanted to watch or read about these award shows and their winners with the knowledge of having seen each and every nominated film. Now, that being said, it was highly improbable for me to have seen every single film in every category, but I would say in the last four years, I was averaging in the high 90s. As exhausting as it was, it was more than a pleasure to see the work of these master filmmakers and imagine myself, one day, on that stage answering questions about a film that I wrote, directed or starred in. That was the prize for me. Winning any of the awards was just the icing on the cake.

Sorry. I was just giving my acceptance speech at the BAFTA’s regarding my three awards for writing, directing and acting. That last bit has been floating in my head ever since I saw, “The Prime of Miss Jean Brodie” when I was 10. But in all seriousness, what does some high-profile writer, or A-List actor, or an auteur winning awards have to do with my self-penned, ultra low-budget, straight-to-video feature film have to do with these gods of filmmaking? Everything.

I could state the obvious and overused phrase, “Everyone has to start somewhere,” or the more blunt, “How can anyone watch or consider your work at all if it hasn’t been written, shot, or edited?” I find this time of year being inspired, envious, confounded, blown away, and most of all, in awe of how many brilliant films do not win awards. Every year I see a vast majority of films, usually foreign films, with an amazing cast, sublime acting, and superior storytelling that vanish into the ever after all the post award parties are done. It is a privilege and an honor to be a filmmaker. It is very hard work to bring a concept, then story, then characters, into life with the engine that is the filmmaking process. It is nearly impossible to make any film, let alone a masterpiece – a film that is well crafted and is held together with passion and perseverance, and the absolute conviction of never taking no for an answer. We tell stories because we have to. We make films because we want to share the experience that danced in our heads and brought to life with a dedicated team so you can watch it in the dark with a bunch of strangers and leave the cinema with a shared experience.

I was one of those little boys sitting in a vast cinema watching Butch and the Kid try to get away from the Bolivian army. I cried as Maria held Tony in her arms as she yelled and screamed at the Jets and the Sharks. I, too, was on that mountain top with my arms extended outwards singing to a mountain in the Tyrol. Bring on the awards because I make films because films are the closest thing I have to the human condition in the best of times and the worst of times.

Even though we are still a long time away from Covid-19 being a distant memory, let us take this time to celebrate the filmmakers and the films that were made with sweat, blood and love. Let us be the next filmmakers that don’t strive for awards, but insist on sharing a belief, an inspiration, a story about people in pain, bliss, struggle, triumph and their own journeys. I hope to see one of your films in the next screening and ask you what kept you going.

Keen Garrity “Get Big” Album Release

This Knoxville, Tennessee-based artist is an interesting mixture of dramatic vocal musicality, deep rock guitar and lyrical, romantic, whimsical, riveting songs.  Keen Garrity has a name like a shady character in a Dickensian novel and she seems to take that and run with it.  Kate Bush like, writing her own mind out in her songs. No nod to “what’s cool,” mercifully. She seems to conjure her own weird world with the flow of her words.

It’s gorgeously, warmly produced.  With soulful twists to the rock opera, surreal settings for her melodies, she pushes the alternative country form.  It’s interesting, melodramatic, powerful stuff.

Her voice is compelling and dark, the rhythms cult like and intense. It’s a meander through the mind of an artist with no hang ups on genre or expectations. You are never quite sure of what comes next. Each song connected to the next, but as dissimilar in a way as the books in our personal libraries.

I’m intrigued, I’ll admit it.  Keen Garrity has a presence and a slightly otherworldly rhyme to her.  This collection is purposeful and fun, full of foppery and camp, but sung with heart and passion.  I really like it. How wonderful, in fact, to have something so unique.  We all need more unique!!!  Bravo!!!

Listen to “Get Big” at Bandcamp  |  Listen at Spotify

Websites:

Official Website: https://keengarrity.com

Facebook: https://www.facebook.com/keengarritymusic/

Instagram: https://instagram.com/keengarrity

Spotify: https://open.spotify.com/artist/5DuUEMl787Kz5R2sonbIJi?si=u-pl8FaVTN6M61dyZM8oJQ

Bandcamp: https://keengarrity.bandcamp.com/

Youtube Channel: https://www.youtube.com/channel/UCS4UzFpsIMGmkttEWPF8_AQ

The Whitefire Theatre’s Solofest Presents “Worth It!”

“Worth It!”

Written and Performed by Carla Delaney

Directed and Developed with Jessica Lynn Johnson

Executive produced by Nancy Santiago and Bryan Rasmussen

You may remember Carla’s show, “Voices” which was a revelation in the 2019 solo circuit.  Thankfully she is back with another offering for us, just when we need art the most.  “Worth It!” is such a clever show – a pandemic anxiety induced karmic trip down the memory lane of a lost and anxious ‘Casey,’ stranded by her broken car after a bad audition tries the ATM of “Future Bank.” After a vain attempt to retrieve her card she runs into “Sheila,” the customer assistance clerk in an otherwise deserted building. Clearly this is not your average bank. Sheila proposes that what Casey is really looking for is not cash or even her lost card, but rather answers to why she herself is so lost.  With the help of time travelling VR, holograms and some gloriously retro campy videos, we follow Casey and Sheila as they navigate Casey’s life to find the tipping point to her current state of unhappiness.

This show is an existential narrative of a lonely pandemic addled soul, beautifully, imaginatively and poignantly performed by the multi-talented Carla Delaney.  It’s a lesson in self sabotage and ritualized self flagellation.  Money….the root of all our E-vile.

What we absorb when we are young, from our parents and our surroundings, forms us, builds us and breaks us.  This show is a gorgeous realization of our karmic baggage coming back to taunt us.  How we see ourselves is, after all, what we show the world.

“Worth It!” is all about “repatterning your low-value thoughts.”  Breaking the habit of settling,  consciously reprogramming our minds into bringing the abundance and accepting our grace.

Carla Delaney is a hilarious and wickedly talented performer, but she is also a wonderful writer.  The insight she finds in this story, the perfectly balanced storytelling, the clever, funny, inclusive narrative. Some solo shows can be a little overwhelming, so many characters, so many trials and tribulations, it can become a maze.  But this show is perfection. Carla flips from character to character live, but a lot of the characters are on video and it sort of separates her a little from the memories and the experiences so Casey, our heroine, can really see them.  It’s a really wonderful technique and so compelling. In the end, our Casey finds her power and ends up the show as the lead in a musical extravaganza…it’s absolutely wonderful!!!

Carla Delaney

I love solo work that fills me with energy and inspiration and this show, “Worth It!” does exactly that.  Carla Delaney has created a powerful magical and purposeful work that finds us all at our most vulnerable, isolated, untethered and unsure.  It’s a gift really, what she has created here. A sweet and intimate creation, to remind us that we are our own worse critics and that getting out of our own way is sometimes all we ever need to do to succeed. We need warm resonating messages of hope now more than ever and “Worth It!” is most certainly that…in abundance!  Bravo!!!!

Thanks also to Jessica Lynn Johnson for her wonderful directing!

https://www.facebook.com/carladelaneyoffical/

https://www.instagram.com/voicesbycarla/

NoHo News February 4

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NoHo News: Valentine’s Day Singing Telegrams…2021 Version. Pet Food Pantry. New Musicals. Do You Know the NoHo BID? Pizza Making Kits. Theater is ALIVE. NoHo Restaurant Delivery. Wear a mask so we can keep NoHo an arts district. #KeepNoHoArtsy.

Here’s your NoHo arts community update!  We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood.

Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

NoHo News: Valentine's Day Sining Telegrams...2021 Version. Pet Food Pantry. New Musicals. Do You Know the NoHo BID? Pizza Making Kits. Theater is ALIVE. NoHo Restaurant Delivery. Wear a mask so we can keep NoHo an arts district. #KeepNoHoArtsy.

Follow NoHo News with Bloglovin

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

The Whitefire Theatre Solofest Presents “Versatile”

***

Written and Performed by Kevin (Womack) Neighbors

Directed and Developed by Jessica Lynn Johnson

Solofest is in full swing at the wonderful Whitefire Theatre. And how grateful am I!?!

Kevin (Womack) Neighbors’ show, “Versatile,” is and I quote, “a mixed bag of identity, emotion and complexion.” A search for self, as a gay, mixed-race man.

It’s a powerful subject. Taken to maximum effect here, with mixed media, mixed tech and gloriously mixed metaphors.  The resulting show is as blended as Kevin, which I suppose it exactly the point.  It’s such a profound way of bringing us in to his world. Catapulting us from humorous character guides, to rap, to deeply felt narrative and beyond.  Kevin is awkward and shy, extroverted and driven, heartfelt and inquisitive.  Everything he needs to know about who he is, we, the audience, see so clearly.

So the mirror he seeks is us.  Or maybe that’s too straightforward, or even too risky.  But the story of this show is of his life, his family, his struggles to fit in where of course he feels so keenly that he never can.  This struggle is the show, and a part of what gets in his way to being whole. To forgiveness and acceptance and recognizing himself as the warrior he needs to be.

