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Sticker Shock: Creative Ways to Lower the Cost of College

Even with all of your savvy college shopping and research about financial aid, college costs may still be prohibitive.

At these prices, you expect you’ll need to make substantial financial sacrifices to send your child to college. Or maybe your child won’t be able to attend the college of his or her choice at all. Before you throw in the towel, though, you and your child should consider steps that can actually lower college costs. Although some of these ideas deviate from the typical four-year college experience, they just might be your child’s ticket to college — and your ticket to financial sanity.

Ask about tuition discounts and flexible repayment programs

Before you rule out a college completely, ask whether it offers any tuition discounts or flexible repayment programs. For example, the school may offer a discount if you pay the entire semester’s bill up front, or if you allow the money to be directly debited from your bank account. The college may also allow you to spread your payments over 12 months or extend them for a period after your child graduates. And if it’s your alma mater, don’t forget to inquire about any discounts for the children of alumni. Finally, ask if some charges are optional (e.g., full meal plan versus limited meal plan).

Graduate in three years instead of four

Some colleges offer accelerated programs that allow your child to graduate in three years instead of four. This can save you a whole year’s worth of tuition and related expenses. Some colleges offer a similar program that combines an undergraduate/graduate degree in five years. The main drawback is that your child will have to take a heavier course load each semester and may have to forgo summer breaks to meet his or her academic obligations. Also, some educators believe that students need four years of college to develop to their fullest potential — intellectually, emotionally, and occupationally.

Earn college credit in high school

By taking advanced placement courses or special academic exams, your child may be able to earn college credits while still in high school. This means that your child may be able to take fewer classes in college, saving you money.

Think about cooperative education

Cooperative (co-op) education is a type of education where semesters of course work alternate with semesters of paid work at internships that your child helps select. Although a co-op degree usually takes five years to obtain, your child will be earning money during these years that can be used for tuition costs. In addition, your child gains valuable job experience.

Enroll in a community college, then transfer to a four-year college

One surefire way to cut college costs is to have your child enroll in a local community college for a couple of years, where costs are often substantially less than four-year institutions. Then, after two years, your child can transfer to a four-year institution. Your child’s diploma will be from the four-year institution, but your expenses won’t. Before choosing this route, though, make sure that any credits your child earns at the community college will be transferable to another institution.

Defer enrollment for a year

Your child might be aching to get to college, but taking a year off, commonly referred to as a “gap year,” can give you both some financial breathing room and allow your child to work and save money for a full year before starting college. Your child will apply under the college’s normal application deadline with the rest of his or her classmates and, once accepted, can ask for a one-year deferment. But make sure the college offers deferred enrollment before your child goes through the time and expense of applying.

Live at home

It’s not every child’s dream, but attending a nearby college and living at home, even for a year or two, can substantially reduce costs by eliminating room-and-board expenses (though your child will incur commuting costs). This arrangement may work out best at a college that has a student commuter population, because the college is likely to try to meet these students’ needs. If your child does live at home, you’ll both need to sit down beforehand and discuss mutual expectations. For example, now that your child’s in college, it’s not realistic to expect him or her to adhere to a rigid weekend curfew.

Research online learning options

Taking courses online is a trend that’s here to stay, and many colleges are in the process of creating or expanding their opportunities for online learning. Your child might be able to take a year’s worth of classes from home and then attend the same school in person for the remaining years.

Work part-time throughout the college years

Part-time work during college can help your child defray some costs, though working during school can be both a physical and emotional strain. To make sure that your child’s academic work doesn’t suffer, one option might be for your child to focus on school the first year and then obtain a part-time job in the remaining years. In addition, encouraging your child to become an RA (resident assistant) at college could earn them free room and board.

 

Join the military

There are several options here. Under the Reserve Officers’ Training Corps (ROTC) scholarship program, your child can receive a free college education in exchange for a required period of active duty following graduation. Your child can apply for an ROTC scholarship at a military recruiting office during his or her junior or senior year of high school. Or, your child can serve in the military and then attend college under the GI Bill. Your child can also attend a service academy, like the U.S. Military Academy at West Point, for free. Be aware, though, that these schools are among the most competitive in the country, and your child must serve a minimum number of years of active duty upon graduation. For more information, visit your local military recruiting office, or speak to your child’s high school guidance counselor.

Go to school abroad

Foreign schools generally offer an excellent education at a price comparable to that of an average four-year public college in the United States. And in the global economy, many employers tend to look favorably on studying abroad. Your child will even be eligible for need-based federal student loans (but not grants), as well as the two federal education tax credits — the American Opportunity credit and the Lifetime Learning credit.

Look for employer educational assistance

Does your employer offer any educational benefits for the children of its employees, like partial tuition reimbursement or company scholarships? Check with your human resources manager.

