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The Whitefire Solofest 2020 Presents: “Soul Trek: A Sci-Fi Journey Toward Wholeness”

Written and Performed by Margaret Mendenhall. Directed by Christi Pedigo

Another brilliant solofest solo show. “Soul Trek: A Sci-Fi Journey Toward Wholeness” is a peak inside the fascinating and hilariously sweet mind of its writer and performer, Margaret Mendenhall. 

The story is set in a therapists office, Margaret’s first appointment.  As she describes the torment of having two powerful voices inside her, Puella and Miss Perfect…pulling her mercilessly from one side of herself to the other, in an attempt to explain herself, she likens her psychosis to Star Trek, the original series of course, much to the bemusement of her therapist…Using storylines  and characters from the original series, Captain Kirk, Spock, Sulu and even a Trible or two…she describes her life, her struggles and her lack of confidence, self empathy and any understanding of just how gorgeously unique and wonderful she really is.  Years of sustained melancholy have brought her to this point and with the audience empathizing all the way, she makes progress, understands herself a little better and forgives herself for losing her way.

It’s a beautifully inventive show filled with the joyful imagination and the irrepressible charm of Ms Mendenhall. 

These disparate voices in her head cause her continual feelings of guilt and lack of confidence, fear and ultimately her deep depression.  Ms Mendenhall finds solace in Star Trek.  She sees herself and her issues within these flamboyant and familiar characters.  The logic of Spock, the passion of Kirk, the anger of Dr McCoy…all sides of the same whole…all perfect examples of our vivid human traits, flaws and failings, frailties ferociousness and fundamental goodness.

Star Trek is the perfect myth. It beguiles us, understands us and celebrates the sometimes insane human condition.  As we watch, we see ourselves, in all our multi colored and multi limbed glory.  To be human is to err.  To be humanoid is to err a lot…MS Mendenhall’s solo piece is a mirror to our humanity.  She gently and lovingly explores our crazy and her sweetness and grace make it seem alright to be a little cooky…better even, than to be boring and perfect.  Far, far better to sing out loud in a supermarket for no apparent reason and to spread joy.

I loved this show.  Ms Mendenhall is effortlessly funny, warm, soulful, insightful, playful and true.  She capers and hams it up, she shyly opens to us as she braves the world and all its flaws and she does so very, very entertainingly.  Life’s too short to be taken seriously…especially when everything is so very serious – like right now. 

I think we should all be like Ms Mendenhall for a while and ‘be’ Star Trek. We certainly have the time!

4 Simple Bedroom Redesign Tips

Does the décor or lack thereof in your bedroom feel uninspired, dated, void of any flow, and just not very inviting?

Do you hear about others that create a sanctuary-like feeling in their bedroom that is meant to encourage rest and relaxation and wonder how in the world they achieved that? If design isn’t really your strong point, then it can seem intimidating to take on a bedroom décor project, but here’s the thing – there are tips you can use that can make the process pretty straightforward.

Redesigning your bedroom to feel more modern, relaxing, and welcoming doesn’t have to be overly involved; in fact, you can get it done in a weekend if you put your mind to it. So, here’s a look at four simple bedroom redesign tips that will allow you to create a beautiful space that looks like it is straight out of a magazine.

Start with a Fresh Coat of Paint

Often the best and simplest way to get started is with a fresh coat of paint. The color you choose will dictate the color palette in the room in terms of linens, furniture, light fixtures, and décor pieces. The paint will anchor it all and create that flow and cohesion that a good design requires.

When it comes to the best color to paint a bedroom, you’ve got a couple of routes you can go down; you can choose something soft, soothing, and natural such as a neutral color palette (soft colors like dove gray, soft taupe, light brown, etc.); or you may choose a bold color. If you’re on the fence, you could always do one accent wall and then choose something neutral and soft for the other walls.

Invest in New Furniture

If you’re ready to make a larger and more impactful change (and the budget allows), then investing in all new bedroom furniture is the way to go. This will completely transform the space and create a whole new atmosphere. This is also a chance to change the size and placement of the furniture. For example, if you’ve got a smaller sized bedroom, opt for sleek designs that don’t feel as overpowering in the room.

And while you’re purchasing new furniture, this is also a great time to invest in a new mattress for the new bedframe. Not only will it look great, but you’ll be able to benefit from a fabulous night’s sleep. You’ll want to check this before buying a new mattress, as it will help you narrow down your options and find the perfect one for your needs.

Update Your Light Fixtures

Here’s a design tip that many people end up overlooking, and yet it can have a huge impact on the room – go ahead and replace those old dated light fixtures with new modern options. Some choose an elegant chandelier style, others like the more traditional and understated domed light, while others like the idea of multiple types of lighting, combining wall sconces, floor lamps, and overhead lights all in one space.

Go All Out with the Linens

When it comes to the décor items worth splurging on, linens are top of the list. Not only will they look luxurious and high-end in your bedroom, but they are also incredibly cozy to cuddle up with. It’s also a fun way to add interest to the room as you can mix and match colors, textures, and fabrics.

A Lovely and Stylish Space

Thanks to these tips, there’s no reason to feel uninspired by your bedroom décor ever again, as they can help you achieve a lovely and stylish space with just a few simple changes.

Free to Restaurants – Submit Your Delivery Service Info

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Are you doing delivery/take out service during the Corona Virus closures?

With our 20+ theatres and six dance studios closed, our neighborhood’s restaurant and bar traffic has been harmed, not to mention the livelihood of our arts community. But now with the forced closure of restaurants and bars, we need to work together to help spread the word that our NoHo establishments are open for delivery/take out service.

Even if you are not a member of www.nohoartsdistrict.com, we want to help keep our district thriving and let our 340,000 monthly visitors, 30,000 social media followers and 10,000 email subscribers know that you may be closed but you’re still delivering or are open for take out.

DEADLINE: 5PM, Thursday, March 19, 2020.

Here’s what we are going to do – all free!

  1. We will post the delivery/take out list on the front page of www.nohoartsdistrict.com

  2. We will share the deliver/take out list on Facebook, Twitter and Instagram

  3. We will send a dedicated email blast on Friday, March 20

A word of encouragement. 

We are the NoHo Arts District – a one-square mile community with 20 theatres, six dance studios, countless recording studios and creative businesses. We haven’t fought to maintain North Hollywood as an arts district for the last 20 years without having resilience. We all are supposed to work hand in hand to keep our neighborhood the eclectic, creative performing arts destination that attracted you in the first place. Together we can help #KeepNoHoArtsy.

 – Nancy, Lisa and Sam
The family run www.nohoartsdistrict.com team 

Please fill out our form so we can help get the word out!

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How can the walk become a job?

Everyone says dogs need a job and they’ll be less stressed, reactive and over stimulated…but what does that even mean?

I’ve known lots of dogs with jobs and they still do all of those unwanted behaviors.

The difference comes when you have more influence over their decisions. That’s the secret. I think sometimes we struggle saying those things out loud and trainers try to find gentler ways to say things, but they aren’t being clear. Bottom line, when your dog has a job that involves you, it creates focus, a bond, impulse control, an outlet and those are all things that make it easier for your dog to listen to you in situations where they are emotional and stressed. Basically, it gives you more influence over their behavior, good or bad.

For anyone wondering what I mean by structured, it means when your dog is next to you on a loose leash. They only potty, change direction and move away from you to smell something with permission from you.

Let me just answer a simple question; How is a structured walk a “job” for my dog?

A structured walk is where you can really bond with your dog and set a relationship with them. It teaches them to follow your lead and lets them know that outside, things are permission based. This means no jumping on the neighbor, barking at other dogs, pulling your arm out of socket or demanding to potty or sniff in other areas where you can’t get them to move on. Two of the most important reasons is it means no charging ahead on a 6 foot leash and getting hit by a car coming out of an alley or darting at a squirrel, taking you with them or getting away and getting injured. A structured walks reduces the likely hood of these things happening tremendously. The dog is focused on your movements and they are keenly aware they can not just mark the neighbor’s rose bush or chase the squirrel. All of that requires a great deal of mental energy and focus. This is where a structured walk is better and more draining then a run with your dog. It’s not always about the physical, it’s about the mental. Their mind is on a difficult task for the duration of the walk. It becomes a long term challenge for them that changes a little with every walk. That is also why a backpack can be a great additive to your structured walk. It causes many dogs to focus even more. They NEED a job and the walk is one of the best places to start. If you can have a successful and structured walk, so many other things you ask your dog to do (or not do) will come much easier. Plus, they are mentally drained from the work and that is a happy dog.

The other benefit of a structured walk becoming your dog’s job is they see you as their protector rather than the other way around. (don’t worry, there is a balance with dogs that are actually protection dogs I won’t get into, but this is for most of us). Basically, if you are in charge on the walk and your dog is focused on their task, when something comes around that startles them, it is so much easier to tell them that it’s okay by leading/guiding them through it. They actually believe you rather than feeding into their own impulses (in many cases). They might have a sudden reaction, but you can more easily change that reaction and get them out of that mindset because of the leadership you are practicing out on the walk. This gives you leverage over their decisions, while at the same time a task for them to follow for a length of time, activating the working dog part of their brain and satisfying their need for challenges.

This may make you think my dog never gets free time. Definitely not true, don’t worry. Now if I’m working with a difficult case like severe anxiety or reactivity, it’s true there is no freedom for a little while. But within a few weeks or months they start to earn it back and can actually handle the freedom at that point. For most of you, think of it as reward based. Getting to sniff their favorite spot and say hi to the neighbor is all reward based. This is a result of being given permission during their job, which is to walk next to you and follow you. The more things in your dogs life that is reward based, the calmer and more balance you will see from your dog. It’s similar with people. We need to earn things or we get pretty messed up in the head. Hopefully, I can just leave that statement as is and move on, haha!

Does the structured walk mean your dog will stop barking at other dogs? No, but it does mean you might catch the escalation sooner or when they do bark and you move in another direction they actually follow more easily with practice. It means that you can start to walk in populated areas more comfortably, be more present and in the moment when out with your dog. They will learn more listening skills in the house, naturally as a result of the structured walks. You will feel your dog cares about what you have to say. When you are out with your dog and achieve that same energy wave length, bonding with nature and truly connected, few things feel better and that might even earn you some more confidence in your own life.