He plays his mother, empathically portraying her heartbreak at the loss of her three kids as they are taken from her by social services.  And his adopted father, sharing the long journey to his and his brother’s adoption and his strange, sad, paternal duality. Social workers, google, weird, random people fascinated with a light-skinned Black boy living with a White family.  A myriad of people passing through his life.

His journey is punctuated by a series of animal characters, baboon, hyena – all Lion King-esque – calling him back to his African roots.  The long sweet and sour story of his life, full of painful memories and trials, loss and the terrible realization of systemic racism hidden everywhere, even in his own family.  Growing up in the last couple of decades where there seems to be no shame. Openly racist politicians and public figures,  bigoted religious leaders opposing gay marriage, more and more spectacle surrounding equality of all kinds.  Becoming a human and growing up in such a divisive and explosive environment.  How can anyone find a foothold in this continually shifting, loosely held land.  An avalanche of truths at every turn. Revelations unwanted, disturbing realities un-interred daily.

My daughter often reminds me how different a world she is “becoming” in than I did.  It’s easy to forget this. I lived a charmed childhood, a privilege that until more recently I took completely for granted.  My husband’s existence wrought from an opposite world, and as things ignite in this country, especially in the past years, his experience of it is so acutely different to mine.

Kevin (Womack) Neighbors is a White Black man. Beautiful, eloquent, gifted and torn by his experiences, unsurprisingly.  He leaves his soul bare on stage.  He tries to put inside us his experience, as if it were possible to take his life in his hands and literally show us every minute, every moment, so we might understand and thereby give him the comfort of that.  He aches his way through this brilliant and deeply moving show.  He entertains with an actor’s pain, stripping away all the pretense and giving us raw what needs to be seen.

Solo shows are always revelatory.  At their best they teach us as they share.  This show teaches us that there are some gentle souls who have suffered far more than us.  That have had a hundred lives in one.  That deserve to be admired for their courage and their tenacity and their ability to rise above.  This story is such a life and Kevin (Womack) Neighbors is a talented and compelling actor who communicates brilliantly his heartfelt and significant beliefs through this intricate and tireless piece of theatre.  Bravo!!

You can find out more about Kevin and his brilliant work here : https://neighborsmedia.com 

Also, this is another show developed and directed beautifully and thoughtfully by the sublime Jessica Lynn Johnson https://www.soaringsolostudios.com

New Musical Webseries – “The Last of Its Kind”

NMI has created a new musical webseries – “The Last of Its Kind”

There are some unlikely new upcoming stars of the musical theatre internet: a cartoon cat on her ninth life, a doomed Arctic explorer in 1912, a clown who injures himself and can no longer fold himself into a tiny clown car, etc. They’re all part of a new musical webseries, called “The Last of Its Kind.” Each episode is a self-contained musical, ranging from a few minutes to a quarter of an hour. Produced at NMI’s greenscreen studio in North Hollywood, the series ranges from the fantastical to the dramatic; from the silly to the profound.

“Not all endings are sad,” explains series producer Scott Guy, “Finality can mean the last payment on a mortgage, or the final exam before graduating. Although there’s a touch of melancholy in many of our episodes, some are just out-and-out goofy.”

The initial episode features Captain Robert Falcon Scott, whose doomed expedition to the South Pole ended in tragedy in 1912, writing his final letter to his wife. “We use Capt. Scott’s actual words as both dialogue and as lyrics,” says Guy, “They’re very moving.”

“The Last Letters from the South Pole”

The final hours of Robert Falcon Scott’s doomed expedition to the South Pole in 1912. Featuring Ryland Shelton as the haunted explorer, trying to keep up a stiff upper lip as he writes his final letter to his wife. Music adapted from Ken Neufeld.

Episodes can be seen streaming free of charge at www.nmi.org/online

Subsequent episodes feature the last fight between a cat and a dog (on a low-budget kiddie television show); a poor insomniac trying to count the last sheep before falling asleep; the last dinosaur; two soldiers lost in the desert with one last drink of water between them, and so on.

New Musicals Inc. develops and produces musicals for both live and digital stage. They have converted one of their rehearsal facilities into a greenscreen studios, and have produced over 100 musicals for the internet.


**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

How to Become an Artist with a Strong Social Media Following

How to Become an Artist with a Strong Social Media Following

Social media have a big influence on many spheres of human life – we buy and sell things there, interact with friends and family, and discover interesting personalities. Artists as well have developed an online presence to their list of activities. In modern society, young talent can show the potential at once and gain a strong fanbase, along with the attention from producers and studios. Besides, becoming popular online is a good way to prove that your efforts are worth the attention of major producer centers and that people like what you do. 

In this article, you will find out how to make your presence online noticeable and how to grow the loyal audience for your support. 

Knowing Your Platform 

By now, there is a wide variety of social networks, and each has different features. So your first choice to make would be a priority of the platforms that you use for promotion. Don’t try to embrace a bigger burden – you don’t need to have profiles on every last one. 

Concentrate your work on the networks that you use frequently. This will be an easier start for you because, as a user, you will already know how it works. Having a lesser number to analyze, you will be able to study the algorithms of promotion better and deeper. 

Setting Goals And Strategy 

In any industry, it is important to understand what you want to get as a result. On social media, a settled goal means putting your efforts into the most effective tasks. So at first, define what you need to achieve, and then decide what methods you must use for that. 

This point is also connected to the previous because each platform you run will provide a better result for different goals. 

And before you even start your profiles on social media, you must develop a stiff tactic that will help you organize your growth and eliminate the errors as they occur on your way. This is a superb rule for any kind of blog that seeks success online – make the plan and stick to it! Exclusions may happen, but they must always be thoroughly analyzed and prepared. 

Check Out Specific Communities 

Along with the general list of social media that everybody knows about, e.g., Instagram, Facebook, or Twitter, there are also the ones that are considered to be used by artists primarily. Some of them are suitable more for musicians, some for painters, web-designers, and some will serve good for acting demonstrations.

  • The Dots. This network is described as a LinkedIn for creative people. Like Google, Viacom, Sony Pictures, Warner Music, Discovery, many established companies are using it for their recruitment. 
  • Behance. Ultimate portfolio saver and a perfect tool for communication with hiring companies. 
  • Ello. Nowadays, it is considered to be one of the best platforms to keep the portfolio and interact with companies, brands, and fans. 
  • Dribble. This one is rather like an inner community for creative people, where they can exchange experiences and share their recent works. It is quite possible to get useful tips from there. 

Who Are Your Fans

Knowing your audience is vital to reach the top. Your content has to be streamed to the right crowd that will appreciate it. At this time, you will have to turn on the analytic inside of you and think for who your work will be the most interesting and touching. Define such features of your potential audience as:

  • Gender
  • Age
  • Profession 
  • Occupation 
  • Region
  • Family status

For different kinds of audiences, you will have to adjust your content and strategy. Also, knowing the list of these metrics, you will be able to choose the right platform for your promotion and put more effort into the proper channel. 

Use Hashtags 

For social media, hashtags help both the algorithms and users categorize and find your content. By adding the right hashtags to your posts you can push the awareness of people to your favor. Without tags, your work online will be incomplete and less noticeable even by users, who are eager to see your content. 

The ground rule in wielding the art of hashtagging is to mix general terms with more specific ones in good proportion. In case if you use too many general tags, your post will drown in the daily flood of new uploads with the same tags. If you get too specific and accurate, it will be harder to widen your audience. It will be harder for users to discover you. 

Be Consistent 

This is crucial if you want to reach success on any social platform. However, you could mock the influencers from social media; they work hard, to produce something daily. That is why they get millions of followers. To get an equal result, be ready to roll out your posts regularly. Social platforms also require some level of situative creativeness so that you can broaden your content with impromptu photos or videos. Many networks offer comfortable formats for that, like:

  •  Instagram Stories,
  •  YouTube highlights,
  •  TikTok. 

Whatever platform you occupy, regular posting will make you more discoverable. Appearing in the feeds of your followers constantly, you will also secure the level of engagement, which is also vital for your progress. And this matter requires a separate paragraph! 

Engagement 

The engagement of your audience measures the level of interaction that happens between your followers and you. It basically indicates how interested your audience is in what you produce. This metric is one that you have to keep track of all the time. When engagement rates lower, so does everything else. So providing good, entertaining content is a must for you. Being an artist, this is not too hard a task to complete. Social media is a great help for artists. But don’t forget that people have to feel involved in your posts to drive up the engagement level. Leave silent spectatorship for Broadway. 

Here are the most common tips to increase engagement:

  • Talk to your followers, not at them. Keep your manners friendly and remain open for communication with your followers. 
  • Go live, when it is possible, and if the platform allows it. 
  • Announce your upcoming gigs and encourage your followers to check out your older works. 
  • Think of some games, contests, or other activity that will entertain your audience
  • Be sincere. Nothing is more precious to users than a genuine emotion that you put into your posts.
  • Analyze your engagement constantly. Thus you will eliminate the techniques that occurred to be useless for you.
  • Experiment. From time to time you can try to implement something that is not typical for your performance online. 
  • Create the effect of a cliffhanger. Don’t share only your finished projects. Let your audience sneak peek at your current work. In terms that your contract allows, for sure. 

