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Finding Your Acting Class – An Actor’s Guide

Finding your acting class –  an actor’s guide

Training is essential for an actor. There are so many choices and different techniques to choose from.  I get asked often about what classes to take, and what are the best choices for their time and money.

What is best and more importantly, what is the best for you? That is your work to do. It’s an individual choice.  There are so many choices out there. It can be confusing and overwhelming.

I’ve compiled a checklist of questions and things to consider. You may find it helpful as a guide when looking for an acting class. 

  • Ask people you know who are in the business. Actors who work and are pursuing careers are a great start. Those referrals are great. Industry referrals even better.
  • Google acting classes in your area. Get a list of those that appeal to you geographically as you will need to travel there on a regular basis.
  • How long have they been in business? If they’ve been teaching a long time, they are most likely very experienced, knowledgeable, and worth looking at. Experience is key.
  • Check the teacher’s bio. Is it a current or former actor? director?  casting director? See what’ they’ve done and what their industry experience is. It will help in knowing what their perspective is.
  • What is the cost? Does it fit your budget? You want to be able to study on an ongoing basis and be able to afford it. You are in it for the long run; you need to constantly be working on your craft.
  • How often does the class meet? Once a week, more than that? Are there other opportunities that you can take advantage of outside of the regular class?
  • How many actors in each class?  Large classes are impressive to see as it gives the appearance that it’s popular. But how often do you get to work, and how much time do you personally get? That is what you want, personal time.
  • What is the homework involved?  Find out what the teacher expects of you.
  • Be wary of a lot of money up front.  You want to make sure it’s a fit.  Sometimes you have to try a few different classes to find the voice that speaks to you.
  • Look at the web site and see the testimonials. Those are usually legit and are put out by people who truly believe in the class and are willing to put their name on it.
  • Does the teacher allow other members of class to give notes or critique the work? Some do. If so, are you ok with that?
  • Audit at least 3-5 classes before making your choice. You want to see what’s out there and hear the work from different perspectives.
  • Audits can be free or sometimes they charge for them. I am mixed on that, it’s a personal choice.  If you do pay for an audit, it should be a working audit where you get to work and be critiqued. 

The bottom line is you need to “vibe” it out. How it “feels” when you’re in the space with the teacher and other students is important.  What is the “energy” of the room? Is it supportive?  Competitive?  Aggressive? Spiritual?  Psychological?  Technical?  Friendly?  Professional?  Fun?  When listening to the critiques and coaching you should be following along. It should make sense and speak to you.  Does the teacher see you and who you are?  Remember, you are looking for an environment where you can put your trust in someone, and allow your vulnerability to come out.  Ultimately, you need to feel good about it. Not every class is right for everyone.  Don’t be intimidated if it’s not for you. Keep looking.

Final thought – get into, and stay in a good challenging class. Actors need to be on their game and keep their instrument sharp.  

I’ll leave you with this –   “Never, ever, ever, ever, take a day off.” – Val Kilmer on Breaking into Acting. Take care.

Meet Two NoHo Actors

NoHo Actors Spotlight: The Group Rep’s Janet Wood and Chris Winfield

The NoHo Arts District motto should be:

“NoHo is only as great as its people.”

The www.nohoartsdistrict.com team likes to spotlight local folks who make our neighborhood the arts district that it still is. Meet Janet Wood and Chris Winfield, members of the Group Rep at the Lonny Chapman Theatre, one of the first theatres to make NoHo their home.

Janet Wood

How long have you been with GRT?

I am one of the founding members. The Group Rep at the Lonny Chapman Theatre began May 1973 with a rag-tag group of 12 actors performing scenes for audiences in a laundromat-turned 36 seat theatre on Van Ness Boulevard. When Lonny Chapman first entered that theatre, the magic began. Here was an Artistic Director in search of a theatre and a theatre company in search of an Artistic Director. The match was perfect and the Group Repertory Theatre was born with Lonny Chapman at the helm. This partnership continued until his passing in 2007.

Why did you choose GRT?

As you can see from the previous question, it chose me. The theater grew rapidly. The first show, “Round Dance,” an adaptation of Schnitzler’s “La Ronde,” was an immediate hit and the GRT was on its way. By 1974, with the growth in the number of productions and additional company members, Lonny Chapman suggested that a bigger space was needed. A new 58-seat venue was rented on Magnolia which began playing to sold out houses. GRT’s growth and success required yet a larger venue. In 1980, Lonny secured our current Burbank and Vineland location, which was renovated into its present configuration. It is a beautiful theater and we are very proud of it.

What are some of the things you are most proud about GRT?

The thing I am most proud of in my theater is the actors’ ability to create their own project without having to wait to be cast in a show. Anyone can initiate a project for a Monday night which can then go on to a two nighter and, in some cases, a main stage production. Another proud moment was when I, along with Chris Winfield and others, was involved in creating the space upstairs and making a additional wonderful little theater called Upstairs at the Group Rep. We use this space to do smaller shows. One of these shows. A SLIGHT ACHE, went on to win the NoHo Fringe Festival 2016 Best Costume Award.

Upcoming productions, events, etc. you’ll participate in?

I am performing in the next production, A DULL PAIN TURNED SHARP. I play an old Hungarian woman, so that will be a new character part for me! After this main stage production, we have DIAL M FOR MURDER followed by LOST IN YONKERS and ending the season and 2017 – – Shakespeare’s A MIDSUMMER NIGHT’S DREAM for the holiday season. Overall, we have a varied and entertaining season planned. In addition, July 9th we have a fun bingo fundraiser taking place at Hamburger Mary’s Restaurant in WeHo, and on August 19 a fundraiser with actor/ventriloquist Jay Johnson (“Soap”) on the Main Stage of the Lonny Chapman Theatre.

Is there anything you’d like to highlight?

In addition to professional stage productions, Group Rep gives back to the community with its Annual Foster Children’s Holiday Party. Irene Chapman and I have been in charge of that for over 18 of the 35 years that it’s been in existence. Liza Standish and Stephanie Colet help immeasurably. We invite 100 foster kids in and with a volunteer crew of GRT members and friends, we give the kids a terrific party full of entertainment, games, food, gifts and a play written just for them.

I would also like to say that our Co-Artistic Directors, Larry Eisenberg and Chris Winfield, are extraordinary people. We are so lucky to have them at the helm. And our president of the board these past few years, Bert Emmett, is fantastic. We have so many amazing people that help to keep the theater running and I am very thankful for them all. I consider it an honor to be part of this theater family.

Chris Winfield from the Group Rep at Lonny Chapman Theatre via www.nohoartsdistrict.com

Chris Winfield

Chris Winfield has been a member of the Group Repertory Theatre for more than 30 years. A theatre arts major at Glendale College and U.C.L.A. After college, in the late 1960s, he spent two years in England as assistant stage manager and actor at the Thorndike Theatre in Surrey. Board member and actor at the Morgan-Wixson Theatre in Santa Monica in the mid 1970’s. Joined the Group Rep in 1986. Chris has appeared in over 35 productions at the GRT. Most recently as the prosecutor in “Witness For The Prosecution.” He designs and builds many of the sets. He is Co-Artistic Director of the company.

How long have you been with GRT?

I have been with the GRT since 1986, 31 years. During that time I have appeared in over 35 mainstage productions. I have designed and built most of the sets over the last 10 years.

Why did you choose GRT?

I chose the GRT mainly because I had moved with my family from the Westside over to the valley, and was looking for a professional company with a good reputation. An actor friend of mine was already a member, and he got me in touch with Lonny Chapman. I was working for Warner Bros. Television, in Burbank, at the time. Everything just seemed to fit right into place. The rest is history, and there’s still more history to be made!

What are some of the things you are most proud about GRT?

Apart from some very enjoyable and satisfying roles that I have played, I think my contribution to the GRT as a builder (not just sets) has been very rewarding. I converted the upstairs rehearsal room into a 36 seat theatre, and the GRT has been able to derive extra, and much needed, income from that project. As co-Artistic Director, with Larry Eisenberg, I am very proud of the eclectic and high quality work we have been able to turn out over these past 5 years. On shoestring budgets we have managed to present to our audiences productions that are visual, stimulating and engaging. I think the fact that we have managed to keep our doors open for 44 years is something to be extremely proud of.

Upcoming productions, events, etc. you’ll participate in?

As Co-Artistic Director I shall be participating in all aspects of the upcoming seasons. As an actor I shall audition for “Dial M For Murder”, which opens June 30th. There are also many upkeep and maintenance projects that constantly need attention at the theatre, so there’s never a dull moment.

Is there anything you’d like to highlight?

I would especially like to highlight the rapport that I have with my fellow co-AD Larry Eisenberg. We are both deeply committed the theatre, and to the GRT in particular. Although we contribute to the theatre as actors, we also manage to share all of the other responsibilities without getting in each other’s way. We are also both avid golfers, so at least once a week we can relax and enjoy each other’s company away from the GRT. (That is if you can call golf enjoyable and relaxing!)

Check out the Group Rep!

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

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What’s in the new L.A. City Budget?

City Council Approves $9.2 Billion LA City Budget, Funds Homeless Services & Traffic Safety

“This budget invests in traffic safety, reduces homelessness, puts more police on our streets and is fiscally responsible.” -Paul Krekorian, LA Budget Chair

From the office of Councilman Paul Krekorian

After nearly three weeks of budget meetings and input from city departments and the public, the Los Angeles City Council, led by Budget Chair Paul Krekorian, approved a $9.2 billion city budget for Fiscal Year 2017-2018, which begins July 1, 2017. This is the city’s sixth consecutive budget process overseen by Krekorian.

“This is the most important vote the City Council will take all year because it sets our values and priorities to make Los Angeles a stronger city,” said Councilmember Paul Krekorian, Chair of the Budget and Finance Committee. “I’m proud of the work we’ve done to achieve a healthy and fiscally responsible budget,” said Krekorian. “This budget invests in traffic safety, will fix more streets than we have in decades, puts more money into housing and serving the homeless than ever before, and increases the number of police patrolling our streets and firefighters stationed in our communities.”

Krekorian concluded: “There are still uncertainties with federal government funding and potential liability costs, but I’m confident that we’ve done the work required to protect the city and its residents in the year ahead.”

BUDGET BY THE NUMBERS
• $9.2 billion total city budget (5.2 percent increase over last year)
o General Fund: $5.8 billion ($203 million increase)
o Special Funds: $3.4 billion
• Primary revenue sources: Property Tax, Utility Users’ Tax, Business Tax, Sales Tax, Documentary Transfer Tax, Power Revenue Transfer, Transient Occupancy Tax and Parking Fines

PLANS FOR A RAINY DAY
• $297.9 million Reserve Fund, well over 5 percent policy goal
• $96.25 million Budget Stabilization Fund, highest in history
• $108 million for the Liability Claims Account, 40 percent higher amount than normal

INVESTS TO REDUCE HOMELESSNESS
• $176 million in housing and services for the homeless, the highest amount ever budgeted
o Total of $122 million for permanent housing
o $11.2 million for shelters and prevention services
o $36.8 million for engagement and cleanliness efforts, including $2.9 million for new outreach and sanitation teams
• Total of $176 million includes $89 million funding from Measure HHH bond
o Of that total, $76 million will go toward 400 units of new permanent supportive housing
o $12 million for six new housing facilities.

TRAFFIC AND PEDESTRIAN SAFETY
• $25 million for Vision Zero to end pedestrian and traffic fatalities
• $30 million for street reconstruction to fix our worst streets
• $90 million to resurface streets and fill 350,000 potholes
• $31 million to fix sidewalks

IMPROVES QUALITY OF LIFE
• $7.1 million to trim trees and remove stumps
• $4.2 million to clean streets and alleys
• $2 million for 24-hour graffiti removal
• $14 million to fund DASH bus expansion
• Funding for Vision Zero Action Plan to reduce pedestrian fatalities

ENSURES PUBLIC SAFETY
• 70 percent of discretionary spending goes to police and fire services
o Fire Department budget: $657 million ($24 million increase)
o LAPD budget: $1.57 billion ($91 million increase)
• $10.5 million to hire 195 new firefighters
• Funds programs and positions to oversee the LAFD Girls Camp
• Allows for hiring of 45 civilians to free up sworn officers and get more cops on the street
• Adds funding for the Latent Print Unit to combat property crimes
• Funds enhanced tools to monitor and prevent cybersecurity intrusion attempts

PROVIDES FOR LA’S NEIGHBORHOODS
• Restores funding for parks and prioritizing hiring entry level positions for local job-seekers
• Expands LA’s Best after-school and summer enrichment to 1,000 additional students
• 15,000 summer youth jobs with HireLA
• Funds staff for Neighborhood Conservation and Historic Preservation Overlay Zones
• Restores funding related to Animal Services No-Kill policy goal

HOW WE GOT HERE
• April 20: Mayor proposed budget
• April 26: Budget and Finance Committee hearings began
o 2+ weeks of hearings
o 44 city departments, bureaus and agencies
o 100+ public comments
• May 18: the full City Council adopted the budget

KREKORIAN HAS AN EYE ON THE FUTURE
• LA is on track to eliminate the structural deficit within the next five years.
• This budget reflects the impacts of LA’s continued economic growth, but the City Council also has an eye on the risks the city may encounter.
• Potential challenges include uncertainties with federal government funding, the costs of ongoing litigation and liability claims, workforce costs (including pensions) and the cost of police overtime.

