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Jillian Shea Spaeder “Barely Changed”

“Barely Changed” is a great pop song full of driving beats, great hooks and meaningful, heartrending lyrics.

Jillian’s voice slides silkily around, tripping over the notes with a skill that belies her age.  She sings from her heart with the grace of youth and an ancient soul.

Jillian is just starting out as a recording artist, although she grew up performing in a very musical family. You may recognize Jillian for her role as Bailey on the Disney’s hit series “Walk the Prank.”  This is her second single and I have to say that I absolutely love the production on this song.  It’s full of ticks and quirks and gorgeous textured sounds.  It’s all a beautiful dichotomy to the soft raspy voice of Jillian Shea Spaeder.  Jillian is an actress as well as a singer, but I hope she keeps singing.

I hear the influence and the beautiful sounds of Ariana Grande, Rihanna, Alicia Keys, Lady Gaga, Jorja Smith and Adele in her.  Jillian has extraordinary pipes but she doesn’t fall into the trap of overdoing it. She holds her own line – authentic, honest and brilliant.  There’s a little Pink in here too, that warm soft tone, holding back until she can’t help but let go…so good.

I love this track.  I can’t stop playing it in fact. It’s on my regular tracklist bouncing around in my car making the LA traffic bearable!!!

Musicians:

Mike Avenaim – Producer

Artist Links

Website  |  Facebook  |  Instagram  |  Twitter  |  Spotify  |  Soundcloud  | Youtube Channel

The Government Shutdown…

Weekly Economic Commentary | A Historic Government Shutdown

KEY TAKEAWAYS

✭ We believe this government shutdown will have limited long-term ramifications for economic growth.
✭ This shutdown is unprecedented, however, and business and consumer confidence are weakening.
✭ Delayed economic data releases could cause a disconnect between the Federal Reserve and financial markets.

The U.S. government is in Day 24 of a partial government shutdown, which is now the longest in U.S. history. The closure reached an inflection point on Friday, when government workers’ first payday during this closure passed without a paycheck.

While past shutdowns have largely been a nonevent for the U.S. economy, the current shutdown has lasted for an unprecedented amount of time, and there is still no end in sight. As of now, we believe this shutdown will have limited long-term ramifications for economic growth, but it’s important to recognize that we’re in uncharted territory.

ANOTHER HEADWIND

Government shutdowns have been rare, especially in recent years. Since 1976, there have been 21 shutdowns (including the current one), and only four have occurred in the past 20 years. Shutdowns have lasted about eight days on average, and there have been only seven government closures that have lasted longer than 10 days (the last being a 17-day shutdown in October 2013).

Past shutdowns have had mixed short-term impacts on the U.S. economy. Business and consumer confidence frequently declined during past shutdowns. Government spending, which has comprised about 10% of gross domestic product (GDP) growth over the past three years, also tended to drop in shutdown periods.

However, even if there were negative short-term repercussions, past shutdowns didn’t significantly reduce long-term output. Typically, economic activity lost during shutdowns was largely recouped over the following quarters, especially if government workers received back pay. U.S. stocks also historically fared well after government shutdowns, showing that any economic impact from a shutdown wasn’t enough to derail market rallies. The S&P 500 Index climbed during 12 of the past 21 shutdowns, and it rose an average of 13% in the 12 months after the government reopened [Figure 1].

Government Shutdown 2019 Impacts via www.nohoartsdistrict.com

So far, economists are predicting the same outcome for the current shutdown. First quarter GDP forecasts have largely remained consistent since the shutdown began, albeit slightly lower after disappointing manufacturing reports rolled in over the past few weeks. Fourth quarter GDP was likely unaffected since there were only a few business days between December 22 and the end of 2018, and many workers took some vacation during that period.

It’s important to remember that there isn’t any historical precedent for a shutdown this long, however, and the U.S. economy is especially sensitive to a shift in confidence right now. Consumer and business confidence gauges have declined from cycle highs recently as negative headlines from the U.S.-China trade dispute and geopolitical squabbles have roiled financial markets and soured sentiment. By some measures, economic uncertainty is at its highest point in years, even as data point to solid economic conditions [Figure 2]. Uncertainty about the future of policy and the intangible effects of a prolonged shutdown could dampen sentiment further.

Government Shutdown 2019 Impacts via www.nohoartsdistrict.com

Trade tensions have also softened overall demand, especially among U.S. corporations. Many businesses have gone on the defensive and delayed business investment and expansion plans until a trade resolution occurs, a shift that has unexpectedly weighed on capital expenditures and global manufacturing health. Data show U.S. consumer demand has been largely immune to economic headwinds, but a long shutdown could have an outsized impact on consumer health, as government workers pare back spending and other consumers feel the secondary impacts of lower demand and policy uncertainty. Consumer spending accounts for about 70% of GDP growth, so weakening consumer demand could significantly curb output.

DELAYED ECONOMIC DATA

Another consequence of the shutdown has been delayed economic data releases from government agencies. At this point, releases on durable goods, housing, trade, inventories, and the monthly budget statement have been pushed off because of agency closures. So far, none of the missed releases have been major (in our opinion), but fewer data points mean less context for market participants to gauge the health of the economy. If the shutdown persists, the fourth quarter GDP print, which is scheduled to be released January 30, is at risk of being delayed—since the Bureau of Economic Analysis is closed. This data drought comes at a crucial time for market guidance. Investors have scoured recent economic reports to gauge economic health as the economy slows, and while U.S. stocks have rebounded this month, they have largely taken direction from the data-dependent Federal Reserve (Fed). Without the usual slate of economic reports, the Fed has fewer data points to evaluate the U.S. economy, so a disconnect between monetary policy and the economy could emerge. This is a long-term and unlikely scenario, but it is certainly possible if the budget standoff drags on for too long. We think a policy mistake is unlikely, but the probability of this mistake could grow as the shutdown continues.

CONCLUSION

At this point, we see no signs of this shutdown materially affecting economic data, and we maintain our forecast of 2.5–2.75% in GDP growth for this year (as mentioned in our Outlook 2019). Still, the length of this shutdown is unprecedented, and confidence, which is still elevated but has been retreating, is especially fragile right now. Headlines we’ve seen out of Washington, D.C., suggest politicians may reach an agreement soon, though, especially with President Trump threatening to tap emergency funding. While we think there are reasonable prospects the government will reopen soon, we will continue to monitor economic data for any shutdown-related impacts.

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IMPORTANT DISCLOSURES

The opinions voiced in this material are for general information only and are not intended to provide specific advice or recommendations for any individual. To determine which investment(s) may be appropriate for you, consult your financial advisor prior to investing. All performance referenced is historical and is no guarantee of future results.

Any economic forecasts set forth in the presentation may not develop as predicted and there can be no guarantee that strategies promoted will be successful.

Investing involves risk including loss of principal.

This research material has been prepared by LPL Financial LLC.

To the extent you are receiving investment advice from a separately registered independent investment advisor, please note that LPL Financial LLC is not an affiliate of and makes no representation with respect to such entity.
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**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

NoHo News: Theatre in the Valley

Here’s your NoHo arts community update!

We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood. Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

NoHo News January 24 2019 www.nohoartsdistrict.com

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**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

 

The Whitefire Theatre Solofest Presents “Causeless Joy”

Written and Performed by Theresa Puskar

The definition of causeless joy is: “a joy that is unintentional or unintended or unexpected.” 

Theresa Puskar’s rather wonderful solo play “Causeless Joy” actually turns out to be a perfect illustration of the term. 

Theresa’s beautifully written and performed play is a journey of how she came to find her “joy” and is presented to us in pivotal moments from her life…all very specific and very funny, heartfelt and truthful.  She shares herself and her life frankly and without fear, even tough times and bad decisions that all of us have experienced at one time or another and few of us are proud of.  The result of all this candor is a wonderfully warm and inspiring tale of how one woman went from sad and lost to joyful and found.

Through anecdotes, reenactment and with a little help from four fairytale princess “fairy godmothers” who drop by to help her along, Theresa flips the lid on the preconceived and unattainable expectations we all put ourselves through.  Each of her princesses gives us the skinny on their real stories and emerge far more powerful, relatable and real.  It’s every little girl’s dream to grow into these ridiculously perfect princesses at some point in their lives.  How freeing it is to meet them in the raw, so to speak, and to learn from their own struggles to define themselves.

Theresa’s journey has her traveling to India to take part in an intensive, month-long meditation retreat, mixing with other like-minded souls searching for answers, and it is here that she finds her calling and her inner power princess.

This is a lovely piece of writing, fluid and shining and utterly relatable.  Oh, how I would love to go with her to India, sharing a dorm room with snoring ladies and ravenous mosquitos, shockingly normal portions of vegetarian food, cold water showers two floors down, 5am breakfasts surrounded by all the marvelous and heartbreaking contradiction that is India…profound poverty and profound happiness.

It’s so wonderful to hear from someone who understands that the world is vast and our souls are too, and sometimes we have to go far far away to find our own fairytale ending.

www.CauselessJoyShow.com

www.theresapuskar.com

 

1776 The Musical

1776 The Musical at The Soraya February 8-10, 2019.

Music and Lyrics by Sherman Edwards
Book by Peter Stone
Based on a concept by Sherman Edwards
Musical Direction by Jeff Rizzo
Directed and Staged by Glenn Casale
Featuring James Barbour, Caleb Shaw, Andy Umberger and Peter Van Norden

La Mirada Theatre for the Performing Arts and McCoy Rigby Entertainment present the award-winning and revolutionary 1776 THE MUSICAL at the Younes and Soraya Nazarian Center for the Performing Arts (The Soraya), February 8 through 10. 1776 THE MUSICAL, the Tony Award winner for Best Musical (1969) and has music and lyrics by Sherman Edwards and book by Peter Stone. It is directed by Glenn Casale with musical direction by Jeff Rizzo.

This production of 1776 THE MUSICAL continues at La Mirada Theatre for the Performing Arts through Sunday, February 3, 2019. The La Mirada Theatre for the Performing Arts is at 14900 La Mirada Blvd in La Mirada.

1776 The Musical The Soraya via www.nohoartsdistrict.com
Caleb Shaw (Thomas Jefferson), Peter Van Norden (Benjamin Franklin), and Andy Umberger (John Adams) (Photo: Jason Niedle)

Before Hamilton, there was 1776 THE MUSICAL, the electrifying musical about the founding of America. 

Featuring a thrilling cast, this Tony Award-winning smash begins with a deadlocked Congress. Its attempts to adopt the Declaration of Independence are boiling over in heated confrontations. Sound familiar? Spoiler alert: by the evening of July 2nd, the two sides are still miles apart!

Lin-Manuel Miranda said in Playbill, ”1776 certainly paved the way for Hamilton—not just in that it’s about our founders, but also in that it engages fully with their humanity. It’s also I think, one of the best books – if not the best – ever written for musical theatre in that you long to see them talk to each other. Which almost never happens in a musical. Most musicals, you’re waiting for the next song to start. That book is so smart, and so engaging.”

But remarkably, these contentious Founding Fathers harness their shared determination to do the right thing for a fledgling nation. Soraya Executive Director Thor Steingraber said, “The imperfect men who strived for a more perfect union — 1776 reminds us that democracy has always been a messy proposition filled with compromise and competing interests. I personally revisit this musical every now and then, and am stunned at how relevant it remains. In the end, the American spirit wins the day.”

Composer-lyricist Sherman Edwards said, “I wanted to show [the founding fathers] at their outermost limits. These men were the cream of their colonies. … they disagreed and fought with each other. But they understood commitment, and though they fought, they fought affirmatively.”

Edwards worked for ten years on his musical, when the Broadway producer of 1776, Stuart Ostrow, introduced him to book writer Peter Stone, who had written the films Charade, Father Goose, and would later write the musicals Woman of the Year, My One and Only, The Will Rogers Follies and Titanic.

When it opened John Chapman in the Daily News said, “A stunningly original musical. It is far, far off the Broadway path and far away in time. It is warm with a life of its own; it is funny, it is moving. The songs and lyrics are remarkably original.”

Walter Kerr said in The New York Times, “1776 is the most independent new musicals in years, and if you’ve got any character of your own you probably want to see it instantly, just to keep its independence company., it has a mind of its own. An original, strangely determined, immensely pleasing evening.”

The New York Post said, “In this cynical age, it requires courage as well as enterprise to do a musical play that simply deals with the events leading up to the signing of the Declaration of Independence. The result is a brilliant and remarkably moving work of theatrical art.”