Be Yourself 

 

Becoming successful online is impossible without this. Another title that could be suggested for this paragraph is “Create the best content.” But, in the case of social media, good content is always what comes from your heart. On socials, users are interested not only in your professional accomplishments but in your personality as well. So, mix in your feed something that concerns your daily life, share your lifestyle and opinions about different things. Avoid politics or religion, though. These topics always provoke burning discussions that end up in hatred, disappointment, and loss of fans. 

Of course, you should filter what goes online. Not every thought deserves to be shared online. But what is important is that you must not try to show what you really are not. This “mental fraud” is easily detected by users. 

Conclusion

Social media can be really useful for artists. Having a big crowd of fans online, you will feel support and confidence for your future growth. And also, this is a great way to create a portfolio and attract producers and brands! 

8 Personal Protection Items for Your Hike

8 Personal Protection Items for Your Hike

 

The isolation of hiking is an experience unrivaled by many other activities in life. Sir Edmund Hilary, the first man to hike to the summit of Everest along with Sherpa mountaineer Tenzing Norgay, once stated, “It’s not the mountain we conquer, but ourselves.” 

8 Personal Protection Items for Your Hike
https://www.shutterstock.com/image-photo/man-traveler-backpack-hiking-travel-lifestyle-364512071

While the benefits of hiking are plentiful, there are some dangers involved. The dangers of hiking are numerous, with many hikers being woefully unprepared when stepping foot on the trails. One of the biggest mistakes solo hikers make is assuming they can brave the elements on their own terms. Yet, nature often overwhelms man, and sometimes there are other people on the trail we might not expect to be there. 

Whether it’s a wild animal, an ill-intentioned person or severe weather, you need to do everything you can to remain safe while in the wild. It’s in your best interest to carry personal protection items so you can avoid such harmful—and potentially fatal—pitfalls. But what should you take when heading into the woods? Let’s take a look at several effective options. 

Flashlight

Hikes can sometimes take longer than we expect, and a hike you planned on finishing by 4 pm might be far from done by nightfall. If you happen to get trapped on a mountain or in the woods at night, you want to be sure you have a flashlight or headlamp on you. You need a light source to stay on course, avoid hazardous rocks and ledges and warn animals of your presence. Solar flashlights are a great option for hikes because they can charge while you’re hiking. 

8 Personal Protection Items for Your Hike
https://www.shutterstock.com/image-photo/woman-backpack-hiking-lifestyle-adventure-concept-519458038

Animal Repellent

While hiking, you might run into dangerous animals like bears, mountain lions, rabid dogs, etc… Animal repellent is a must when hiking solo in the wild, designed to ward off vicious animals. One major benefit of animal repellant is that it often has a long firing distance. Since most bear repellent is effective up to 35 feet away, you can keep your distance if approached. 

Pepper Spray

Regular pepper spray is another great addition while out hiking. While you want to protect yourself from animals, you should also remember that not all other humans are as nice as you might expect. In the event that someone ends up following you for malicious reasons, you want to guarantee you can protect yourself. High-powered pepper & mace sprays are a useful way to incapacitate a potential aggressor and escape to safety.  

Knife

Sometimes you might need more than a repellent spray to protect yourself. If pepper spray doesn’t work against an aggressive human or animal, you may need to enter into physical combat. Under such circumstances, it’s best to have a knife on you. With numerous options available, including hunting knives and survival knives, you can carry whatever you need in your bag. 

A knife might even prove useful for first-aid purposes as well. In the event you hurt your arm and need to fashion a sling, you can use your knife to cut the necessary cloth. 

Food and Water

Dehydration is a serious issue when hiking. Causing weakness and disorientation, it can lead you to wander off-trail, lose your bearings and quite possibly lose consciousness, if it becomes bad enough. You should always pack more water than you think you need. Similarly, make sure to pack extra food, as the added calories will help you maintain energy while on the trail. Furthermore, if you happen to get lost, you want to make sure you have enough calories to last until you can get out of the woods. 

First-Aid Kit 

Injuries happen while hiking, from small cuts and bruises to twisted ankles and broken bones. There’s no use in taking your chances while out on the mountain, and it’s important you have a first-aid kit stored on your person. You don’t need a full professional kit either. Consider carrying some of the basics like alcohol wipes, bandages, medical wrap, a self-fashioned stint and anti-inflammatory capsules. The basics can help you survive in case anything unfortunate happens. 

8 Personal Protection Items for Your Hike
https://www.shutterstock.com/image-photo/man-hiking-equipment-walking-mouton-forest-212870275

Personal Locator Beacon

You want to guarantee you have protection if you happen to get lost or injured. A personal locator beacon (PLB) is a satellite-synced SOS device that allows you to contact emergency rescue agencies when you are in need. The device, which has a high degree of effectiveness in most remote areas, will send your location with your SOS message to emergency personnel. This is an essential tool for people hiking in especially remote regions, as getting lost or injured can quickly become an incredibly serious problem. 

Staying safe while in the woods or in the mountains comes down to preparation. With the right skills, tools and preparation, you can effectively protect yourself from danger while enjoying nature. 

 

 

“Auschwitz”

***

“AUSCHWITZ”  was written in 1988 and explores the horrors while being branded with a ‘PINK’ triangle. 

Cold and worn, I sit crouched in the corner of the train. 
My clothes and hopes are torn, too.
Gloom paints my mind. God has turned blind.
In the snow there is death and stain. 
Cold winds sting… I shiver to sleep.
Silence.
My family and friends huddle close… as the train stops… slowly.
I peer outside, lanterns and lights lit.
I see the sign and I shudder:

Welcome To Auschwitz

I am separated. Insulted. Harassed. Humiliated. 
Branded with a pink triangle.
I close my eyes hoping to be taken away by my guardian angel. 
I am led to a small prison- like hole. 
Others like me, their spirits stole. 
Gaunt. Starved. Rot and poison, forced to eat. 
The guards take me down- hold me to the ground. 
They spit and they rape me… laughing,
“You queer kike, we know you like!” 
They all take turns as my friends watch in a trance; 
others prefer to shut their eyes, only to periodically glance. 
The German Nazi bastards! 
They have made a theatrics of me. 
Day after day. One by one. My friends disappear…
With tears in my eyes I fear. 
I am so thin I can barely stand. I am weak. 
They’re trying to kill me. I pray them to be damned. Today is gray. 
The world is snowing and moaning. 
Led one by one we are stripped. 
The moment terrifying, insanity fully gripped. 
Naked.
Then commanded to run. 
For them it’s all fun. 
Suddenly, they aim their guns. 
I don’t look back on this mounting attack.
Shots are fired and bodies collapse. 
I am so slow… my feet numb.
I give myself up, body and soul. 
My wasted body falls with a thud in the snow.
I can no longer move. How I long to feel my mother’s hands sooth.
A boot stomps my face. Blood I taste. The snow is splattered.
The flesh on my face tattered. 
For an instant, in my mind, I see my family, 
separated from me.
I watched them ushered into the showers. 
Doors close. Screams. Agony. 
I could do nothing. The stench of their deaths absorbed in my skin. 
An omen soon coming. 
Cold.
Ice fills my mouth. 
My eyes no longer can shut. 
The black seeping and surrounding. 
The pain in my body released. 
Death becoming.

“Aushwitz”the poem has been Archived at Simon Wiesenthal Center/Museum of Tolerance, USC ONE Institute & at Poets House NYC. It is also available on the California Library online platform Biblioboard.com. Forever available to the public and students.

It was also previously published in the poetry collection, “Speculative Poets of Texas 2015“ and online at Poetry Super Highway’s Holocaust Remembrance Edition 2015.

Cover art by Jorge Velasquez. Audiobook narrated by Emmy Award winner Michael McHenry.

Anni Pohto “Closure” Single Release

Finland is a mystical, beautiful place.  So it goes almost without saying that it should produce music as profound as its magical landscape and people. This track, from the Finland based, Berklee School of Music alumni, Anni Pohto, is a gorgeous blend of dreamy, organic sounds, poignant lyrics and soulful vocals.

Kate Bush with an accent. Anni Pohto has a style of her own though. Playful and haunting, moving and honest.  “Closure” feels totally authentic, touching on our deepest needs. To let go, to understand, to move on in our own unique ways.

I love this track. There’s an urgency from the very beginning, a pulsing vibrating unfolding.  She uses her incredible voice effortlessly, subtly, with a Nordic sense of ice and fire.  The song ignites slowly and purposefully reminding us of how we long for and remain haunted by our former loves, our former lives, our former selves.

Anni Pohto “Closure” Single Release via www.nohoartsdistrict.com

Maybe this is exactly what we need right now. We all need closure from the past, whatever past that might be, failed loves, failed lives, failed years. I am really looking forward to more from this goddess.

Bravo Anni Pohto…or should I say brävō.