Los Angeles City Councilmember Paul Krekorian, chairman of the Budget and Finance Committee, represents Council District 2, which includes the east San Fernando Valley. His website is cd2.lacity.org, where you can sign up for news updates. Visit him on Twitter (@PaulKrekorian) or Facebook.


**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

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Guardians of the Galaxy Vol. 2; Paris Can Wait; The Lovers

Guardians of the Galaxy Vol. 2; Paris Can Wait; The Lovers

Guardians of the Galaxy Vol. 2 provides a fair amount of fun for those who saw the first installment of the franchise (surely you Marvel and non-Marvel fans knew there would be more coming), as well as for those viewing for the first time. This time around Guardians member Rocket (the wise-cracking raccoon bounty hunter voiced by Bradley Cooper) swipes a particularly valuable battery, thus incurring the wrath of the Sovereign race (including an under-used Sylvester Stallone), while Gamora (Zoe Saldana) has some potentially deadly sibling issues with Karen Gillan’s Nebula.  Not to be undone, Chris Pratt’s Quill has some serious internal conflicts pertaining both to his adoptive dad Yonda (John Rooker), and his biological father Ego (Kurt Russell).  Yonda has become a “Yonda non Grata” for not pursuing Quill; in the meantime, Ego tries to make amends with his abandoned son Quill, by way of some father-son bonding and the promise of an even greater tomorrow.

Written and directed by James Gunn, Guardians of the Galaxy Vol. 2 alternates between the requisite action scenes and the amusing, offbeat moments that made the first film seem so fresh.  However, all the family strife leads to prolonged (and not particularly involving) scenes designed to add some depth but only detract from the inherent entertainment quotient. Kurt Russell is always a pleasure to see, but the writing lets him down; while Pratt, Cooper, and Saldana are fine, they too have to grapple with some lightweight attempts at simulated depth. Michael Rooker comes off best, as his Yonda provides some genuine gravitas to his role, while also excelling in his extended banter with Cooper’s Rocket.  As fans already know, a third Guardians is already in the works—hope it provides more of the flair that made the first one exceptional for its kind.

Paris Can Wait

Eleanor Coppola’s (as in Francis’ wife) Paris Can Wait stars Diane Lane as the neglected wife of harried producer Alec Baldwin.  While in France, Baldwin (who almost literally phones in his performance) finds he must hurry over to Budapest—only Lane is sidelined by a persistent ear ache and advised to skip the Budapest-bound flight.  Luckily, Baldwin’s very French friend and partner Arnaud Viard offers to drive Lane to Paris, and so the road trip begins.

Anyone who can’t tell you where this trip is heading has misplaced his cinematic GPS, as a day’s journey leads to an overnight stop since Viard’s guide knows everything French, whether historical or culinary.  There are a number of delectable treats along the way, as well as a few historical tidbits, but the trip itself is less than satisfying.  Lane is good, as always, providing layers that Coppola’s featherweight script only hints at, while Viard comes off as perhaps more of an overt schemer than a covert charmer.  Paris Can Wait has its moments (watch for Lane the mechanic) but for those looking for a real Lane awakening, you would be better off with Under the Tuscan Sun.

The Lovers

Azazel Jacobs’ The Lovers casts Debra Winger and Tracy Letts as a couple going through the motions with each other—while both are involved in affairs with partners engaging in high-pressure tactics in order to get Winger and Letts to bail from the broken marriage.  The thing is…a certain malaise has set in for Winger and Letts in their respective illicit liaisons, and when they turn to (gasp) each other, sparks begin to fly, which add a certain frisson to their long-dormant relations.  Add to this, the imminent arrival of Winger and Letts’ grown son (with his girlfriend), who’s expecting another dispiriting visit with the folks.  The set-up promises more than it delivers in the end, but there are some pleasures along the way as Letts and Winger are convincing both as the deceived and despairing spouses and as the re-energized “lovers.”  Try The Lovers for them, as well as the occasional incisive moments along the way.

“Cyrano De Bergerac”

“Cyrano De Bergerac” now playing at Archway Theatre in the NoHo Arts District through June 11.

 

The Archway Theatre is a bit of a marvel really. 

The artistic director Steven Sabel never ceases to amaze me with his challenging and gracefully selected plays and the passion with which he gathers his team of actors and production crew to give their absolute all in every conceivable way.

Cyrano

“Cyrano De Bergerac” is a beautiful and much reproduced play in various forms, most notably by Steve Martin in the lovely “Roxanne,” of course.  But this sad and wonderful story about a man so beloved by everyone but himself, who falls in love with a woman he convinces himself he can never have, is quite the most heartbreaking and inspiring of plays.

Based on a real person, “Cyrano De Bergerac” is such a treasure of a play that to produce it without the reverence it deserves could be catastrophic.  But the company at Archway have created a lovingly rendered and hugely successful version, full of vividly drawn characters, brilliantly choreographed scenes, and a production with a clear sense of direction, purpose and resolve.

The casting is really excellent. Our Cyrano is played with “panache” by the wonderful Christopher Karbo, a founding member of the company, with Emily Blokker-Dalquist as his Roxanne. Both are  truly phenomenal.  Such a perfect match in every way, their chemistry is palpable.

This is a truly brilliant production of this play. 

They have held close to its lyrical and classical structure, but perform with such gusto and charm that the characters seem fresh and new and the story, one we all know so well, not at all old but authentic and real.  From tavern to barracks, from nunnery to battleground, this sad story takes us and its actors on quite a ride and always with language for the ages.

“Cyrano De Bergerac” is a much-revered play with very good reason.  Written by Edmund Rostand in 1897, the playwright found an exquisite way to honor a gentle and courageous man and a particular moment in the history of France with echos of Shakespeare and Voltairean verse.

I cannot encourage you enough to go and see the Archway production of “Cyrano De Bergerac.”  The sheer joy the cast shows us in every scene is while sharing this gift of a story is pretty unforgettable.  To be honest, this play is well worth the time just to watch what is probably the longest dying scene ever written for the stage…ever.  Brilliant!

Garden

Everyone is absolutely wonderful, in roles both large and small.  The costumes and sets are impeccable and totally right for every character, although I have come to expect this from Archway, they pay attention to every detail, always.

I love extolling the virtues of NoHo theatre, and I am never happier than sitting in the dark on a squeaky seat, fanning myself with a program and watching art unfurl before me for a couple of hours.  Live theatre is the best…isn’t it…

“Cyrano De Bergerac”

Archway Theatre
10509 Burbank Blvd.
 North Hollywood, 91601

Fridays and Saturdays 8pm, Sundays at 2pm

May 13 – June 11

http://www.archwayla.com

Written by Edmund Rostand

Directed by Steven Label

Cast

Cyrano De Bergerac – Christopher Karbo

Magdaleine Robin Roxanne – Emily Blokker-Dalquist

Christian De Neuvillette – Jesse Durant

Comte De Guiche – Paul Carpenter

Captain Le Bret – Jason DeWitt

Duenia – Faith Streng

Ragueneau – Adam David Green

Lize – Sydnee Ortiz

Cadet Brie – Nima Ghomeshi

Cadet Camembert – Durwyn Robinson

Cadet Roquefort – Chris Howe

Ligniere – Daniel Krause

Marques De Valvert – Andre Anderson

Montfleury – Charles E. White

Mother Superior/Marguerite – Dorrie Braum

Shop Girl/Sister Claire – Briana Lipps

Flower Girl/Sister Marthe – Morgan Zenith

Production Staff

Producing Artistic Director – Steven Sabel

Stage Managers – Thomas Velasquez, Yae Sol Jeong, Jennifer Hawkins

Technical Director – Steven Sabel

Set Design – John Eddings

Scenic Art – James Schendel

Costumer – Sarah Morris

Costumes – Sally Schaub, Mel Virgo, Etha

Speciality Makeup – Brandon Spear

Properties Mistress – Madeleine Heil

Fight Choreographer – Steven Sabel

Fight Captain – Christopher Karbo

House Manager – Annie Freeman

Graphic Artist – Madeleine Heil

NoHo News: NoHo ArtWalk, Fringe, The artSHOW, NoHo Card App! Film Invasion + Awesome Theatre

Here’s your NoHo arts community update!

We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood. Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

NoHo News: NoHo ArtWalk,  Fringe, The artSHOW, NoHo Card App! Film Invasion + Awesome Theatre

Follow NoHo News with Bloglovin

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Money and Fame and Very, Very Independent Film

Money and Fame and Very, Very Independent Film

As stalwart as I am in my belief of the ‘art’ of filmmaking, I can’t pretend that I don’t sometimes fantasize about huge budgets and awards and, yes, money.

But seriously, as I reminded myself just the other day while I was furiously balancing my checkbook, if you want to have loads or even some money, then don’t work in the arts.

For that is what we are doing after all, art. So it goes without saying that large, or even small amounts of money are harder to come by than if we were say, dentists, not that there is anything wrong with dentists. I actually know one who spends his spare time making films.

So what to do…

I was asked by a young, budding filmmaker just the other day about how they should go about getting attention, making ‘buzz’ networking and the like and my answer was this:

“You had better be bloody sure that what you have is ready for all that.”

In retrospect, I was perhaps a little terse, but only for their own good.

What I really meant to say was spend less time worrying about increasing your ‘followers’ and more, much, much more time working on being excellent at what you do.

If your films are wonderful, honest, gorgeous and unique to who you are then all the rest of it and yes, even money, will follow.

Do you think Andy Warhol worried about money when he…well maybe he is not the best example.

I truly believe that you have to totally submerge yourself in what you do. Spend every last minute you have on it. Lock yourself away, become a hermit, be the most obsessed person you know with whatever it is you are working on and only emerge when, and this is key, you can emerge triumphant…or at least with something actually completed.

Once you are ready to share what you have made, that funny wonderful short, that brilliant and disturbing feature or whatever. Once it’s time to send it out into the world then you can put all your energy into marketing and ‘buzz’ and all that jazz.

What creative energy you have must go into the film. I have tried to do both, concocting clever and elaborate or funny and simple ways to promote and get ‘fans’ etc., while the project is in every other form than finished. For me, it just becomes a huge distraction and, worse, it can actually begin to have an impact of the story. If we had them do this or that here or there then we could get some great PR out of it…oh, who cares!!

In the end, your film must be a part of your soul, or your heart or your essence to be good, so unless an emoji turnip is the perfect interpretation of that then my advice is to steer clear of the whole thing until the time is nigh/

Lord knows I’m the laziest at self-promotion, I would rather clean the house and that’s saying something. If you know me you will understand this reference very clearly. But I do understand the need for it, of course I do, but at the very, very independent end of the magical world of film, with limited resources, stamina and creative energy, the most important thing is the film itself. Once it’s finished then you can hire your cousin who’s just graduated with a degree in social media to make you famous and get you loads of money…simple!

My Mother’s Italian, My Father’s Jewish & I’m in Therapy!

“My Mother’s Italian, My Father’s Jewish & I’m in Therapy!” now playing at the Colony Theatre in Burbank through June 25.

Written by Steve Solomon
Starring Peter Fogel

 

The Colony Theatre was packed on the Saturday afternoon I attended “My Mother’s Italian, My Father’s Jewish & I’m in Therapy!” Which was a little surprising to me at first, until the play began…then I understood.

“My Mother’s Italian, My Father’s Jewish & I’m in Therapy!” is an autobiographical play written by Steve Solomon and brought to life by the brilliant comic timing of Peter Fogel, whose talents have graced stages worldwide and who has regularly starred on TV and in film performing with the likes of Ray Romano and Jon Stewart no less.