1776 The Musical at The Soraya via www.nohoartsdistrict.com
1776 Company (Photo: Jason Niedle)

The Cast of 1776 THE MUSICAL will feature James Barbour as “Edward Rutledge,” Peter Van Norden as “Benjamin Franklin,” Andy Umberger as “John Adams,” Teri Bibb as “Abigail Adams,” Caleb Shaw as “Thomas Jefferson,” Ellie Wyman as “Martha Jefferson,” Nick Santa Maria as “John Hancock,” Peter Allen Vogt as “Samuel Chase,” Victor E. Chan as “Robert Livingston,” Brad Rupp as “George Read,” Gordon Goodman as “Stephen Hopkins,” Jason Chacon as “Dr. Josiah Bartlett,” Jordan Goodsell as “Charles Thomson,” Jordan Schneider as “Dr. Lyman Hall,” Jotapé Lockwood as “Lewis Morris,” Matthew Kimbrough as “Colonel Thomas McKean,” Michael Dotson as “Roger Sherman,” Michael Rothhaar as “Andrew McNair,” Michael Starr as “Richard Henry Lee,” Michael Stone Forrest as “John Dickinson,” Mitchell McCollum as “Reverend John Witherspoon,” Ted Barton as “James Wilson,” Rodrigo Varandas as “Leather Apron/Painter,” and Nick McKenna as “Courier.”

The Design Team for 1776 THE MUSICAL is as follows: Scenic Design by Stephen Gifford; Lighting Design by Jared A. Sayeg; Co-Sound Design by Leon Rothenberg & Phil Allen; Costume Design by Shon LeBlanc; Hair/Wig/Makeup Design by EB Bohks; Properties Design is by Kevin Williams. The Casting Director is Julia Flores and the Production Stage Manager is John W. Calder III.

Younes and Soraya Nazarian Center for the Performing Arts (The Soraya)

Dates: Friday, February 8 at 8:00pm
Saturday, February 9 at 3:00pm & 8:00pm
Sunday, February 10 at 3:00pm

Venue: Younes and Soraya Nazarian Center for the Performing Arts (The Soraya)
18111 Nordhoff Street, Northridge, CA 91330

Tickets:
Prices: Starting at $44. Prices subject to change.
By Phone: (818) 677-3000
Online>>

1776 The Musical at The Soraya via www.nohoartsdistrict.com

About the Creative Team

GLENN CASALE (Director) Broadway: Peter Pan starring Cathy Rigby (Tony Award nomination Best Revival) which was filmed by A&E and garnered two Emmy Awards. Off-Broadway: The Property Known as Garland starring Adrienne Barbeau, and Dragapella at Studio 54 (Drama Desk Lucille Lortel Award nominations for best Production). International: Disney’s The Little Mermaid, Beauty and the Beast (The Netherlands, Germany, Italy, Spain, Japan and Russia), and The Wiz. Regional: Disney’s Hunchback of Notre Dame, The Little Mermaid, Ballroom, Camelot with Rachel York and Lou Diamond Phillips. Wrestlers starring Mark Harmon and George Clooney, Bingo!, M, From the Top starring Carol Burnett. Los Angeles Ovation Award-winning Best Musical Anything Goes starring Rachel York, Brent Barrett, Sally Struthers and Fred Willard, Camelot starring Michael York, The Prisoner of Second Avenue with Jason Alexander. Television: ABC’s “The Faculty” starring Meredith Baxter and “The Wayans Brothers.”

JEFF RIZZO (Musical Director) has conducted countless musicals in many U.S. cities, Japan, and China. Recently: White Christmas at the Ordway Center in Saint Paul, H2$ and Mary Poppins at TUTS in Houston, and Cabaret at the Sacramento Music Circus. Jeff experienced the 2011 Tokyo earthquake and the nuclear meltdown doing Joseph and the Amazing Technicolor Dreamcoat. He toured China in 2007 with 42nd Street, as well as the two-year run of the 2002 US National Tour, which played Segerstrom Hall and the Ahmanson Theatre. Jeff was the audition accompanist for the film of Dreamgirls. He musically directed Madison Square Garden’s The Wizard of Oz starring Roseanne, the subsequent national tour, and the Grammy-nominated cast recording starring Mickey Rooney and Eartha Kitt. He was associate conductor of the US premiere of Sunset Boulevard starring Glenn Close at the Shubert Theatre in LA. Jeff toured three years with Annie, as associate conductor of the 2nd National Tour and conductor of the 4th National Tour. He has served on the faculty of the American Music and Dramatic Academy (LA campus) for thirteen years. As a composer, his work includes the scores for Jailbirds on Broady, Wanna Play?! (published by Baker’s Plays) and a new musical version of A Christmas Carol. With partner Eric Andrist, he co-founded the Musical Theatre Guild. Born in Utica, NY, raised in Sacramento, CA, and graduated from the University of Southern California.

About McCoy Rigby Entertainment

Celebrating its 25th Silver Anniversary season at La Mirada Theatre for the Performing Arts, McCOY RIGBY ENTERTAINMENT (MRE), is one of the world’s premier theatrical production companies. Headed by Executive Producers Tom McCoy and Cathy Rigby, MRE has produced over one hundred musicals, plays, and concerts featuring some of the biggest stars in the industry today.

In addition, MRE has launched several Emmy Award-winning and Tony Award-nominated Broadway, international, and national touring productions including: ASIA- Dreamgirls (Japan), Miss Saigon (China), Peter Pan (China) CANADA- Peter Pan (Vancouver) USA- Seussical the Musical, and Annie Get Your Gun, starring Cathy Rigby; Jesus Christ Superstar starring Carl Anderson and Sebastian Bach; Camelot starring Michael York and Lou Diamond Phillips, Happy Days written by Gary Marshall and Paul Williams. BROADWAY- ‪Frank Wildhorn‬‬‬‬‬‬‬‬‬‬’s Jekyll and Hyde starring American Idol contestant and Tony Award nominee ‪Constantine Maroulis‬‬‬‬‬‬‬‬‬‬ and Grammy Award nominee Deborah Cox. Peter Pan starring Cathy Rigby has made four stops on Broadway and received four Tony Award nominations including Best Revival of a Musical and Best Actress in a Musical. The A&E TV network premiere of Peter Pan received one Emmy Award and four Emmy Award nominations.

About Younes and Soraya Nazarian Center for the Performing Arts (The Soraya)

The 2018-19 Season marks the eighth year the award-winning Younes and Soraya Nazarian Center for the Performing Arts, which has quickly become one of the cultural jewels of the greater Los Angeles region. Under the leadership of Executive Director Thor Steingraber, The Soraya continues to expand its programming and outstanding multidisciplinary performances. The mission of The Soraya is to present a wide variety of performances that not only includes new and original work from the Los Angeles region but also work from around the world that appeal to all of LA’s rich and diverse communities.

Located on the campus of California State University, Northridge, The Soraya’s season offers a vibrant performance program of nearly 50 classical and popular music, dance, theater, family, and international events that will serve to establish The Soraya as the intellectual and cultural heart of the San Fernando Valley, and further establish itself as one of the top arts companies in Southern California. The award-winning, 1,700-seat theatre was designed by HGA Architects and Engineers and was recently cited by the Los Angeles Times as “a growing hub for live music, dance, drama and other cultural events.”

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

The Road Theatre Company Presents “Death House”

The Road Theatre Company Presents “Death House” -written by Jason Karasev and directed by Michael Peretzian.

Extended through March 23! Fridays & Saturdays at 8pm, Sundays at 2pm

The Road on Lankershim, 5108 Lankershim Blvd., North Hollywood, 91601

DEATH HOUSE PROMO 02 from Chuck McCollum on Vimeo.

A play about death, set in a prison in the hours before a prisoner on death row takes their final bow may not seem to most to be something to spend an evening with. 

But consider how those final hours might bring all involved together to face what it is we all must eventually face and how the knowledge of that fact, as surely as anyone ever could know, might actually be.

DEATH HOUSE Chase Cargill and Sam Anderson
Chase Cargill and Sam Anderson

I could tell you that this exquisite play, “Death House” isn’t really about death at all, and that would be somewhat true, I suppose.  It does dwell on more than the inmate’s story. It is also in part the story of two men, the current Chaplin, haunted by the many he has helped to their deaths and his replacement, an evangelical preacher and supporter of the death penalty who has petitioned the governor for this job, determined to serve his beliefs.

But even with all that, death really is the central theme…death and its pernicious echos in the lives of those who remain. 

Each character is singularly driven.  Each with their own particular sin.  How could any of them ever anticipate ending up in this room together, so disparate and myriad were their lives before, and yet here they are.  Life is spectacularly random, but these three made very specific choices that brought them here, and as we learn about them and what they hide and what they do not, the play unfolds and its power grips us as deftly as the power of this room grips them. 

The performances are instinctive and shocking, and unflinchingly real.  I’m not ashamed to say that I wept and that each of these brilliant actors on stage made me do so copiously at several different moments. 

“Death House” is moving and also funny and alarming and somehow strangely comforting even.  That there is grace even in the darkest of places and the most manufactured of departures is beautiful and in the play it is achingly and truthfully told.  The play makes no judgement, there’s really no need for politics or preaching and yet it is crystal clear where each and everyone stands, both the characters and the playwright, but still, those positions aren’t at all as obvious as you might think.

DEATH HOUSE   Chase Cargill and Sam Anderson
Chase Cargill and Sam Anderson 

The Road Company is always pushing the limits of our emotions and our minds, and thankfully so.  They pick plays that surprise us and challenge us and delight us, but that also make us think deeply about our place in this world and our footprint upon it.  Jason Karasev’s “Death House” is another play that fits their ethos perfectly.  The fragment of this world he gives us is important and the people in it a perfection of pain and loss, forgiveness and heartbreaking truth.  Michael Peretzian directs with a tender lightness that allows his actors to inhabit and to become…bravo.

If you see any play this season let it be this one.

“Death House” is at the wonderfully intimate Road Theatre on Lankershim until March 23, on Fridays, Saturdays and Sundays.

https://roadtheatre.org/event/death-house/

{vimeo}311526932{/vimeo}

Cast

Sam Anderson, Verity Branco and Chase Cargill. 

The Design Team for DEATH HOUSE is as follows:

Set Design by David Mauer; Lighting Design by Derrick McDaniel; Sound Design by David B. Marling; Costume Design by Mary Jane Miller; Properties Design by Christine Joëlle. The Fight Director is Bjørn Johnson. The Production Stage Manager is Maurie Gonzalez. DEATH HOUSE is produced by Carlyle King, Tracey Silver, Brian M. Cole and Carissa Pinckney.

In Search of Gram Parsons

Much legend and lore have created a mystique around singer, songwriter and musician Gram Parsons.

Fans flock to the Joshua Tree Inn to stay there in his room, leave tributes to him at the “alter” in front of his room which is #8, flock to Joshua Tree National Park to visit where his remains were set on fire by his friends at Cap Rock and still others are so enamored by the legend that has become Gram Parsons that they move to the Mojave Desert, and Joshua Tree in particular.

There is a cottage industry at Joshua Tree that consists of t-shirts, festivals and “PHILGRAMAGEs” which are led by friend and road manager Phil Kaufman. Kaufman declined an interview to answer questions that needed to be asked. Also, there must be hundreds of people that go through Joshua Tree National Park to visit the Cap Rock that are paying $35.00 a car for their pilgrimage.

Parsons overdosed on morphine and alcohol when he was 26 years old and on the precipe of hitting it big on the tour he was getting ready to go out on with a new project. He had come to the Joshua Tree Inn that time to clear his head before embarking on the next level of his career. Parsons had been a frequent visitor to Joshua Tree as a way of clearing his head. I’ve always wondered what it was about Joshua Tree that helped him to clear his head and why was it always Joshua Tree Inn where he stayed.

People have written about and have told me that it was the pace out there, the vortexes that are all over the area and the solitude that one can experience out there in the Mojave Desert. It all sounds good and interesting, but I felt that there was something else, a backstory if you will. I was to find out much later in my investigation what that was.

On September 17th, 1973, Parsons checked in at the Joshua Tree Inn and Motel and it was business as usual for Parsons. He began indulging in his favorite party favors to quench the fire that burned inside of his body. A fire that would not go away easily.

It is necessary to take a look at the forces that were surrounding his space at that time as it aides us in understanding what was flying around in his head at that important time of his life.