Musician Names/Instruments: Anni Pohto piano, Maija Kauhanen kantele (that’s the national instrument of Finland, works great when creating guitar walls!), Andre Vasconcelos guitar, Jude Kim bass

Producer Name(s): Anni Pohto & Henry Kaprali

Facebook: https://facebook.com/annipohto

Twitter: https://twitter.com/annihuhtisaari

Instagram: https://www.instagram.com/annipohto/

Spotify: https://open.spotify.com/artist/0RJZ4KtxDJZHdy8WFg35li?si=vLiv3WHdS6C5iedOv-40yQ

Soundcloud: https://soundcloud.com/annipohto

Youtube Channel: https://www.youtube.com/annipohto

Anni Pohto “Closure” Single Release via www.nohoartsdistrict.com

6 Top Online Degrees in 2021 to Watch out for

Learning online is awesome. You get to study in your pajamas and take your work on the go wherever your heart may roam. If you’re on the hunt for online degrees, we have the 6 top online degrees said to take the web by storm in 2021. No matter if you’re a first-time student or trying to beef up your resume by extending your educational accomplishments, these degrees have something for you. Each of our picks has a great history, along with competitive curricula and accreditation across the globe.  

1. University of Florida

The University of Florida is a prestigious university known for its compelling staff and killer courses. As a university, they have bred hundreds of thousands of professionals, some of which have scored their credentials online. This is a top-ranked program and voted as one of the most affordable, with credits costing only $111.92 per credit. They have more competitive offers for in-state students, possibly saving up to 40% on enrollment. 

Pros

Cons 

-Voted one of the top-ranked online courses  

-Expensive for out of state students ($500 per credit) 

-Affordable at just $111.92 per credit 

 

–        The average debt is way below the national average

 

2. Colorado State University 

CSU’s online program is far cheaper than the rest. It also ranks as one of the lowest; however, it still has a solid reputation for courses and curriculum. There are absolutely no hidden fees when students are looking to enroll, giving them another vital point that students and parents love. On average, CSU education costs $350 per credit and provides an excellent investment return for students who land a job after graduation. There is no need to write a compelling gun control essay for admission; you’ll just have to demonstrate your academic background and pay, that’s it. 

Pros

Cons 

-No hidden fees with enrollment   

-Credits might be challenging to transfer

-Way below the national average  

 

-Big turn on investment falling at 4:1

 

3. Indiana University

If you’re a student looking to get their MBA, this is the school for you. This online program is labeled one of the world’s best, with 64% of graduates scoring a promotion after graduation. The average salary among those who completed a degree fell around $122,000-soemthing that is life-changing for workers everywhere. As a student and graduate from Indiana University, you’ll score career coaching and help break into the field and landing your dream job.   

Pros

Cons 

-Graduates of the MBA program earn 77% more than the national average   

-It can be competitive and challenging to enroll to 

-The cost of courses is below average 

-Cost is steep 

-Indiana University has a solid reputation 

 

4. Pennsylvania State University 

Penn State is a highly accredited school known for its programs for undergraduates and graduates. They were recognized in 2020 as one of the top online programs, featured for their competitive cost (as low as $103 per credit) and helpful programs for veterans and service members. They offer all different kinds of aid, attempting to help students of all incomes get a degree. 

Pros

Cons 

-Penn State is widely recognized   

-Overall cost expensive compared to other online programs 

-Offers aid for military and veterans 

 

-Cost is way below average 

 

5. Ohio State University 

Ohio State University is a top-ranking school known for its top-notch nursing program. They have been noted as the most affordable and flexible, helping to give students from all walks of life the chance to succeed. They offer zero textbook costs and in-state tuition prices for all who enroll, making it a super sweet deal that is hard to beat. There is no five paragraph essay outline due for admissions; all you’ll have to do is visit their website and apply. 

Pros

Cons 

-Ranked best for online nursing degree programs    

-The online degree for nursing is not available for all states

-No textbook fees and in-state tuition for all 

 

-Total cost is way below the national average 

 

6. Oregon State University 

Oregon State University is best known for its computer science degree and its bi-annual computer science career showcase. This online program attracts students from all over the world. Oregon State has pumped out large numbers of successful students from this degree, with most landing jobs at top-ranked companies like Google, IBM, and Intel, just to name a few.   

Pros

Cons 

-Have a superstar computer science program

-They are rumored to have hidden fees

-They offer graduate courses online  

-Graduate credits are on the expensive side

-A long list of success stories with students employed by Google, Intel, and more

 

As you can see, online education is booming now. Choose a university to your liking and capture the trend! 

Pet Food Pantry

Helping to Keep Families Together:  LA Animal Services Offers Pet Food Pantry Weekly in 2021

LA Animal Services will be expanding their Pet Food Pantry program from providing pet food twice a month to every Sunday, starting Sunday, February 7, 2021, from 1 to 4pm, to families in Los Angeles needing assistance to feed their pets.

“We are pleased to be able to offer the Pet Food Pantry to residents of Los Angeles on a weekly basis and provide pet owners with pet food they need to feed their animal companions,” said Brenda Barnette, LA Animal Services General Manager. “We are thankful to the organizations and community who continue to support us through direct donations and pet food donations to help us maintain pet food inventory.”

Residents interested in participating in the Pet Food Pantry must be the pet’s owner, and will need to register by going online to obtain an appointment at one of two locations.

Locations and Hours of Operation

The Pet Food Pantry will be open every Sunday from 1pm to 4pm, and will be located in the following LA Animal Services Center locations:

East Valley
14409 Vanowen Street
Van Nuys, CA 91405

Click here to register and make an appointment at East Valley

or call 213-264-8985

Chesterfield Square/South Los Angeles
1850 W 60th Street
Los Angeles, CA 90047

Click here to register and make an appointment at Chesterfield Square

or call 213-326-2788

Required Information to Participate

Participants will be required to provide the name, weight, sex, and animal license number (when applicable) of their animal companion when they register and make an appointment in one of two locations: East Valley or Chesterfield Square/South Los Angeles. If you are unable to go online, you may call our Pet Food Pantry line for the Pet Food Pantry line for East Valley at 213-264-8985 or Chesterfield Square at 213-326-2788 to register and make an appointment.

If your family pet is unaltered, pet owners may obtain a discount or FREE spay/neuter voucher, and will be advised that the pet must be altered in order to continue to receive food from the Pet Food Pantry.

Participants will receive wet or dry dog or cat food based on their responses when filling out the questionnaire when they make their appointment. Limit one participant per household for up to three cats and/or dogs per household. (LAMC 53.50).

Pet food pick-up from the Pet Food Pantry will be by appointment only. To ensure the safety of our staff and volunteers, social distancing will be observed and face masks will be required of participants who will be picking up the pet food. Participants also agree to arrive within the designated one-hour time frame only of their appointment.

To find out more about the Pet Food Pantry or to register and make an appointment, click here or paste laanimalservices.com/petfoodpantry on your web browser.

For more information about LA Animal Services, go to laanimalservices.com. If you would like to make a donation to the Pet Food Pantry, please visit our Donate page.

LA Animal Services Offers Pet Food Pantry Weekly in 2021

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

5 Ways to Make Your Home More Guest Friendly

5 Ways to Make Your Home More Guest Friendly

Many homeowners love nothing more than to have family and friends over to entertain. If this sounds like you, your home needs to be guest friendly and accommodating for all. No matter how much room you have to play around with, there are plenty of ways in which you can create a welcoming space for your loved ones. Here are some ideas.

Choose the Right Furniture

The furniture you have in your home can be the difference between guests feeling welcomed and itching to get out the front door. Whether it’s investing in the right couch or purchasing a coffee table, you must think about seating arrangements and entertainment spaces to ensure everyone is catered for. The last thing you want is to invite a gang of friends over to find there isn’t enough room for everyone to sit down and relax. Creating a cozy living space and sociable atmosphere can make all the difference and help loved ones feel at home. 

Get Rid of Clutter

Too much clutter in your home can not only be stressful to manage, but it can make guests feel uneasy. If you’re the hoarding type, it may be hard to let go of sentimental items. However, if you want guests to keep returning, your space needs to feel open, airy and welcoming. Getting rid of clutter can provide invaluable benefits, such as reducing stress and anxiety, boosting productivity, and improving your sleep. If guests are having to maneuver around obstacles when walking through the front door, it’s time to get rid of clutter, not only for your own peace of mind, but for their health and safety too.

Install New Lighting

You can set the mood and tone of your home with the right lighting. If you enjoy cooking for your guests for example, installing the right lighting in your kitchen can help you create the right tone. In the winter months, warm lighting and floor lamps are popular choices that your guests are sure to enjoy. If you invite guests over in the daytime, it’s a good idea to bring as much natural light as you can into your property to make it look spacious and welcoming. 

Create an Entertainment Room

If you have plenty of space to do so, why not create an entertainment room for you and your guests to enjoy? No matter what interests you share, having a space that is solely for entertaining can be a great way for loved ones to feel at home. For those who love golf, for example, you will want your space to be kitted out with the best memorabilia and gadgets. When it comes to golf simulators, Uneekor is a very good one that you and your guests can play on and have many hours of fun with.

Make a Bold Entrance

When guests turn up at your door, your entranceway can say a lot about what is on the inside. Before your loved ones step foot into your home, make sure you have a place where they can take off their jacket and shoes. If you’re inviting several guests over, you need to have a dedicated place to store belongings, as having everything thrown on the back of your couch isn’t appealing and doesn’t give off the best tone.