This one man show takes place in the office of a therapist. While our ‘hero’ is waiting for the doctor to arrive for his weekly therapy session he addresses us, the audience, and proceeds to try to explain just how his life has brought him here…to this deeply puzzling place. And by the end of the ‘session’ it’s clear why he thinks he needs help!

My Fogel embodies the absolute epitome of classical comic acting. He takes the material, the characters and the story and makes it his own. We truly believe that the character ‘is’ him, and our interaction on this warm Saturday afternoon is actually taking place in the doctor’s office. Fogel entertains us with stories of his immigrant parents and their seemingly disparate personalities. His gruff-voiced sister makes several appearances, along with everyone else in his life, and he hilariously impersonates them all to our delight. While he explores his mania and seeks answers, he regales us time and time again with side-splitting anecdotes and hard lessons learned.

Mr Fogel is the real deal.

This play has been performed in front of 450,000 people over the years and there is clearly a reason why he and the writer Steve Solomon keep rolling it out…it’s just very, very funny.

This is old school funny. Clever, poignant, observational and self-mocking, “My Mother’s Italian, My Father’s Jewish & I’m in Therapy!” is tongue in cheek, slightly smutty and charming beyond words. What more can we ask for than to spend a couple of hours in the company of experts at their craft and be outstandingly entertained in the process? With all the worries of the world weighing so heavily on us all right now, I think we are all overdue for something wonderfully warm, familiar and really, really funny.

I highly recommend “My Mother’s Italian, My Father’s Jewish & I’m in Therapy!” Go on, treat yourself!

The Colony Theatre
555 N. Third St.
Burbank, 91502

May 07 – June 25
Wed. 8PM, Thurs. 3PM & 8PM, Fri. 8PM Sat. 3PM & 8PM, Sun. 3PM

http://tix.smarttix.com/Modules/Sales/SalesMainTabsPage.aspx?ControlState=1&SalesEventId=6493&DC

‘Drawing Down The Moon’ showcasing the fine-artwork of Seymour Klate

‘Drawing Down The Moon’ showcasing the fine artwork of Seymour Klate

‘Drawing Down The Moon’ showcasing the fine artwork of Seymour Klate

Opens March 18th at Gallery 800

Included in our next exhibition are the whimsical drawings of prominent television and movie Art & Set Director Seymour Klate (1919 – 1992).  This is the first showing of his work since his death 25 years ago.

seymour klate

Klate, born in NYC to Russian immigrants, started off his film career in the 1940’s making Camouflage and Training films for the military. He then worked as Art Director at KTTV (1949 – 1952) in Los Angeles and then moved over to ABC TV (1952 – 1954) where he worked on numerous shows. 

Some of his earliest television credits included “Buster Keaton Show”, “The Gordon McRae Show”, “The Rosemary Clooney Show”, “Walter Winchell News”, and “Space Patrol”.  Later TV credits included such successful shows as “Miami Vice”, “Partridge Family”,  “Columbo”,  “The Incredible Hulk”, and “Knight Rider”.

It was Klate’s movie credits that he might be most remembered.  Those included

“The Manchurian Candidate”, “North by Northwest”, “Cleopatra”, “Catch 22” and the highly successful 1980’s hit “Somewhere in Time” which made stars out of Jane Seymour and Christopher Reeve.

In 1991, a year before his death, Klate summed up his long life’s work stating:  “It is the art director’s job to interpret the movie visually, then thru sketches, to create the sets and settings which will be used in the movie.  The art director’s quest for visual impact, realism and a ‘will it work for the cameras’ mentality is a stimulating, never ending source of excitement.”

Klate was elected President of the Society of Motion Picture and Television Art Director’s Local (1981) and twice elected governor of the Academy of Television Arts & Sciences (1984, 1985) He also taught his craft at USC in the mid 1950’s.

Seymour Klate (born 1919 – passed 1992) is best known as the Production Designer of the 1980 classic, beloved film Somewhere in Time, starring Christopher Reeve, Jane Seymour and Christopher Plummer.  He also Production Designed The River Niger (1976) & episodes of The Rosemary Clooney Show (1956) and The Buster Keaton Show (1950).

Klate Art 1

He Art Directed numerous TV shows, including the popular Knight Rider (1982), Police Squad!(1982), Pennies From Heaven (1981), The Incredible Hulk (1978), The Hardy Boys/Nancy Drew Mysteries (1978), McMillan & Wife (1975-1977), Sirota’s Court (1977), Columbo (1976), The Partridge Family (1972), The Donna Reed Show (1966) and Space Patrol (1954).

Seymour was nominated for an Emmy Award for ‘Outstanding Art Direction or Scenic Design for a Comedy Series’ for Sirota’s Court in 1977.  He was also the President of the Art Directors Guild in 1981.

The full list of artists follow: 

Olga Arapova
Sam Avila
Pierre Bernard Jr.
Sue Bielenberg
Katie Bode
Aprile Boettcher
Andrew Britton
Tim Burgard
Dan Caplan
Lindsay Carron
Scott Cumming
Michael Denering
Kristin duCharme
Nolan Fansler
Stefania Gallico
Carole Goldman
Dan Gonzales
Pete Graziano
Dee Hamaguchi
Seymour Klate
Catherine Koon
John Leverence
Tom Lisowski
Don Locke
Thomas Lucero
Luis Manuel Manriquez
Curtis Moore
Stasys Pinkus
Guille Robles
Alan Roderick-Jones
Alexa Schulz
Jeff Skrimstad
 
DRAW Opening Flier

The Lyons

The Lyons playing at th Road Theatre in the NoHo Arts District  extends through July 17!

Written by Nicky Silver

Directed by Scott Alan Smith

The Road Theatre Company

In a perfect world the terminal prognoses of a family member, especially a parent, is supposed to bring sharply and definitively into focus both the fragility of our lives and the importance of our closest and most deeply defining relationships. In a perfect world but ‘perfect’ is not the world of the Lyons family.

“The Lyons” is set in a hospital room where it becomes clear fairly quickly that the patriarch, Mr Lyons, is dying of cancer. 

His focus of what little time he has left is to be as obnoxious and contrary as he possibly can, and to make every effort to brutally and hilariously play his truth card to each of his two children and his far from dotting wife.

His wife, meantime, seems equally focused, although far more joyously so, on the future…without him.  A future full of redecorating and repurposing her life.  Something she is rather happy to share with her rapidly deceasing husband and especially with her alcoholic and depressed daughter and her manically isolated and slightly psychotic gay son.

Kris Frost and Chad Coe star in the ROAD THEATRE COMPANY's Los Angeles premiere of THE LYONS by Nicky Silver, directed by Scott Alan Smith and now playing at the ROAD THEATRE on LANKERSHIM.   PHOTO CREDIT: Michele Young
Kris Frost and Chad Coe star in the ROAD THEATRE COMPANY’s Los Angeles premiere of THE LYONS by Nicky Silver, directed by Scott Alan Smith and now playing at the ROAD THEATRE on LANKERSHIM.  PHOTO CREDIT: Michele Young

A happy family they are not, but rich fodder for this darkly comic drama full of painfully familiar familial bickering and the kind of betrayals only a family can tolerate.

Through the course of the play, each of them, father, mother, son and daughter, reveal their painful secrets and are somewhat mortified to find them already known. But that is the nature of family, you just can’t get away with anything.

With the help of some brilliant performances by Judith Scarpone, James Hardy, Verity Branco, Chad Coe, Kris Frost, Liz Herron and Amy Tolsky, Nicky Silver’s clever and uncomfortably poignant play successfully entertains as it reminds us how difficult maintaining honest, open relationships with those who we are supposed to be permanently connected to truly is.  How well do we really know each other?  Even sisters, parents and spouses can become more and more mysterious the longer they are in our lives.  Do we really put in the effort to understand each other or are we all just waiting for someone to die so we can move on and buy new couches? Food for thought.

The Road Theatre Company seems to choose the plays it produces with such artful and spectacular taste that I can hardly find fault with any of them, and this particular gem is no exception.  Funny, moving and thoughtful and just a little bit nutty, “The Lyons” is a play for the darkly real among us.  For those of us who have family members we feel we should be close to but can never really seem to hold a civil conversation with, or even want to half the time, we can’t choose our family right?  Well maybe sometimes we should.

Verity Branco and Judith Scarpone star in the ROAD THEATRE COMPANY's Los Angeles premiere of THE LYONS by Nicky Silver, directed by Scott Alan Smith and now playing at the ROAD THEATRE on LANKERSHIM.  PHOTO CREDIT: Michele Young
Verity Branco and Judith Scarpone star in the ROAD THEATRE COMPANY’s Los Angeles premiere of THE LYONS by Nicky Silver, directed by Scott Alan Smith and now playing at the ROAD THEATRE on LANKERSHIM. PHOTO CREDIT: Michele Young

I think I laughed out loud more times than I can remember ever doing so in a play. 

It’s like the Cohen Brothers and Woody Allen had a dysfunctional angry child who was too funny to be mad at.  A hilarious and fascinating glimpse into a group of people with more regret between them than Bernie Madoff should.

The production quality of this, the last play of the Road season, is fantastic.  But that is to be expected at The Road. The set design incredible and the casting and direction by Scott Alan Smith superb. 

I most highly recommend “The Lyons” at The Road on Lankershim.  If you love L.A. theatre, then it really is a must see!!

Cast

Rits- Judith Scarpone

Ben- James Handy

Lisa – Verity Branco

Curtis – Chad Coe

Brian – Kris Frost

Nurse – Liz Herron and Amy Tolsky

The Road Theatre Company

5108 Lankershim Blvd.,
North Hollywood 91601

May 12 – July 17

Fridays and Saturdays at 8pm, Sundays at 2pm

http://www.roadtheatre.org

https://vimeo.com/216725228

How to give back and “Voluntour” while traveling

How to give back and “Voluntour” while traveling

Hosting and organizing active travel programs for my clients, friends and local community is fun and rewarding in of itself.

I enjoy designing tours and making adventures happen where people really can get culturally enriched, boost their health by walking or hiking in nature, and foster life-long friendships with fellow like-minded travelers.

But one thing that I need to do more personally, and all of us who are lucky enough to go on amazing adventures and trips around the globe should try to do, is “Voluntourism”; giving back to the local communities we visit and the most deserving people of those communities.

There are several ways you can easily make a difference globally in poverty, the environment, health and wellness, and safety.

Pack for a Purpose encourages travelers to save room in their luggage to pack supplies for local charities. Their network is worldwide and travelers can drop off items at participating local resorts.

Most of the major airlines have an option where you can donate your miles to help make a difference for people in need. The available charities vary from airline to airline, but include organizations such as Red Cross and Make-A-Wish Foundation.

More and more hotels—at the corporate level—are getting involved in supporting local communities in need.

In Jamaica, the GoldenEye hotel donates part of your room rate to the Oracabessa Foundation that supports youth sports leagues and vocational training.

At The Good Hotel in San Francisco, just pick up the orange phone in the lobby to connect to the nonprofit One Brick, which matches visitors to short-term service gigs. You can roll up your sleeves for a few hours at the San Francisco Food Bank or join a day trip with wetlands conservation group

The Grand Hyatt in Kauai offers an Enrich Program that provides guests with several different ways to give back to the local community during their island getaway.

Staying at a Ritz-Carlton property? Whether you’re heading to Beijing, Berlin or Battery Park in New York City, the Ritz-Carlton offers  Give Back Getaways,  half-day voluntourism opportunities for its guests. The projects vary from environmental conservation to hunger and poverty relief and helping disadvantaged children.

Lastly, you can simply book a volunteer vacation and really make an impact and immerse yourself into a good cause anywhere in the world.

Organizations like Cross Cultural Solutions,GVI and Projects Abroad can match you with a destination and a cause that you really believe in and you’ll gain an in-depth cultural understanding not possible on most regular tours and adventure trips.

Cheers,

Jack Witt, MS, CPT
Fitness and Health Coach

“Get Fit with Witt”

Individuals / Groups / Corporate
310.562.5629 Cell / 818.760.3891 Main

Twitter / Instagram / LinkedIn / YouTube 

Build Your Credit Score!

Build Your Credit Score!

Graduating from college is a huge accomplishment.  You are joining the workforce, making money to pay your own way, living on your own.  