Chris Hillman, The Byrds and The Flying Burrito Brothers, stated it the best in interviews that are posted on his Facebook page and I am keeping the whole quote intact as he had lost another friend to an accident. “Gram’s death upset me a lot, but I was more upset by Clarence’s because it was an accident, out of the the blue. I was ready for Gram’s death, I guess; for months before I’de watch him just disintegrate …” In another interview, Hillman stated “He (Parsons) was seduced by the trappings of Rock N’ Roll. That was his downfall. But some of the best stuff I’ve ever been around was in that era when we first got together. That was the good Gram, back then, the hungry, inspired kid.”

One cannot help but muse about the trappings of Rock N’ Roll and what role they did play in Parsons demise on September 19, 1973 at the age of 26. Many people claim 27 to include him in the “27 Club” whose artists died at the age of 27…Jim Morrison, Janis Joplin and Amy Winehouse to name a few of its members.

Parsons was hanging out with the Rolling Stones who at the time were careless in their lifestyle choices which in turn seemed to rub off on some of their posse. The Rolling Stones even had a song titled “Sister Morphine,” which had been released February 21, 1968. This song is co-written by singer Marianne Faithful who had a substance abuse issue and was a long-time paramour to Mick Jagger. Then there is the death of the Rolling Stones founder Brian Jones. There are many tales and groups that contend that this was no ordinary drowning in a pool. Official reports put it as an accidental drowning on July 3, 1969. Jones did have well documented drug abuse issues.

The free Rolling Stones concert at Altamont on December 6, 1969 had a death which was laid at the feet of their Hell’s Angels “security”  who had stabbed a concert goer to death. There were also a few other deaths at the concert.

According to Keith Richards in an interview for a blog titled “The Selvedge Yard” in 2010, Richards stated the following: “He had cleaned up prior to his death. He thought that he could handle the same amount as before.” Richards also stated that Parsons wasn’t any worse than the rest of them when it came to drug use and that he knew plenty prior to his hanging out with Richards. Parsons had a lot of respect for Richards’ opinion as Parsons left The Byrds because they were slated to tour South Africa and Richards had told Parsons that they weren’t going to tour there because of sanctions and embargoes that were in force at the time.

This is the influence that Parsons was hanging out with during this time prior to his death. There are many photos floating around of Parsons with Keith Richards and with Richards and his longtime girlfriend Anita Pallenberg at Joshua Tree National Park. A photo caption in one of those photos would lead me to Parsons’ real passion for Joshua Tree.

When Parsons overdosed in room #8 on morphine and alcohol, many stories about what transpired after he passed out from Niacin to stuffing an ice cube up his bum to revive him which of course didn’t work. When Kaufman heard that Parsons’ body was going to be at LAX to be shipped elsewhere he decided to liberate Parsons’ body from LAX with the help of his assistant Michael Martin. Once Parsons’ body was liberated they shoved it into Martin’s Cadillac Hearse and headed to Joshua Tree National Park. They arrived at Cap Rock and couldn’t go in any further as they were drunk and the coffin was heavy so they set fire to it right there. Unfortunately it didn’t go off very well as the fire wasn’t hot enough to burn the coffin as well as Parsons’ body.

Known as the road mangler or the executive babysitter, Kaufman was charged along with his assistant Martin.

The body was returned to the family and shipped to Louisiana for burial. Parsons’ is buried at the Garden Of Memories Cemetery in Metairie, LA. Parsons’ rhinestone studded Nudie suit is at the Country Music Hall Of Fame in Nashville, Tenn.

Fast forward to now in present day Joshua Tree and he is a legend. He is credited with being the father of Alt-Country Rock and the Cosmic American Experience. This is in spite of the fact that he wasn’t well known at the time of his death. According to the Joshua Tree Inn receptionist “Dee Dee,” he became more famous after he died. “Dee Dee” also adds “Uncle Phil” had told her that Parsons was ready to break big on the tour that he was about to embark upon.

“Right before Gram passed away, he was in the process of going on a solo tour. All of his fans and Phil believe that if he could have gone on the tour it would have made his name and his brand of music huge. Before the tour he wanted to clear his head and relax for a few days. So he came to the Inn and never made the tour happen,” “Dee Dee” explained.

“Dee Dee” lamented the fact that Parsons became more famous in death than life, but did allow that his fan base is impressive. She added that they leave tokens of appreciation like two wine glasses and a bottle of wine and lots of guitar picks. There are so many that “Dee Dee” has begun working on a college of Parsons edged with the token guitar picks. Also, “Dee Dee” adds there are people that he grew up with that come to visit the room and look at the memorial that has been erected in front of room #8. On his birthdate or the date of his death we have at least 15 people come and visit. “Uncle Phil” comes once a year at random times.

“Dee Dee” is an encyclopedia of Gram Parsons knowledge and will not hesitate to tell you what she knows.

According to her, Parsons would frequent the CrossRoads which back then was the Trade Winds. On the night of his death he had his last drinks at a place called the Touchdown in Yucca Valley aka Wine and Roses. He chose this venue because he wanted something stronger than beer and that was all they served at the time at the Trade Winds.

As to the significance of the Joshua Tree Inn and Joshua Tree “Dee Dee” had this to say: “Some people look at JT as keeping the “legend” alive. While others see it as more of an inspiration.”

As “Dee Dee” is telling me that it’s necessary to make reservations well in advance of a planned stay as the demand for room #8 is great, I’m thinking that I would like to make a reservation to stay in room #8. The greatest demand is on his birth and death dates as well as festivals. In fact, the Joshua Tree Saloon has decided to expand its September festival to three days this year. No dates are available at this time please check their website later on to find out.

The front office of the Joshua Tree Inn is filled with Parsons memorabilia as well as the lounge area where Parsons’ music is played continuously. My neck got sore turning around and craning my neck to see everything this place had to offer. I made a reservation in November 2018 for January 13, 2019 so that I could experience all that this place had to offer. I had been in Joshua Tree around nine times to relax, get away from Los Angeles and dig around for more info about Parsons.

On one of my visits in 2018 I came across an unusual artist by the name of John Henson who has done a portrait of Parsons in nails. The event was the HWY 62 Art Tours which features artists from all around the Mojave Desert. It took Henson 60 hours over a four week period and used 20,048 hand pounded nails. The finished product is amazing and the Joshua Tree Inn posted it on their Facebook page when they saw it.

When asked if he viewed Parsons as a legend, Henson believes that his talents were not appreciated during his lifetime. “He is included on Rolling Stone’s 100 Greatest Artists, but he never had a song or album break 100 on any charts. So he never achieved the fame one usually associates with being a legend, but his contributions to popular music and the influence he had on so many others was huge,” Henson informs .

Henson cites the inspiration for his Parson’s portrait as the “otherworldly” natural beauty, wildlife, spirit, culture and history of the Joshua Tree area in the Mojave Desert. “Gram Parsons had a fascination with Joshua Tree and is one of my favorite, albeit tragic, stories of artists and musicians who found inspiration in this place.”

Hensons does have his favorite Parson song which include “Love Hurts” with Emmylou Harris and “Ooh Las Vegas.” Henson discovered Parsons while he was a music producer and actually discovered him in a backwards manner, “A big fan of Wilco and Son Volt, I eventually discovered the seminal band Uncle Tupelo who in turn were influenced by Gram Parsons.”

As for his technique in creating the Parsons portrait, Henson allows that he outlined the piece with tiny pilot holes made by tapping a small nail, it wasn’t sketched by hand on the wood “canvas.”

For this that would like to see this Parsons portrait, Henson is having a show at Bruce Lurie Gallery March 1 to the 3rd. The address is 2738 La Cienega Blvd., 90034. Near Fairfax and Adams. Henson’s website is www.johnhensondesertart.com.

As for myself, I was never much of a hard core Gram Parsons fan. I was into The Byrds and Chris Hillman in particular so when Hillman formed The Flying Burrito Brothers and Parsons also joined that group I did appreciate his talents. It wasn’t until I started visiting Joshua Tree and Joshua Tree National Park that Parsons would let me know he was around by leaving me rusty old bottle caps (Cap Rock, Joshua Tree National Park) around areas that he was pleased that I was visiting…the bottle caps are a personal thing between the two of us and only appear in the desert.

Parsons also attached his spirit to my electronic devices such as my iPhone, iPod and Mac Book. He would disturb the flow of data/pixels and distort music files and photos. This has occurred several times while in the Mojave Desert. Parsons’ energy is nothing like that of Jim Morrison’s who pursued me all over Paris and did not give up until I visited his grave.

As January 13 neared, I was looking at hundreds of photos of Parsons and was really intrigued by the length of his fingers. Really quite long fingers which made for his demon like playing of a guitar. And then there it was the main attraction for Parsons’ fascination…UFOs. He would scan the sky for UFOs. I can understand that as I’ve found myself more than once scanning the sky for UFOs. This area just seems to invite that type of behavior. Sadly, the only thing I think I saw was Sasquatch running in the forest of Joshua Trees in the National Park.

Finally, January 13 arrived and my daughter-in-law April Yats and I embarked upon our “cosmic” journey into the realm of the spirit of Gram Parsons. There was only one warning that was given to us by attendant Destiny Alvarado, “What- ever you do, don’t play The Beatles! The energy in there (room #8) gets very negative.” Is my liking of The Beatles that apparent? Gingerly we began our “cosmic” journey to our room.

As we walked through the lounge to get to the patio area where room #8 is, Yats began snapping a photo which came out all distorted and pixilated. This room has many photos of Parsons and plays his music all day and night. It is a very comfortable room with a nice fireplace which probably made Parsons feel comfortable.

As we turned the key in the lock of room #8 Yats and I both felt the hairs on the back of our necks rise and there was a sense that we were crossing the threshold into another dimension where Parsons held control and we were there at his will. Yats and I looked at each other and entered the room. We were both holding our breath as we slowly scanned the small room searching for…evidence of spirit.

The only original thing left in this room is the mirror which is where we concentrated our attention and came to the conclusion that is where Parsons’ spirit lives. We set up a tribute to Parsons and began meditating in order to cross the bridge that led to Parsons.

Later on in the night Parsons made his appearance as a benevolent host and arranged for Yats to be occupied with painting a portrait of Joshua Tree with a Road Runner and a few other inspired items. While Yats painted, Parsons talked and talked and talked. In a sense I felt more like a therapist than anything and I mostly just listened. The things that came up first are contained in this story. The rest I am going to claim “patient” privilege.

The room is filled with Gram Parsons photos, CDs and photos and notes from visitors to the room. There is also a journal for guests to write in to share their thoughts with Gram Parsons. There is also a notebook full of information about Parsons and photos as well. There is also a small backyard where one can scan the sky for UFO’s or just kick back and enjoy the stillness of the Mojave Desert.

The Joshua Tree Inn/The CosmicAmericann Motel’s website is http://www.joshuatreeinn.com where you can check room #8’s availability, rates and lots of other info. You can also call “Dee Dee” at 760-366-1188 and speak to her about what you would like to do.

Fitness and Anti-Aging Secrets?

Can we really crack the code to looking and feeling great once we hit a certain age? According to local North Hollywood resident and business owner Jack Witt, the answer is “Yes we can.”

 

The NoHo motto needs to be: “NoHo is only as great as its people.”

One of our favorite types of posts is local features. Why? Because the NoHo motto needs to be: “NoHo is only as great as its people.” So, meet Jack Witt, a Los Angeles personal fitness trainer and wellness coach for almost 20 years with his business GetFitwithWitt.com He holds a master’s degree in exercise science and he just published another book, “Fitness and Anti-Aging Secrets: Cracking the Code to Looking and Feeling Younger.” 

“I offer readers invaluable insight into many of the daily best practices and holistic approaches that I and many of my most successful clients have used to look and feel young and vital,” says Jack.

Jack Witt book signing via www.nohoartsdistrict.com

Why did you focus on anti-aging secrets?

At age 51 myself, I often get people telling me I look much younger. While some of that may be genetics, I attribute it also to the little health and wellness rituals/daily best practices I’ve done everyday now for about 20 years. I wanted to share that in the book and try to provide a roadmap /guidebook for readers to use to expand on their own health and wellness best practices to look and feel younger than they are.

You’ve expanded your company to give tours. What kind of tours?

Yes, a few years ago I started an active travel brand called Active World Journeys I love travelling and immersing in other cultures and seeing places up close and personal through hiking and nature walking. So now I organize and host small group travel all throughout the world. I’ve led active tours in Costa Rica, Cuba, Israel and Jordan, the Inca Trail to Machu Picchu, the Camino de Santiago in Spain, and several national parks here in the USA.