When guests walk through the front door, they will want to feel as though they’re in their second home. To achieve this and keep guests coming back for more, the guide above can help transform your home into a welcoming and cozy space for all to enjoy.

NoHo News January 28

…

NoHo News: 11,747 Trash Bags Collected. Pizza Making Kits. Dance Movie Drive In. Can You Cook Jamie Oliver’s Chicken Tikka Salad in 15 Minutes?Theater is ALIVE. Wear a mask so we can keep NoHo an arts district. #KeepNoHoArtsy.

Here’s your NoHo arts community update!  We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood.

Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

Follow NoHo News with Bloglovin

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Can You Cook Jamie Oliver’s Chicken Tikka Salad in 15 Minutes?

Today we put Jamie Oliver to the sword once again and see if you can cook his Chicken Tikka Salad in the 15 minutes he advertises!

The recipe is quite healthy and relatively cheap, too. This is our best attempt yet so watch to see if we’ve finally done it.

Make sure to subscribe so you don’t miss out on future videos!

“Is Jamie Telling Porkies” or “IJTP” for short, is where we take a recipe from Jamie Oliver’s 15 Minute Meals cookbook, and we see how long they actually take.

We also convert them to a vegan recipe, as well as see if it’s even worth cooking in the first place.

Social Media: Instagram: instagram.com/baileymanoogian Twitter: http://twitter.com/baileymanoogian 

The Broad Stage Presents Dance Camera West Drive-In Best of the Festival

The Broad Stage and Dance Camera West are proud to announce the winners of the Dance Camera West Drive-In, Best of the Festival. The Outstanding Achievement Award winners are Henrique Pina (for Beast and Dusk) and Adi Halfin (for Earth Odyssey and Lost Horse). The Best of the Fest Award winners are Robbie Synge (for Forest Floor) and Garry Stewart (for The Circadian Cycle). Additionally, Hofesh Shechter was awarded the Best Screen Adaptation Award (for Clowns), screened earlier in the festival, and Finishing Fund Grants have been awarded to the following Los Angeles-based artists: Marquesa Gardner and Austyn Rich. The Finishing Fund Grant is an initiative to financially support films from underrepresented artists and to complete films already in production, which premiere at a later date.

Best of Fest and Outstanding Achievement Award films will be presented by The Broad Stage in a unique drive-in experience showcasing the very best dance films from around the world on the big screen with two different programs on Saturday, January 30, 2021 and Sunday, January 31, 2021 outdoors at the Santa Monica College Bundy Campus – East Parking Lot. Each film will make its world, United States and/or Los Angeles premiere.


Film Beast | Image courtesy of Dance Camera West at The Broad Stage

Award winners Henrique Pina and Adi Halfin’s films will be shown in Program A and B. Directed by Henrique Pina of Portugal, Beast portrays an encounter between the choreographer Victor Hugo Pontes and Braga Municipal Stadium, by the architect Eduardo Souto de Moura. Order and disorder. Men and beasts in flocks. Wild conquest among mute roars. Concrete and stone. Light and shadow. Color. Immensity and vertigo. Hooray! Hooray! Hooray! Chrysalis. The hatching of beasts. Pina also directed Dusk, which portrays an encounter between the choreographer Olga Roriz and Mudas of Portugal – Contemporary Art Museum, in Madeira island, by the architect Paulo David. Horizon. Sea. Sky. Rock over the sea. A spiraling run from an interior to an exterior. A body thrown into the space. The quest’s anxiety.


Film Earth Odyssey | Image courtesy of Dance Camera West at The Broad Stage

Directed by Adi Halfin of Germany, Earth Odyssey was made by dancers from different continents filming themselves in their confinement with their personal phones and computers. It was made in the first week of April 2020 while almost two billion people around the globe were unable to move freely due to the restrictions imposed in an attempt to prevent the spread of the coronavirus. Following Earth Odyssey, Halfin’s vision for Lost Horse was another creative solution for a period where it is virtually impossible to create international collaborations due to the restrictions as a result of the global pandemic. The director decided to go with the flow and have the dancers film themselves. Mixing their dance into a documentation of their personal life. Armed with their own camera, modern dance power-couple Bobbi Jene Smith and Or Schraiber set about documenting their intimate daily lives in a new genre of “Musical” style documentary. Mixing improvised choreography driven by their immediate emotions with the relentless, never-stopping rolling of the camera, the two created an abundance of scenes reflecting the many aspects of a relationship full of multitudes. A life full of beginnings and endings coexisting in us all. The music featured in both films was written, composed and performed by Asaf Avidan.


Film The Circadian Cycle | Image courtesy of Dance Camera West at The Broad Stage 

The films of the Best of the Fest winners, Robbie Synge and Garry Stewart, will be featured in Program B. Directed and choreographed by Robbie Synge of the United Kingdom, Forest Floor was shot in Abernethy Forest in The Cairngorms. Forest Floor considers different bodies and physical access challenges in a rural location. Close friends Julie and Robbie sit quietly together on the ground, a simple idea requiring a novel approach. Garry Stewart of Australia conceived and directed the short film, The Circadian Cycle, with cinematography from renowned director and filmmaker Cordelia Beresford. Filmed within the stunning South Australian landscape, The Circadian Cycle draws upon choreography from Australian Dance Theatre’s award winning mainstage work The Beginning of Nature. Using the dancing body as a metaphor, The Circadian Cycle examines morphology, biological rhythm and animal behavior. The film charts a day from sunrise to evening, moving through cycles of nature, from nascence and awakening to predation and death.

Program A showtimes are Saturday, Jan. 30 at 5:30 p.m. and Sunday, Jan. 31 at 8 p.m. Program B showtimes are Saturday, Jan. 30 at 8 p.m. and Sunday, Jan. 31 at 5:30 p.m.

For information and tickets visit thebroadstage.org/dancecamerawest

The Broad Stage is led by Rob Bailis, Artistic and Executive Director. Dance Camera West is led by Kelly Hargraves, Executive Director and Artistic Director.

Finishing Fund Grant for Underrepresented Artists

Dance Camera West (DCW) has awarded Los Angeles-based artists Marquesa Gardner (Miss Prissy) for Thy Queendom Come and Austyn Rich for Stay Sane a finishing grant award of $1,000 to re-conceptualize, reshoot or re-edit their recent films made during BLM movement and COVID quarantines. The filmmakers will also be partnered with a BIPOC mentor through their process.

Since 2000, Dance Camera West has connected diverse cultures and environments through its exploration of dance on screen, bringing thousands of entertaining, challenging and provocative films to Los Angeles from around the globe, effectively bridging the gap between the uniquely influential Los Angeles film community and the significant local dance populace.

Dance Camera West aims to foster groundbreaking talent and to encourage new work in the area of dance film by supporting creation, presentation and distribution of films. DCW presents an annual international festival held at renowned arts venues throughout Los Angeles, and informative and educational events throughout the year, to bring dance to the world beyond the stage and through the language of film.

The films include (partial list):
D = Director, C = Choreographer

 

Program A

Sat, Jan. 30, 2021 at 5:30 p.m.
Sun, Jan. 31, 2021 at 8 p.m.

  • Sedimented Here (D/C: Rachel Barker, United States)
  • Traces (D/C: Alex Murrull, Spain)
  • 4 (D: Mariana Palacios, C: Adrián del Arroyo, Sweden)
  • Earth Odyssey (D: Adi Halfin, C: Dancers, Germany; Music written, composed and performed by Asaf Avidan)
  • Beast (D: Henrique Pina, C: Victor Hugo Pontes, Portugal)
  • Liminality (D: Jennifer Akalina Petuch, D/C: Annali Rose, United States)
  • Where The Spiders Live (D: Holger Mohaupt, C: Felix Watts, United Kingdom)
  • Escape (D/C: Heidi Duckler, also lists Filmmaker: Felipe Díaz Galarce, United States)

Film  Dusk | Image courtesy of Dance Camera West at The Broad Stage via www.nohoartsdistrict.com
Film Dusk | Image courtesy of Dance Camera West at The Broad Stage 

Program B

Sat, Jan. 30, 2021 at 8 p.m.
Sun, Jan. 31, 2021 at 5:30 p.m.

  • Dusk (D: Henrique Pina, C: Olga Roriz, Portugal)
  • ID (D/C: Cass Mortimer Eipper, Australia)
  • Forest Floor (D/C: Robbie Synge, United Kingdom)
  • Second Seed (D/C: Baye & Asa, United States)
  • Lost Horse (D: Adi Halfin, C: Bobbi Jene Smith, Or Schraiber, Germany; Music written, composed and performed by Asaf Avidan)
  • The King (D/C: Jonathan Redavid, United States)
  • Being (D: Pablo Destito and Agustina Videla, C: Agustina Videla, Argentina)
  • The Circadian Cycle (D/C: Garry Stewart, Australia)

The films range from dance in wide open landscapes to those sheltering in place at home, all reflecting the times we are experiencing with COVID-19. It is a way to experience the outdoors in new ways and from different vantage points. It is a welcome to inside the artist’s experience of confinement.