-Bethany Wilson

Girl Ultra’s “Discreción”

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Mariana de Miguel aka Girl Ultra gives us sultry R&B en Español with her latest song “Discreción” from her album “Nuevo Aires.”

We picked Girl Ultra for this month’s What We’re Listening to music blog because it’s interesting to see legit R&B come out of Mexico. When you think of Mexican music, Banda, Ranchero music comes to mind, not R&B. But there is so much music defying the Banda dominance that we just have to listen for it.

Girl Ultra brings us soulful, 80s-inspired R&B to groove to. From 80s drums and keyboards to her silky voice, she could be on the Art Laboe playlist. The entire album has treats from “Ella, Tu, y Yo,” “Ruleta” and her newest release “Discreción.” In addition to the stylish retro R&B feel, love, in all its many splendid forms, is the theme that ties the album together.

Here’s the COLORS’ show version of “Discreción.”

Colors is the perfect platform to hear some truly great music because it’s just the singer and a full color background that lets the music shine. No distraction from the music. They showcase performers in all languages, from all over the world. We have found such musical treats like Girl Ultra with her microphone, red backdrop and her melodic, soulful voice. Do you ever wonder how or why they choose the singer’s badckground color?

We also like Girl Ultra’s “Ruleta” because it is like a group of friends out on the town. But we dig the take away at the end of the video, translated to:

“The majority of the people that are in the video are incredible Mexican artists. Take the time to listen to them and give them some love. Music is not a competition.”

Yes, we can get behind that.

May your days be filled with melodic grooves..en Español. Follow Girl Ultra on all her socials:

Instagram | Youtube | Facebook | Twitter

https://www.instagram.com/p/B68xPKRgIl7/

Keep making music that moves us.

The Whitefire Theatre Solofest Presents “From Crazy to Sane – Or Am I? A Tale of Feminine Mysticism, Magic & Madness”

Written and Performed by Mary Guillermin.  Developed and Directed by Jessica Lynn Johnson.

Part of the Whitefire Theatre’s Solofest 2020

The Whitefire Theatre, 13500 Ventura Blvd, Sherman Oaks, 91423

Mary Guillermin is really something special…and not because she’s English!

As she recounts her life on stage, she holds nothing back.  Fearlessly opening herself to the audience as she introduces various characters, all parts of her gorgeous personality, her history and even her future self.  All these disparate parts of who she is are guiding her through her journey as she guides us through this story of her life.

Mary has a deep connection to the spiritual and feminine mystic.  She has struggled with bipolar all her life, only having it diagnosed after years of bad relationships and breakdowns.  Once armed with the knowledge of how she is who she is, instead of relying on the medication so quick to be administered, she developed her own method of controlling her mind, of changing it. Now she teaches this method to others as she passes on her legacy, “pharma free.”

The show isn’t just about that though, since bipolar is just once piece of who Mary is, then it naturally takes up one place in the story, but not every place.  Mary’s travels though the world took her on many fascinating journeys.  She was a big part of the feminist movement in the early 70s in England and boy did she have some adventures! Mary explains how her manic depressive episodes connected her to higher realms, magical, mystical and filled with ancestral energies.  It’s truly fascinating and Mary fills the play with humor and pragmatism and a deep appreciation for her life and her loves.

One love, the biggest, was her late husband Tony Guillermin, the celebrated film director. 

Mary incorporates their love story into the performance as she remembers how this man loved her just as she is – her big, beautiful character, her passion and her fire.  Mary is a therapist and must have a million more stories than this by now.  But this story, of how she became herself is powerful and moving and fierce.  Mary is descended from queens, her spiritual ancestors are myths and legends and warriors. You can see how Mary became herself with their blood teaming through her veins.

It’s a lovely show. Funny, heartbreaking, inspiring and a beautiful illustration of a life well lived.  The pieces of Mary that become the whole are wonderfully wrought and poignantly portrayed.  We truly believe they are Mary, as opposite to each other as they seem.  Don’t we all have parts of ourselves that continually contradict?  I know I do. Mary makes that okay, great even.  She has fought her way through her pain and her depressions and found a life worth loving and protecting and celebrating and sharing.

I’m so glad she has shared it with the world through this wonderful show…Bravo Mary!!

You can find out more about Mary and her practice here:

http://thefemininityproject.com 

Olga in a Black Hole Satellite Symphonic EP Release

Think Thomas Dolby in space and you’ll have a pretty good take on Chris Lanuzzi’s remarkable “Satellite Symphonic.”

A Mooge master, he weaves and tweaks with notes he shimmers beautifully organic ebbs and flows of electronic music into an atmosphere of sounds. It’s like being inside his mind…or at least what it might sound like in there. Electronic insects calling out to each other in the rhythm of the universe.

It’s spacey but far from cold. The music reverbs through layers of warmth and pulses with life. It’s a strange and compelling combination. Familiar and yet entirely undiscovered. Like moving through a cloud of vapor, sensing movement and connection and echos of life all around you but just out of reach.

I love compositions like this. It’s Blade Runner in-between the words. Tron done right. It sounds like memories of the future somehow and as you listen you learn to remember.

Slightly spooky, gorgeously produced and just perfect to lie still to with your eyes closed, imagining whole lifetimes or to dance to or drive to or move through the world to, your own slightly subversive soundtrack. I just absolutely bloody loved it!!!

Website: https://chrisianuzzi.com

Facebook: https://www.facebook.com/i.synthesist

Twitter: Chris Ianuzzi @Isynthesist

Instagram: https://www.instagram.com/chrisianuzzi/

Bandcamp: http://chrisianuzzi.bandcamp.com

Soundcloud: https://soundcloud.com/i-synthesist

Youtube Channel: https://youtube.com/isynthesist

Sluka VIP Single/Video Release

Christopher Sluka continues to revel gloriously his direct-from-the-eighties vibe with this latest release…together with a sparkling new video which can only be described as what heaven must be to a dog lover…watch it and you will understand!

VIP is a brilliant electronic, post punk track, reminiscent of the most beloved XTC.  Unapologetically kitchy and cool, VIP is a rip on the culture of elitism and the uber-famous.  With his usual polish-with-an-edge approach to music, Sluka marvels at the idiocy of fame while walking neatly beside it.  The production is gorgeous, the lyrics catchy and on point and the combination of all of that results in a movie-ready track that dares you to sing along as it takes itself not at all seriously.

Sluka and his brilliant band are it this for the long haul…eleven albums and multiple international tours later, he is still original and poignant, thought provoking and fresh.

A message from the Artist: “Visit the nearest shelter and find a pet to rescue YOU!”

Can’t argue with that, or the sublimely shot video to this rather excellent tune!!! Loved it!!!

Watch the video: https://youtu.be/cqytI7dvx9Q

Websites:

Official: www.sluka.com

Instagram: http://www.instagram.com/slukamusic/

Twitter: http://www.twitter.com/slukamusic/

Facebook: https://www.facebook.com/Slukaband/

YouTube: https://www.youtube.com/channel/UCm1PlJyDpoArMazpTDRx3EA/featured

Spotify: https://open.spotify.com/artist/20GDHbeFKMYgJDnnxvT6i1

Lis Viega (drums, vocals), Alexandra Holt (street can, theremin, vocals), Anna Eppink (bass, vocals), and singer-songwriter, and multi-instrumentalist Christopher Sluka

Review – The Invisible Man 2020

The Invisible Man is a very effective horror tale with a good share of chills and frights integrated into a thriller about a woman trying to escape an abusive relationship—and realizing that even the prospect of death might not dissuade the abuser. 

Elisabeth Moss, so good in Mad Men and The Handmaid’s Tale, not to mention a recent supporting role in Us, delivers a compelling star turn here as Cecilia. As the film begins, the viewer sees her attempting to run away from her sleeping (or rather, drugged) boyfriend, the wealthy—and very controlling—optics engineer Adrian Griffin (Oliver Jackson-Cohen). There is the security system to bypass, a threatening dog, her own anxiety—to say nothing of the unexpected “surprises.” It’s an opening sequence that establishes the blend of pervasive dread and occasional shock that helps make the film work so well.

After a brief (and uneasy) respite at her friend’s home (having been aided in her escape by her sister Emily (Harriet Dyer), Cecilia learns that Griffin (the name being a nod to H.G. Wells’ original invisible fella) has committed suicide; she also discovers from his intimidated lawyer brother (Michael Dorman) that she is heir to $5,000,000—provided she remain of sound mind and avoid criminal activity. And since this is a horror film, you know this won’t be an easy task—since little things start to happen that make her (as well as her friends and viewers) initially doubt her sanity.

While The Invisible Man is engrossing throughout, it is this first half that is far more unsettling, as these “little things” mount both in intensity and the severity of the consequences. Scenes where Moss’ Cecilia contends with little sounds, movements, misplaced items—and the overwhelming sense that someone is watching her—are persuasively enacted and staged. As there is the real possibility of an invisible presence wreaking havoc with Cecilia’s life, coupled with the resolute unwillingness of anyone to believe her, the tension in the first half proves to be both inventive and relentless.

Even after a slight decline in tension after The Invisible Man makes its big reveals, in the hands of writer-director Leigh Whannell the film still retains its capacity to both thrill and unnerve—and even manage a few surprises. Whannell is aided by a small but convincing cast; besides the excellent Moss, Aldis Hodge is quite good as her skeptical cop friend and Michael Dorman is fine as Griffin’s brother, who may harbor some similar resentment toward his big brother. Though this may have been initially envisioned as part of a Universal Monsters revival, one hopes that a direct sequel is not forthcoming, since the ending makes a statement of its own, and anything else might dilute it. But then again, life ,as well as the cinema, does contain an element of…surprise.

NoHo News March 12

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NoHo News: Fosse! Fosse! Fosse! Cabaret Macabre. Ramen for the Soul. Prohibition. Solofest. L.A. Women’s Theatre Festival. Theatre District.

Here’s your NoHo arts community update!  We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood.

Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

NoHo News: Fosse! Fosse! Fosse! Cabaret Macabre. Ramen for the Soul. Prohibition. Solofest. L.A. Women's Theatre Festival. Theatre District. 

Follow NoHo News with Bloglovin

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

 

Understanding Risk

Few terms in personal finance are as important, or used as frequently, as “risk.”

Nevertheless, few terms are as imprecisely defined. Generally, when financial advisors or the media talk about investment risk, their focus is on the historical price volatility of the asset or investment under discussion.