What tours do you have upcoming?

This summer in June we’re walking across northern England on the Hadrian’s Wall Path. In January 2020, I’ll be offering a trekking adventure down in Patagonia, Chile (details coming soon). I believe it’s so healthy for the mind-body-soul to travel and get out in nature and be around other like-minded people who like to explore other cultures and world heritage sights.

What can people expect at the book signing?

It’ll be a fun gathering of my clients and friends, and the local community here in NoHo that has always supported me so much. Hopefully, I’ll get a chance to meet some new people who also might want to drop by after reading this interview. I’ll be offering signed copies of my new book at 25% off. There will be some raffle prizes. It’s also going to be an atmosphere for everybody to share their best practices in health with each other too.

WHERE:

The Federal NoHo
5303 Lankershim Blvd.
North Hollywood, CA 91601

WHEN:

Sunday, February 10 from 4-6PM

Any closing thoughts, Jack?

I’d like to let the readers know that in all my years of experience as a health and fitness coach I’ve witnessed the human body be able to adapt, bounce back from injury, and repair and recharge itself – at any age. It’s never too late to take charge of your fitness and wellness!

Check out his travel blog, Active Journeys with Jack Witt!>>

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Why The UK’s PPI Payouts Could Affect The Economy Globally

Why The UK’s PPI Payouts Could Affect The Economy Globally

When looking at the global economy, it is important to remember that the GBP (Great British Pound) holds value regardless of the current economic stance. While Brexit may currently be wreaking havoc, the PPI deadline is also on the horizon and the world is watching.

The UK economy has been up and down for a number of years and with retail stores moving online and fewer people hitting the high street to shop, the economy is shifting. The PPI scandal and the amount paid out following its publicity has also had a dramatic effect on this. But just how much have PPI claims affected the economy? Ahead of the August 29th deadline we are looking into just how much the PPI scandal has had an impact globally.

How Has PPI Affected The UK Economy?

Five of the UK’s biggest banks have set aside over £32 billion since the PPI scandal began and most of this astronomical budget has already been claimed. Since 2011, there have been a large number of claims all receiving differing sums in compensation, but how does the effect the economy as a whole? Well, as people receive this cash from their PPI claims, they are spending it, both online and instore. This is great for the British economy, as this amounts to a 1% increase in the value of the Great British Pound. Although this seems small, this is a substantial impact that may have had a profound effect, especially during the financial instability caused by the looming Brexit deadline.

In addition to this, this has boosted the housing market as some of those who receive repayments from PPI claims are choosing to invest their lump sum in property. This is particularly beneficial if you are a first-time buyer, as a PPI claim can help you to get your foot on the property ladder far more quickly than first anticipated.

How Does This Affect The Global Economy?

But how does this affect the economy globally? When people are travelling to the UK on their holiday, the tourism industry benefits as they come and spend disposable income. What’s more, the higher the value of the pound, the more value for money local businesses will receive when converting money into a different currency. This is great for holidaymakers, as they are able to get a couple of extra dollars here and there for their own summer holiday.

Another benefit for the economy globally is the business aspect. With the 1% increase in GBP value, this is something that can deter companies from withdrawing from the UK during these uncertain times. This is potentially beneficial for trading, as better deals are likely to be created due to the value of our currency being raised – provided Brexit doesn’t make this difficult.

Regardless of the effect Brexit and PPI could have in the future, there is simply no denying that it has had an effect thus far. With the UK’s PPI claims deadline approaching on the 29th August this year, only time will tell as to just how far this effect can stretch.

Top Tips and Tricks to Keep in Mind when Selling Products from Home

Top Tips and Tricks to Keep in Mind when Selling Products from Home

There are literally thousands of products to sell online from home and those with the right skills can enjoy a lucrative side income or even a full-time job.  Still, this concept is not always easy to adopt and countless individuals will fail to adopt the right approaches from the start.  Having a game plan in place is always important if you hope to make a lasting impact within the online retail community.  In essence, we will focus upon two core concerns within this article: the right psychological approach and the logistics that will often come into play.  You can therefore develop a well-rounded appreciation of what is in store as well as some of the most common pitfalls to avoid.

Becoming Prepared for Your New Online Venture

Perhaps the largest stumbling block involves a lack of patience.  In truth, this is hardly the fault of the budding entrepreneur.  The online community has taken on an appearance that allows individuals to believe that fortunes can be made overnight.  This seemingly endless profitable veneer can cloud your judgement and lead you to believe that results will occur immediately.  Unfortunately, this is simply not the case.

Creating an online business from the ground up takes hard work, dedication, commitment and even the occasional error.  You will need to be prepared for the long haul.  Let’s never forget that even some of the largest and most successful virtual enterprises were not created overnight.  However, this undeniable fact is often overshadowed by profit margins and return on investment.  As we mentioned in the first paragraph, you will need to have a game plan in place.  Ask yourself these questions and any others which might be appropriate for your intended business model:

– What type of audience am I looking to target?

– Is this a part-time venture or do I hope to turn a full-time income?

– How much effort can I devote to this project each day?

– Will I need to deal with any potential financial limitations?

– What is the best e-commerce software platform to use?

These are a handful of areas that will need to be addressed before you become truly immersed within the competitive world of online retail sales.  Of course, such observations are by no means meant to frighten you.  Their main purpose is to illustrate that success will only result from a significant amount of preparation. 

Now that we have covered some of the basics, it is important to look at the physical sales process.  More importantly, are there any novel techniques which will save you time and money?  One method has become quite popular and it deserves a further examination.

The Role of Drop Shipping When Dealing with Effective Online Sales

Many start-up businesses are governed by limited amounts of capital.  This makes perfect sense, as the majority of individuals create such a venture in order to increase their income stream.  As we cannot grow money on trees, such a situation can often cripple the growth of a company before it has any chance to reach its audience.  This is when a concept known as drop shipping will come in very useful.

Without becoming immersed in too many details, the main concept behind drop shipping is rather straightforward.  As opposed to being forced to maintain inventory on your property, the physical product is stored by a third-party vendor.  When a customer decides to purchase an item from your online store, this order is immediately sent to the vendor.  The product is thereafter directly shipped from a third-party warehouse to the end user.  Not only will the guesswork of storage be removed from the equation, but other confusing metrics such as taxation laws and shipping fees can be avoided.  In other words, the drop shipper is taking on full responsibility for your business.  You are solely concerned about core actions such as sales, marketing and product promotions. 

The good news is that innovative firms such as Oberlo have provided you with an ever-growing list of reputable drop shippers and items to choose from.  This was nearly impossible in the past and even if you did encounter such a relationship, the chances were high that you would have been forced to pay substantial fees.  Oberlo has done away with such concerns, so you can focus on boosting your current and future profit margins.

We should finally mention that drop shipping represents a small portion of the total online sales industry.  It has been mentioned here due to its increasing popularity and this growth will inevitably continue well into 2019 and beyond.  If you hope to enjoy success within the world of online retail sales, there is no time better than the present to begin!

Tips to Throw the Perfect Bash in 2019

Tips to Throw the Perfect Bash in 2019

The late American designer and socialite Lilly Pulitzer once said: “That’s what life is all about: Let’s have a party. Let’s have it tonight.” Big, extravagant parties are commonplace in the North Hollywood Arts District. Whereas the typical American will only consider celebrating special occasions such as weddings, anniversaries, and graduations, the residents of NoHo can turn just about any occasion into a prestigious celebration. The annual awards season that is already in full swing is just one of countless reasons to throw a party in 2019. Another perfectly acceptable excuse is, of course, to simply have a good time. While partying is more than likely second nature to any local, a few basic tips will make it even easier to plan and pull off an arresting event.

Decide on an awesome venue

Your chosen venue will have a huge impact on your party. There are a number of things that need to be taken into consideration when choosing a venue including the number of guests, the location, available parking, kitchen and bar facilities, layout, ambiance, and additional services offered. If you have a large home or apartment, it may be the obvious party venue choice, although many people prefer to have their parties at designated party venues even if they have ample space at home.  Luckily you will be spoiled for choice when it comes to popular party venues for hire in NoHo. Apart from a range of superb restaurants you can also pick and choose from a range of industrial spaces, intimate warehouses, and even garden ranch houses all right in the heart of the NoHo Arts district.

Pick a fitting theme

The party scene in North Hollywood is known for its glitz and glamour, making it crucial to pick a killer theme for your own party. Not only will a trendy theme resonate well with your guests but it will also give your reputation as a party planner a considerable boost. Your chosen theme will dictate everything including your venue and décor, your food & drinks menu, and your music & entertainment. For a glamorous party pick an equally glamorous theme. Casino parties, complete with slot machines and poker tables are always popular as are themes that revolve around popular movies and TV shows (such as Game of Thrones & Mad Men), and the Hollywood of a bygone era. If you are looking to have a more casual party you can go wild and choose any theme ranging from a very artsy Boho-Chic Tea Party to a Throwback to College shindig with kegs, cheerleaders, and beer pong.

Make the food and drinks a priority

Food and drinks are a very important component to a party. Depending on the venue you picked for your party, you may choose to tackle the catering yourself, enlist the services of a local catering company such as A Wayfaring Chef or Truly Yours Catering, or let the venue take care of it. You would have chosen your specific party theme for a reason, so don’t be afraid to play off of it as far as your food and drinks and concerned.  Instead of serving a heavy, sit-down meal you might want to consider a selection of light snacks that can be eaten while mingling with fellow guests. Ensure that there is a variety of both alcoholic and non-alcoholic drinks available such as wine, spirits, fruit juice, and, of course, a selection of beers courtesy of local breweries such as the Henson Brewing Company and the Karl Strauss Brewing Company. 

Life is too short to not let your hair down and have a party every now and then. Whether you plan your party yourself or get a team of professionals to take care of all the details for you, don’t forget that the most important reason for having a party is to have a good time with people you value.

Norine Braun “Through Train Windows”

Norine Braun is one of those very special kinds of musician that make their own very special path to your door.  She is a Canadian singer songwriter with a long history of awards and accolades in Canada and beyond.  This particular album was born of a train journey across Canada, 6,000 kilometers of changing landscape, temperatures and fellow travelers, all an inspiration of music and story and intellect. You can actually hear the rhythm of the train as it slows and quickens along the tracks in all these wildly disparate songs.

As I listen I hear KD Lang, Amee Mann, Talking Heads, Patti Smith, Joni Mitchell, the Indigo Girls…and even as the echoes of all these artists reverberate through Norine’s beautiful songs, they don’t ever get in the way.

Just as her inspiration comes from them and many many more, as well as her beloved Canada and her own unique life, her songs seem just as formed by the spirit of the train.  Although the tone of the album is jazz/rock, each song is touched by something else, pop or jazz, rock or dance, folk and soul.  It’s as if she took each aspect of herself and mirrored it in song.  She even breaks into spoken word and the poetry and the urgency of her lyrics certainly gives her right to do that.

I was absolutely captivated by this album, more than enough to explore more of her music. She has at least six other albums.  This is a musician with a lot to say and a gorgeous, warm and epically harmonic voice with which to do it.

The musicality and arrangements are also brilliant. She has the support of some truly excellent musicians and she truly loves to let them play. Loved it!!!

 

Artist Links

Website  |  Facebook  |  Instagram  |  Twitter  |  Bandcamp  |  Soundcloud  |  Youtube Channel

Musicians

Braun and Brains Music

Producer: Adam Popowitz

Mixing and Mastering: Rear Window Song and Sound Studios

Vocals/Acoustic Guitar/Rhythm Guitar: Norine Braun

Lead Guitar/Bass: Adam Popowitz

Drums/Percussion: Elliot Polsky

Blues Harp: Huggybear Leonard

Keys and Harmony Vocals on Rue St. Jean and I’m Going Home: Alice Fraser

Tenor Sax: Steve Hilliam

American High “U.N. Article 14”

Music as activism is an ancient tradition.  American High keeps this well and truly alive with “U.N. Article 14.”

This is music with something to say, with history and thought behind each lyric, pain and, most importantly, with an enormous amount of heart.

The songs are full of sorrow and anger as well as joy. The band clearly plays with their hearts on their sleeves.  The songs are short, under three minutes, which gives them even more of a poetic quality. They are thoughts brilliantly conceived. It is intellectual, funny, inspiring music formed as a reaction to the stupidity of the world and concluded with their gorgeous, urgent harmonies.