Location & Pricing:

These programs will take place in person at the Santa Monica College Bundy Campus – East Parking Lot, 3171 S Bundy Dr at Airport (between Ocean Park Blvd. and Palms) Los Angeles, CA 90066). All guests will have required safety COVID-19 protocols (including masks and distancing). Each program is expected to have a 65-minute runtime.

Both programs are screened each evening. Single program tickets are priced at $45 per car (unlimited passengers); a $80 Premium Pass includes both programs for a single car plus the complete 2021 Dance Camera West Digital Festival Collection, which includes a set of 40+ films, sent to ticketholders in February. There will be a limited number of $10 student tickets with appropriate identification. Venue and processing fees apply.

Please note: The films are recommended for ages 10 and up.

Dance Camera West Drive-In Best of the Festival

Dates:  

Saturday, Jan. 30, 2021 – Program A at 5:30 p.m.
and Program B at 8:00 p.m.
Sunday, Jan. 31, 2021 – Program B at 5:30 p.m.
and Program A at 8:00 p.m.

The gates open one hour prior to the start of each program, and there will be no late entry or parking after the program has begun.

Admission:

  • Single screening tickets are priced at $45 per car (no passenger limit)
  • An $80 PREMIUM PASS includes both programs for a single car (option of both programs in one night or over two nights) plus the 2021 DCW Digital Festival Collection featuring 40+ films, sent by email to ticketholders in February.
  • There will be a limited number of $10 student tickets with appropriate identification.
  • Processing and venue fees apply.

Tickets: thebroadstage.org/dancecamerawest

Information:

Patron Services 310.434.3200 or patronservices@thebroadstage.org

Where:

Santa Monica College Bundy Campus – East Parking Lot, 3171 S Bundy Dr
Parking location is available on a first come, first served basis and upon completion of the program, cars must exit the lot immediately.

COVID Protocol: 

All guests will have required safety COVID-19 protocols (including masksand distancing). Each program is expected to have a 65-minute runtime.

Dance Camera West recommends these programs for ages 10 and up.

More About Dance Camera West:

2018-2019 was a rebuilding period for DCW, with a new Executive Director and Artistic Director Kelly Hargraves, new Board of Directors, new staff and a concentration on rebranding and rebuilding. The festival hired designers and producers to create a new website and graphic identity, and developed a robust film program.

The 2019 annual festival was replaced by historic screenings celebrating the centenary of Merce Cunningham, while the 2020 was concentrated into one 4 day event into one location, to create a strong singular voice for the festival.

DCW created an online version of the 2020 festival to replace postponed touring opportunities, cancelled due to the COVID-19 global health crisis. In 2020 DCW increased the number of film submissions to a record setting 325 from around the world, and present a diverse selection of 50+ films from over 40 countries.

Kelly Hargraves is a dance film creator and curator from Canada who currently lives in Los Angeles. In September 2018 she was named the Executive and Artistic Director of Dance Camera West, after co-founding the Los Angeles festival of dance film in 2001.

She danced independently in Montréal and New York and was a member of PoMo CoMo (Postmodern Commotion), an artist and scientist collection. Kelly has directed several dance films that are shown internationally.  She has travelled as an guest lecturer, panel speaker and jury member at Universities in Canada and the US (Cal State Dominquez Hills, CalArts, Bakersfield College, University of Texas, Rensselaer PolyTech, Concordia University, Montréal), and has been invited to international festivals including ScreenDance Winnipeg, Manitoba, Cinedanse Festival, Montréal, SHOOT Dance for Screen Festival, Stockholm, Dance on Camera Festival, Lincoln Center Film Society, Festival VideoDanza, Buenos Aires, Dance for Camera Workshop -Victoria BC, American Dance Festival, Screen Dance Conference, National Arts Critics Association Conference, Moving Pictures Festival Toronto, and multiple times to the Dance on Camera Festival at Lincoln Center in New York.

Hargraves has been a board member of the Silver Lake Film Festival and the Downtown Los Angeles Film Festival. Through her work with the country’s indie film distributors such as First Run Features, Film Movement, Icarus Film, Kelly has represented a diversity of artists, such as Michael Apted, Lizzie Borden, Cheryl Dunye, Barbara Kopple, Ross McElwee, Monika Truet, Robert Rosenberg and Wayne Wang, amongst many more. She has been a dance reviewer for Eye Spy LA, Dance Insider, Ballet–Tanz International, Dance on Camera News, Danceonline.com, Campus Circle Magazine, Cover Magazine, and Dance Connection Magazine.

Kelly has a Masters in Dance Film from NYU (with a concentration in Dance and Film History), an Honours BFA in Contemporary Dance from Concordia University and an Honours BA in Communication Studies (with a Minor in Theater History) from the University of Windsor.

The Broad Stage gathers artists, thinkers and audiences to celebrate our shared humanity and expand the role the arts play in the vitality of our diverse community. As a presenter and producer of performing arts affiliated with Santa Monica College, The Broad Stage brings a bold array of renowned local, national and international artists across dance, theatre, humanities, classical, jazz and popular music, to the Westside of Los Angeles each year. In addition, our immersive Education & Community programs serve thousands of schoolchildren and families, and provide ongoing opportunities for SMC students and faculty to directly engage with the art and artists.

The Broad Stage primarily utilizes the state-of-the-art venues at Santa Monica College Performing Arts Center including The Eli & Edythe Broad Stage main stage, The Edye Second Space and The East Wing, and also increasingly brings a variety of site-specific work and community programs to spaces across the Westside. The Eli and Edythe Broad Stage main stage is unlike any performance space in the country; it is sublimely intimate with just over 500 seats yet strikingly grand in its feel, boasting one of the city’s largest proscenium stages. The 100-seat black box Edye Second Space and the versatile East Wing are adaptable performing spaces allowing for a wide variety of artists and experiences.

Effective Ways to Support Learning Differences in Digital Lessons

Developments in technology have led to a paradigm shift in the education sector. Many learners have joined online courses for various reasons. While online learning has provided learners a chance to continue education, students with learning differences face various difficulties.

Identifying Learning Differences In Digital Classrooms

Learning differences refer to the different ways in which students learn and analyze concepts. These differences exist both in traditional learning settings and in digital classrooms. Teachers must identify these differences as they influence a learner’s ability to excel in learning. Online educators encounter learning differences brought about by various factors, including:

  • Learning disabilities: These occur from birth and include disorders like autism, dyslexia, hearing impairment, etc., which slow down the learning process.
  • English as a second language: Non-native speakers may have a harder time learning content in English.
  • Social-economic background: Learners from poor backgrounds may not complete courses for various reasons like lack of school fees.
  • Limited resources: Factors like poor internet connection and limited access to modern learning gadgets may slow down students’ academic progress.

These groups of learners need special attention, and teachers can make some provisions to make their learning easier. While there is no single solution, these considerations can address learning differences and make learning more rewarding, both for teachers and their students.

Set Goals for the Lessons

One reliable way to set the ball rolling is to introduce the learning goals at the beginning of every lesson. Checkboxes are one way to achieve this. When learners know what the teacher expects for each lesson, they can focus on the specifics and gauge their progress. Based on these goals, teachers can create assignments to establish their learner’s weak points and work at addressing them.

Favorable Presentation

Presentation is a crucial element of the learning process and can make a big difference, especially where learning differences exist. There are various ways to address learning differences using the presentation, and some are as highlighted below:

  • Spacing

Good text spacing prevents course material from appearing as monotonous blocks of notes, affecting learners’ concentration span. Well-spaced notes are also easier to comprehend.

  • Font size

The font used in the coursework needs to be large enough for all learners to see without straining their eyes. 

  • Font Color

Color affects learning due to its powerful role in the audiovisual process that learning relies on. Colors such as green are friendly to the eyes and good complementation to the font.

  • Visual Aids

Visual aids like images help learners understand learning material better and help address learning differences. 

Provide Clear Notes Before Lessons

In the absence of notes, many learners are tempted to take notes during the lesson. Writing may distract them, and one way to ensure concentration is by availing notes before the online class session. Learners who can access notes before the lessons can try to understand the material for a better chance at retention during class. Besides, they identify complex ideas and get a chance to ask their teachers questions, allowing them to better understand the concepts.

Incorporate Transcripts or Video Captions

Nowadays, there are tons of useful online learning resources, including provisions for transcripts and video captions. These tools are friendly and allow students with learning problems to get an accurate presentation of the material. They help bridge differences in accents between learners and their teachers. Also, they allow learners with a hearing impairment to achieve their learning ambitions without discrimination.

Use Interaction Tools

Various online interaction tools improve the learning process by providing a communication channel. For example, live widgets allow teachers to check how their students work on activities and provide an opportunity for real-time communication. When a particular student is not paying attention or cannot proceed, their activities are blank, allowing their teachers to establish the problem and fix it.

Allow Blended Learning

While digital classrooms have taken the world by storm, learners need some physical encounters for better learning. When students attend a physical class, they learn from their peers and get first-hand information from their teachers. It is much easier for teachers to solve a learning problem when they meet their learners face to face than across a computer screen.