Now is the time to start building your credit so that you can buy the big ticket items that make the American dream such as a car and potentially even a house or condo. 

Start building credit early

Did you get a credit card as a student?  If so, are you paying it off each month?  One of the best ways to build a credit history is to have a credit card that is paid off each month.  Credit scores are affected by how high of a balance your card gets.  So make sure to keep the balance during each month below 30% of the card’s limit.  For example, if the card has a $1000, keep the balance below $300.  One easy way to do this is to only use the card for a few purchases a month, and promptly pay off the card each month. 

Make your loans work for you

Most graduates today have student loans.  They have become an almost unavoidable rite of passage to get through college.  If you have them, you may be building your credit and not even knowing it.  The first and most important question is, are you paying your loans on time?  Student loans count towards building a strong credit history.  All those on-time payments demonstrate your diligence in making on-time payments.  Look into setting up automatic payments with your lender.  It’s an easy way to guarantee on-time payments each month.  Most lenders provide an incentive in the form of lower interest rate just for signing up for automatic payments.

Starting New

If you are starting fresh, two places you may want to look is to open a secured credit card and to open a store credit card.   Secured credit cards are credit cards that are backed by a deposit from you to the card issuer.  Generally, this deposit is around $200-500.  Be careful to check the fees on secured credit cards as some have no fees and some have large fees.  Also, you can open a card at your favorite store.  Historically, store cards were not good for your credit history as they had no payment history on your credit report yet if you were late the issuer would report the delinquency on your card.  This has changed in recent years as store card payment histories have been added to credit reports.  One advantage of store cards is that they are generally easier to get and may have lower interest rates.  One caveat, as with any credit card, don’t forget to pay the balance in full each month.  It maximizes the card’s positive effect on your credit as well as keeps you from having to pay any interest.

1-551863

Ride of Silence 2017

THE RIDE OF SILENCE WILL NOT BE QUIET

From our friends at Los Angeles County Bicyle Coaltion

On May 17, 2017 at 7PM, cyclists will take to the roads in a silent procession to honor cyclists who have been killed or injured while cycling on public roadways. this is the Ride of Silence.  Although cyclists have a legal right to share the road with motorists, the motoring public often isn’t aware of these rights, and sometimes not aware of the cyclists themselves. In 2003, Chris Phelan organized the first Ride of Silence in Dallas after endurance cyclist Larry Schwartz was hit by the mirror of a passing bus and was killed. (Read the full history here…)

The Ride of Silence is a free ride that asks its cyclists to ride no faster than 12 mph, wear helmets, follow the rules of the road and remain silent during the ride.  The ride, which is held during National Bike Month, aims to raise the awareness of motorists, police and city officials that cyclists have a legal right to the public roadways. The ride is also a chance to show respect for and honor the lives of those who have been killed or injured.

WHAT: Ride of Silence San Fernando Valley

WHEN: Wednesday, May 17, 6:30-9PM

WHERE: North Hollywood Metro Red Line Station
5357 Lankershim Blvd.
North Hollywood, CA 91601

RSVP>>

CONTACT: Zachary Rynew · zachary@la-bike.org · 213.629.2142 x125

The Ride of Silence Poem…

Tonight we number many but ride as one
In honor of those not with us, friends, mothers, fathers, sisters, sons
With helmets on tight and heads down low,
We ride in silence, cautious and slow
The wheels start spinning in the lead pack
But tonight we ride and no one attacks
The dark sunglasses cover our tears
Remembering those we held so dear
Tonight’s ride is to make others aware
The road is there for all to share
To those not with us or by our side,
May God be your partner on your final ride
– Mike Murgas

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

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The NoHo ArtWalk

Get ready for every third Thursday because it’s NoHo ArtWalk time! Next ArtWalk is Thursday, May 18.

Remember the www.nohoartsdistrict.com unofficial motto is: “NoHo is only as great as its people.”

We appreciate our local community groups’ efforts to create, support and highlight the arts in our growing arts district. We’d like to introduce you to the folks at EMX who organize the monthly NoHo ArtWalk.  Save the date for the next NoHo ArtWalk on Thursday, May 18.

What is the NoHo ArtWalk?

EMX organizes the free NoHo ArtWalk as a showcase of Visual Artists, DJs, Producers, Dancers and Vocalists that takes place on third Thursdays every month in the NoHo Pedestrian Plaza. The goal of the ArtWalk is to stimulate the economy of the NoHo Arts District and bring new attendees in to also help local businesses.

[Editor’s note: THE NoHo Pedestrian Plaza is the alley off of Lankershim Blvd. at Magnolia Blvd.]

When is the ArtWalk?

It’s held the third Thursdays every month 6pm-10pm with After-Party @ Big Wangs from 9pm-2am.

What made you decide to create the ArtWalk?

I didn’t actually create the NoHo ArtWalk, EMX picked up the ArtWalk after Daniel Werder had founded it. Daniel was starting a tattoo shop in NoHo and thought this would compliment the NoHo Arts District. I was planning to start an ArtWalk of my own, and I called Daniel to book some performers. He ended up not wanting to manage the ArtWalk so I took it over because of my experience managing events at the Hollywood Roosevelt Hotel.

NoHo ArtWalk  via www.nohoartsdistrict.com

What do you envision for the ArtWalk in one year?

In one year we plan to cover the area from Chandler all the way to Magnolia, and have a system in place that partners with NOHOARTSDISTRICT.COM to stimulate local business in the NoHo Arts District through the NoHo Card.

Do you need volunteers? If yes, what do you need help with?

We do not need volunteers at this time because myself and all of the NoHo ArtWalk Visual Artists (including Xanthia Pink, Amy Kells and Chill Factory) and EMX Performers (including Stop Plate Techtonics and DJ Sensory) volunteer time already to make the event happen every month.

What do you like best about NoHo?

The thing that I like most about our NoHo ArtWalk is the feeling of community that it brings to North Hollywood, and that the event unites so many different walks of life (age, gender, income levels, ethnic diversity, etc.) with art as the common bond. I love walking around and introducing people to each other to help create friendships and bonds that are priceless that would not have happened without EMX or the NoHo ArtWalk .

Special thanks to the City of North Hollywood, NoHoArtsDistrict.com and the NoHo BID for helping to make this very special event happen on the third Thursday every month @ NoHo Pedestrian Plaza!

NoHo ArtWalk  via www.nohoartsdistrict.com


**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

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Things to Refresh Your Space

Things to Refresh Your Space

Over the past few weeks I’ve been asked a few times how to freshen up a space.

It’s pretty easy once you make a plan with what you want to change and how. Here are just a few tips to get you going.

  1. Soft goods is an easy place to start. Take a look at your accent pillows, area rugs and even draperies. Coordinating your fabrics will create a cohesive look and feel in any room. Start with a color palate you find invigorating, soothing or even relaxing. Find your area rug first as they usually have many colors in the pattern. Next add your drapery panels. There are so many ready-made options today that you can have a custom look for a very good price. Then add you accent pillows. It’s a layer you can really have fun with.
  2. Next try to add new lighting. If you don’t want to change the entire lamp, try to just update your shades. That in its self, can change your lighting.
  3. Art and accessories. Adding a few new pieces or even rearranging what you have can make a room feel new again. If you have a collection of accessories, rotate your ‘stock’ to keep the space fresh.

Just remember to have fun decorating your space. It’s a reflection of who you are so make it your own.

Enjoy!

Kosher Gift Giving 101

Kosher Gift Giving 101

What makes something kosher? Why would you need to give a kosher gift? If you are looking on the internet for the answers to these questions, you will find a lot of sites that sell kosher gifts, but not much else. 

However, with a bit of digging, you can find some things out about Kashrut – which are the dietary laws followed by people of the Jewish faith. This goes beyond telling you what you can and cannot eat if you are Jewish. It also tells you how the foods have to be prepared and even how to eat them. This includes rules on how the animals that are allowed to be eaten must be killed. It also tells you which parts of animals are allowed to be eaten. 

Some of these rules say that if you eat fish, that fish must have both scales and fins. Fruit cannot be eaten from trees before the trees are a minimum of 4 years old. Any meat that is eaten has to have the blood drained completely out of it. You can’t mix things like meat and dairy either in cooking utensils or on plates. Things like milk that comes from non–kosher animals (animals that do not have both a cloven hoof and that ruminate), birds of prey, insects and anything that crawls on the sea floor or on land, and shellfish are all forbidden… as is anything made from grapes that are not grown by people of the Jewish faith. 

This means that finding kosher gifts might seem to be something that can be difficult. It isn’t though. You can always give kosher gift baskets at those times when gift giving is appropriate. This can include the day of Purim, when each adult of the Jewish persuasion must send a minimum of 2 food items that are ready to eat to a minimum of one friend. You might also send a gift at Passover. Food gifts are always appreciated.

Why People Keep Kosher

Many people who grew up in a Jewish household keep kosher because it is how they were brought up. It feels like home to them. Maybe it is even a habit or just a personal proof of their religious conviction. Other people will keep kosher so that their kosher friends and family will be able to eat in their homes. Others might do it because of dietary allergies to things like dairy. Some people might be of the opinion that food that is kosher is safer or healthier. Then again, there are people who keep kosher because they are concerned about the welfare of animals because the shechita, or slaughter, is meant to be humane and fast.   

Preserving Tradition

It is no doubt that being kosher is a lifestyle choice. It also happens to be one of those choices of lifestyle that defines a person and gives clues about the community to which that person belongs. There are many traditions in the Jewish faith beyond being kosher, and one of those traditions is to take a “birthright trip” to Israel. There are even tours of the Holy Land that will take you on the Jesus Trail, which is a tour that goes from Nazareth, where Jesus grew to adulthood, to Capernaum, which is located on the Sea of Galilee. 

A trip to the Holy Land might be preserving tradition, but so is recognizing and observing the Jewish holidays. Some of those holidays, such as Chanukah, and Passover, are well known. Others, such as Sukkot, Pesach, and Shavuot are not as familiar to people who are not Jewish. 

All of these traditions are a part of what makes being Jewish so special. They teach about the history and culture of what is arguably the oldest religion on earth. They teach children to that traditions are important. They teach a way of life that, without these traditions, might have already vanished from the face of the earth. That is what makes being Jewish, and keeping kosher, means. That is why understanding kosher and kosher gift giving is such an important thing. If you are not Jewish, it is a fascinating thing to learn about if you have friends that are Jewish and it can tell you a lot about them.

It’s ARTS Internship Time, NoHo.

Calling All Fabulous Los Angeles Interns!

 

Students and arts organizations can help each other this summer. The L.A. County Arts Commission Summer 2017 Internship Program is here!

The NoHo Arts District dot Com team and the NoHo Arts Community loves good news, especially when it involves simultaneously assisting our youth and making art. Our friends at the L.A. County Arts Commission have a fabulous paid summer internships positions for qualified college students. Students interested in the arts should check out the list of qualifications and internship opportunities and apply today.

The Los Angeles County Arts Internship Program provides 10-week, full-time paid summer internships to eligible undergraduate college students between June and August, depending on the organization’s need and upon the student’s spring and fall class schedules. In addition to work experience, the interns are also provided other development opportunities to enhance their introduction to arts administration careers.

The internships are limited to students who:

  1. Live or attend college in L.A. County
  2. Currently enrolled as an undergraduate
  3. Have completed at least one semester of college by June 1, 2017 or will complete their undergraduate degree between May 1 – September 1, 2017
  4. Students who have already participated in the Los Angeles County Arts Internship Program are not eligible to participate a second time.

Check out the L.A. County Arts Commission’s full 2017 summer internship list. You can filter by neighborhood and type. 

DEADLINE: May 19, 2017 but get them in as early as possible.
HOW TO APPLY: Apply directly to the organization  
INFO: https://www.lacountyarts.org/opportunities/arts-internship-program-students

LA County Arts Commission Summer Internship Program via www.nohoartsdistrict.com
Via L.A. County Arts Commission

PROGRAM OVERVIEW

The Los Angeles County Arts Internship Program funds nonprofit performing, presenting, literary and municipal arts organizations to host college students in paid internships throughout the summer.

Established in 2000 by the Los Angeles County Board of Supervisors, the LA County Arts Internship Program aims to provide undergraduates with meaningful experience working in nonprofit arts organizations, while assisting those organizations and developing future arts leaders. Students develop a deeper understanding of the work involved in nonprofit arts administration, better understand the role of the arts in communities and develop skills that can be put to use in their future careers.