I hear The Beetles, I hear Indigo Girls, I hear Nirvana, I hear Tom Petty, I hear Green Day, but mostly I hear American High – existing not in the shadow of these amazing artists but hoisted on their shoulders into the light.

It’s not preachy music, not at all, it just reminds us of the things most of us already believe about the injustices of our world, but ignore because it can be so overwhelming.  Not all the songs are about injustice, there’s a lovely love song, “Fairfield CA,” love found and lost.

It’s just amazing the way they take these dark twisting themes and turn them into these uplifting, catchy, driving, rock songs with heavenly harmonies and brilliant musical phrases all switching up and flipping around as they saw their way along.  Someone has to put this stuff on a movie soundtrack…especially “U.N. Article 14” – it’s the perfect escape song.

I have to see these guys live… Love it!!!

“Every dime this record generates goes to the SFBFS. Feed the hungry, shelter the vulnerable, teach those yearning to learn.”

 Cheye Calvo

 

Members/Instruments: D.T.(rhythm guitar), E.S.(lead guitar), F.M. (Bass), T.M. (drums).

Production: American High produced the record.  It was recorded and mixed by Joe Johnson of Pus Cavern Studios in Sacramento.

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Acidic Base “Purple Skies”

Acidic Base is the producing name for Siddharth Goswami who is in 8th grade.

Yes, 8th grade, so he’s 12…think about that.  Musical genius usually appears early on and for Siddharth Goswami it was at the age of 6 when he first began piano lessons.  By now he plays several instruments of course, but instead or heading in the purely classical direction, Siddharth developed a love for modern electronic house, which is what this album is brimming with.

Sweet spiraling sounds, evocative, redolent, spacious and heady.  This album is the beginning of Siddharth’s musical journey and he has thankfully chosen to share his development with the world.

I hear deadmau5 and Eric Prydz, his obvious inspirations. There’s a lovely bit of Giorgio Moroder and Vangelis in here too…movie sounds tracks to come?  But there is also a lot of classical influence in the phrasing and progression as well as in the repeated and quite beautiful themes.  “Purple Skies” feels as if we are soaring through the clouds and heading out into the ether.  It’s music for space travel really, simple and soft, but also urgent and rhythmic.

He uses a mixture of sounds, organic as well as electronic, real as well as manufactured, which gives it a life beyond the keyboard, beyond the computer.  I also appreciate the space between the notes, the honor he gives the sounds he uses, letting them echo and vibrate, existing on their own in a pure and tingling way.  Perhaps this is his youth demanding recognition as an individual, or perhaps he is just able to get out of his own way more than his adult equivalent. Whatever it is it works for me!!

Acidic Base’s “Purple Skies” is an electric dream within a dream…keep it coming Siddharth!  Loved it!!

Artist Links

Website  |  Facebook  |  Instagram  |  Twitter  |  Soundcloud

Musicians:

Siddharth Goswami: Music Composition and production

NoHo News: New Year. Art. Juggling. Ballet. Improv. Theatre.

Here’s your NoHo arts community update!

We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood. Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

NoHo News: New Year. Art. Juggling. Ballet. Improv. Theatre. www.nohoartsdistrict.com

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**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

 

The Ghost Road Company Presents “Jocasta: A Motherf**cking Tragedy”

“Jocasta: A Motherf**cking Tragedy”- conceived and directed by Brian Weir.

Running January 11 through February 10, Friday & Saturday at 8pm, Sunday at 7pm.

Developed in workshop by the Ghost Road members, “Jocasta: A Motherf**cking Tragedy” is a modern take on the Oedipus story through the eye on Jocasta, the mother. 

It’s all here…the oracle, the chorus, the witnesses, the lovers, the tragedy of it all.  We all think we know what’s going on in our lives, don’t we? But fate has a sick way of reminding us that we don’t have any control over absolutely anything.

This is a brilliant and wild imagining of Jocasta’s realization of that fact, when she hits reality like a brick wall and her world falls down around her ears.  This world is already part insane asylum and part paradise and the stage is used to show us both sides.  The set is pretty fantastic actually, simple yet perfectly conceived, built like an alter that feels like a mortuary with a swimming pool attached. 

The performances are remarkable. 

Coldly calculated, passionately played. Each actor brings their own interpretation of what happens when your mind gets blown.  Imagine actually finding this out after years of a deeply loving relationship, several children, passion and intimacy on a level you have never know and then suddenly it’s all over in a flash of horrific understanding.

It’s a brutal world sometimes and it leaves your head spinning, and this play does an excellent job of mirroring that.  There are some mind-bending moments, some gorgeous group work with the chorus, each of whom are wonderfully disparate and vile. 

It’s a creepy story and this version is so expertly heartbreaking in such a modern vital way – like a car crash that you can’t stop watching even though you know you will have nightmares for weeks.  Jocasta is relatable, believable and really could be any one of us. Her love is vivid and sorrowful and beautifully portrayed. Everyone one is truly excellent.  Funny, authentic, evocative and mesmerizingly cruel…like life.

I love theatre when it’s as daring and real and syncopated as this. Bravo Ghost Road, bravo…miss this at your peril.

The Broadwater Main Stage, 1078 Lillian Way, Los Angeles, CA 90038

https://ghostroad.secure.force.com/ticket/#details_a0O1H00000M1DwZUAV

Cast

Christine Breihan, Adam Dlugolecki, Max Faugno, Kimberly Glann, Jen Kays, and Katharine Noon.

Developed in workshop by Ghost Road ensemble members Brian Weir, Katharine Noon, Kim Glann, Ronnie Clark, Jen Kays, Christine Breihan, and Adam Dlugolecki along with Jakob Berger, Lauren Campedelli, Alexa Vellanoweth and Diana Wyenn.

Set Design by Francois-Pierre Couture

Lighting Design by Brandon Baruch

Sound Design by Cricket Myers

Costume Design by Vicki Conrad

Original Songs by Jakob Berger

Props by John Burton

Fight Director Ronnie Clark

Stage Manager Manichanh Kham

Produced by Mark Seldis

Poster art by Jen Kays

Poster design by Liesel Kopp

Press Representative Ken Werther

Whitefire Theatre Solofest Presents “Dancing to the Edge of a Cliff: One Woman’s Musical Mythological Journey Towards Self-acceptance”

“Dancing to the Edge of a Cliff: One Woman’s Musical Mythological Journey Towards Self-acceptance” – written and performed by Margaret Mendenhall.  Directed by and developed with Jessica Lynn Johnson at Whitefire SOLOFEST 2019.

This play moved me. I know all art is supposed to and some does, but this play, a one-act, one-woman play about Margaret Mendenhall’s quite fascinating life, moved me deeply and I’m very glad it did.

Margaret’s life story is what this play is all about and we begin as she began as a child, feeling as many creative people do, more than a little different from those around her.  She unravels her life for us on stage like pulling the thread from her sweater, feeling less like she constructed her life story and more like she de-constructed it.  Not in a destructive way though, not at all, but thoughtfully and with a delicate and fluid intent.  She explains herself as she discovers herself, and all that discovering took her some time, so it’s only fitting that she take some time to tell it.

Her life reads like a mythological journey, which is fitting since she has just completed her PHD in Mythological Studies with an emphasis in Depth Psychology.  She ran away as soon as she could from her normal life with her family to L.A. and a life of wild dreams and glamorous intentions which quickly dissolved into the mundane realities of working to survive.  Yet there was always a turn in the road, always another adventure, and always the hint that something could, at any minute, fall apart.

Margaret didn’t just survive two mental breakdowns, one feels as if she triumphed over them…more mythology I suppose.  She is a gentle and warmly funny soul, but a quiet warrior.  Her talent I believe lies in her innate ability to befriend us while at the same time entertaining us and also risking everything in exposing her true self, her “fragility.”

Don’t we all go around pretending to be strong and impenetrable and fearless when in reality we are all quite the opposite.  How beautiful and refreshing to be entertained and enlightened by someone who is unafraid of being afraid.

Margaret’s story is beguiling and funny and sad and true, but it is also radiant and evocative and inspiring and utterly charming, much like Margaret herself. I hope she continues to share her life with us.

Whitefire Theatre Presents “Forever Brooklyn! A Kosher Musical Comedy.”

“Forever Brooklyn! A Kosher Musical Comedy” at Whitefire SOLOFEST 2019 starring Danny DiTorrice, written and directed by Mark W. Curran.

Running January 5 through February 9, Saturdays at 7.30pm

This is a great play if you are missing home, wherever your home may be – Brooklyn, London, the jungle…wherever.  

“Forever Brooklyn!” would make even the hardest of hearts long for the familiar sounds, people and even the smells of the place in the world that formed you, however hard we may all try sometimes to shake it.

This is mostly a play and somewhat a musical but it is most definitely all comedy.

Set around the life of Melvin Kaplofkis, “Forever Brooklyn!” takes us on his funny, musical and slightly criminal journey through his life.  From his families modest walk-up apartment in Brooklyn above his father’s record store, to a life of glamor and glory as a touring comedian starring on the Tonight Show.

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Marvin lead us rather delightfully through the American experience of his loving immigrant family with all the duplicity and the heartache that all lives generally serve up.  He shares with us precious anecdotes and life lessons hard learned in the neighborhood and in school, and later on in performance after performance as he discovers the hard way, as all of us always do, what really means the most in life.

Danny DiTorrice is magical and full of sweetly delivered and beautifully written reminiscences evoking a golden, bygone age.  Isn’t it fascinating how we long for this particular past? The 50s and 60s in America, Rock n Roll, huge TV sets with tiny screens, radio, vinyl, massive cars, neighborhoods where everyone around you is family no matter where they come from and a feeling that we could all live forever…

If you still plan on doing just that, living forever as I do, then spend some of your endless time with Melvin Kaplofkis in Brooklyn with his hilarious songs, warm whimsical memories and his tender exploration of his all American experience, beginning and ending in his wonderful Brooklyn…forever.

You’ll laugh! You’ll cry! You’ll be all verklempt!

The run is not that long and the show only plays on Saturday nights, so don’t dawdle!!!

Whitefire Theatre, 13500 Ventura Blvd, Sherman Oaks, 91423

https://www.facebook.com/ForeverBrooklynTheMusical

https://www.brownpapertickets.com/event/3613939

“Still Life” at Carter Sexton

Have you ever been to North Hollywood’s art supply haven, Carter Sexton?

You don’t have to be an artist to visit Carter Sexton, you just have to be art curious. Not only do they have art supplies and art classes, they curate group art shows throughout the year. To kick off the new year, their group exhibit is “Still Life” featuring more than a dozen artists’ works.

WHEN:

Artists Reception
Saturday, January 19, 5-8PM
Wine & Cheese catered by Sloanes Valley Village!
Show runs January 19 – February 9, 2019

WHERE:

Carter Sexton
5308 Laurel Canyon Blvd.

Still Life
Artist David Barneda’s “Still Life”

Why did you decide to do a Still Life show?

“Still Life” is a cornerstone of art history, still widely practiced in academic art as a way of training our observation skills. It’s one of the most widely known forms of art, and we wanted to show how the modern world still engages with this classic practice.

Still Life
Artist Steven Lawrence’s “Spare Parts”

Who are some of the featured artists?

David Barneda, Mike Doyle, Steven Lawrence, Egan Rice, Niki Lambro, Kyla Frank, Kathy Phipps, Paula Quasarano, Chris-Alan Rubino, Fiona Todhunter, Adriana Guidi, Sandra Kapin, Patrice Hughes, Joe Utsler, Fran Doupé, Michael Wicks, Luci Dadoyan, Anush Semerjyan, Sonia Keshishian.

Is there anything you’d like to highlight about this show?

It’s going to be catered by our neighbors at Sloane’s, which we’re very excited about!

What shows are coming up?

Our next show is tentatively Landscapes, where we encourage both countrysides and cityscapes, and in April we will be hosting a show for the San Fernando Valley Art Club. March is yet to be determined, so stay tuned!

The best way to stay abreast of Carter Sexton’s events, including demos, new classs, sales, art shows, or call for entries is to join their mailing list.

Website  |  Facebook  |  Instagram  |  Twitter


**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

In What Way Does Volunteering Enhance Student’s Social Work?

Volunteering can teach you a lot of things about real life. It is a chance to enhance your social life and work by helping people who are in need. 

Social worker volunteering is more than an act of kindness. As it benefits the community, it also helps you develop as a person.

I strongly believe that social work students should think about volunteering more often. But the truth is that some students decline the opportunities offered to them thinking that they don’t add that much to their lives.