Advisors label as aggressive or risky an investment that has been prone to wild price gyrations in the past. The presumed uncertainty and unpredictability of this investment’s future performance is perceived as risk. Assets characterized by prices that historically have moved within a narrower range of peaks and valleys are considered more conservative. Unfortunately, this explanation is seldom offered, so it is often not clear that the volatility yardstick is being used to measure risk.

Before exploring risk in more formal terms, a few observations are worthwhile. On a practical level, we can say that risk is the chance that your investment will provide lower returns than expected or even a loss of your entire investment. You probably also are concerned about the chance of not meeting your investment goals. After all, you are investing now so you can do something later (for example, pay for college or retire comfortably). Every investment carries some degree of risk, including the possible loss of principal, and there can be no guarantee that any investment strategy will be successful. That’s why it makes sense to understand the kinds of risk as well as the extent of risk that you choose to take, and to learn ways to manage it.

What you probably already know about risk

Even though you might never have thought about the subject, you’re probably already familiar with many kinds of risk from life experiences. For example, it makes sense that a scandal or lawsuit that involves a particular company will likely cause a drop in the price of that company’s stock, at least temporarily. If one car company hits a home run with a new model, that might be bad news for competing automakers. In contrast, an overall economic slowdown and stock market decline might hurt most companies and their stock prices, not just in one industry.

However, there are many different types of risk to be aware of. Volatility is a good place to begin as we examine the elements of risk in more detail.

What makes volatility risky?

Suppose that you had invested $10,000 in each of two mutual funds 20 years ago, and that both funds produced average annual returns of 10 percent. Imagine further that one of these hypothetical funds, Steady Freddy, returned exactly 10 percent every single year. The annual return of the second fund, Jekyll & Hyde, alternated — 5 percent one year, 15 percent the next, 5 percent again in the third year, and so on. What would these two investments be worth at the end of the 20 years?

It seems obvious that if the average annual returns of two investments are identical, their final values will be, too. But this is a case where intuition is wrong. If you plot the 20-year investment returns in this example on a graph, you’ll see that Steady Freddy’s final value is over $2,000 more than that from the variable returns of Jekyll & Hyde. The shortfall gets much worse if you widen the annual variations (e.g., plus-or-minus 15 percent, instead of plus-or-minus 5 percent). This example illustrates one of the effects of investment price volatility: Short-term fluctuations in returns are a drag on long-term growth.

Note: This is a hypothetical example and does not reflect the performance of any specific investment. This example assumes the reinvestment of all earnings and does not consider taxes or transaction costs.

Although past performance is no guarantee of future results, historically the negative effect of short-term price fluctuations has been reduced by holding investments over longer periods. But counting on a longer holding period means that some additional planning is called for. You should not invest funds that will soon be needed into a volatile investment. Otherwise, you might be forced to sell the investment to raise cash at a time when the investment is at a loss.

Other types of risk

Here are a few of the many different types of risk:

  • Market risk: This refers to the possibility that an investment will lose value because of a general decline in financial markets, due to one or more economic, political, or other factors.
  • Inflation risk: Sometimes known as purchasing power risk, this refers to the possibility that prices will rise in the economy as a whole, so your ability to purchase goods and services would decline. For instance, your investment might yield a 6 percent return, but if the inflation rate rises to double digits, the invested dollars that you got back would buy less than the same dollars today. Inflation risk is often overlooked by fixed income investors who shun the volatility of the stock market completely.
  • Interest rate risk: This relates to increases or decreases in prevailing interest rates and the resulting price fluctuation of an investment, particularly bonds. There is an inverse relationship between bond prices and interest rates. As interest rates rise, the price of bonds falls; as interest rates fall, bond prices tend to rise. If you need to sell your bond before it matures and your principal is returned, you run the risk of loss of principal if interest rates are higher than when you purchased the bond.
  • Reinvestment rate risk: This refers to the possibility that funds might have to be reinvested at a lower rate of return than that offered by the original investment. For example, a five-year, 3.75 percent bond might mature at a time when an equivalent new bond pays just 3 percent. Such differences can in turn affect the yield of a bond fund.
  • Default risk (credit risk): This refers to the risk that a bond issuer will not be able to pay its bondholders interest or repay principal.
  • Liquidity risk: This refers to how easily your investments can be converted to cash. Occasionally (and more precisely), the foregoing definition is modified to mean how easily your investments can be converted to cash without significant loss of principal.
  • Political risk: This refers to the possibility that new legislation or changes in foreign governments will adversely affect companies you invest in or financial markets overseas.
  • Currency risk (for those making international investments): This refers to the possibility that the fluctuating rates of exchange between U.S. and foreign currencies will negatively affect the value of your foreign investment, as measured in U.S. dollars.

The relationship between risk and reward

In general, the more risk you’re willing to take on (whatever type and however defined), the higher your potential returns, as well as potential losses. This proposition is probably familiar and makes sense to most of us. It is simply a fact of life — no sensible person would make a higher-risk, rather than lower-risk, investment without the prospect of receiving a higher return. That is the tradeoff. Your goal is to maximize returns without taking on an inappropriate level or type of risk.

Understanding your own tolerance for risk

The concept of risk tolerance is twofold. First, it refers to your personal desire to assume risk and your comfort level with doing so. This assumes that risk is relative to your own personality and feelings about taking chances. If you find that you can’t sleep at night because you’re worrying about your investments, you may have assumed too much risk. Second, your risk tolerance is affected by your financial ability to cope with the possibility of loss, which is influenced by your age, stage in life, how soon you’ll need the money, your investment objectives, and your financial goals. If you’re investing for retirement and you’re 35 years old, you may be able to endure more risk than someone who is 10 years into retirement, because you have a longer time frame before you will need the money. With 30 years to build a nest egg, your investments have more time to ride out short-term fluctuations in hopes of a greater long-term return.

Reducing risk through diversification

Don’t put all your eggs in one basket. You can potentially help offset the risk of any one investment by spreading your money among several asset classes. Diversification strategies take advantage of the fact that forces in the markets do not normally influence all types or classes of investment assets at the same time or in the same way (though there are often short-term exceptions). Swings in overall portfolio return can potentially be moderated by diversifying your investments among assets that are not highly correlated — i.e., assets whose values may behave very differently from one another. In a slowing economy, for example, stock prices might be going down or sideways, but if interest rates are falling at the same time, the price of bonds likely would rise. Diversification cannot guarantee a profit or ensure against a potential loss, but it can help you manage the level and types of risk you face.

In addition to diversifying among asset classes, you can diversify within an asset class. For example, the stocks of large, well-established companies may behave somewhat differently than stocks of small companies that are growing rapidly but that also may be more volatile. A bond investor can diversify among Treasury securities, more risky corporate securities, and municipal bonds, to name a few. Diversifying within an asset class helps reduce the impact on your portfolio of any one particular type of stock, bond, or mutual fund.

Evaluating risk: where to find information about investments

You should become fully informed about an investment product before making a decision. There are numerous sources of information. In addition to the information available from the company offering an investment — for example, the prospectus of a mutual fund — you can find information in third-party business and financial publications and websites, as well as annual and other periodic financial reports. The Securities and Exchange Commission (SEC) also can supply information.

Third-party business and financial publications can provide credit ratings, news stories, and financial information about a company. For mutual funds, third-party sources provide information such as ratings, financial analysis, and comparative performance relative to peers.

Note: Before investing in a mutual fund, carefully consider its investment objectives, risks, fees and expenses, which can be found in the prospectus available from the fund; read it and consider it carefully before investing.

The information in this newsletter is not intended as tax, legal, investment, or retirement advice or recommendations, and it may not be relied on for the purpose of avoiding any federal tax penalties. You are encouraged to seek advice from an independent professional advisor. The content is derived from sources believed to be accurate. Neither the information presented nor any opinion expressed constitutes a solicitation for the purchase or sale of any security. This material was written and prepared by Broadridge Advisor Solutions. © 2018 Broadridge Investor Communication Solutions, Inc.

Why a Psychic Can Also Be an Effective Life Coach

Navigating life’s challenges can take a toll on a person’s emotional and psychological health.

Often when we are faced with problems and difficult choices, it helps to have someone you trust who can give advice and insight on the best approach and decisions to make. As such, many people often turn to life coaches who are experts in figuring out what they need to do to improve certain aspects of their lives, such as career and relationships.

But in addition to professional life coaches, others take a less-conventional approach by consulting psychics instead. These clairvoyant individuals not only make psychic predictions for specific events that will happen each year, but they also give guidance when you are at a crossroads in your life.

How is a life coach different from a psychic?

A life coach is somewhat similar to a consultant who you work with to achieve a specific goal. Their focus is mostly on the tangible aspects of your lifestyle, such as your skills and habits. Often they will guide you on how to develop your abilities and abandon bad habits that harm your chances of succeeding.

On the contrary, a psychic uses a different skill set to answer essential questions about your life. They guide you through your decision-making process by highlighting possible outcomes of each path. They are in tune with their finer senses and help you hone your ability to listen and heed your intuition. In many aspects, the purpose of consulting with a psychic serves many of the same purposes as working with a life coach. The approach may be different, but the intended results are the same.

What can you expect when you have a psychic as your life coach?

There are many reasons why a reputable psychic can also become an effective life coach. With their unique set of tools, they can help you recognize specific weaknesses and strengths that are either harming or helping you reach your potential. With the knowledge a psychic imparts, you can make positive changes and be more independent in making your decisions.

Psychics will not tell you what to do. With what they have helped you realize, you are free to weigh up your options and make the most informed decision. Psychic readings are also useful when you are on the path to emotional healing. A psychic can help determine if there are issues that are still holding you back and help you figure out what to do to resolve these concerns.

Most life coaches tend to focus on the positive aspects of your life to help you reach your intended destination. But a psychic does more by getting to the root cause of your problems and helping you deal with them.

In conclusion, a psychic can also be your life coach if you need guidance towards a more positive outlook and lifestyle. With the help of a psychic, you will gain greater insight and a broader understanding of the many factors that affect your life. You will not only find the best resolution to challenges but also become more in tune with your emotions and how to use them to your advantage.

 

“Hollywoodn’t” Is a Fearless Exposé of the Hollywood Industry

The brilliant  and hilarious Lisa Verlo is once again at the Whitefire Solofest…thankfully. 

Her show “Hollywoodn’t” is a fearless exposé  of the Hollywood industry. 