The program is a sister program to The Getty Foundation’s Multicultural Undergraduate Internship Program, which provides similar internships in museums and visual arts organizations. The County gratefully acknowledges The Getty’s Foundation support of the educational program components of its Arts Internship Program.

The Los Angeles County Arts Commission gratefully acknowledges the support of The Getty Foundation in providing the funding for the educational program components of the Los Angeles County Arts Internship Program.


**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

 

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NoHo News: Casablanca in the Park, NoHo Card App!, Art Weekend + Awesome Theatre

Here’s your NoHo arts community update!

We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood. Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

May 11 2017 NoHo News www.nohoartsdistrict.com


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**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

14th Factory

14th Factory

Three acres of anti-capitalism.

14th Factory is a “multiple-media” art installation which transformed an empty, industrial warehouse into a mystic, rolling landscape of meteors, glowing floors, rolling hills, skylights, knitted waves, smashed Ferraris, and wingtips from the Mojave Desert.

14th Factory is possibly the most accessible and exciting art show I’ve been to in a long time. So much so, that I need to blog about it post-closure. Gah! I know! I’m failing at my job since I’m letting you know about this art show after it’s closed. However, for those of you who had the privilege of seeing Simon Birch’s 14th Factory in Downtown Los Angeles, you know to look ahead for any 14th Factory pop-up art shows in LA. I will most definitely be letting all of you know about any future 14th Factory art shows since I learned about this art show its closing weekend.

Simon Birch, a British, Hong Kong-based artist, conceptualized 14th Factory, the nonprofit which made the three acres of anti-Capitalism happen. Simon Birch gestated it over three years so that 14th Factory could be a monumental collaboration of artists which would transform an abandoned warehouse into a gift to the community.

14th Factory featured a global, interdisciplinary group of artists who transcended art boundaries to contribute to this guerilla art pop-up show. Yet, simultaneously, 14th Factory intended to bring together social and historical intersections of the East and West, all while Birch brought two art encampments together: East and West.

The notion behind the nonprofit’s name (14th Factory) comes from Eighteenth century China’s “Thirteen Factories” of the Canton region which provided a commercial haven for European and Chinese traders. Simon Birch’s intent with 14th Factory was to shrug off parallel, winding histories which drove a schism between old-world (as well as contemporary) divisions.

Set in an abandoned factory, 14th Factory’s Los Angeles debut pays homage to the lifecycle of Capitalism: an arc of potential, success, ruin and excavation.

Simon Birch intended 14th Factory to frame a hero’s journey. The hero’s journey which depicts this cyclical rise and fall of Capitalism brings the notion of Capitalism back to the individual, and ultimately the very people who visited 14th Factory became the individual hero.

In the interest of space, I’ll highlight some of my favorite exhibitions of the art show.

14th Factory began with an entrance down a dark hall (and I mean a pitch-black hall), leading to a kaleidoscope of nude human body parts and effects. This ‘tunnel’ was meant to be a rabbit hole, leading to a rebirth.

The rebirth in the next room took the form of a glowing white room housed inside a ‘meteor’. The glowing room was a reconstruction of Stanley Kubrick’s “2001: A Space Odyssey,” done from memory alone since the set designs had been burned years ago.

Flowing from this came a portrait hall of Avatars and Demons, which flowed into a painted white brick structure fencing in an actual rolling hill of grass (complete with swings and children playing on the grass).

Not to be outdone by the extreme interior gardening, a room full of pitchforks hung, representing revolution throughout time.

Then comes a film, directed and scored to portray 300 Beijing factory workers brawling it out on six screens filling a room. The rat race, in true, brutish form.

Fast forward past the mangled Ferrari video and pieces, comes a room full of crowns. Crowns of virtually every imaginable carve-able or malleable material. Granite crowns, faux-gold crowns, paper crowns, 3-D printed crowns adorn pedestals throughout a hall displaying the Hypercaine (The Reward) exhibit. While the majority of the rooms were intellectually accessible to a large audience, this exhibit was the most easy to fit into the overarching theme of Capitalism. Hypercaine can be considered the reward, and forms of reward people in Capitalistic societies dream of.

While I failed to notify you of this art show in time, I’ll wax poetic about the hero’s journey within 14th Factory. If we gladly undertook the journey through the exhibition, shouldn’t we consider that perhaps we aren’t the heroes of Capitalism? Traditionally, Western mythological heroes have denied undertaking a journey, and we so readily jumped to tour the three acres. Maybe this is the disconnect Birch wanted to foster. We are supposed to be the heroes of our own Capitalistic story, but by undertaking the journey through Capitalism itself, we’ve already undermined our importance.

As much as this art show traversed media boundaries, it continues to live across media boundaries. Be on the watch for the 14th Factory documentary that was being filmed during the art show.

Exhibition:     14th Factory

Where:           440 North Avenue 19, Los Angeles, CA 90031

Artists:           Simon Birch ∙ Cang Xin ∙ Dominique Fung ∙ Doug Foster ∙ Eric Hu ∙ Gary Gunn ∙ Gloria Yu ∙ Paul Kember ∙ Li Wei ∙ Movanna Chen ∙ Prodip Leung ∙ Sara Tse ∙ Scott Carthay ∙Scott Sporleder ∙ Stanley Wong ∙ Wing Shya ∙ Yang Zhicha ∙ Lily Kwong

What A Covenant Ring Is And The Commitment It Symbolizes

What A Covenant Ring Is And The Commitment It Symbolizes

A covenant ring is a ring that is more like a contract. As a ring that is used as a symbol of your religious beliefs, it is meant to symbolize that you have made a commitment in front of God that you will save yourself for the person that you marry. A covenant ring is a symbolic gesture between a father and his daughter that the daughter promises to stay pure until she is legally married. It looks much like a wedding ring and is a symbol that a person believes in the sanctity and purity of a man and women becoming husband and wife.

Typically given when the daughter is 13 or 14, the ritual is usually performed between a father and his daughter. He asks her to make a promise that she will save herself sexually until the day that she marries a partner before the eyes of God.

Born not only out of Christ’s doctrine, there are many pastors who believe that covenant rings and the sanctity of sex only through the bond of marriage could save countless people from divorce. Abstinence until marriage, many pastors believe, is the way to ensure that marriage vows are more sacred and that you give someone yourself wholly.

Although a covenant ring can come in any shape and size, there is a specific symbol that many fathers and daughters choose. The symbol of a cluster of three linked hearts with a cross in the middle to bind them is typically the preferred design. It is a symbol of the father’s and daughter’s commitment, along with the commitment made between man and woman, that is bonded by the attachment of a Cross which symbolizes Christ.

The girl who wears a covenant ring does so to remind her every day of the commitment she has made. She is to wear it up until the day of her marriage. Once the ceremony begins, she gives her covenant ring to her husband as a symbol that she has kept her pledge of purity. Although the exchange of rings is different for everyone, some girls want to have their rings altered only to have two hearts remaining with the cross. They then put the other ring on its own around a chain to return to the father to keep as a reminder of a sacred promise kept.

There are many different types of covenant rings that can be chosen. Somewhat like a wedding ring, it is specific to the girl who wears it and the father who asks for her to make the commitment. Wedding rings and covenant rings are very similar in the respect that it isn’t about the cost of the ring itself but the promise that is made surrounding it. Made from silver or gold or gemstones, it isn’t about how much it costs; it is about the symbolic nature of it.


Many who wear covenant rings insist that it gives them strength to overcome many challenges in life. Like having God always there to remind them, it helps girls remember their commitment to their father and God and to overcome any outside or external pressures. The promise made is made between three people — the father, the daughter, and Christ — and although Christ is with you at all times, sometimes a symbolic reminder is an excellent way to overcome temptation.

A covenant ring is also a good way to let those around you know what commitment you have made. As the rings look like a wedding ring, many young women who wear them say that they are asked all the time about their meaning. Most girls wearing them are obviously too young to be married, which is why people ask. The inquiry, they insist, usually strengthens their desire and resolve to remain pure for the man they love and will eventually give themselves to.

In a new age that is predominantly about instant and sexual gratification outside of marriage, a covenant ring might be a rarity. But for those who follow the teachings of Christ, it is a promise of purity and the commitments made between three parties that are stronger than any outside force.

Millennials Are Changing Attitudes Toward The Traditional Engagement Ring

Millennials Are Changing Attitudes Toward The Traditional Engagement Ring

There is little doubt that Millennials are different from any prior generation. From real estate to savings, the way that they conduct their finances and lives is something that older generations find unusual and perhaps a little lackadaisical. It isn’t just their spending or saving habits or their social media behaviors that are different from anyone else. It is the way that they buck tradition and don’t care what people think.

Millennial fashion is quite arguably one of the biggest ways that they differ from other generations. Throughout time, purchases have been guided by the principle that low supply equals high demand. What Millennials do, however, has nothing to do with supply or demand. They base their decisions not on what everyone else finds desirable, but on what they personally prefer. Their idea of fashion is individuality. In fact, if something is “in,” it is definitely “out.”

Gone are the days of carrying a Gucci bag just because it has the name on it. The typical Millennial is carrying a handbag they made themselves or bought at a thrift store or flea market. Being outside of the trend is now trendy. It isn’t just about the things that they wear; it is also about what they use to show those they love how much they are loved.

The traditional diamond engagement ring consisted of a man or woman calculating their love in cut, clarity, carat and color. The Millennial generation isn’t buying into the hype. To them, the money spent on an expensive ring doesn’t say anything to the world about their love for someone. It says that they wasted a whole lot of money trying to impress the world that they aren’t interested in impressing.

Buying an engagement ring is no longer about making payments. Goodness knows with student loans, Millennials already have enough debt. They are opting to show their commitment with an engagement ring that is unique, not one that results in a credit card bill.

An engagement ring can be made from fabric, other types of gems, or anything else that attracts the asker’s eye. They want to make it one-of-a-kind and something that shows off the character and qualities of the person they love; it is more about finding the perfect symbol than about hitting the high-end diamond outlet to find the best ring you can afford.

Another trend that Millennials are fostering is the custom nature of their engagement ring. It used to be that when you were ready to propose, you would walk into a jewelry store, see what the jeweler had to offer, and make a choice from that. Jewelers are now describing a whole different class of engagement ring buyers. They don’t go into retail shops and look around; they come in with pictures, drawings, and ideas about what their one-of-a-kind engagement ring should look like, instead of the other way around.

Just like the fashions they wear, Millennials aren’t looking for something that ten other people have. They aren’t looking for brand names or trying to show up to a party wearing the same dress as ten other people. What they want in an engagement ring is what they want all the way around: uniqueness and trendsetting. It isn’t about the size, cut, or how it shines. It is about being uniquely thoughtful and finding the perfect engagement ring that says “I love you.”

Other things that are now acceptable are gemstones. Putting more color and uniqueness into a ring is totally “in” and trendy. Also, gold and platinum used to be the traditional band material; now anything from silver to copper is not only acceptable but also preferred and can be custom-designed.

It’s not just about changing styles and materials; the Millennial generation doesn’t have any problem buying “vintage” rings to adorn their fiance’s finger. Showing a little class involves mixing a little of the old with some of the new, and there is no shame in repurposing old jewelry. To this environmentally-conscious generation, reusing, repurposing, or even using simulated gems and diamonds, are all ways that they help to save the planet and put a new twist on an old tradition.

The Actors Workout Studio Presents “Bedroom Plays”

The Actors Workout Studio Presents “Bedroom Plays: A Workshop Production”

Nine plays written and directed by members and friends of The Actors Workout Studio Writer’s Workshop.

This is a collection of original shorts plays written mostly by the members of The Actors Workout Studio’s rather brilliant writers’ program participants. Although ‘friends’ of the studio were also permitted to submit their work to be considered for inclusion in this very interesting evening of plays based around the bedroom.

www.nohoartsdistrict.com play review: The Actors Workout Studio Presents -

When you mention the word bedroom, one instantly imagines that the subject must naturally revolve around sex, or the lack of sex, or something connected to sex. So it is particularly ingenious that not one of these plays does that. They don’t ignore it of course, but it’s never the actual point of the story. It’s as if the writers considered the obvious and then moved on.

But what to move on to?

The subjects of these nine plays are fiercely different from one another.

www.nohoartsdistrict.com play review: The Actors Workout Studio Presents -

From a grandmother’s heartfelt anecdote to her granddaughter, to a young couple learning the art of compromise, and a husband questioning his faith and a wife questioning his love. The plays certainly run the gamut of what happens in the bedroom that’s for sure.