How Can Volunteering Enhance your Social Work?

Social workers should have a mission of improving life for others. It is also safe to say that social work volunteer opportunities can enhance your chances in the job market. Here are some ways it can be useful.

1.    Volunteering Expands your Network

When you volunteer, you get to know more people. These people might be interested in the same topics and issues that you find important. Social workers should be community leaders and inspire others. Volunteering will help you build more relations with other volunteers and community members who can have a great impact on your success in the future. They will also help you fight for the causes that you believe in.

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2.    You can Discover Your True Passion

Are you confused about your career goals? A lot of social work students don’t have a clear idea of what they want to do later on with their lives and they might be joining internships that they don’t find interesting. Volunteering will help you explore new opportunities in order to find your true passion. As you try new volunteering jobs you will be able to find your true calling.

3.    A Chance to Learn

Studying in books will help you get the grades you’ve always dreamt of, especially if you hire professional essay writing services to finish your academic assignments on your behalf. But nothing compares to what you can learn from real life experiences. While books focus on particular topics, working with people allows you to experience how they deal and react with the issues you study. You will develop better communication skills when you deal with different people and can actually learn how to influence others.

4.    Leave a Good Impression

I believe that being a people’s person means that you should be able to deal with different people successfully. Volunteering is a chance to establish a good rapport with others who are working in the same field. Even if you are volunteering for a temporary event, you might leave a great impression with people whom you might work with in the future.

5.    It is A Lot of Fun

You are working with cool people who want to help others. This is a good chance to have fun. You will make new friends, travel to different destinations and discover the world that you might not read about in books.

6.    The Sense of Achievement

Social work volunteer opportunities are guaranteed to enhance your sense of achievement. You are basically changing the lives of the less privileged ones and you can go to bed knowing that you’ve made the world a better place. This is a chance to feel important and significant especially when you monitor people’s progress. You can feel that you are the world’s most important person to a particular human being or family who is going to have a better life thanks to you.

7.    Enjoy the Rewards

Although you will not get paid for your volunteer work, you are most likely going to receive presents or rewards. A lot of organizations will offer free meals, uniforms or discounts to volunteers who are helping others.

It is time to take your social work to the next level. Volunteering can be the opportunity you need to improve your social work experience.

WhiteFire Theatre Solofest Presents “Leaving Prince Charming”

“Leaving Prince Charming” – written and performed by Lara Repko, and directed by Jessica Lynn Johnson at the SOLOFEST 2019 at the Whitrefire Theatre.

The Whitefire Theatre, Solofest, 13500 Ventura Blvd, Sherman Oaks, CA 91423 – January 11, 2019

This is a one-woman show that I’ll remember for a very long time. Lara Repko breathtakingly suspends the audience as her first of many characters, the Fairy Godmother, enters the stage.

Lara Repko provides these diverse, edgy, humorous characters to spin her anti-fairy tale and she does an exquisite job. It’s so easy for most performers to rely too much on characterization, this is not the case with Repko. She starts connecting directly with the audience right away through her characters of the Fairy Godmother, Sister, Naive, Boy Crazy and Mean Girl, to name a few.

Kudos to Jessica Lynn Johnson, the director.  Lara Repko, when asked about how carefully she crafted the characters, gave thanks to Ms. Johnson’s direction.  

Lara supports each vignette well with her facial expression and physical ticks.  She’s an accomplished actress and at home on the stage.  Her ingenious juxtaposition of a nicely raised, religious girl and her succinct slide show of her rebellious hellion underscore how well she balances the pathos and humor.  She portrays her vulnerability in a powerful way, mentioning her hard-partying freshmen spell in college that perfectly segues into her first romantic relationship/first love that devolved into a violent tragedian relationship of abuse, including every kind physical, mental and sexual violence.  Explaining so well how she got there, “I literally and figuratively wanted to fill the void.”  The audience is rooting for her as she navigates therapy and realizes her full potential as a healthy, sexual being empowered to end the terror.

Instead of dwelling on the hurt, Lara, explains the thing most people wonder, “Why did she stay?”  The characters are voices that dwell in her and are realistic, having different parts of her personality that make up a healthy, balanced human being. After all, the dark side and the light side dwell within us all.  After empowering herself with mindfulness through Dialectical Behavior Therapy (which she explains very well), Lara does the one thing that guarantees a happy ending: Lara rescues herself, the ultimate in female empowerment.

This one-woman show is a success on many artistic levels but most importantly in teaching.  Lara involves the audience in her pain and joy brilliantly.  Lara Repko is the one to watch for future brilliance and I, for one, will be tracking her future successes!

 

Keep up with here here:  https://www.lara-repko.com  |  Instagram

Ringing in the New Year in Havana, Cuba

This past January 1st marked the 60th anniversary of when Fidel Castro’s revolutionary forces marched into Havana, Cuba to officially topple the then American backed President, Fulgencio Batista.

Up until that point in time, Havana was considered the ultimate destination to ring in the New Year with its alluring tropical weather, exotic beaches, beloved rum and cigars, exciting casinos (run by the American mafia), and world-class cabarets and sex clubs.  Over the decades the Casino’s and sex clubs all were closed down, (so the mafia left and started the Las Vegas strip) and Havana fell into some disrepair. And while the rest of the world continued to visit Havana and the rest of Cuba from then on, the American tourist sector was practically non-existent due to the economic embargo and travel restrictions instituted in the early 1960s, and of which mostly continues today. In 2015, travel restrictions between the USA and Cuba were opened up more and American tourists started flocking back to Cuba in fairly large numbers. However, in 2018 relations soured again and some restrictions were put back in place on Americans visiting Cuba. (Although it’s still fairly easy for Americans to visit Cuba on a legal group tour complying with all the changing rules and regulations like we did.)

Havana today is a city more or less stuck in time, but it is bouncing back and making progress on the eve of its 500th anniversary. New hotels are popping up, historic buildings are getting facelifts and oh yes those classic American cars are still everywhere, creating a charming museum in motion. One thing Havana has never lost is her unique Afro-Cuban music, award-winning rum and cigars, beautiful beaches and her good-natured and hospitable people.

Our group travelled to Havana on December 30th on American Airlines to spend a few days of culturally enriching experiences with the locals and to ring in the New Year.

Our first stop was the incredible artist community of Fusterlandia where the entire neighborhood is made up of colorful, whimsical mosaics. It’s a street-art-extravaganza. After a wonderful lunch there we went to a workshop in Havana where they educated us and showed us how they keep all of the classic American cars up and running. They say “necessity is the mother of all invention” and indeed it’s true in this case. With little resources to repair the cars, especially the engines, mechanics have to rely on hand-crafting pistons and other engine parts from scratch. Sometimes it can take up to six months to replace a part in one of the classic cars. Then they took us for a ride in a couple of swanky classic convertible cars on the Malecon, the seaside road in Havana. What a treat it was.

Now it was time to experience Havana and its people is up close and personal. We did a walking tour around Old Havana – a UNESCO World Heritage Site. Founded in 1519, it retains an interesting mix of Baroque and neoclassical monuments, and a homogenous ensemble of private houses with arcades, balconies, wrought-iron gates and internal courtyards. It’s a lively area where there always seems to be a mix of art, music and passion around every corner.

cuban cigars

While I typically don’ t smoke cigars and I am more or less of a wine drinker; when in Havana, there’s something about the tropical breeze mixed in with the afro-Cuban music and the smiling locals that makes one want rum and cigars. So “when in Rome” as they say! We had a cigar and rum pairing in an exclusive private room on top of a local restaurant. The owner was there too interacting with us to really make it a special time.

earnest hemminway in cuba

After visiting the hotel Ambos Mundos in Havana where Hemingway lived for a while and his favorite bar, The Floridita, where he invented the daiquiri (there’s a statue of him sitting at the end of bar), it was time to get some sleep as the next day was New Year’s Eve and we were all there to celebrate to the max.

So on the next day, December 31st, it was time to get up to speed in Salsa dancing so we’ll be ready for the big New Year’s Eve party that evening. We went to a private dance studio in Havana where each one of us in the group had a dance instructor to learn with. I started the hour class off dancing like a robot, and by the end of the hour I was dancing like a real Caribbean star (well, at least less like a robot) !

Party hats, tiara’s and noise maker ready, we finally set off to a local nightclub for our much anticipated NYE festivities. There was quite a feeling of excitement in the air as midnight approached in Havana. It was a mix of laughter, daiquiris and mojitos flowing around, cigars being lit, locals and tourists mixing and mingling together in international synergy. Several acts hit the stage to warm up the crowd. It was a steady build-up to the headlining act, but soon the NYE dancers and high energy afro-Cuban music hit the stage and the rhythm of the night hit us like a fast-moving tropical storm. Champagne bottles were brought out to each table in preparation for the clock striking midnight, the bottles were lit up with a firework type sparkler attached to the cork area. 12 grapes were also served to all us revelers  When the countdown ends each grape is eaten, one after the other, to represent the 12 months of the New Year, with a wish made per grape.

And then it happened – drum roll and cymbal crash please- we were in Havana, Cuba as the clock struck midnight, ringing in the new year of 2019 in the ultimate classic Caribbean style. I had a feeling come over me that Havana, in all her warm-friendly and exotic hospitality would bring all of us a very good year indeed. As the dancers on stage kept us entertained, I happened to look more closely and noticed a couple people from our group had jumped on stage to dance with them. What a fantastic joy. And they were keeping up in step just perfectly. It was so surreal, I couldn’t believe my eyes. By this point, the intoxicating rhythm and passion of Havana had swept over everybody. The fun and excitement went on for hours. However, since what happens in Havana stays in Havana, I cannot elaborate any more on that NYE evening. But let me tell you, it was everything we wanted it to be! (Actually, I don’t remember much past midnight, haha. I’ll blame it on the Cuban rum.)

The next morning, New Year’s Day we slowly came back to life with the help of some great Cuban coffee and set out to Cojimar, a fishing village that inspired Ernest Hemingway’s “Old man and the Sea” book. We visited an organic farm, where we would use the local herbs and spices and vegetables and fruits for the ingredients in a cooking class at a local restaurant nearby. We donned our aprons at the restaurant and cooked up several tasty Cuban style dishes. We also had a drink mixing class at the bar and made some very good mojitos. (A little “hair of the dog” was perfect on New Year’s Day!)

We ended the day on the beaches of eastern Havana. Many local families were there celebrating the holiday. As the beautiful blue Pacific Ocean called me in for a swim, I gazed up at the sunny sky where a kite was dancing around, being flown by a young Cuban boy on the beach. I thought about how Americans and Cubans are kind of like long-lost cousins. We are only separated by about 90 miles of ocean, but also by 60 years of dysfunctional politics between our two nations.  I made a wish that the wind that was carrying the young Cuban boy’s kite on that New Year’s Day, would also be the wind of change that would help bring our two countries relations back together again. Because we as long-lost cousins are family, and we will have so much catching up to do.

If you’d like to celebrate New Year’s Eve in Havana or visit Havana and Cuba anytime on a legal group tour, please send me an email at jack@activeworldjourneys.comfor a customized itinerary quote.

Cheers,

Jack Witt, MS, CPT
Fitness and Health Coach
Individuals / Groups / Corporate
310.562.5629 Cell / 818.760.3891 Main
Twitter / Instagram /LinkedIn / YouTube 
Save the Date! Hadrian’s Wall Walk – June 2019  Click here

Noname’s debut studio album “Room 25″

We’re listening to Chicago rapper Noname’s debut studio album “Room 25,” a shimmering fusion of introspective wordplay and ethereal jazz.

Noname’s first mixtape “Telefone” was one of 2016’s standout releases, a nostalgic meditation on childhood and loss. Soft, warm, and full of wonder, it received immediate critical acclaim and elevated Noname from an occasional guest verse assassin to a new level of professional musicianship. This September, the artist born Fatimah Warner returned in glorious fashion with “Room 25.”

On it, seemingly scattershot examinations of Noname’s ever-changing self and surroundings show her striving for happiness in a world where there are infinite reasons to be angry, sad, or both.

The album opens on an empowering note with “Self,” a 90-second victory lap around everybody who tried to decry her talent or reduce her worth. “Ya’ll really thought a bitch couldn’t rap, huh? Maybe this your answer for that,” she sneers playfully, smiling through her words. Later, she steps into cocky territory, claiming, “’Room 25’ the best album that’s coming out.” She is more confident and knows herself better than ever, and her writing throughout the project is more tactful and precise because of it.