An entertaining and extremely truthful show, built around Lisa’s own experiences of harassment and manipulation, long, long before the #METOO movement.  Back when innuendo and sexism was commonplace and accepted, the cast couching the norm and careers were lost and actresses labeled “difficult” if they didn’t play ball…so to speak.

I love this show. Lisa is so clever and warm and lovely.  Her talent blows the doors off this little theatre in Sherman Oaks and her amazing media mix of songs, comedy, truth and a truly magnificent stop motion Barbie sex video is perfection.

I wondered how on earth this all came to be. So I asked her!!

Lisa, what drew you to creating a solo show?

After workshoping a musical with a cast of 20, that my partner and I wrote called The Door, I decided that my next project should be something much more manageable. I wrote Sex Rated G: a one woman show with a man in it, originally as a duo, but realized it could be done as a solo show. I started writing Sex Rated G as a family musical, actually, but as it evolved more and more into a sexual memoir, my solo career was born, which is cool because one of my most formative experiences in theatre was seeing Julie Harris in The Belle of Amherst. I had touched on some issues that really came to the forefront with the #MeToo movement, so I decided to delve even deeper in Terrie Silverman’s 6 month solo show workshop and then signed on with Jessica Lynn Johnson to direct and develop it further as HOLLYWOODN’T.

You’ve had such an interesting life, how did you decide what to leave in and what to leave out?

HOLLYWOODN’T focuses more on my experiences in the entertainment industry and less on my personal relationships. I’ve had quite a few experiences on the casting couches of Los Angeles and didn’t even fit them all in the show. I did include some background, just to show where I was coming from, stories about how I was brought up all over the world, but somehow, was still rather naive in the world of Hollywood entertainment.

Your play includes delicate and controversial subjects, how do you balance what talk about?

The process of developing a solo show is quite a journey of introspection. In Sex Rated G I was already excavating some buried feelings as I explored the behavior that I was confronted with early in my career as an actress. I spoke about a very famous director who influenced many of my decisions as a young ingenue, an acting teacher who gave me some very questionable advice, and a manager who acted more like a pimp. In HOLLYWOODN’T I pretty much lay it all out and even name some names, because, after all, that’s what really counts, right, holding people accountable for their actions?

Why was it important for you to do this show?

Sometimes it takes years to truly understand how our experiences have shaped us. I gave up an acting career because I just couldn’t deal with that aspect of the business. The very dark grey area of sexual coercion and consent. I know it goes on everywhere, but there are some businesses where harassment runs rampant and we are finally getting a good look at how much it has permeated show business. It took nearly a hundred actresses to speak up in order to get Weinstein convicted. And those are only the ones that dared do it… the tip of the iceberg. Imagine how many women were really affected. I had to add my voice, my story… I never ran across Weinstein but I have my stories, and I wanted to get into that grey area, of sex and quid pro quo. 

Is there anything you wish you had included that you didn’t?

I probably included some things that I shouldn’t have, but I was feeling pretty brave and empowered by all the women coming forward with their #metoo stories. I did have a few gasps and some phone calls asking me if what I was saying was true. That’s always a good sign that people are paying attention though, right?! Maybe I could have thrown in another song.

What advice do you have for anyone creating a solo show?

Find the humor in the drama. Of course we want to be genuinely moved, but I think above all, watching one single person for a whole hour needs to be entertaining, so mining the tragedy for laughs is always appreciated. My show is mostly a comedy, because, really, I just had to sit back and take a good look at how very naive I was. I can laugh at that now, and yes, get pretty pissed off at a few people for taking advantage of it. You know who you are… and now… everybody else does too. Hah! the joke’s on you now.

Thank you Lisa!  Cant wait to see Hollywoodn’t again!

The show is running for one night only this weekend, Sunday March 15th at 7.30pm…if theatre is your church, then solo shows must be your confessional….brave the world and see this show!!!!

https://www.brownpapertickets.com/event/4492236

“The Ballerina of Auschwitz”

***

“The Choice – Embrace the Possible”

An historic night with Dr. Egar, “The Ballerina of Auschwitz,”  who chose to transform her painful past into a powerful gift, one she uses to help others heal. Presented by Chabad of Toluca Lake on March 22 at the Garry Marshall Theatre.

Dr. Edith Eva Eger’s

Dr. Edith Eger is one of the few living Holocaust survivors to remember the horrors of the camps. At the age of sixteen, Edith Eger, a trained ballet dancer and gymnast, was sent to Auschwitz. Hours after her parents were killed, Nazi officer Dr. Josef Mengele forced Edie to dance for his amusement and her survival. Edie was pulled from a pile of corpses when the American troops liberated the camps in 1945.

Edith has chosen to forgive her captors and find joy in her every day life. Her story is an inspiration for everyone. Dr. Eger is an inspiring speaker, human dignity advocate & award winning author.She is a sought-after clinical psychologist and lecturer, helping individuals discard their limitations, discover their powers of self-renewal, and achieve things they previously thought unattainable.Her book, “The Choice,” is a powerful, moving memoir, and a practical guide to healing which uses her past as a Holocaust survivor and thriver as powerful analogy to inspire people to reach their full potential and shape their destinies.

She shares a message of healing and personal growth, a message of freedom from self-imposed limitations. A message of CHOICE to move from recovery to discovery and beyond.

Dr. Edith Eva Eger’s

EVENT:

“The Choice – Embrace the Possible”
Dr. Edith Eva Eger
“The Ballerina of Auschwitz”
Presented by Chabad of Toluca Lake 

WHEN:

Sunday March 22 | 7 PM

WHERE:

Garry Marshall Theatre
4252 West Riverside Drive
Burbank, CA 91505 

TICKETS>>


**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Charter Your Own Group Bus Tour of the Los Angeles Art Scene

Many say that LA is the city of dreams. And, true to this very name, the city is a place brimming and teeming with talent.

Even a tiny stroll through any LA avenue would prove that the Hollywood coast has more than celebrity sightings and beaches to offer to its visitors. You can get a glimpse into the world of human struggles, aspirations, ambitions, and success – all of it portrayed vividly through its art. But, before you get lost in the land of creation, you need to hold on to your rationale and take care of the planning of the trip. The first checkpoint on your list should be to plan the transportation. One good idea would be to charter a Los Angeles tour bus. This will not only make sure that the trip is comfortable but get rid of any and all coordination issues. You can leave the worrying about traffic and routes to the experienced drivers and just go about planning the rest of the details. But in case you have no idea how to actually do that, here are some pointers that will help you out along the way:

Los-angeles-tour-bus.jpg

Planning your transportation

The important part of any tour is transportation. In fact, the journey starts the moment you board the bus and settle into your seats. A comfortable ride can make the scene outside the window way more enjoyable. But why opt for a bus when there are cars available? If you are a small group of say, 4 people, then a car is the sensible answer.But, for larger groups, a bus that than can easily seat 30-50 people without compromising on leg or carriage space can make things easier for everyone.

If you have never been to Los Angeles before, the professional driver can take care of the routes and pit stops instead of you having to worry about it. And, just in case you lot decide to turn this trip into a boozy one, no one would be forced to be the designated driver to ensure everyone is safe. Once the transportation part is sorted out, you can go about listing the places you want to visit. Here are some of our favorites:

Must see museums

The popularity of the culture and art scene of Los Angeles has made the authorities design free museum days for their tourists. But no amount of fee should prevent you from visiting some of the notable and iconic museums to learn more about the dreamers’ land. A few places you can highlight are:

  • Getty Center which is the highlight of European art. The place is tucked into the heart of nature so the art and the greenery both will be vying for your attention.
  • Museum of Latin American Art (MOLAA) is free on Sundays and it is a must-visit if you want to enjoy contemporary Latin American artists’ creations and visions.
  • Nethercutt Collection will satiate and at the same time stroke the passion of vintage cars in any car lover. With around 130 vintage models, you can surely spend hours staring at these breathtaking works of art.

Indie galleries and installations

Art can emerge from unexpected places and if you are looking for inspiration then you can check out these sites:

  • Matthew Brown Los Angeles
  • Parker Gallery
  • Murmurs
  • AA LA

Touring graffiti enclaves

If you are in Los Angeles and art is your passion, then you have to check out Historic Filipino town, which is a rundown area that boasts of some awe-inspiring graffiti. This area got a makeover by many local and international artists who showed the power of art over war or despair.

If you are in LA and have not checked out some of its iconic architectures, you are missing out on all things art. Not all artists have created canvas strokes, some have erected monuments to last a lifetime. So, after a snack and tea, end your day with a trip to places like Walt Disney Concert Hall, The Broad, Theme Building at LAX and Grauman’s Chinese Theatre.

Call for Muralists!

***

Attention Los Angeles Muralists! 

The Department of Cultural Affairs (DCA) advances the art of muralism unique to Los Angeles by supporting the creation and preservation of murals throughout the City. DCA will establish a pre-qualified roster of muralists that can honor, challenge and propel the artform forward. This call is open to emerging, mid-career, and established artists and artist teams.

https://www.instagram.com/p/B9HtM1TgBQl/

ELIGIBILITY

This Request for Qualifications (RFQ) is open to professional muralists and muralist teams living in the following Southern California counties: Imperial, Los Angeles, Orange, Riverside, San Bernardino, San Diego, and Ventura. Muralists working in any medium or style may apply. Emerging and mid-career muralists, mentor-apprentice teams, and those interested in expanding their studio practice into the public sphere are encouraged to apply. Emerging and mid-career are defined as applicants with limited mural production experience but whose work displays potential for large-scale application. Artists or artist teams on other DCA pre-qualified lists who have not yet received a commission are eligible to apply. Organizations and employees of the City of Los Angeles are ineligible to apply. Teams selected through this RFQ must retain the same members as stated in their original application. Muralist teams may not change over the life of the roster, nor may they change during the span of a commissioned project. Applicants are encouraged to register on the City of Los Angeles Business Assistance Virtual Network (BAVN). If your organization has previously received commissions, grants or contracts from the City of Los Angeles, then you have already registered on BAVN. If you are a new applicant, go to labavn.org to register to bid for a City of Los Angeles business commission, grant or contract. Technical support for BAVN may be requested by emailing ita.bavn@lacity.org.

MAKE YOUR APPLICATION STAND OUT

Strong applications will demonstrate: • Professional and technical capacity to plan, coordinate, and execute a mural project in collaboration with DCA staff, City representatives, contractors, and the general public; • Ability to respond to the built environment; • Respect and acknowledgment of a community’s social and/or historical context; and • Experimental or innovative approaches—media, methods, technology, or community engagement.