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I suppose the key to the theme is intimacy. After all, it is in our bedrooms that the most intimate thoughts are shared, dreams shattered and priorities questioned. Our bedrooms are where we weep, laugh, love and unravel…and these plays dare to go precisely where we hide the most.

Those who frequent The Actors Workout Studio will be all too familiar with the courage of the work that is shown there. Whether it be an actor, writer or director, they all seem to be so open to what they discover through their work, and the quality of the writing, as well as the acting, is extremely high.

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This is a workshop performance and as such, you should be prepared to contribute to the performance as an audience. By that I mean they are paying attention to what you are paying attention to.

Also, you may be asked to fill out a questionnaire and hand it in at the end of the show, although this is far from compulsory. I gather it is an important part of the process for everyone, and it is, of course, anonymous.

www.nohoartsdistrict.com play review: The Actors Workout Studio Presents -

As is usual at The Actors Workout Studio, the performances are brilliant. Nuanced and hilarious, powerful and heartbreaking and all very, very real. So I won’t single anyone out, no need! I have attended quite a few productions at The Actors Workout Studio over the years and I have to say that I am never, ever disappointed. The commitment to excellence and to the process of story and character and finding the truth in the work is tangible and, quite frankly, inspiring!

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It’s also quite hilarious in the way that only the truest and deepest glimpse into the hidden lives of humans can be and it is well worth seeing. But you have to hurry, May 27th is the last chance you will have to see this lovely lot and their revealing and thought-provoking work.

www.nohoartsdistrict.com play review: The Actors Workout Studio Presents -

I highly recommend Bedroom Plays – at The Actors Workout Studio.

TICKETS>>

May 5 – May 27
Fridays & Saturdays at 8pm
4735 Lankershim Blvd.
North Hollywood, 91602

Cast
Laura Boccaletti, Stephanie Boukalis, Stirling Nix Bradley, Danny Christiansen, Katie Dodson, Kimberly Hummer, Jeremiah Jahi, Chris Karmiol, Dagney Kerr, Gary J. Klavans, Paula Lafayette, Todra Payne, Chris Straeter, Jylian Sy, Michelle Tannen, Cliff Weissman, Jodi Wise Dybala

Directors
Conrad Dunn, April Eckfeld, Paul Winfield Ehrlich, Maria Pasquarelli, Robin Mountjoy, Tim Simek, Dolores Aguanno, Bradley Rhone.

Writers
Dagney Kerr, Roger Gutierrez, Stirling Nix Bradley, April Eckfeld, Daniel Weisman, Paul Surace, Stephanie Boukalis, Bradley Rhone

Production Crew
Producer – Stacey Ann Raposa
Stage Manager – Javier Martinez
House Manager – Gregory Catania
Flier Design – April Eckfeld
Program Design – Stacy Ann Raposa
Writer’s Workshop Coordinator – Chris Karmiol
AWS Artistic Director – Fran Montano

And the 2017 Valley Theatre Awards Nominees Are…

The Annual Valley Theatre Awards Will Be Hosted by Theatre 68 Artistic Director Ronnie Marmo at Cupcake Studios in the NoHo Arts District on June 5, 2017

The 2017 Valley Theatre Awards will be hosted by Theatre 68 artistic director Ronnie Marmo on Monday, June 5, 2017 at Cupcake Theatre in the NoHo Arts District. The third annual gala is an evening to enjoy food and wine, fun performance, meet Valley theatre folks and is a time to acknowledge and award the “best artists” on this side of the hill. This year, Edmund Gaynes will receive the Lifetime Achievement Award for his role in helping create the NoHo Arts District and for making the neighborhood a home to the L.A. theatre community.

 Edmund Gaynes will receive the Lifetime Achievement Award this year at the 2017 Valley Theatre Awards Gala. via www.nohoartsdistrict.com

Ed Gaynes – Lifetime Achievement Award Recipient

When:

Monday, June 5, 2017 at 7-9:30PM

Where:

Cupcake Studios
11020 Magnolia Blvd. (Between Vineland and Lankershim)
North Hollywood, CA 91601

Tickets>>

The Valley Theatre Awards was created to bring recognition to the great work being done in the NoHo Arts District and San Fernando Valley, to honor its artistic heritage, and to provide a meeting ground for this extensive community.

The Awards focuses on intimate theatre and recognizes the unique and essential role it plays in contributing to our culture. We believe that publicly recognizing excellence in intimate theater will expand audience awareness and appreciation of a wonderful theatre experience in our community.

2017 Valley Theatre Awards www.nohoartsdistrict.com

And the 2017 nominees for the Valley Theatre Awards are…

Outstanding Lighting Design
James Smith III – American Idiot – Cupcake Theatre
Aaron Craig – Bill W and Dr Bob -Theatre68
Mathew Richter – A Time To Kill – Theatre68
Chris Rivera – Much Ado About Nothing – Jamaica Moon Productions
Yancey Dunham – A Thorn in the Family Paw – Theatre West

Outstanding Sound Design
Eric Castro – Ghost Sanata – Archway Theatre
Nick Neidorf -Henry VI Trilogy – Porters of Hellsgate
Kevin Van Cott – Blood Alley Christmas – Zombie Joe’s Underground Theatre Group
Aaron Lyons, Of Mice and Men – Theatre Unleashed
Suze Campagna – The Cherry Orchard – Loft Ensemble

Outstanding Costumes Design
David Callendar – Hairspray – Cupcake Theatre
Gloria Gifford and Kasia Pilewicz – Down on your Knees and up to the Moon – Jamaica Moon Productions
Nate Stephenson – Snow White: A Children’s Comedy – Cupcake Theatre
Linda Muggeridge – King Lear – Loft Ensemble
Arden Lewis – A Thorn in the Family Paw – Theatre West

Outstanding Scenic Design
Robert Broadfoot – American Idiot – Cupcake Theatre
John Eddings – The Importance of Being Earnest – Archway Theatre
Jeff Rack – A Thorn In The Family Paw – Theatre West
Danny Cistone – Bill W and Dr Bob – Theatre 68
Gloria Gifford – Much Ado About Nothing – Jamaica Moon Productions

Outstanding Comedy/Variety Show
Slow…Children at Play – Whitmore Lindley Theatre
Room to Improv – Secret Rose Theatre
The ImprompTU Imposters – Theatre Unleashed
Freak Show – California Institute of Abnormal Arts
Comedy Bandits – “Sketchy Election 2016” Defiance Theatre Company

Outstanding Featured Actress in a Musical
Claire Adams – Hairspray – Cupcake Theatre
Marissa Legen-Johnson – Orange is the New Musical – Whitefire Theatre
Jetta Juriansz – Eat Your Turkey – Zombie Joe’s Underground
Aubrie Alexander – Lili Marlene – Write Act Rep.
Kristen Towers-Rowles – Spindle City: The Lizzie Borden Musical – Secret Rose Theatre

Outstanding Featured Actor in a Musical
Alex Mashikian-Orange is the New Musical – Whitefire Theatre
Thomas Odoue Polk – American Idiot – Cupcake Theatre
Judd Yort – Lili Marlene – Write Act Rep.
Devin Hall – Hairspray – Cupcake Theatre
Justin Selig – Lili Marlene – Write Act Rep

Outstanding One Person Performance
Jaguar Bennett – How to be Wicked – Zombie Joe’s Underground Theatre Group
Larry Cedar – Orwellian – Sherry Theater Center for the Arts
Deedee O’Malley – Waiting for Johnny Depp – Whitefire Theatre
Theresa Stroll – My Big Fat Blonde Musical – Theatre Unleashed
Kate Huffman – I’m too Fat for this Show – Loft Ensemble

Outstanding Featured Actress in a Play
Kimberly Green – It’s Just Sex – Secret Rose Theatre
Felicity Wren – Baby Oh Baby – Whitefire Theatre
Kate O’Toole -Henry VI Trilogy – Porters of Hellsgate
Annie Freeman – Oedipus-Antigone – Archway Theatre
Jo Ann Medelson – Long Joan Silver- Loft Ensemble

Outstanding Featured Actor in a Play
Steven Sabel – Oedipus-Antigone – Archway Theatre
David Haley – It’s Just Sex – Secret Rose Theatre
Douglas Scott Sorenson – Baby Oh Baby – Whitefire Theatre
Christopher Salazar – Henry VI Trilogy – Porters of Hellsgate
Matthew Vorce – Brave The Dark – Zombie Joe’s Underground Theatre Group
David Caprita – Nevermore – Theatre Unleashed

Outstanding Actor in a Musical
Philip Rodriguez – Orange is the New Musical – Whitefire Theatre
Teddy Margas – Hairspray – Cupcake Theatre
Andrew Diego – American Idiot – Cupcake Theatre
Tavis Baker – Lili Marlene – WriteAct Rep.
Chris Marcos – American Idiot – Cupcake Theatre
Chas Mitchell – Spindle City: The Lizzie Borden Musical – Secret Rose Theatre

Outstanding Actress in a Musical
Brittany Thornton – Hairspray – Cupcake Theatre
Thurzday Lyons – American Idiot – Cupcake Theatre
Bailey Humiston-Johnson-Orange is the New Musical – Whitefire Theatre
Amy Londyn – Lili Marlene – WriteAct Rep
Emily Bridges – Spindle City: The Lizzie Borden Musical – Secret Rose Theatre

Outstanding Actress in a Play
Jamie Sowers – Oedipus-Antigone – Archway Theatre
Bree Pavey – Long Joan Silver – Loft Ensemble
Julia Silverman – A Thorn In The Family Paw – Theatre West
Emily Low – Joe and Marilyn – Write Act Rep.
Marjorie LeWit – Eviction Notice – Defiance Theatre Company
Melissa Kite – Bill W and Dr Bob -Theatre68
Marissa Galloway – King Lear – Loft Ensemble

Outstanding Actor in a Play
Wolfgang Navogratz – This is our Youth – Avery Schreiber Playhouse
David Bannick – Oedipus -Antigone – Archway Theatre
Gregory Crafts – Of Mice and Men – Theatre Unleashed
Barry Livingston – Stella’s Last JDate – Whitefire Theatre
Adam Conger – The Leather Apron Club – Theatre West
Spencer Cantrell – Of Mice and Men – Theatre Unleashed
Anthony Marquez – Park Plays – Above the Curve

Outstanding Ensemble in a Play or Musical
Romeo and Juliet – Archway Theatre
It’s Just Sex – Secret Rose Theatre
Henry VI Trilogy – Porters of Hellsgate
Family Only – Theatre West
Of Mice and Men – Theatre Unleashed
Long Joan Silver – Loft Ensemble
Park Plays – Above the Curve

Outstanding Writing of an Original Play or Musical
Simple Lives – Bernadette Armstrong – Secret Rose Theatre
Stella’s Last JDate – Andy “Rooster” Bloch – Whitefire Theatre
A Thorn in the Family Paw – Garry Michael Kluger – – Theatre West
Lili Marlene – Michael Antin – Write Act Rep.
Eviction Notice – Jacques Freydont – Defiance Theatre Company
By The Power Vested in Me – Peter Malone Elliot – Loft Ensemble
Iron Man – Nathan Swain – Sherry Theatre Center for the Arts

Outstanding Direction of a Play
Steven Sabel – Oedipus-Antigone – Archway Theatre
Thomas Bigley -Henry VI Trilogy – Porters of Hellsgate
Ronnie Marmo – Bill W and Dr Bob – Theatre 68
Bree Pavey – King Lear – Loft Ensemble
Brad Barnes – This is our Youth – Avery Schreiber Playhouse
Joe Lorenzo – Park Plays – Above the Curve
Arden Teresa Lewis – A Thorn in the Family Paw – Theatre West
Brian Allman – Eviction Notice – Defiance Theatre Company

Outstanding Direction of a Musical
Michael Pettenato & Thomas Adoue Polk – Hairspray – Cupcake Theatre
Vsev Krawczeniuk-Orange is the New Musical – Whitefire Theatre
Brandon Slezak – Eat your Turkey – Zombie Joe’s Underground Theatre Group
Mark Blowers – Lili Marlene – Write Act Rep.
Gloria Gifford – Down on your Knees and Up to the Moon – Jamaica Moon Productions

Outstanding Play
Of Mice and Men – Theatre Unleashed
Much ado About Nothing – Jamaica Moon Productions
A Time to Kill – Theatre 68
Stella’s Last JDate – Whitefire Theatre
Henry VI Trilogy – Porters of Hellsgate
A Thorn In The Family Paw – Theatre West
Joe and Marilyn – Write Act Rep
Long Joan Silver – Loft Ensemble

Outstanding Musical
Hairspray- Cupcake Theatre
Orange is the New Musical – Whitefire Theatre
Spindle City: The Lizzie Borden Musical – Secret Rose Theatre
American Idiot – Cupcake Theatre
Eat Your Turkey – Zombie Joe’s Underground Theatre Group
Lili Marlene – Write Act Rep

Valley Theatre Awards

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

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Multi-Theatre Company Auditions

Independent Theatre of Los Angeles to hold first auditions in May

Intimate theater companies in Los Angeles that have been denied membership status by Actors Equity Association, and/or find themselves financially unable to sign AEA’s new Los Angeles 99-Seat Theater Agreement, are banding together under the title “Independent Theatres of Los Angeles.” Sixteen theaters have joined ITLA to date, with more companies expected to become members soon.