Noname raps in a frenetic spoken word, often leaping from one non-sequitor to another and back again in the same bar. Room 25 doubles down on these dazzling, blink-and-you’ll-miss-it streams of consciousness. On posse cut “Ace,” she darts and skips: “Globalization scary and fucking is fantastic and frankly I find it funny that Morgan is still acting.”

To say so much with only 18 words is masterful, the type of brevity writers spend careers working towards. The alliteration is just a cherry.

Her cascading run-on flows, hushed delivery, and polysyllabic rhyme schemes are pushed to their brink by executive producer Phoelix’s floaty jazz (or are they neo-soul? Or R&B?) instrumentals. Live drums by Luke Sangerman encourage Noname to tapdance in and out of staggered pockets at will. Swooning string arrangements by Matt Jones and twangy guitar riffs by Brian Sangborn provide intros, outros, and most importantly atmosphere—melancholy and heartbreak on “With You,” nervous excitement on “Window.”

“Room 25” is the most personal music Noname has ever made. No longer does she posture herself as the voice of her largely silenced community as she did throughout “Telefone.” “Room 25” is made for her, about her. Even so, she distorts her memoirs with metaphors and linguistic tricks slow to sink beneath the skin, demanding that listeners work to understand her.

Most notably, Noname raps about an intense romance, her first, that went sour. “Window” sees her venting, working through this “empty” relationship to herself.

The velvety “Montego Bae” celebrates the joys of flirting and sex over seductive background vocals with a feathery feature from fellow Chicagoan Ravyn Lenae. “With You” conveys the disappointment and isolation of love lost. She also touches on the weirdness of her bubbling celebrity (her family expects wealth she doesn’t have) and the fragility of her existence on the harrowing “Don’t Forget About Me,” (“If I have to go I hope my soul is still eternal.”)

Despite the record’s brief runtime, the self-examination doesn’t limit Noname’s engagement with her country’s rampant and rabid social injustices. She makes music with a message, albeit a varied one sometimes. On “Blaxploitation” she slams Pine-Sol and Hillary Clinton for abusing Black stereotypes to get sales and votes. The devastating second verse on “Prayer Song” is written in the perspective of a white police officer shooting an unarmed black parent in front of their son. “They ain’t tell me how to cry, just shoot, I did / they only taught me how to check her pulse, she dead.” Your chest tightens in sorrow—yet another innocent child doomed to grow up motherless. It is a condemnation not just of the individual behind the badge, but the entire system that shaped him.

Noname’s commentary is razor-edged and never shallow. It’s always rooted in her own experiences and observations, sometimes even tinged with guilt that she herself fails to live up to her own expectations. She’s ashamed of her queerphobic Chick-Fil-A dinner but explains that “bitches just really lazy.” She “almost passed out drinking” while contemplating death on “Don’t Forget About Me.” On “Montego Bae,” she croons, “And yes, and yes, I’m problematic too.” To be human is to be messy and imperfect—plus Chick-Fil-A’s waffle fries are too damn tasty.

Her mind may be overflowing with Earthly troubles, but Noname always circles back to the looming finality of this life, the fact that time stops for no woman and death doesn’t care about her problems. That’s a lot of weight for a young mind to bear. But even facing the darkest mystery, Noname’s faith persists. Her final utterance on “Room 25” is pure hope:

“When we walk into heaven nobody’s name gon’ exist / just boundless movement for joy, nakedness, radiance.”

Buy tickets to see Noname perform Room 25 and more at The Wiltern in Hollywood on February 21, 2019.

Website | Facebook | Instagram | Twitter


**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Independent Filmmaking – You Are Your Best Audience…Not Everyone Will Like Your Film and That’s Okay.

How is it possible that we can absolutely adore a film that our very best friend does not?

I often have to remind myself that I am not always the intended audience for something…that some films, or books, or songs, or art or whatever aren’t actually made for me…and that if I don’t like it or get it somehow that is perfectly alright, more than that, it’s perfectly natural and totally to be expected and definitely not worth arguing or debating with anyone about, especially oneself…that is not at all the point…in fact.

Because if we can accept that it’s okay for us to not love absolutely everything, or sometimes anything, then our own work, our ideas, our stories, our films, can be freed from the constant hum behind our eyes of “will everyone like it.” Not everyone will and not everyone has to.

What we make doesn’t have to be loved by everyone, or even liked by many.  What we create must only be perfect for a very few.  There are almost 8 billion people on the planet…you only have to please a fraction of them to be wildly successful…the odds are already in your favor.

So now what then?  Now we have put aside the fears that anyone will like our stuff, what next.  Well, I am hardly the best person to point out that you must work, I always leave everything till the last minute, even this article.  But we do actually have to work at it.  We have to work on our stories and casting and locations and script and once all those are ready we have to rehearse and schedule and shoot.  And then the real work begins…the edit, crikey, there’s a lot to do.  But when we are done, when the dust has settled and the long distant self-doubts and second-guessing subsides, what we are left with is a little piece of us to show the world.

It’s scary of course, letting the world in to judge us or dislike us or think they could do “us” better than we could, just as we do to others work… But it is necessary.

For all artists to be real they must be seen. Film really is the epitome of that don’t you think?

So in this colder than usual LA January, where we are all scampering about trying to remain warm….rather ridiculously if we’re honest…hopscotching our way around award shows and openings and festivals of theatre and art and film, we must remember that we belong to a circle of few and that our feelings and thoughts and most heartfelt longings will touch people and warm people and very possibly change people…just not all of them…and that’s perfectly alright.  In fact, that’s perfect.

Fear nothing…be yourself…life’s too bloody short.

NoHo News: New Year. New Fun in NoHo.

Here’s your NoHo arts community update!

We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood. Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

NoHo News: New Year. New Fun in NoHo. www.nohoartsdistrict.com

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**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

What are you doing in NoHo this weekend? Here’s the NoHo News, your guide to what’s going on in the NoHo Arts District. www.nohoartsdistrict.com

Anne Steele “Made Out of Stars”

Anne Steele has the kind of crystal clear vocals that turn can pop songs into poetry and make them memorable enough to mark highly significant and unforgettable moments in our lives forever.

This EP is absolutely chock full of those kinds of genius performances and beautiful songs full of pathos, passion and life.  It’s gorgeously produced, and her voice exquisitely balanced with the subtle, supportive orchestration and beats.

Anne’s voice reminds me of Terri Nunn from Berlin, Pat Benatar and Cyndi Lauper, who she performed with recently at the Home For The Holidays concert at The Beacon Theater in NYC for the True Colors Fund.  She has their presence and nerve.

She’s also as brilliantly pop as Ariana Grande or Pink and just as gloriously and soulfully deep. Anne Steele is a multi-award-winning singer/songwriter from NYC and has toured nationally and abroad with her previous EP “What’s Mine.” Anne’s single from that EP, “Love Can Take Us There,” was released in 2016 with all proceeds benefitting the victims of The Pulse Nightclub shooting in Orlando.

With this new release, she is pop, dance, heartache and timelessness.  I hear Madonna, I hear Kelly Clarkson, I hear anthems reminding us why we love, what we live for and lifting us all up, up, up. And don’t we just desperately need that right now?  “Made of Stars” is timely and perceptive and relevant.  This exquisite collection of songs, even the rather beautiful cover of Tears for Fears’ “Everybody Wants to Rule the World,” is so clearly personal and significant to Anne that it immediately becomes ours to own. Loved, loved, loved it!!!

Artist Links

Website

Facebook

Instagram

Twitter

Bandcamp

Soundcloud

Youtube Channel

Music Videos

https://youtu.be/3eYyqVu_67c

https://youtu.be/r7zOSrp5KCo

https://youtu.be/GvR-8vZFge8

Musicians:

Anne Steele: Vocals and backups

Shane Stevens: Additional backups

Nash Overstreet: All instruments

Producer: Co Produced by Nash Overstreet and Shane Stevens

Artist Photos by Christopher Boudewyns

District NoHo Community Open House

***

Trammell Crow Company and High Street Residential have partnered with Metro on a joint development project planned for the North Hollywood Red Line Station called .  It will transform the underutilized 15-acre site into an arts district-inspired urban village that would include apartments, offices, stores, bars and restaurants.

District NoHo Community Open House via the official NoHo Arts District Guide; www.nohoartsdistrict.com
District NoHo Community Open House

Come learn about the vision behind District NoHo, the North Hollywood Metro Joint Development, and play your part.

Please feel free to stop by at any time, light refreshments will be provided.

WHEN:

Wednesday, December 11, 2019
4:00 p.m. to 6:00 p.m.

WHERE:

Upstairs at The Federal
5303 Lankershim Blvd.
North Hollywood, CA 91601

If you can’t make the open house, please provide feedback via their .

District NoHo Community Open House via the official NoHo Arts District Guide; www.nohoartsdistrict.com
Photo via RELM

WHERE IS THE PROJECT FOR NOHO’S NEXT ACT LOCATED?

The project is located at the site of the most significant transit hub in the San Fernando Valley: Metro’s North Hollywood (NoHo) station at the heart of the rapidly developing NoHo Arts District. As Metro’s third busiest station, the transit-focused location is adjacent to entertainment employment and surrounded by a creative and energetic talent. The project is planned over a 15-acre block divided into 8 distinct development sites that will energize the area around the station and complete the link between the NoHo Arts District and the Metro station.

WHAT IS THE VISION FOR NOHO’S NEXT ACT?

The vision is to create a new urban village of residential and commercial uses, with a network of pedestrian paths to link the multiple modes of transit while showcasing retailers and local arts culture. Designed to maximize ridership, the project will enhance the community of North Hollywood, amplify the dynamic culture of the NoHo Arts District and create a landmark destination for the Valley.

WILL THE METRO STATION CHANGE?

The project will consolidate the local and municipal bus services that currently serve the east side of the station into a new transit center to be located west side of the station surrounding the current Orange Line pick-up and drop-off areas. The new integrated transit center will make it faster and easier to make connections, provide abundant trees and shade structures, enhanced lighting and new next bus/train messaging will improve passenger comfort and safety. For questions or more information about the transit center please review the Metro Fact Sheet on this project.

District NoHo Community Open House via the official NoHo Arts District Guide; www.nohoartsdistrict.com
Photo via RELM

Read the on the NoHo Arts District development project.

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict. 

“Dear Tom Hardy: i love you”

“Dear Tom Hardy: i love you” – A screenplay by Waide Riddle.

Well, what’s there not to like/love/lust about Tom Hardy? We always say NoHo is only as great as its people,” and it’s why we want to highlight a local and noHoartsdistrict.com blogger, Waide Riddle and his award-winning screenplay, “Dear Tom Hardy: i love you.” 

Nine-year-old Shawn Williams has been writing his favorite movie star every week for the past year and a half. What happens when Mr. Hardy actually replies?

“Dear Tom Hardy: i love you

When and why did you decide you wanted to be a screenwriter?

As a child, growing up in Houston, I wrote mini-scripts and mini-screenplays, lots of poetry and short stories. In 2008 through about 2014, I wrote, produced and directed seven short films all based on my award-winning poems. BUT! It wasn’t until 2016, election year, that I changed my direction. I was very disheartened and disappointed with the path America, as a whole, was taking. I wanted to write a happy screenplaythat would make people want to get up and dance and have a positive social message attached to it. That was the birth of “Dear Tom Hardy: i love you.” Then, the rest of the outline and dynamics followed.

Tell us about the screenplay that has brought you the most success?

“Dear Tom Hardy: i love you” is what started it all off! I don’t know why nor do I know what I did right… so, I don’t question the powers that be. I’m just rolling along with it. Dear Tom Hardy is about a nine year old gay child who writes his favorite movie stars fan letters. That’s his escape from the some-what cruel world of bullying he deals with at school. He lives in a world of make believe, where music and dance rule his dreams and celebrities come to visit him and dance with him… We’re talking Nick Jonas, Justin Timberlake, Jake Gyllenhaal and Belinda Carlisle make regular visits in his dreams and make friends.

Tom Hardy happens to be his favorite actor, and who he has a puppy love crush on. The little boy, Shawn, writes Tom every week. Every Monday. What happens when Tom Hardy actually replies to him? That’s the story.

You have been very successful in winning awards at film festivals. What are the awards you are most proud of?