HOW TO APPLY

All applications must be submitted online via SlideRoom.

The deadline to apply is Monday, March 30, 2020, at 11:59 p.m.

Incomplete applications will be deemed ineligible and will not be considered. Any additional material included that is not requested by DCA will not be reviewed.

ABOUT DCA

The Department of Cultural Affairs (DCA) manages the City of Los Angeles Public Art Programs. DCA supports the creativity of local artists by funding and partnering with the City’s arts and cultural communities. The City demonstrates an ongoing commitment to arts and culture through DCA’s ongoing activities, including community arts programming, cultural grants, marketing, public art, performing arts and venues, and youth arts and education programs, to stimulate and foster the creation of arts and cultural experiences throughout the diverse neighborhoods of LA.


**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Fosse® Master Class

***

The H.E.ART Performing Arts Academy Presents the Fosse® Master Class, Saturday, March 14.

The NoHo Arts District is a dance district. With six studios and more opening their doors, we are going to have dance legends come through to teachg master classes that give us dance history and help us maintain our rich dance traditions.

The H.E.ART (Heartfelt Education through the ARTs) Performing Arts Academy, located at NoHo’s very own MKM Cultural Arts Center, is proving to be a real asset to our artistic community bringing not only their own program, teaching Triple.Threat (Vocal/Acting/Dance) classes to students from 5 years olod through to adults but also bringing some exciting events into our neighbourhood. Having just presented their “A Lesson In Blackness” to a capacity crowd in the MKM Theater just last week, they are now presenting a legendary MasterClass series, beginning this Saturday.

The first in their series is a masterclass covering the choreography of dance icon Bob Fosse, known for his signature jazz hands and classic movies like “Sweet Charity,” “Cabaret” and “All That Jazz” along with musicals “Chicago,” “Pippin,” “Liza” and “Dancin’.”

The H.E.ART Founder & Creative Director Eartha Robinson took time out of her busy schedule to share.

“We are so thrilled to be presenting a Fosse® Master Class, in collaboration with the Fosse/Verdon Estate (The Verdon Fosse Legacy), taught by the wonderful Valarie Pettiford and Lloyd Culbreath, friends of mine since my New York days back at the Performing Arts School and on Broadway! Valerie and Lloyd are both veteran Fosse dancer. Valarie received a Tony nom. for her role in the Broadway production “Fosse” and an NAACP Theatre Award for her lead role in “The Wild Party.” She also has manyfilm and T.V. credits. Lloyd is currently the lead instructor for the Fosse Master Class Series and like Valarie, has many Broadway credits, including ”Dancin’,” “Sophisticated Ladies,” “The Tap Dance Kid,” etc. These two are the real deal and, of course, Fosse and Gwen Verdon changed the landscape of choreography in both theatre and film and remain a huge influence on all of us dancers and choreographers to this day. An influence that will surely continue well into the future. I thought this would be a wonderful opportunity to give serious dancers in our Los Angeles dance community the chance to gain some historic knowledge from those who were taught by the Master himself, so it will be a fantastic, spirited afternoon for us all!”

One thing is certain, with the infectious enthusiasm that Eartha brings to her projects, this will be one afternoon that will be remembered, by those choosing to participate, for quite some time!!

https://www.instagram.com/p/B9QRm7PFqTm/

WHEN:

Saturday, March 14 from 3-5PM

WHERE:

MKM Cultural Arts Center
11401 Chandler Blvd.
North Hollywood, CA 91601

Across from the Metro Red Line NoHo Station and the Orange Line.

TICKETS>> 

$25.00 per person.
This is payable either through The H.E.ART website or at the door.

Please note that the profits will go towards funding at the non-profit The H.E.ART, so you can consider it a donation for which their students thank you in advance!

Thanks for helping to #KeepNoHoArtsy!

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

The Whitefire Theatre Presents ”And The Beat Goes On”

Written and Performed by Charley Karlotta. Directed by and developed with Jessica Lynn Johnson.

Part of the Whitefire THeatre’s Solofest 2020
The Whitefire Theatre 13500 Ventura Blvd, 91423

Sometimes strength comes in thoughtful packages. 

Charley Karlotta is a thoughtful, clever, wryly hilarious performer fearlessly telling her story of trying to fit in.  As she moves through the journey of her life she brilliantly works in songs both familiar and original, all intricately selected and reworked into the themes of her show.  Awkwardness, frustration, hopefulness, hopelessness, the feeling that nobody gets her and finally finding out who she wanted to be was there all along.

Charley is charming and even as she relays her disastrous relationships. We’ve all been there. Her multitude of mishaps and mistakes, been there too!!! It’s always with hope in her heart and a strong sense that things could never get worse, although they eventually do.  Charley’s story is all about how everyone else seems to be getting it right, getting married having kids, buying houses, etc, etc, etc.  Of course, at a certain point in our lives, we realize how ridiculous it is to compare ourselves to anyone, especially as those perfect situations we all crave can unravel, and often do.

Charley Karlotta is a ‘unique’ woman with a voice all her own and I don’t just mean that she can sing, which she can.  I mean that she stands apart in solo shows because you really don’t feel like she is performing at all.  She inhabits the stage with quiet grace, gentle humor and a distinct and unremorseful presence.  She is unapologetic about who she is and how long it has taken for her to get there.  She slowly unfolds her life for us, picking away at the strands as they skillfully unravel, she opens up herself in all her flaws and missteps and shows us nothing but goodness and laughter and self-effacing wisdom.

Charley is the kind of women you want to be around.  She’s the wise best friend, the lifeline call, the hero of her own journey.  I found this show to be quirky and funny and strange in places….in a very, very good way.  She pulls no punches, she is utterly herself and it is just perfect.  The band was really excellent too!!

What do we know about each other?  Very little, of course, we can hardly know ourselves really.  When we see another person, frail as ourselves, just a person trying to figure it all out and often failing, don’t we ultimately just see ourselves?  I found myself so drawn to Charley’s story because it could have been me.  I felt her turns and twist as if they were my own.  Her sweetness and her wonderful modesty and complete lack of ego filled the stage and brought a tear to many eyes and moved us. I honestly think she may not even have noticed, not knowing just how beautifully good this solo show of hers truly is. 

Simple and funny and moving and relevant and poignant and lovely.  I absolutely loved it!!!

StART Up Art Fair | The Kinney, Venice, CA 2020

Venice has long been a haven for artists and creativity, as well as a beacon for those who admire and collect creative works.

StARTup LA Art Fair 2020 brings together both creative types and creativity admirers to the Kinney Hotel in Venice, CA.

The brainchild of Ray Beldner, StARTup is a business which seeks to bridge the gap between up-and-coming artists and art lovers.

StARTup Art Fairs are novel experiences and art shows that exhibit nascent artists’ work to passive viewers and active buyers. While the commercial exchange of art for money is a basenote throughout StARTup, the experience of a StARTup Art Fair is as groundbreaking and varied as the artwork itself.

StARTup Art Fairs continue to grow in the feature cities of San Francisco, Los Angeles, and Houston.

StARTup LA Art Fair 2020 returned to Venice, CA, to The Kinney Boutique Hotel. A three-day art fair spanning from February 14th – 16th, 2020, The Kinney Hotel hosted over 80 artists from around the country in its remarkable and thrilling modern space.

The Kinney is both a casual and impressive contemporary stage for the 60 hand-selected exhibit conversions, performance, and visual art housed in each of its hotel rooms.

Placards outside each hotel room inform StARTup Art Fair guests which artist occupies that room, as music and chatter fills the hallways.

We had the pleasure of viewing Clovis Blackwell’s serigraph print works first, which colorfully tackle apocalyptic themes of growth and perseverance.

Clovis also promptly made us an old fashioned out of his mini-keg, and he and his wife regaled us with his professional trajectory and their love of art. Each hotel room you stepped into provided an intimate space to sit down with every artist and learn about their career path and passion.

StARTup Art Fair provides each viewer the opportunity to vote for a favorite artist of the show.

Brian Allen received my vote. Refreshing but personable, Brian Allen melds street art with classic vision, as he balances the canvas with oil and spray paint. The vibrancy marries well with muted tones of portraiture in fantastical displays of familiar subjects. Allen sets a tone that transports you into a dynamic and powerful realm that is both raw and venerable. Humble and talented, Allen is a talent LA will certainly be graced with in the future.

Art Show:                           

StARTup LA Art Fair 2020

https://www.startupartfair.com/2020-visitor-information

 

Show Dates:                      

February 14, 2020 – February 16, 2020

 

Location:

The Kinney Hotel

737 West Washington Blvd.

Venice, CA 90292

The Plan: “Ten Films/Ten Countries: A Cinematic Journey.”

In the late summer of 2019, as I was prepping for the first of the 10 films that would comprise, “Ten Films/Ten Countries: A Cinematic Journey,”

I had a few small details that were not resolved. I didn’t have a country, let alone 10 lined up. I also didn’t have any financing per se.

I only had just a notion of a story. But when has that stopped anybody for making any film? That was a rhetorical question.

It all started when I had a stint as a judge for an international talent competition. The talent was top notch and the completion fierce, but what stood out in my mind was the idea that all this wonderful talent travelled thousands of miles to gather together, meet fellow artists and biggest prize of all, to be in the land of dreams. Even though I had played with the idea of filming in different countries, (I had already directed a film and a television show; the film was in England and television show was in Spain) I didn’t have the wherewithal for a unified theme. I decided right there and then, I would travel the world shooting 10 films in 10 countries.

I knew I had to come up with a plan for the project.

Each film would be between 12 and 15 minutes in length and would interconnect to make a feature-length film. An important detail would be that the country, city, town, and or village would be part of the story. I would have to weave in the importance of each location within the script. The location would be a character in the film. Another consideration was the crew. Even though I would have a small number of collaborators accompanying me to certain countries, I would also hire local crew and actors to play the roles in the script and in most cases, use their native accent and language. Finally, a very important, if not vital aspect of this project was the camera. I own several cameras (Canons, Sony) that shoot in HD and I had done a lot of work with them. However, lugging heavy equipment around the world and trying to shoot in public places without money for permits is a challenge. I had to come up with an alternative.