Under the auspices of ITLA, citywide auditions will be held on May 7, May 10, May 13 and May 17 at four different locations.

Ten members of ITLA – Crown City Theatre Company, Matrix Theatre Company, Odyssey Theatre Ensemble, Padua Playwrights, Playwrights Arena, Robey Theatre Company, Skylight Theatre Company, Towne Street Theatre, Victory Theatre Center and Whitefire Theatre – will be represented at each audition call. Additional members of ITLA include Bright Eyes Productions, Collaborative Artists Ensemble, Orpheum Theatre Corp., Santa Monica Playhouse, Teatro de la O and Zubber Dust Playhouse.

“These auditions are a way for us to become familiar with the vast and as yet untapped pool of talent in Los Angeles, and they with us,” explains Odyssey Theatre Ensemble artistic director Ron Sossi. “The auditions are open to both union and non-union actors. However, actors who are members of Actors’ Equity and have not declared financial core status should be aware that they could face sanctions for volunteering their services in our productions.”

“The purpose of ITLA is to say to Los Angeles and all other cities listening that our theaters will continue to provide an opportunity for all artists to volunteer their craft,” states Skylight Theatre Company artistic director, Gary Grossman.

“Because Equity has arbitrarily chosen to wave its rules for only a select group of theaters does not mean that other 99-seat theater companies won’t continue to flourish,” points out Victory Theatre Center artistic producer Tom Ormeny. “That’s why we are holding these auditions.”

According to Matrix Theatre Company artistic director Joe Stern, “ITLA theaters will continue to operate with the same high standards we have always championed, protecting the safety and integrity of all the artists in our theatrical families while also providing high-quality theater at affordable prices for our growing audiences.”

The NoHo Arts District dot com team asked local Victory Theatre some questions about their company and what they’re looking for.

Is there anything in particular you’re looking for at this audition?

We are looking for moment-to- moment work and real contact with the audience if your monologue is to the audience, and real contact with the imaginary person if that is the orientation of your monologue.

What are some of the other responsibilities of being a company member?

Attendance at meetings, some crew work, real commitment to an ensemble.

What shows are coming up?

Hedda Lives! By Jon Klein a world premiere comedy, Unemployed Elephants another world premiere comedy, and two others as yet untitled.

ITLA Audition Schedule:

Wednesday, May 10 from 4 p.m. – 10 p.m.
Odyssey Theatre, 2055 S. Sepulveda Blvd., Los Angeles CA 90025

Saturday, May 13 from 11 a.m. – 5 p.m.
Victory Theatre Center, 3326 W Victory Blvd., Burbank, CA 91505

Wednesday, May 17 from 4 p.m. – 10 p.m.
Skylight Theatre, 1816 1/2 N Vermont Ave., Los Angeles, CA 90027

Open to all ethnicities. Actors wishing to audition should prepare either one 2-3 minute monologue or two 1-2 minute monologues (maximum 5 minute slots for each audition) and bring 10 copies of their picture and resume, one for each participating theater company.

Actors need only attend one of the sessions to be seen by all 10 theaters. No phone calls, please.


**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

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The Porters of Hellsgate Present Pericles

The Porters of Hellsgate present “Pericles” by William Shakespeare at the Whitmore Lindley Theatre Center in the NoHo Arts District

The brilliant and ambitious Porters of Hellsgate have returned to NoHo with the rather special and rarely performed “Pericles.”

This particular Shakespearean play has seen its share of controversy, not always being included in Shakespeare’s folios.  Most historians are convinced that only half of the play can be attributed to the bard, the second half, the first was probably written by another Jacobean writer, George Wilkins.  The play’s two halves do seem to be very different and it’s fascinating to listen to the language and the rhythm of the speeches when you are aware of its origins. 

pericles 6
(left to right) Dana Lyn Baron Cindy Nguyen Luke McClure Alexandra Wright Liza de Weerd Seneca

All that aside, The Porters of Hellsgate have taken on the challenge of bringing this most unusual of the Shakespearean folio to the stage and have succeeded quite spectacularly.

The story is pretty familiar to those who love Shakespeare.  A King travels by ship, is shipwrecked a couple of times, finds a wife, loses her, has their child brought up by friends who try to kill her as she grows into a beautiful women, she escapes, is kidnaped by pirates and sold to a brothel where she tricks the men who pay for her maidenhood into leading pious lives, and is finally reunited with her father.  Subsequently they are both reunited with her mother, his wife, who has been hiding out as a priestess to Dianna for 15 years. Yes, it’s a lot of story to pack in to one play, which is probably why it had two authors? 

It is based on a novella written in the Middle Ages which in turn is thought to have been drawn from ancient Greek stories of Antioch and his incestuous relationship with his daughter and Apollonius of Tyre who reveals their crimes and is persecuted because of it. This becomes the catalyst in the play for the King’s constant journeying, to avoid Antioch’s assassins.  It’s also why he is forced to leave his daughter with friends, for her protection. 

It’s complicated, clearly, and adding to the drama is the eponymous Greek Chorus that relays vital information and fills in time and logic gaps.  I think the chorus is probably my favorite thing about the play, in fact, and the Porters’ players handle the darkness of it all so very well.

pericles 2
(front) Luke McClure (left to right) Dana Lyn Baron, Jono Eiland, Douglas Gabrielle, Leon Russom, Alexandra-Wright

It’s not the lightest of subjects for a play, although the second half, Shakespeare’s half, is a little more lyrical and his conclusions to the story calmingly satisfactory after all the incest, brothels and shipwrecks.  But it’s certainly far from the darkest of Shakespeare’s work, it has its comic moments even. 

The cast manages to create just the right tone for the story, sharing roles and magically transforming from one character to another on stage with flourishes and style.  The casting is particularly good, matching daughters and mothers, fathers and wives, betrayers and brothel keepers.  The stage is set as a ship, which is key as so much of the pivotal moments in the story take place on the sea, so the set serves as a constant reminder of the tragedy of Apollonius as well as the means to his ultimate rebirth. 

It’s a long journey for Apollonius and a heartbreaking one, and although we don’t see the gods, we can tell they have a hand in his destiny…all those tempests and shipwrecks.

This is a play well worth seeing.  The Porters of Hellsgate have produced a reverent yet spirited version of “Pericles,” with powerful choruses and wonderfully poignant performances. What could have easily been over the top is handled with subtlety and candor.  The result is a “Pericles” full of life and not weighed down by the death.  So we are entertained as well as connected to the plight of these very real and surprisingly modern characters, especially considering they are based on people who walked this earth millennia ago. 

I highly recommend “Pericles” by the sublime Porters of Hellsgate.  A warm welcome back to NoHo!! 

The Porters of Hellsgate

Whitmore Lindley Theatre Center

11006 Magnolia Blvd.
North Hollywood, CA 91601

Friday & Saturday at 8pm, Sunday at 2pm
April 28 – June 4

TICKETS>> 

Featuring the talents of:

Dana Lyn Baron

Thomas Bigley

Will Block

Jono Eiland

Douglas Gabrielle

Mara Klein

Luke McClure

Cindy Nguyen

Leon Russom

Zachary Russom

Liza de Weerd Seneca

Alexandra Wright

 

People Do Go to Jail for Animal Cruelty…YAY!

People do go tojail for animal cruelty in Los Angeles County.

Animal cruelty is a violation of California Penal Code Section 597 and is punishable by imprisonment in a state prison, or by a fine of not more than twenty thousand dollars ($20,000) or by both the fine and imprisonment.

How many times in your life have you thought an animal was being mistreated but didn’t know who to call or didn’t want to accuse someone in fear of being wrong or didn’t know what constituted animal cruelty?

Animal cruelty includes any activity that causes injury, disability or death of an animal. Examples of animal cruelty include kicking, hitting, choking, punching, hanging, stabbing, shooting, setting on fire, electrocution and animal hoarding. Animal hoarding involves keeping an unusually high number of animals as pets without having the ability to properly house or care for them.

Psychologists and criminal profiling experts have documented a strong link between animal cruelty and violence against humans.

85% of women and 63% of children entering abuse shelters discussed incidents of animal cruelty in their households. 32% of domestic violence victims with pets in their households reported that one or more of their children hurt or killed their companion animal(s).

Now you know that animal cruelty is against the law, what will you do when there is even a remote chance that an animal is being abused? Call the Animal Cruelty Task Force (ACTF) 213 486-0450. The Task Force investigations are a combined effort of the Los Angeles Police Department and Los Angeles Department of Animal Services. If you fear retaliation or for any reason you don’t want to get involved, that is okay. Any animal cruelty complaint may be made anonymously. The complainant’s identity will be kept with utmost confidentiality.

Many abused animals end up dead but the more people that take it upon themselves to save them by reporting animal abuse, the more lives will be saved. Also, you can foster or adopt an animal that has been abused. Yes, they are scared both physically and emotionally but these dogs will really appreciate a chance at having a loving home. 

For more information on fostering or adopting an abused animal, please call Animal Services at 888 452-7381

NoHo News: Free Comic Books, May the 4th Be with You, Ice Cream, Tiki Tequila, NoHo Card App!, + Awesome Theatre

Here’s your NoHo arts community update!

We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood. Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

NoHo News: Free Comic Books, May the 4th Be with You, Ice Cream, Tiki Tequila, NoHo Card App!,  + Awesome Theatre

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**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

 

May the 4th Be with You + Cinco de Mayo

Two fun events at Tiki No in the NoHo Arts District with a drawing for a free bar tab for two couples (or four singles) all night!

Thursday May 4, Tiki No features “May the Fourth Be with You” a Star Wars themed night with $6 drink specials all night: $6 drink specials: Princess Lei-a, Dark Side and Stormy, and more! Don’t miss it! The bar is also offering a drawing for free bar tab for two couples (or four singles) all night!

Tiki No is thrilled to present its Cinco De Mayo Celebration. This event will include specialty cocktails by Beverage Director Simon Jones: a Mexican Pina Coladas (Pina coladas with a Kahlua float) for $6 and Tequila Shots for $5. Come celebrate Cinco De Mayo the Tiki way! The bar is also offering a drawing for free bar tab for two couples (or four singles) all night!

tikino CincoDeMayo 2017 Flyer

WHEN:

Thursday, May 4 from 5PM-2AM
Friday, May 5 from 5PM-2AM

WHERE:

Tiki No
4657 Lankershim Blvd.
North Hollywood, CA 91602

At the southern margins of the Arts District sits Tiki No, North Hollywood’s living ode to Tiki culture. Formally launched in 2009, Tiki No’s fireplace and patio was done along with extensive work by designer “Bob the Bamboo.” Hand carved totems, bamboo cabanas with thatched roofs set the scene for a Tiki oasis. Owners Jeffrey Best and Kenneth Jones painstakingly scoured for Tiki masks, statues, illuminated blowfish and travel trunks that double as shelving behind the bar. Kenneth himself torched the burnt panel walls on the patio. The bar keeps evolving: the latest additions are two giant Tiki god cutouts, castoffs left at the bar for outdoor display.

Tiki No balances true old-school—featuring authentically re-created cocktails from the dawn and golden age of the Tiki movement—alongside contemporary creations from the mind of proprietor Simon Jones, a blunt-talking Brit who has had a relationship with owners Best and Jones going back 20 years. Simon has built and been a part of Beauty Bar Hollywood, Star Shoes, Vineyard and Skinny’s Lounge North Hollywood. When offered a chance to be part of Tiki No, he says, “I jumped, to bring Tiki No to forefront of the culture and respecting those two fine men that bought this slice of happiness to North Hollywood.” Among his many qualifications, Jones relates, “I have an extensive Hawaiian shirt collection and antique bar equipment.