Since my new found focus into screenwriting took place… I have achieved twenty-eight Official Selections, two Semi-Final Certificates, nine Finalist Certificates and six GOLD Wins. Out of these acknowledgments, I would have to say that Big House Los Angeles, Australia Independent Film Festival, GLITTER! LGBT Film Festival in McAlester, Oklahoma and Twister Alley Film Festival in Twister Alley, Oklahoma tend to utilize social media platforms to best serve the filmmakers and writers. I like that. I will say, personally, I do enjoy getting Certificates and Laurels from the fests. It’s always nice to be able to show them off when the time presents itself.

“Dear Tom Hardy: i love you

What advice would you give to filmmakers submitting to festivals?

DO YOUR RESEARCH! I use http://www.filmfreeway.com for most of my submissions. The rest are done directly with the festival. Filmfreeway is user-friendly, easy and has many options that will be attractive to Artists. I tend NOT to submit to festivals if their entry fee is over $40. That’s my typical cap on a festival fee. If it’s over $40, there’d better be a good reason for it. If it’s a high-profile festival, use your best judgement. If it’s not high profile, use your best judgement. Wait for ‘early’ submission calls and take advantage of them. If you are late in the game, then wait. Unless, you seriously want to send a lot of money on a fee. Don’t be afraid to wait!! The earlier you hit it, the chances are a Reader will have more time to focus on your screenplay. The Academy Nicholl Fellowships in Screenwriting is an excellent opportunity for screenwriters. Check out their Facebook page or go directly to http://www.oscars.org/nicholl for the guidelines and how to submit.

Do you get discouraged when not finding investors for the production of your films?

Of course. It’s like the world of the actor and an audition. Rejection is tough. Period. That’s why I feel so blessed to have a manager (Jennifer A. DaRe) and management (ATN Entertainment/Hollywood) that care about me. They are there to protect me and take the weight off. It’s a team effort. We all want Dear Tom Hardy to ‘green-light,’ and my other features.

I have two short scripts: “THE WEB,” which is a thriller, and “One Night. In a Diner. By Chance.” that is a drama. Both have been Approved for Fiscal Sponsorship by the Independent Filmmaker Project. Both have won multiple awards and have excellent track records built up by the festival circuit. But, guess what? Without money, you can’t make them. These are small budgets, about ten to fifteen thousand dollars each. But, I still have to raise the capital, and in this conservative climate, it’s just not happening.

What’s your favorite book and author?

Anything written by Robert R. McCammon, Dean Koontz, S.E. Hinton. I have a special place in my heart for W.A. Harbinson. 

What is your favorite movie/movies?

The Exorcist, Ghost Story, The Haunting (original 1963), Grease, What’s Up, Doc?, It’s A Mad, Mad, Mad, Mad World (original), The Outsiders, Pandorum, The Hangover, The Town. In 2018, I really loved Boy Erased and I hope the Academy remembers it. One of the best plays/screenplays that impacts me still today is August: Osage County by Tracy Letts.

If you had a magic wand, what changes would you make in the film industry?

This is where I make a lot of enemies! Ha! When I counsel actors or writers… I try to be as honest and blunt and brutal as possible. First and foremost, if you’re in high school, stay and graduate. Period. Finish your studies! Do your homework when planning to move to your entertainment destination: Hollywood or NYC. At least six months to a year in advance. Research for housing and jobs and training. L.A. is a tough city! The competition is fierce! There are many reputable and good acting academies and coaches here. Do your homework! Once you’ve made the move, go to the SAG/AFTRA offices in Hollywood and ask questions. They will help you. That’s their job. Get picture updates, shop around for a photographer that you like, design a good resume; whether you have experience or not. Hollywood is a business!!! Be professional. You did not move here to play, you moved here to work. Have business cards made. Yes, business cards. Not everyone cares to touch phones together. Some of the deal makers still prefer cards.

Get off your phone and TRAIN.

Get off your social media and TRAIN.

Get off your electronics and GET A LIFE and LISTEN.

Stop telling the whole world all your truth and baggage. Not everyone cares what your dirt is. You care and your cheering squad, and that’s it. If you really need to tell your ‘junk,’ then find a therapist. There’s plenty in Los Angeles County.

Stop being so hyper-sensitive.

Stop being so ‘triggered’ at life. You’ll never make it in any industry if you don’t toughen-up.

In short, a production company, or any business, will not hire you if they think you are a risk.

Remember, you are disposable. You may have been the most beautiful girl in your town or the most handsome guy in your school, but, here, around the corner, is someone better looking and better trained.

What do you do?

WHAT DO YOU DO?

Simple. Do your homework. Apply yourself the best way you can. Don’t burn bridges. Don’t make enemies if you can avoid it. Get an agent, manager, publicist, lawyer… It takes time. And, while you’re at it, enjoy life! Don’t forget about your mental health. THAT’S IMPORTANT!

I, personally, am not a fan of social media. I hate what it has done to the human condition and human interaction and human communication.

Let’s talk about ‘training’ again. If you cannot afford training in a class setting, then start taking the bus, subway or walking everywhere. That’s your best class right there! Hundreds of stories and characters at your finger tips everyday. Absorb, memorize and create. Hey, if you can, take a basic psychology class at a community college. LEARN THE HUMAN ANIMAL!

I recommend to all actors and writers, go to the Writers Guild of America at 3rd and Fairfax across from the Grove. The bottom floor is the WGA Library where you can read, write and research. NO, YOU DON’T HAVE TO BE A MEMBER!

Anyone can go in. The librarians are happy to help you and mentor you. TRUST ME! I am always happy to offer advice, tips and survival information to young and not-so-young artists. Just contact me.

Where can actors and writers find you?

Instagram: waideriddle, Twitter: @WaideRiddle. I am the Administrator of the Facebook fan page Ryan Gosling: The Most Handsome Conglomerate in The World and Dear Tom Hardy: i love you. My direct email is waideriddle@hotmail.com. If you are under 18, ONLY have your parent or guardian contact me. I will not communicate with you otherwise. No exceptions. The public can also reach out to me via my Amazon page: http://www.amazon.com/author/waideriddle.


**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict. “Dear Tom Hardy: i love you” by Waide Riddle via the official NoHo Arts District Guide; www.nohoartsdistrict.com “Dear Tom Hardy: i love you”, Waide Riddle, official NoHo Arts District Guide, wwwnohoartsdistrict.com, noho arts district, independent movies, indie films, noho films, la screenwriters, noho indie movies, north Hollywood film festival, noho film festival”

Why Is The Interior Designer An Investment Instead Of An Expense?

Do you want to decorate the office or the home?

Are you interested in transforming the space into something that is truly extraordinary and that reflects your personality? If this is the case, you do need to seriously consider hiring the interior designer. However, most will say that the interior designer is an expense. This is not actually the case. In reality, this is a really good investment that you make. Here are some reasons why this is the case.

Great For When You Are Busy

Every single person is busy in an office or in a home. When there is not much time that is available, hiring the expert is definitely the very best thing that can be done. Stress levels are going to be reduced and work is going to be completed a lot better than what you could do alone.

Access To A Network

One thing that is not often mentioned is that the interior designer has connections. Because of the work done, he/she knows where to find really good service providers at affordable prices. They work with top-notch providers like Fix It Right Plumbing and can surely save you a lot of cash when you work through their referred network. In fact, you get to save enough money to actually pay for the services of the interior designer.

Adding A WOW Factor

The interior designers are really good at making the room tell a story about your personality and your lifestyle. Most homes that we design alone lack the WOW factor that the interior designer can bring to the table. Boundaries will be broken and the space that is available will be used at its fullest. All is done without letting you down and without breaking the bank.

Staying On Budget

The professional interior designer will first prepare a highly detailed plan without breaking the budget that is stipulated. He/she knows exactly how to arrange all in a way that is perfect based on price while not costing a fortune.

Work Done On Time

You want to hire experts so that you are guaranteed the fact that work is going to get done on time. The designers do not want to make a very bad impression. This is why they always want to do the best possible work.

Final Thoughts

It is practically impossible to deny the fact that the interior designer is a really good investment. It will help you to drastically increase home value and you should never see working with this professional as being an expense. Way too many individuals out there choose not to work with the designers since they have to be paid. However, this is only the case in the event that you find the best interior designer based on the budget you have available.

Remember that you need to be sure that you learn all that you can about the considered interior designer. This is going to help you out a lot more than what you might believe at first glance. Be patient and learn all that you can about opportunities.

Puppy Training Time!

You got a new puppy over the holidays, you’re headed back to work and now struggling? 

Here are some specific steps to help!

Puppies need confidence, structure and repetition of obedience commands to have that balance of fun mixed with setting them up to succeed.

Let’s tackle obedience commands first and things you can do to build a bond with your puppy. 

By puppies, I am referring to dogs less than 20 weeks old.

1. Your puppy may need to be taught to WANT to work for periods of time for food so let’s start building drive. Many puppies like food and will learn quickly for treats or their dry food, but can they work for 10, 15, 20 minutes straight? Many can’t under 20 weeks and that needs to be practiced and conditioned. Structure helps with that, but the other way is to feed your puppy meals throughout the day by training and then in the evening feed them in a bowl what you didn’t get to during the day (but most is during active training).

2.  Really focus on the repetition. If I’m teaching sit and then layering a down, I will lure into 10 sits, then 10 downs, then repeat all in the same short time span of 10 minutes. Then I’ll work on slowing the dog down a bit and having them wait a little longer for the food, but it’s really that repetition that keeps puppies engaged and caring about what you have to say more and more.

  • The easiest way to provide structure to obedience using large amounts of kibble (dogs dry food) is “come, sit, break”. First thing in the morning after potty time, take about 5 pieces of kibble and drop on the floor and say “break”. Move just a few feet away. Once your puppy has eaten that kibble, say the dogs name and then “come” excitedly! When your puppy gets to you use the hand with 5 more pieces of kibble to lure into a sit, say “good” and drop the kibble and say “break”. Break is the release word that means do what you want…and it should mean get the kibble! If your puppy isn’t hungry in the morning you might need to use treats and skip breakfast and try again at lunchtime. When you drop the food you double the space from your puppy and call again when your pup eats the last piece. This is a great regular morning routine to get through breakfast quickly, provide exercise and you can build to out of sight recalls…even hiding in the closet! 
  • The perk about this exercise is you do it every day for a week and the puppy loves it, it makes it so much easier to recall them away from getting into something rather then having to say “no” and go and get them.

3. Teach targeting with place command. Teaching your dog to go to a spot with a dog bed or mat is an easy way to build up to a stay. Dogs love boundaries they can see and feel and will start to gravitate to it. You can find YouTube videos on this easily, just type in teach a puppy place command! The key is to not forget to do many repetitions over and over. So you could mix “puppy’s name come” and “place”. In a 5 minute session, you can get 10 repetitions. In a week your puppy can build to 15 minutes and you are building distance and distractions, but you are getting in 20-30 repetitions. THAT is what builds that incredible muscle memory to have your puppy want to do things easily and look to you for what fun you have in store for them next.

4. When you are working with your puppy, always know when your puppy needs a break and is done or frustrated. Your first day of sessions may be several 3-5 minute sessions. Build up to 15 and 20 minutes of focus before heading outside and trying to do it in a park setting. Signs of this might be a sudden lack of interest in doing anything or things like excess mouthing you or the leash.

Next is providing structure for your new puppy. Structure is a word trainers throw around a lot! What does that even mean and how do we implement that with puppies? Structure is really a puppy’s whole life, just like with young children, it is creating that schedule.

1.  Crate is the most essential thing. Crate helps teach puppies how to be alone (a skill that does not often come easy to dogs). It teaches confidence allowing them to nap and rest without a person around. It also provides leverage for you the owner. Crate means nap time and then you calmly let your puppy out to play or work. That makes you so much fun and the giver of all things to your puppy. It also prevents your pup from getting into things and teaches bladder control for longer and longer periods of time, starting as little as an hour to an hour and a half in puppies 8-10 weeks old.

2.  Crate time is put on a schedule just like potty, work and play. You have scheduled time in crate, potty, work, play, crate. Repeat!

3.  The other ways you provide structure is teaching your puppy to wait at thresholds (the back and front door) before walking out, waiting at crate door or their play pen door before coming out, and waiting for their food bowl. This even includes affection. When you have a puppy bouncing in your lap demanding attention it seems cute until they are larger and your frustrated or they are doing it to guests. A way to start early is teaching them to offer a behavior like sit for food and pets before getting attention.

Both of these things, fun obedience work mixed with structure, must work together to build a bond with your dog and provides the building blocks to raise the most confident puppy you can.