Allow Enough Time for Assignments

Assignments help teachers establish problem areas in the course material. However, students need adequate time to prepare and submit assignments. Rushed assignments may not offer an accurate presentation of learners’ progress. Also, learners with learning differences may need more time to complete assignments. Teachers can also encourage learners to compare papers provided by writing companies like DoMyEssay.

Provide Flexible Lessons

As a result of the various learning differences, teachers need to create flexible lessons to ensure all willing learners can excel. For instance, learners who have full-time jobs but are willing to study over the weekend can have a special weekend program. 

All learners deserve a fair chance at education, and there is a need for learning institutions to make learning easier on online platforms. These measures can help ensure students get the most out of their digital learning experience.

What Are the Most Popular Genres For Online Games?

What Are the Most Popular Genres For Online Games?

If you have ever played online games before, you will probably be aware of just how many different kinds of genres there are. It doesn’t matter if you are playing free or paid games, there is something for everyone and developers of these games are always getting more and more creative in their designs. 

With that in mind, we thought we would look at some of the most popular genres for online games that you might have come across before. Read on to find out more.

Shooter Games

First person shooter games are some of the most popular games that you’ll find online. Additionally, these kinds of games appear regularly on the most popular games consoles around the world. The shooter genre is typically for over 18’s due to the violence and references to wars in many cases. Typically, the player will have a set of guns and will need to dispose of the enemy. These games also work well with multiple players and this is why they are so popular. 

Games of Luck

Have you ever tried a game of luck? These games are very popular as a genre and appear at many sites across the internet. For example, at NetBet slots, you can enjoy games that involve random number generators to determine the result. Other games that focus on luck also include dice games or traditional games like poker that are usually played in person. 

Adventure Games

Another really popular genre for video games is adventure. These allow the player to drop into a whole new place and meet some characters along the way. Adventure games usually come with a set of achievements that can be unlocked as the player progresses through the game. Some of the most popular video games ever are adventure based. 

Brainteasers

 For many years, adults around the world have enjoyed brainteasers such as sudoku or crosswords but have you ever tried these online? These games are often free and can be easy to play if you haven’t got much experience in online gaming. Brainteasers might not sound very entertaining to those who enjoy adventure games, but this genre remains popular online. 

Sports Games

Finally, you’ll find that the sports genre is extremely popular when it comes to online gaming. Many free and paid games are focused on popular sports like football, basketball and even tennis. Players can immerse themselves in their favourite sport and have fun even in a multiplayer setting. The sports genre has been around for a long time and we don’t expect it to go anywhere any time soon.

Try These Genres

These genres are all extremely popular with players around the world. If you haven’t yet tried out any of these popular genres, make sure to consider them in the future. Whether you enjoy free or paid games, you’ll find something that suits. Each year, new and exciting games are released for you to enjoy.

NoHo BID 2020 Update

Do You Know the NoHo BID?

The NoHo Arts District is an arts district because of the 20+ theatres, dance studios, recording studios and the many folks who create art. It stays an arts district because of these performing and visual artists. But there is one group that has helped to #KeepNoHoArtsy (and clean and safe) for more than 10 years – the NoHo Business Improvement District.

“Having the NoHo BID in place is a tremendous resource for the NoHo Arts District community, says Aaron Aulenta, managing director of the NoHo BID. “By providing Safety, Clean, and Marketing services above and beyond what the City of LA provides, the NoHo BID helps to enhance the user experience in NoHo. This can be seen from the all-new businesses and investment continuing to come into the Arts District. Not all commercial districts have a BID, giving the NoHo Arts District and its stakeholders an advantage over the many destinations in Los Angeles.”

So what is a Business Improvement District?

A Business Improvement District or BID is a geographically defined area within the City of Los Angeles, in which services, activities and programs are paid for through a special assessment to property owners. BIDs provide enhanced programs and services, above and beyond what the City of Los Angeles provides. The NoHo BID, established in 2007, primarily provides Clean and Safe services in the form of a Safety Ambassador team and Sidewalk maintenance services in the form of a Clean Team. A smaller amount of the budget is allocated to Marketing and Communication services. The NoHo BID recently renewed for another 5-year term beginning in 2020.

We chatted with NoHo BID managing director Aaron Aulenta and safety ambassador captain Juan Arana about the BID statistics and updates.

Safety Ambassador 2020 stats:

Hotline Calls Received- 1,818
Property Patrol Checks- 5,372
Homeless Contacts- 1,166

Clean Team 2020 stats:

Trash Bags collected- 11,747
Graffiti Tags removed- 1,463
Bulky Items picked up- 1,805
Pressure Wash hours- 95

Securitas is the vendor for the Safety Ambassador team and Chrysalis Enterprises is the vendor for the Clean Team.

Thoughts on the Al Fresco outdoor dining program and its future?

When outdoor dining was allowed by L.A. County, LADOT’s Al Fresco program had a huge impact on the restaurants in the district and helped them stay afloat. Without the program, many of the arts district’s restaurants would have continued to struggle. The program was a bright spot in what was a really tough year. A huge thank you to Council District 2 for everything they did in bringing the program to North Hollywood and expanding it beyond Magnolia.

In terms of the future of the Al Fresco program, I’d love to see it continue once the county restrictions are lifted and to become a permanent fixture in the arts district and around Los Angeles. Lots of cities around Southern California and throughout the Country have utilized parklets or curb cafes pre-pandemic and it makes good sense for the City of L.A. to consider it post-pandemic.

Why does NoHo need a BID?

The short answer is because the arts district would look and feel much different than it does today. The enhanced services the BID provides with its Clean, Safe, and Marketing programs gives the arts district an advantage over other commercial areas that don’t have a BID. If you travel a block or two outside the NoHo BID area you’ll notice a difference in the level of service in regards to trash, sidewalks, graffiti and safety.

What are the benefits to property owners and the community overall?

The BID and its programs are an investment by property owners that not only make the area cleaner and safer, but also attract new investment, businesses and residents. Having a BID in place gives the area an extra level of attention and care beyond what the City of L.A. provides. The BID maintains a Clean and Safe Hotline that property owners, business owners, and the community can call to report issues and receive a quick response at .

What do BID Ambassadors do?

We asked Juan Arana, who has been A NoHo BID Ambassador for 10 years and was promoted two years ago to captain of the Ambassadors team. Many local residents and businesses know the NoHo BID Ambassadors as the NoHo yellow-shirt bike patrol. Juan tells us that the Ambassadors are there to help local businesses and residents. Each day is different but routinely Ambassadors interact with merchants, help a person in need across a busy street, give directions to a new community member, or perform property patrol checks. The NoHo BID Ambassadors act as the arts district’s eyes on the street. They work closely with LAPD’s Community Relations Department at North Hollywood Division. Please note that the Ambassadors are NOT the police. If you see a person with a gun or knife, please call the police not the NoHo BID.

NoHo BID | NoHo BID Hotline: (818) 761-8230

Kristin Posehn | Artist Spotlight

Internationally educated and locally based, Kristin Posehn blends quantitative tech, architecture, and organic structure to revive LA’s understanding of both street art and standard fare aesthetic.

Posehn’s unlimited talent extends from the canvas away from murals and residencies, and into sculpture, artbooks, and large-scale installations in unusual environments. With an impressive pedigree, Posehn virtually sat with NoHo Arts District to share a Q&A session.

Q:         How long have you been an artist? What has been your professional trajectory/arc?

A:         I did an MA and PhD in Sculpture at the Winchester School of Art in England, and after that a two-year research and production residency at the Van Eyck in the Netherlands. I’m really grateful for that background – I was able to see how different art histories operate in different regions, and have a bit of perspective outside of any one system.

Q:         How has your practice changed over time?

A:         When I began, I wanted to study and observe as closely as possible the built world and environment exactly as it is. All around us there are secrets hiding in plain sight. 

I made works that reproduced architectural structures, buildings, and parts of buildings. The fascinating thing is that reproduction becomes something else, something new beyond the thing to which it refers. 

Over time, this transformative process has become more interesting to me than adhering to a source.

Q:         What media do you use to create your art? What process do you use to create your art?

A:         As an idea percolates, it shows you how it needs to be made. The choice of media and process is a kind of dialogue between the ideas and the constraints of my situation at that time. I have a technical side, so it is great fun to fuse a vision with engineering in a way that feels seamless.

Q:         What is your inspiration? Who has been an inspiration to you personally and professionally?

A:         Inspiration is a spring coming from every direction. I love reading obscure magazines, diaries, interviews, old ArtForums, experimental novels, art books of all sorts, and books that random people in coffee shops recommend. It’s more fun to be permeable and look at things I’d never get to on my own. And I revere so many artworks and artists. It’s this ongoing, daily kind of mining.

Q;         What message do you hope your audience imparts from your work?

A:         Art is more like a question one lives. I hope that seeing my work is in some way a living experience, generative and open. 

There’s this great line in the diaries of Witold Gombrowicz, Literature consists not of writing what one has to say, but of something completely unexpected.

Q:         What is life like as an artist?

A:         Always changing.

Q:         What has been an artistic challenge you have faced and how did you overcome this?