Enter the iPhone 11 Pro Max. It’s compact, ubiquitous, and it shoots in 4K. With my partners, we purchased gimbals, wireless microphones, a six-channel audio mixer, and some lenses and filters which all fit in a small carry on backpack. We were set to go. I could shoot anywhere without so much as a concern from anyone. Public places, private houses, and different modes of transportation were now all available for me and my crew of iPhone shooters. I was ready to go. I had devised a storyline and several plot points that would connect the film. The characters were rich and relatable. There was only one thing missing. The first country where all this would be possible. I was not deterred, instead, I was inspired.

Nothing will hold me back now, except for funding, international collaboration, and a fully realized script. No problem!

The Whitefire Theatre Solofest Presents “Streamside Social Club”

Written and Performed by Julie Guevara. Developed and Directed by Jessica Lynn Johnson.

Part of the Solofest 2020

The Whitefire Theatre, 13500 Ventures Blvd, Sherman Oaks, 91423

“The Streamside Social Club” is a wonderful mix of a show.  Part dance, part music, part memoir, part magic. 

Julie Guevara is Cuban American and as she says, “When you’re a Cuban, all you inherit in life is one good joke and a song and a dance!”  The story centers around Julia and her father.  We hear about her mother and of course, we touch on her life growing up. But it is her relationship to her father that everything revolves around and as he ages and forgets so much, due to Alzheimer’s, it is Julia and the music that brings him back to her.

It’s a moving and deeply personal piece, yet Julia manages somehow to lift up the sadness of losing a parent little bit by little bit.  Alzheimer’s is so cruel.  She lifts us with humor and with love.  She becomes her father’s memories and, as he slips further into confusion and hallucinations she guides him and supports him and tries to understand his scattered mind.

Bring your tissues…I lost my father some years ago and I had the same kind of unmatched closeness to him that Julia has with hers.  A deep, profound and unspoken connection.  An irreplaceable place in my heart and my life.  Fathers and daughters.

Julia is an irrepressible talent.  She fills the stage with her soul and quite magically creates a world within a world. 

When her father can no longer visit his special place, the Streamside Social Club, to listen to music, to laugh with his friends and to dance, she recreates it for him, in his room, and together they dance and laugh and sing, even as he can do little else.

They say music awakens the mind as it hides away from everything else.  Julia reaches her father through music and she shows us how in priceless and deeply touching videos she took of him and we see how the power of music and song held them together.

Solo shows are about all kinds of things, not always trauma or change or darkness.  They can also bear witness to a life worth treasuring and honoring, a life not our own but as dear to us as our own.  Julia shares her father with us in such a way that we feel him with us in this little dark theatre in Sherman Oaks.  She conjures up a beautiful man and an exquisite relationship. She proudly and lovingly and with effortless storytelling skills and some pretty terrific dancing, brings us into the heart of these most precious moments with her father and it is beautiful.

Sharing a little of someone’s life, when what they chose to show us is because they need to, is something to be treasured.  Each time I come to Solofest I am surprised. I am invited to share moments of importance, moments of purpose, moments of life, love, loss, laughter and it is always, always worthwhile.  Julia Guevara now joins a long list of solo performers that The Whitefire Theatre and Jessica Lynn Johnson have supported and encouraged and that I am lucky enough to laugh and to cry and feel deeply with  Bravo!!!!!

If you get the chance to see this show…take it. It’s truly wonderful.

The Whitefire Theatre Presents “Surviving MN Nice and Becoming Brave AF!”

Written and Performed by Paula Jay Fairbrother. Directed by Sonia Jackson.

Part of the Solofest

Whitefire Theatre, 13500 Ventura Blvd, Sherman Oak, CA 94123

White Theatre’s Solofest gives so many opportunities to solo performers and directors, as well as audiences to experience a huge variety of stories covering just about any theme you can imagine.  It’s a precious gift, to be able to talk about our lives and to share what we have learned, what we value, and how better to understand ourselves.

Paula Jay Fairbrother’s life story is such a gift and her telling of it is profoundly moving, as well as absolutely hilarious and brilliantly wrought. 

Minnesota plays a prominent role, regardless of where her story takes us.  Germany, all over the states and settling in L.A., finally.  She braves the darkest parts of her past with spirit and wisdom and vivid warnings to us all to not mistake “niceness” with denial,

This has clearly been a cathartic path for Paula, but the play is not “all about her” even as it basically is…if you know what I mean.  She is authentic, funny, eloquent and warmly wise.  She pushes through the madness of her young life to her brilliant present world with an inspirational inclusiveness.  She’s a strong woman.  She’s more than a survivor, she’s a victor, a warrior and her ancestors would crown her queen.  I am very comfortable that I am not exaggerating.

What we can learn from these powerful stories and nuanced poetic performances by Paula and the very best of these marvelous Solofest plays is that we are all the same.  We are all connected, whether we like it or not…and we should really like it, even if it brings up things that are hard, or hidden or long forgotten.  Storytelling is the greatest gift our ancestors for way back through millennia could ever give us.  If you have the gift of the gab as it were, as Paula does in spades, then I believe it is your duty to share, to give life to what is in your heart.

Paula Jay Fairbrother has the gift and if you ever get the chance to see her share it, take it.  Bravo!!!

The Whitefire Theatre Solofest Presets “Hijacked”

Written and Performed by Kevin Bone. Developed and Directed by Jessica Lynn Johnson.

Produced as part of the Solofest Festival

The Whitefire Theatre, 13500 Ventura Blvd, Sherman Oks, 91423

One of the very many wonderful things about solo shows is how I find myself getting to know people that I would otherwise never meet. 

Listening to their stories, understanding a little of how they tick and taking a journey with them through their lives, it’s very leveling.  It’s humbling and it’s often funny, moving and warmly surprising.

“Hijacked” is one of those shows you don’t soon forget and is written and performed by the rather lovely Kevin Bone.  Kevin is caught in a loop of sorts.  He is trying to put on a solo show, but his various and hilarious waring personalties seem determined to throw ever increasing obstacles in his feverish path.  It’s a play full of mayhem and frustration and palpable fury, but there’s no real anger in the frustration, only the nervousness of a man hell bent of completion this goal, come hell or high water….with an ever increasing possibility of absolute failure. So life, basically.

It’s great concept to write a show about writing a show and all the many ways and means we try to sabotage ourselves out of what we really need.  Kevin bounces from one aggravated part of himself to another as he paces the stage, like a caged animal aware that any minute might be either his last on this earth, or his last in the cage. 

Kevin’s energy vibrates through the theatre, he has us all on edge and slightly off kilter, which I suppose is the point. 

He gives us who he is, at least in this moment, and he does this very, very well.  We spend some time inside his head, surrounded by his various versions of himself and it’s invigorating, inspiring and a little bit manic, which seems to be who he is!

As a solo work “Hijacked” is very successful.  Kevin Bone works the audience and the stage with equal aplomb.  He careens and he shimmies and he talks a mile a minute, wrestling with his id and his ego and his sense of self, all the while keeping us laughing.  Bravo!

Happy Napping Day, NoHo!

***

Well, it isn’t really a bank holiday but the NoHo Arts District dot Com team treats it as one. We think it couldn’t come at a better time, after Daylight Savings/Sleep Stealing/You Stole My Hour Time. So Monday (03/09/20) we say “Happy Napping Day, North Hollywood!”


Founded by Boston University professor William Anthony and his wife Camille in 1999, Napping Day is the unofficial holiday set aside to help people adjust to Daylight Saving Time and to highlight the health and productivity benefits of napping.

They have written two widely acclaimed books, The Art of Napping and The Art of Napping at Work,  which explain their findings on the value of a nice nap.

According to the power nap couple, napping helps in the following ways:

1. Napping improves mood – makes you feel better 
2. Napping improves performance – makes you more productive
3. Napping is no cost – no expensive clothes or equipment needed
4. Napping is no sweat – no shower needed
5. Napping is self prescribed – no doctor’s orders needed
6. Napping is non-fattening – you cannot eat while napping
7. Napping is a non-invasive procedure – no one does anything to you
8. Napping has no dangerous side effects – unless you are driving

“We chose this particular Monday because Americans are more ‘nap-ready’ than usual after losing an hour of sleep to daylight savings time,” William Anthony said in the Boston University news release announcing the holiday.

When we are forced to “spring forward,” we lose that precious hour so it’s much easier than normal to nap. We can all relate to that 3:30 mid-afternoon blah, especially after a bad night’s sleep with one less hour on the clock. Since most of us are at work, we must settle for the power nap, a 20 to 30 minute snooze. It’s just a quickie to rejuvenate your mind and body. 

Remember Seinfeld’s George Costanza made a bed under his desk? Well, here are some other ways to nap at work:

  • Try a bathroom stall (take off your shoes so they won’t know who is in the stall)
  • Inventory/stock room is usually not frequented much.
  • Duck in the office of an employee out sick
  • Take the “stairs” is something most people don’t do…bring something comfortable to sit on.

In Bangladesh and Indian Bengal it is called bhat-ghum, literally meaning “rice-sleep.” Spaniards take their infamous siestas and Germans enjoy ein Schläfchen. In China and Taiwan it is called wujiao. Most Chinese schools have a half-hour nap programmed straight after lunch. And best of all, Japanese businesses have created “Nap Rooms” for their employees.

So Los Angelenos join the rest of the world in celebrating the art of the nap! Close your office door, roll up your jacket and take a snooze under your desk.

If your boss asks you what you’re doing. It’s simple, ask: “Didn’t you know it’s National Napping Day?”

Happy Napping!

 

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Follow NoHo News with Bloglovin

 

California Assembly Bill 5 (AB5) Affects You.

***

Are you a freelancer? If you are a choreographer, musician, photographer, writer or other freelancer, do you know how California Assembly Bill 5 (AB5) will affect you?

WHAT IS AB5?

California Assembly Bill 5 (AB5) extends employee classification status to gig workers. Companies must use a three-pronged test to prove workers are independent contractors, not employees. AB5 is designed to regulate companies that hire gig workers in large numbers, such as Uber, Lyft, and DoorDash but are making big waves with arts groups, truckers and many more. What does this law (and the supreme court decision behind it) mean to the social sector? Find out with Public Law Center’s Community Organizations Legal Assistance Project.

Co-sponsored by the Gianneschi Center for Nonprofits, the Orange County Community Foundation, the Public Law Center and DRC, Dance Resource Center.