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

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The Porters of Hellsgate Are Back with Pericles

The Porters of Hellsgate Are Back

The Porters of Hellsgate Present Shakespeare & Wilkins’ Pericles

Directed by Charles Pasternak
Featuring Leon Russom

Pericles marks the 24th Shakespearean production for the Porters of Hellsgate on their quest to completing the canon. Artistic Director Charles Pasternak returns to the directing chair and Leon Russom to the boards. They last worked together on 2014’s production of Henry V, a critical and audience hit, which received Ovation, Broadway World, and Valley Theatre Award nominations.

Pericles tells the Homeric story of its title character’s journeys: his flight from the evils of Antioch, his salvation of Tarsus, his discovery of love in Pentapolis, and the loss of his wife in childbirth at sea. Through these trials and tribulations the boy becomes a man. The latter half of the play focuses on the trials of his daughter Marina, who escapes murder in Tarsus only to be abducted and sold to a brothel in Mytelene. Her escape from that brothel and arrival on her father’s ship – each ignorant of the identity of the other – is the play’s climactic scene, one of mutual discovery and rebirth. Director Pasternak considers it, “easily one of the most beautiful scenes Shakespeare ever wrote.”

Further addressing the play, director Pasternak said: “Like all of Shakespeare’s late plays, Pericles is mythic in design though personal in scope. It is our task to embrace both the mythic and the personal in our telling of this story. It is a story of foreigners, of refugees, of the homeless and lost. Those that embrace them are rewarded; those that use them ill are punished. This speaks directly to the world of the Syrian refugee crises and the building of a wall. Our fear is turning our society against outsiders, against the other. Pericles speaks against this; the myth this play speaks to is rebirth (both personal and societal) through open hearts and open arms.”

Pericles will feature Leon Russom as the various kings Pericles encounters on his travels (Antiochus, Cleon, and Simonides) showing the range of this prolific actor’s talents, rounded off by the brothel enforcer Bolt in the latter half of the play. Mr. Russom is perhaps most famous for throwing a coffee mug at Jeff Bridges head as the Sherriff of Malibu in the Coen Brothers’ “Big Lebowski,” but LA theatre-goers and critics have been able to enjoy his brilliant stage career firsthand. Highlights include award-nominated performances in Buried Child, Henry V, And Neither Have I Wings to Fly, Endgame, and Juno and the Paycock. He first joined the Porters as Gloucester in King Lear, alongside Larry Cedar in the title role. Most recently, he took on the role of Lear himself with the Loft Ensemble.

Leon said that he chose to be a part of this production:

“Because it’s Shakespeare. Because it’s The Porters. Because it’s Charlie Pasternak.”

thumbnail pericles 2

Joining the Porters for the first time, Pericles will star Luke McClure in the title role. Luke’s LA theatre credits include The Boomerang Effect at the Odyssey Theatre Ensemble and long-running Yellow at the Coast Playhouse. Also in her debut with the Porters, Mara Klein stars as Marina. Mara’s LA credits include Blueberry Toast with Echo Theatre Company and Macbeth with the Loft Ensemble.

Rounding out the cast are Dana Lyn Baron as Dionyza, Thomas Bigley as Pander, Will Block as Lysimachus, Jono Eiland as Cerimon, Douglas Gabrielle as Helicanus, Cindy Nguyen as Diana, Zach Russom as Thaliard, Liza De Weerd Seneca as the Bawd, and Alexandra Wright as Thaisa.

Mr. Pasternak founded the Porters in 2006 and has since directed thirteen productions for the company. He is an award-winning actor and director whose work has carried him across the country. Recent Shakespearean credits include work with The Shakespeare Festival of St. Louis, The Clarence Brown Theatre, The Indiana Repertory Theatre, The Sierra Repertory Theatre, The Shakespeare Theatre of New Jersey, The Shakespeare Center of Los Angeles, Shakespeare Santa Cruz, and The Denver Center, among many others.

The Whitmore-Lindley Theatre Center
11006 Magnolia Blvd.
NoHo Arts District 91601

Fridays and Saturdays at 8pm, Sundays at 2pm
April 29 through June 4

TICKETS>>

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

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THE PORTERS OF HELLsGATE present Pericles in L.A.’s NoHo Arts District in North Hollywood on www.nohoartsdistrict.com Pericles, Shakespeare, THE PORTERS OF HELLGATE, noho classical theatre companies, noho theatre companies, noho plays, what to see in noho, what’s playing in noho, noho theatre guide, theatre, save noho theatres, save north Hollywood theatres, los angeles theatre tickets, la theatre tickets

I Dream of Pinky

I Dream of Pinky

Langston Hughes wrote “Harlem” in 1951. It addresses one of his most common themes – the limitations of the American Dream for African Americans.

The poem has eleven short lines in four stanzas, and all but one line are questions.

HARLEM (“WHAT HAPPENS TO A DREAM DEFERRED?”)
Langston Hughes

Does it dry up
Like a raisin in the sun?
Or fester like a sore—
And then run?
Does it stink like rotten meat?
Or crust and sugar over—
Like a syrupy sweet?

Maybe it just sags
Like a heavy load.

Or does it explode?

Hughes was intimately aware of the challenges he faced as a black man in America, and the tone of his work reflects his complicated experience: he can come across as sympathetic, engaged, hopeful, melancholy, or resigned. My infatuation with this piece is that it not only refers to racial nuances but also alludes to how we sometimes feel the same way about our personal ambitions; no matter what race we are.

When seasons change and what you thought would be in your life forever is now a distant memory, pessimistic thoughts start brewing in our subconscious questioning whether or not we were meant to be as remarkable as imagined. Will my success continuously be an uphill battle? Regardless of how impossible the dream starts out, I’ve found that our goals naturally have the ability to morph and mold around our personal growth and focus.

With our culture being drunk on the elixir of social media, often fame and recognition is the driving objective.

For others, the ability to light a spark of inspiration in the hearts of the audience is the fuel behind their movement. For some, the moments following that spark become the most prevalent in their life and eventually the focus of their passion on a daily basis.

I want to introduce you to a woman who wanted to take the joy dance gave her and plant that seed in others. She’s an immeasurable inspiration to me personally and continues to make an impact on our community that’ll be felt for generations to come.

One day my agent emailed me about a new competition dance show looking for versatile choreographers. Excited to get the Dancing With the Stars experience, I went into the audition ready to give it all I had. After 4 hours of auditioning,  learning 5 different styles of dance, partner work, and a grueling 3 day wait, I found out I was selected as an on-air dance partner on the first season of Oxygen’s hit weight loss show Dance Your A** Off. If you’re not familiar with the show, here’s how it went.

Each week contestants learned a different dance style from their choreographer/partner. Not only does the routine need to wow the judges technically, but the contestant is under added pressure to lose as much weight as possible per week. Their weekly total scores are comprised of the dance performance and number of pounds they lost. The idea of it all was really inspiring. I knew that this would be a transformational experience for my partner and I. Things moved pretty quickly once I signed the contract and the next thing I knew, I was getting mic’d up to meet my dance partner Sofia AKA PINKY.

The cameras are rolling and they have me enter the dance studio. When I walk in the room, I see this spicy Latina with a smile that could melt icebergs. She’s pretty short and, of course, overweight, but we both hit it off knowing that our mission was to be sure neither of us would leave the competition the same way we came in. Her head was all the way in the game. No matter how many times we went through a routine, she never complained. There were moments I caught her giving me the stank-eye or she’d put her hands on her knees to catch her breath, but in 2 minutes, we were back at it!

Week after week I watched Pinky’s transformation. She not only looked better (healthier) but also commanded a new powerful energy that radiated on the dance floor. Whenever the click count-in for our track played on show day, I knew Pinky was about to give that dance every ounce of her being!

L: Where did you grow up?

P: I grew up in Chicago until JR High then moved to Phoenix, Arizona. In 2003, I finally moved to L.A. I’d had the Hollywood itch for a while so I wanted to get it out of my system and just dance. I was lucky enough to land some music videos, commercials and dance shows right out the gate.

When I feel fear bubbling up inside of me, that’s my cue to go for it! “Courage is not the lack of fear. It is acting in spite of it”, said Mark Twain and that is what drives me to continue on my journey. I follow through with what my heart tells me, if not it will pester me until I do. I embrace all failures and accomplishments wholeheartedly keeping in mind that I am a student of life.

L: How long have you lived in North Hollywood?

P: I’ve lived in North Hollywood since 2005 and I absolutely love my neighborhood.

L: Who inspired you to dance? 

P: Besides Janet Jackson and growing up in the 80s?! My inspiration definitely came from my parents, especially my mother. When she danced, she expressed confidence, passion, and happiness. So I feel this runs in my blood and I am grateful for that.

Growing up I watched my parents dance at special events especially on holidays. It’s the moment everyone waited for. Jorge and Sofia are about to hit the dance floor!!  They always stuck out from the crowd, their connection and rhythm they had, made them one. So I have always watched them in awe.

L: I’ve had the pleasure of meeting the Magangas and for the last 8 years have been blessed to call them family. You can clearly see how much they appreciate you and the support you show each other. Needless to say, we’ve been through a lot but there’s nothing that made me happier than the day you got married!!! 

P: Yeah. By far one of the best days of my life was marrying the man of my dreams. Our wedding day was the most incredible experience of my life! It felt like a fairy tale and until this day like a dream. One of my biggest supporters is now my best friend and Husband, Vinnie, who has been by my side for the last 8 years of my life. No matter what he’s supported all of my ventures and has always made me feel beautiful through all the transitions in my life. He is my true soul mate.

L: What was a pivotal moment in your life that dance has gotten you through? 

P: It was definitely when I was on “Dance Your A** Off”. It was a grueling test of on my mind, body and soul. I had some really rough times on DYAO. I came in sick with the flu the first week, 2nd week; I was hit with a migraine, 3rd week my body and mind shut down. I was defeated over and over again but somehow kept on getting up. I was laser focused on getting to the end, knowing this was a marathon and not a sprint. This is when I learned that I had to fail to succeed; it was not about the destination but the journey of it all.

Pushing yourself to the limit physically while simultaneously having to dig deep and face my fears, insecurities, and passions all at the same time. That is where growth happened when I was out of my comfort zone. It was all left on that dance floor!

With DYAO far behind us, Pinky has stayed committed to inspiring other young women to achieve personal and professional greatness through the arts. It’s a departure from the magazines and weekly show tapings; seemingly a whole new life. And now that that chapter is done, it doesn’t mean the story is ending.

P: My passion for events, dance and travel came from being part of an amazing breaking crew called Furious Styles crew from Phoenix Arizona. My brother Edson “BBoy House” Magana is President and one of the founders of the crew and has been running a successful anniversary event for over 20 years for the community to keep at-risk youth off the streets. That is what fueled my passion for events. Growing up in the Hip Hop culture gave me the chance to travel the world, dance on stages and gain experiences that diversified me as a person. It also gave me strength and character. My parents helped make this happen and have always supported all of our adventures.

L: What are you looking forward to doing in this area in the next few years?  

P: I look forward to creating more events and workshops in North Hollywood. My goal is to continue collaborating with other local businesses, schools, and creative art/dance communities to empower each other.

Langston Hughes asked some very thought provoking questions which made Harlem such a popular piece of work. In the scope of life, we tend to see our dreams in the distance, something we hope to attain. Without noticing, you could be directly in the path of your purpose and not even know it. Seeing Pinky go through some very personal self-discoveries on a national stage wasn’t easy, but to know that her dream to win DYAO motivated her to impart that same strength to other young women is wonderful to see.

Will your dreams sway in the wind until they catch a breeze and sail you into a new chapter of your life? Will you nurture and believe in that dream even when the winter’s cold brings inescapable tribulation? Will your dream slowly float into impossible or will it flourish to become more than you’d ever imagined?

That’s a question only you can answer … with time.

D R E A M       B I G

Connect with Pinky @pinkysofia or pinkywon1@hotmail.com to get more info about upcoming events such as:

Us Girls “Art, Music and Dance” Summit

Sunday, July 16th, 2017

At The Secret Rose theatre

Dance performances “SHE Diggs Deeper”

Raffles Speaker panel “Creatives in Business”

Vendors Music Live Art

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