A:         Each work offers a new challenge, it’s part of the process. I’ve tried to say, “I’m never going to do something that difficult again,” then a year later I do. 

Making something new forces me to change. Maybe that’s the root of the difficulty, and there has to be a challenge to make that happen. Sometimes it’s just a hard slog and long nights. But all kinds of wonderful moments can happen, against the grain of normal reality.

Q:         What project or piece of work have you been most proud of to date?

A:         That would be like picking a kid. But they’re all rambunctious and full of mischief. This year it’s been super fun to do a mural here in LA called Manic Castle Hash. The work plays on the phenomena of skyscrapers reflecting into skyscrapers and hashing.

Q:         What is your dream project?

A:         I would love to expand the scope of my architectural sculpture into a kind of language where buildings are like dreams.

Los Angeles is fortunate to call Posehn one of our own, but we’re dually grateful she returned from her overseas tenure to dig into the creative community here in LA again.

One Night in Miami; Sylvie’s Love

It’s February 1964 and Cassius Clay has just won a title bout against Sonny Liston in Miami. Clay is young, boisterous, arrogant, he’s on top of the world, and he just wants to party. As do singer Sam Cooke, also in his prime; Jim Brown, pro athlete contemplating making the move to movies; and Malcolm X, the rising civil rights activist and the Nation of Islam’s most prominent member—only he’s considering leaving the Nation. And in the entertaining, thought provoking, and finally stirring One Night in Miami, these four Black superstars spend the night together in Malcolm X’s hotel “suite” (characterized by Cooke as a dump and a far cry from the Fontainebleau—where Cooke is staying) alternately exchanging confidences, accusations, gestures of affection, and expressions of discontent. Now to be clear, this is a fictional depiction of what happened when these legends got to spend some time together but, as directed by Regina King and written by Kemp Powers (from his play), if this isn’t how it happened, it certainly seems the ‘way it oughtta be.”

There’s plenty to like and admire about One Night in Miami, one thing being that even though this is an adaptation of a play, it doesn’t feel like a “filmed stage play.” The camerawork is fluid, the cinematography and costumes evocative of the era, there has been some “opening up” that doesn’t seem obvious, and the performances achieve a level of naturalness and intimacy that transcend the theatrical origins. The opening sequence that introduces us to the major players is both effective and compact—each segment introducing us not only to the stature of the individuals but their emotional states. Each is considering some sort of change—and Malcolm X is nothing if not quietly relentless in getting them to consider not only their power, but how they have (or have not) used their power to benefit their race. (Malcolm has a hidden agenda too but I’ll let the viewer find that out.) In this telling, the one most profoundly affected (and defensive) is Sam Cooke, who points out that his success (and his employment of other blacks) sets a clear example to his fellow Blacks—however he is conscious of those who have overtly fought for Civil Rights, and regretful that he hasn’t composed an anthem for the cause. The four central actors are pitch-perfect: Kingsley Ben-Adir is a probing, anxious Malcolm X; Eli Goree captures the playful, boisterous, taunting and occasionally innocent Cassius Clay; Aldia Hodge makes a smooth, quietly assured, pensive and pragmatic Jim Brown.; finally, Leslie Odom Jr. is exceptional as Cooke and has both the acting chops to convey Cooke’s inner conflict and the vocal chops to display Cooke’s musical magnetism. And while this may not be history, One Night in Miami works as an insightful look at an era and four prominent figures grappling with the nature and responsibility of power. You can see it on Amazon Prime and it’s well worth your time.

Another Amazon Prime winner (and I’m happy to point this out after having spent so much time around Netflix) is Sylvie’s Love, an earnest and lush throwback to 1950s romantic melodramas (think Douglas Sirk if you will), with a cast of primarily Black actors (led by the winning pairing of Tessa Thompson and Nnamdi Asomugha) and an affecting love story at the core. Though certain challenging aspects of race are present in this drama, the main obstacles here are the eternal conflict between love and career—and a shift in musical tastes.  Tessa Thompson’s Sylvie “works” in her parents’ record store and is engaged to a prosperous Black businessman—nevertheless falls (in a big way) for Robert (Nnamdi Asomugha), a talented jazz saxophonist marking time working in the record store while waiting for his big break. When that arrives (in the form of a profitable gig in Paris), everyone has some hard choices and possible sacrifices to make. While some of the plot developments strain credulity at times (and at certain points you just ache for the characters to say the one thing that will alleviate their mutual suffering), the actors are appealing—as with a Douglas Sirk melodrama, you root for these characters to overcome the difficulties presented by changing times and growing self-awareness. There are more than a few magical moments—mainly comprising the couple’s growing love (exemplified by their frustrated attempts to dance together.) Eugene Ashe both wrote and directed, and aided by the gorgeous cinematography, a lilting score (including some Nancy Wilson and Doris Day standards), and a topflight cast, he has created one of the more poignant and romantic dramas in recent memory.

Nonviolenze “Mirror” Release

This is a new single release and music video from Shri Baratan, whose musical moniker is Nonviolenze.

Taken from his latest album, “Ghost of War,” “Mirror” has a really vivid and unusual sound – eery and compelling.

It’s kind of romantic in a strange, melancholy way.  All acoustic and beautifully played guitar and poetically delivered, haunting vocals.  There’s a lot of dissonance, mixed metaphors of sound and words.  It twists and turns, sometimes pretty, the next moment off kilter and obtuse.  There a pattern of chaos in a way. A repetition of operatic opposites.

If you like Jethro Tull and Al Jarreau then Nonviolenze is probably a perfect addition to your rotation.  The music is both clever and impolite, complex and gorgeously produced, edgy and classical…obviously very hard to define, which is maybe his point.

Once in a while it’s a good idea to try listening to the inside of someone else’s head. I think “Mirror” is exactly that.  A clearly accomplished musician and a thoughtful and purposeful writer showing you something of himself…bravely different, honestly out there.  Bravo for fearlessly expanding our minds a little in a deceptively melodious way.

Stream “Ghosts of War” on Spotify. https://open.spotify.com/artist/3ioMRsz9KwB4EHMs5ZPxZr

More Info:

Artist Name: Nonviolenze

Location: Houston, TX, USA

Release Title: Ghosts of War (Album)

Release Date: Oct 16th, 2020

Label: Independent/Ahimsa Creations LLC

Musician Names/Instruments: Shri Baratan, Acoustic Guitar, Electric Guitar, Lead vocals, harmonies,

Producer Name(s): Shri Baratan

Websites:

Official Website: www.nonviolenze.com

Facebook: https://www.facebook.com/nonviolenze

Twitter: https://twitter.com/nonviolenze

Instagram: https://www.instagram.com/nonviolenze/

Spotify: https://open.spotify.com/artist/3ioMRsz9KwB4EHMs5ZPxZr

Youtube Channel: https://www.youtube.com/channel/UCoFr6g6DDw

1st Base Runner “All Thoughts” Single Release

Mournful 80s electronica from Texas-based indie artist Tim Husmann‘s immersive new project, 1st Base Runner.

“All Thoughts” is the first single off his upcoming album, “Seven Years of Silence.” It’s an echoing pulsing whispering sound, vibrating with sorrow and regret. Gorgeous vintage synth sounds coaxing and curling gently while the song repeats and repeats. “All Thoughts” is really beautiful, in that aching, gothic pop way.

Husmann is a musical master, with many collaborations over the years and multiple histories to pull from, he creates something that seems to have been always there. A deep connective and resonating breath of honesty. As he says, “It was something that had to be made.”

I love music that has presence, weight, a life made simply by pressing ‘record.’ This song is like that. It feels familiar, but not in the sense that you have heard it before, in the sense that you have always known it. Gentle, poignant and meaningful. The simple lyrics bely its complexity. If feels like a chant, a meditation, a prayer….I absolutely love it.

Looking forward to the album release in April.

Listen to “All Thoughts” on Bandcamp and  Spotify.

More Info:
Artist Name: 1st Base Runner
Location: Austin, TX
Release Title: seven years of silence Release Date: April 8th or 28th (pending)
Label: Independent
Musician Names/Instruments: Tim Husmann – All instruments & vocals
Producer Name(s): Tim Husmann Mixing Engineer: Colin Bricker at Mighty Find Productions in Denver, CO
Mastering: Greg Calbi at Sterling Sound in Edgewater, NJ

Websites:
Official Website: http://1stbaserunner.com
Webmaster: Matthew Woodard
Facebook: @1stbaserunnermusic
Twitter: @1stbaserunner
Instagram: @1stbaserunner
Spotify: spotify:artist:0jzKeH02qsk8L6hV11008E
Bandcamp: https://1stbaserunner.bandcamp.com
Soundcloud: https://soundcloud.com/1stbaserunner
Youtube Channel: https://www.youtube.com/channel/UCckNT6sSxyFpHmYtPL-GbbA
Artist Contact Email: 1stbaserunner@gmail.com
Booking/Management: L.G. Conway souvenirpromotions@gmail.com
Photography: Adrian Whipp, Lumiere Tintypes http://lumieretintype.com
Art and Branding: Matt Needle https://www.mattneedle.co.uk

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.