WHEN:

Tuesday, March 17
9:00 AM – 10:30 AM

WHERE:

The Village at 17th Street
1505 17th Street
Santa Ana, CA 92705

This event is FREE.

RSVP>>

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

When Is It Worth It To Splurge on Jewelry?

Being frugal is no bad thing, but sometimes there are good reasons to push the boat out and expand your budget if the circumstances are right.

Here are some great examples of situations where splurging on jewelry is better than holding back.

Image Source: Pixabay

You want to celebrate a special occasion

There is no better way of letting someone know that you care than with the gift of one of a kind gold jewelry. From anniversaries and birthdays to other life events like a promotion at work or an achievement worth shouting about, if you want to give a gift that will be remembered for decades, splashing out on a bit of custom bling is the way to go.

Of course you could tighten your purse strings and push through with a more cost-conscious jewelry purchase while reciting the mantra ‘it’s the thought that counts’. That’s all well and good, but if the piece you choose is cheap and cheerful, it will likely be forgotten rather than cherished, no matter how graciously it is accepted at the time.

You have the means

Saving money is essential, but the entire point of building up a pot of cash is that at some point you will be able to spend it. So while it is never a good idea to spend more than you can afford on jewelry or any other luxury, you should also be willing to treat yourself if you have got enough stashed away to make this a justifiable move.

There are wider cultural and generational trends that are changing the jewelry market at the moment, which may mean that there is more on your mind than simply being careful with your money when considering pieces to buy. Even so, if you have the means and the motivation, a carefully chosen jewelry product can be a purchase you don’t come to regret.

You want something unique

Jewelry can span a broad range of styles, materials and designs, although you will tend to find that if you want something that stands out from the crowd you will need to spend a little more and choose a bespoke piece rather than one which has been mass produced to keep costs to a minimum.

Of course that does not mean that you need to opt for jewelry that is very traditional or even particularly elaborate in its design; you can still let your personal tastes dictate the pieces you pick, particularly if you are willing to splurge.

There are tiers within this subcategory of the jewelry market as well, so you can work with a craftsperson and come up with a design that represents your desires and match the amount you spend to your budget.

Wearing jewelry is an ancient tradition, so it makes sense to embrace it in a way that is as meaningful and personal as possible. It is also enjoying growth at the moment, giving you more choice and variety when the time to splurge arrives.

The Whitefire Theatre Solofest Presents “I Can’t Indian Good”

Written and Performed by Brandon Raman.

As part of the Whitefire Theatres Solofest 2020

Brandon Raman is a force of nature.  Hilarious, brutally honest, rather handsome and an outrageously gifted storyteller.

The premise of this inspired show is that Brandon falls asleep while worrying about his place in the world and when he wakes, various relatives, uncles, grandmothers, distant twisted cousins etc., all from beyond the grave,  greet him.  Initially, to his quite understandable horror.  But they are there to help him, to guide him and to show him where he came from and how miraculous his life truly is.  They want him to experience the sacrifice and the heroism of his ancestors and to therefore understand more of himself and his own important uniqueness.  All this is done with humor and pathos and tremendous physical metamorphosis by Mr Raman…what a workout he must have!

His first visitor, in true ikeary Dickensian fashion, brings with him a large plastic storage box in which Brandon must climb each time he whirls through time…with the help of some brilliantly kitschy effects.  He travels back through his life from childhood to present exploring his identity as an Indian man who has never really seen himself as one.  He also spends time with his quirky relatives in their own spaces in the universe, which is a revelation to him, and us.

His parents thought that by not teaching him Hindi he would become more integrated into the American culture, but America is a fickle friend, and integration does not come so naturally here.  So Brandon grew up between two worlds, as many do, not feeling a part of either.

“I Can’t Indian Good” is somewhere between “A Christmas Carol,” “Hot Tub Time Machine” and “It’s a Wonderful Life.”  Part oracle, part comedy, part truth.  Brandon Raman has created something rare and wonderful.  He takes us on a magical mystery ride full of laughs and wonder, but also actual heart-rending and cathartic lessons for us all.  After all, we are all of us only here by the grace of our ancestors and their belief that what they did then, the work, the suffering, the life risking and the challenging cruelty of chance had a greater purpose…us.

Brandon Raman is a star. He needs his own Netflix special or movie or series. He is the real thing.  A brilliant writer, a gifted performer and mesmerizing on stage. How he moves from one character and one place and even one world to another is absolutely astonishing.

If you are lucky enough to get the chance to see this show (and I sincerely hope you are), run, don’t walk. I am really hoping he takes this to Hollywood Fringe. I will be first in line!

Best of Fest Selection for Solofest 2020
 
Added Show Dates:
 
April 10th at 8pm
May 14th at 8pm
 
Whitefire Theater
$20/ticket

http://www.brandonraman.com/

And the 2020 Valley Theatre Award Nominees Are…

The 2020 Valley Theatre Awards will celebrate excellence in Valley theatre.

The NoHo Arts District alone is a one-square mile neighborhood that has 20 theatres, the highest concentration outside of New York City. But there are many theatre scattered across the San Fernando Valley. That in itself is a reason to be proud and to celebrate. But the work our theatres produce is what we are going to celebrate on Monday, June 15, 2020 at the 6th Annual Valley Theatre Awards hosted by Bree Pavey and Paul Storiale at The Colony Theatre. The annual gala is an evening to enjoy wine, fun performance, meet Valley theatre folks and is a time to acknowledge and award the “best artists” on this side of the hill. 

The Valley Theatre Awards was created to bring recognition to the great work being done in the San Fernando Valley, to honor its artistic heritage, and to provide a meeting ground for this extensive community. The Awards focuses on intimate theatre and recognizes the unique and essential role it plays in contributing to our culture. We believe that publicly recognizing excellence in intimate theater will expand audience awareness and appreciation of a wonderful theatre experience in our community.

“This annual event celebrates the creators of intimate theatre in the San Fernando Valley,” says Paul Storiale, Valley Theatre Awards producer.

This year, the Lifetime Achievement Award goes to Maria Gobetti and Tom Ormeny from the Victory Theatre Center as they celebrate 40 years of new plays and intimate theatre. Since 1980, the Victory Theatre has presented more than 100 productions and 100 workshops, 80% of which have been NEW plays. Lifetime Achievement Award recipients are chosen to recognize exceptional contributions to the Valley theatre community over an entire career.

Valley Theatre Awards 2020 via www.nohoartsdistrict.com

WHEN:

Monday, June 15, 2020
Mix & Mingle: 6:30PM
Show: 7-10PM

WHERE:

The Colony Theatre
555 N 3rd St.
Burbank, CA 91502

(Please do not contact the venue for information)

There is plenty of free parking as it is at the corner of the Burbank Mall. 

TICKETS>>


Meet the 2020 nominees…

BEST SOUND DESIGN OF A PLAY OR MUSICAL

1. Garrett Parks | THE LONG GRAVEL ROAD | TheatreWest
2. Chris Moscatiello | AT THE TABLE | The Road Theatre Co.
3. Mina Bloom | THE TWO NOBLE KINSMEN | Porters of Hellsgate 4. Sebastian Munoz & Matt Ritchey | ROMEO AND JULIET IN HELL | Force of Nature Prod.
5. Christopher Brown | ELIJAH | The Victory Theatre

BEST LIGHTING DESIGN OF A PLAY OR MUSICAL

1. Jesse Santos & Yajayra Franco | FIREBRINGER | FPAC
2.Carol Doehring | ELIJAH |The Victory Theatre
3. Tor Brown | MACBETH | Loft Ensemble
4. Derrick McDaniel | NOWHERE ON THE BORDER | The Road Theatre Co.
5. Derrick McDaniel | WORKING 2020 | Whitefire Theatre

BEST COSTUME DESIGNER OF A PLAY OR MUSICAL

1. Denise Devin | BEASTS FROM THE SEA | Zombie Joe’s Underground
2. Angela M. Eads | NIGHT OF THE LIVING DEAD | Group Rep. Theatre
3. Yessica Armenta | FIREBRINGER | FPAC
4. Michele Young | LADY DAY AT EMERSON’S BAR AND GRILL| Garry Marshall Theatre
5. Jennifer Derosa | MACBETH | Loft Ensemble

BEST VOCAL DIRECTION or MUSICAL DIRECTION

1.. Jonny Perl | SHAME OF THRONES | Whitefire Theatre (MD)
2. Wayne Moore | SWING: THE MUSICAL | Write Act Rep. (MD)
3. Matthew Park | FIREBRINGER | FPAC (VD)

BEST STAGE MANAGER OF A PLAY OR MUSICAL

1. Gail Murray & Melissa Munoz | ROMEO AND JULIET IN HELL | Force of Nature Prod.
2. Jonathan Harrison | SWING: THE MUSICAL | Write Act Rep.
3. Jody Bardin | THE MAN WHO CAME TO DINNER | Group Rep.
4. Josh Pritchard | FOR BETTER | Above the Curve Theatre Co.
5. Beth Mack | AT THE TABLE | The Road Theatre Co.

BEST SCENIC DESIGN OF A PLAY OR MUSICAL

1. Chris Winfield | THE MAN WHO CAME TO DINNER | Group Rep.
2. Paul Dufresne | NOWHERE ON THE BORDER | The Road Theatre Co.
3. Madylin Sweeten Durrie | WAIT UNTIL DARK | Loft Ensemble
4. Tanya Orellana | LADY DAY AT EMERSON’S BAR AND GRILL | Garry Marshall Theatre
5. Evan Bartoletti | ELIJAH | The Victory Theatre

BEST ONE PERSON PERFORMANCE

1. Fritz Coleman | DEFYING GRAVITY | Garry Marshall Theatre
2. Gus Krieger | A CHRISTMAS CAROL | Porters of Hellsgate
3. Abbott Alexander | THE LONG GRAVEL ROAD| TheatreWest

BEST IMPROV or SKETCH COMEDY ENSEMBLE

1. MADJACKRATS | Theatre 68
2. THIS PLACE SUCKS (AND ACTUAL ONLINE REVIEWS) | Secret Rose Theatre
3. SLOW… CHILDREN AT PLAY | Tim Simek, Producer
4. ALLEGEDLY… | Acme Comedy Theatre
5. BEER AND BEDTIME STORIES | Whitmore-Lindley Theatre

BEST CHOREOGRAPHY (Dance, Fight, or Movement)

1. April Littlejohn, Catie Faye Smith, Jarrell Hall | RED MEAT | Fuzzy Bottoms Theatre Co.
2. Jesse James Thomas | THE TWO NOBLE KINSMEN| Porters of Hellsgate
3. Tavi Stutz | ART IS USELESS WHEN YOU’RE BRING MAULED BY A BEAR | Loft Ensemble
4. Carli Lind | LOST: THE MUSICAL | Whitefire Theatre
5. Michaela Slezak | CHURCH DISCIPLINE | Zombie Joe’s Underground

BEST PERFORMANCE IN A CHILDREN’S PRODUCTION

1. Warren Hall | URBAN DEATH FOR KIDS | Zombie Joe’s Underground
2. Alex Mashikian | THE ADVENTURES OF PETER RABBIT | TheatreWest
3. Kai Wright | LES MISERABLES | Act 1 @ Theatre 68
4. Katarina Sky | WIZARD OF OZ | Gray Studios
5. Harut Simonian | BEAUTY AND THE BEAST | Room 114 Theatre Co. @Secret Rose

BEST SUPPORTING ACTOR IN A PLAY

1. Thomas F. Evans | DEATH WITH DIGNITY | Theatre 68
2. Carlos Alazraqui | SUICIDAL BLONDE | Whitefire Theatre
3. Yisrael Dubov | RED MEAT | Fuzzy Bottoms Theatre Co.
4. Abdul Hamid Royal | LADY DAY AT EMERSON’S BAR AND GRILL | Garry Marshall Theatre
5. David Dickens | CHURCH DISCIPLINE: REFORMED | Zombie Joe’s Underground

BEST SUPPORTING ACTRESS IN A PLAY

1. Dawn Alden | THE TAMING OF THE SHREW | Porters of Hellsgate
2. Annie Sabel | TROJAN WOMEN | Archway Theatre Co.
3. Stephanie Mayer | RED MEAT | Fuzzy Bottoms Theatre Co.
4. Keegan Winfield | FOR BETTER | Above the Curve
5. Abigail Hunt | TROJAN WOMEN | Archway Theatre Co.

BEST SUPPORTING ACTOR IN A MUSICAL

1. Luke Martinez | FIREBRINGER |FPAC
2. Apollo Levine | SWING: THE MUSICAL | Write Act Rep.
3. Troy Whitaker | AVENUE Q | Group Rep.
4. Erich Schroeder| THE SPITFIRE GRILL | Garry Marshall Theatre
5. Brian Felker | FIREBRINGER |FPAC

BEST SUPPORTING ACTRESS IN A MUSICAL

1. Courtney Bruce | AVENUE Q | Group Rep.
2. Hope English | FIREBRINGER | FPAC
3. Linda Kerns | THE SPITFIRE GRILL | Garry Marshall Theatre
4. Kacey Spivey | LOST: THE MUSICAL | Whitefire Theatre
5. Corrine Glazer | FIREBRINGER | FPAC

BEST LEAD ACTOR IN A PLAY

1. Will Holbrook | Henry IV, Parts 1&2 | Archway Theatre Co.
2. Jim Beaver | THE MAN WHO CAME TO DINNER | Group Rep.
3. Anthony Marquez | FOR BETTER | Above The Curve
4. Jason Galindo | RED MEAT | Fuzzy Bottoms Theatre Co.
5. Chad Coe | THE END OF SEX | Victory Theatre
6. Sean Faye | THE TAMING OF THE SHREW | Porters of Hellsgate
7. Lee Grober | THE SECRET OF CHIMNEYS | Group Rep.
8. Mitch Rosander | THE SOUND OF SILENCE | Loft Ensemble
9. Chet Grissom | NOWHERE ON THE BORDER |The Road Theatre Co.
10. Hansford Prince | DEATH WITH DIGNITY | Theatre 68

BEST LEAD ACTRESS IN A PLAY

1. Tracy S. Lee | UNFORGETTABLE | Write Act Rep.
2. Marisa Sullivan | THE ABSURDITY OF SEX | Defiance Theatre Co.
3. Deidrie Henry | LADY DAY AT EMERSON’S BAR AND GRILL| Garry Marshall
4. Allison Blaize | THE SPANISH PRAYER BOOK | The Road Theatre Co.
5. Austin Highsmith | THE END OF SEX | Victory Theatre
6. Bree Pavey | MACBETH | Loft Ensemble
7. Hillary Weintraub | TROJAN WOMEN | Archway Theatre Co.
8. Tamara Braun | DEATH WITH DIGNITY | Theatre 68
9. Lauren Jean Lee | TAMING OF THE SHREW | Porters of Hellsgate
10. Erica Brauer | FOR BETTER | Above The Curve Theatre Co.
11. Elizabeth Grullon | WORKING 2020 | Whitefire Theatre

BEST LEAD ACTOR IN A MUSICAL

1. Milo Shearer | SHAME OF THRONES | Whitefire Theatre
2. Joey Flint | AVENUE Q | Group Rep.
3. Matthew Thomas Ingraham | LOST: THE MUSICAL | Whitefire Theatre

BEST LEAD ACTRESS IN A MUSICAL

1. Ashley Argota | THE SPITFIRE GRILL | Garry Marshall Theatre
2. Tiffany Oliver | FIREBRINGER | FPAC

BEST ENSEMBLE CAST OF A PLAY OR MUSICAL

1. ROMEO AND JULIET IN HELL | Force of Nature Prod.
2. LOVE IS A JOURNEY – A Collection of LGBT Stories | Theatre West
3. AT THE TABLE | The Road Theatre Co.
4. STICKY FLOOR STORIES | Above the Curve
5. DYSFUNCTIONAL FAMILY CHRISTMAS | Defiance Theatre Co.
6. THE SPITFIRE GRILL | Gary Marshall Theatre
7. THE GAYEST CHRISTMAS PAGEANT EVER | Loft Ensemble
8. NOT INTO THE WOODS | Theatre 68
9. THE FAVORITE | Avante Garage @Schreiber Playhouse
10. CHURCH DISCIPLINE: REFORMED | Zombie Joe’s Underground

BEST CHILDRENS PRODUCTION

1. WIZARD OF OZ | Gray Studios
2. THE ADVENTURES OF PETER RABBIT | TheatreWest
3. URBAN DEATH FOR KIDS | Zombie Joe’s Underground
4. THE TALE OF TURANDOT | Colony Theatre
5. BEAUTY AND THE BEAST | Room 114 Theatre Co. @Secret Rose

BEST DIRECTOR OF A CHILDREN’S PRODUCTION

1. Jana Wimer | URBAN DEATH FOR KIDZ | Zombie Joe’s Underground
2. Anthony Gruppuso | THE ADVENTURES OF PETER RABBIT | TheatreWest
3. Kimberly Whalen | GREASE | Gray Studios
4. Megan Littler | THE WIZARD OF OZ | Gray Studios
5. Armina Lamanna | THE TALE OF TURANDOT | Colony Theatre

BEST WRITER OF AN ORIGINAL PLAY OR MUSICAL

1. Abbott Alexander | THE LONG GRAVEL ROAD | TheatreWest
2. Michael Antin | SWING: THE MUSICAL | Write Act Rep.
3. Judith Leora | ELIJAH | Victory Theatre
4. Steven C. Parker & Steven Brandon | SHAME OF THRONES | Whitefire Theatre
5. Joe Correll | THE FAVORITE | Avante Garage @Schreiber Playhouse

BEST DIRECTOR OF A PLAY

1. Matt Ritchey | ROMEO AND JULIET IN HELL | Force of Nature Prod.
2. April Littlejohn |RED MEAT | Fuzzy Bottoms Theatre Co.
3. Bryan Rasmussen | LIVE PILOTS SOCIETY | Whitefire Theatre
4. Brandon Slezak | CHURCH DISCIPLINE: REFORMED | Zombie Joe’s Underground
5. Maria Gobetti | ELIJAH | The Victory Theatre
6. Rose Fliegel & Alicia Patterson | THE TAMING OF THE SHREW| Porters of Hellsgate
7. Ronnie Marmo | DEATH WITH DIGNITY | Theatre 68
8. Larry Margo | NANCY F**ING REAGAN | Secret Rose Theatre
9. Ann Hearn Tobolowski | THE FAVORITE | Avante Garage @Schreiber Playhouse
10. Bree Pavey & Emma Latimer | MACBETH | Loft Ensemble

BEST DIRECTOR OF A MUSICAL

1. Timothy J. Borquez | FIREBRINGER | FPAC
2. Steven Brandon | LOST: THE MUSICAL | Whitefire Theatre
3. Patrick Burke | AVE. Q | Group Rep.

BEST MUSICAL OF THE YEAR

1. FIREBRINGER | FPAC
2. LADY DAY AT EMERSON’S BAR AND GRILL | Garry Marshall Theatre
3. LOST: THE MUSICAL | Whitefire Theatre

BEST PLAY OF THE YEAR

1. AT THE TABLE | The Road Theatre Co.
2. LADY DAY AT EMERSON’S BAR AND GRILL | Garry Marshall Theatre
3. THE TAMING OF THE SHREW | Porters of Hellsgate
4. NANCY F**ING REAGAN | Secret Rose Theatre
5. THE MAN WHO CAME TO DINNER | Group Rep.

SPECIAL AWARDS

Lifetime Achievement Award is chosen to recognize exceptional contributions to the Valley theatre community over an entire career. THE 2020 RECIPIENTS ARE: Maria Gobetti & Tom Ormeny – VICTORY THEATRE CENTER.

The Company Ensemble Award is chosen by the selection committee to celebrate an entire theatre company or group which works together closely while maintaining a friendly and welcoming atmosphere for theatre in the San Fernando Valley. (Announced on Awards night)

The Artistic Director Achievement Award is chosen by the selection committee each year to celebrate an artistic director who has gone above and beyond their duties to create and/or continue a successful company. (Announced on Awards night)

Support your local theatre.  How? Easy. See a show!

NoHo Theatre Guide  |  NoHo Theatre Reviews

 

NoHo News March 5

…

NoHo News: Ramen for the Soul. Prohibition. Solofest. L.A. Women’s Theatre Festival. Theatre District.

Here’s your NoHo arts community update!  We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood.

Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

 NoHo News: Ramen for the Soul. Prohibition. Solofest. L.A. Women's Theatre Festival. Theatre District.

Follow NoHo News with Bloglovin

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.