Have grandparents pay tuition directly to the college

Payments that grandparents (or others) make directly to a college aren’t considered gifts for purposes of the federal gift tax rules. So, grandparents can be as generous as they want without having to worry about the tax implications for themselves. Keep in mind, though, that any payments must go directly to the college. They can’t be delivered to your child with instructions to apply them to the college bills.

The information in this newsletter is not intended as tax, legal, investment, or retirement advice or recommendations, and it may not be relied on for the purpose of avoiding any federal tax penalties. You are encouraged to seek advice from an independent professional advisor. The content is derived from sources believed to be accurate. Neither the information presented nor any opinion expressed constitutes a solicitation for the purchase or sale of any security. This material was written and prepared by Broadridge Advisor Solutions. © 2018 Broadridge Investor Communication Solutions, Inc.

NoHo News: Julius Weezer. Free Comic Books. Shame of Thrones. Trees. Theatre!Theatre!Theatre!

h4>Here’s your NoHo arts community update!

We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood. Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

What are you doing in NoHo this weekend? Here's the NoHo News, your guide to what’s going on in the NoHo Arts District. www.nohoartsdistrict.com

Follow NoHo News with Bloglovin

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

The Colony Theatre, Philip Roger Roy and Playhouse Productions, Inc. Present “Old Jews Telling Jokes”

 

Created by Peter Gethers and Daniel Okrent.  Directed by Jeremy Quinn.

Running April 25 through June 16, Thursday at 3pm & 8pm, Friday at 8pm, Saturday at 3pm & 8pm, and Sunday at 3pm & 7pm  

If you yearn for the classic comedy of Sid Caesar or Mel Brooks then head on over to the Colony Theatre in Burbank. 

“Old Jews Telling Jokes” is a brilliant 90 minutes of skits and sketches, set ups and one liners with four ridiculously funny actors seamlessly and fearlessly flitting from one routine to the next. 

Some the jokes are pretty racey….but the audience loves a bit of blue!  There are a lot of Jewish jokes of course, but mostly the humor is multi cultural really.  We’ve all grown up with quintessential Jewish humor as the mainstay of comedy after all, so these days it’s universal! 

Some comedy, a few songs and some wonderful performances from talented and hilarious actors having a ball on stage and you have the recipe for a great evening.  It’s perfect family entertainment…with a side of sauce…not for kids!!  I highly recommend it!  

http://www.playhouseinfo.com 

Starring:

Julien Ari, Arthur S. Brown, Wendy Hammers, Danielle Kay, and Jeffrey Lesser.

 

The 2019 Valley Theatre Awards Nominees Are…

The 2019 Valley Theatre Awards will celebrate excellence in Valley theatre.

The NoHo Arts District is a one-square mile neighborhood that has 20 theatres, the highest concentration outside of New York City. That in itself is a reason to be proud and to celebrate. But the work our theatres produce is what we are going to celebrate on Monday, June 3 at the 2019 at the 5th Annual Valley Theatre Awards hosted by Bree Pavey and Paul Storiale at The Colony Theatre.

This year, Taylor Gilbert, the artistic director of the award-winning Road Theatre Company, will be honored with a lifetime achievement award for her role in helping to present plays not previously available to the Los Angeles public that introduce socially and/or politically relevant voices and thoughts to the American stage. The annual gala is an evening to enjoy food and wine, fun performance, meet Valley theatre folks and is a time to acknowledge and award the “best artists” on this side of the hill. Meet the 2019 nominees…

“This annual event celebrates the creators of intimate theatre in the NoHo Arts District and the San Fernando Valley,” says Paul Storiale, Valley Theatre Awards producer.


WHEN:

Monday, June 3, 2019
Mix & Mingle: 6:30PM
Show: 7-10:15PM

WHERE:

The Colony Theatre
555 N 3rd St.
Burbank, CA 91502

(Please do not contact the venue for information)

There is plenty of free parking as it is at the corner of the Burbank Mall. Across from the former IKEA Location.

TICKETS: SORRY TICKETS ARE SOLD OUT! 

 

Valley Theatre Awards via www.nohoartsdistrict.com

The Valley Theatre Awards was created to bring recognition to the great work being done in the NoHo Arts District and San Fernando Valley, to honor its artistic heritage, and to provide a meeting ground for this extensive community. 

The Awards focuses on intimate theatre and recognizes the unique and essential role it plays in contributing to our culture. We believe that publicly recognizing excellence in intimate theater will expand audience awareness and appreciation of a wonderful theatre experience in our community.

Support your local theatre.  How? Easy. See a show!

NoHo Theatre Guide  |  NoHo Theatre Reviews

 

 Valley Theatre Awards 2019 SOLD OUT via www.nohoartsdistrict.com

Here’s the list of 2019 nominees>>

LIFETIME ACHIEVEMENT AWARD RECIPIENT

Taylor Gilbert | The Road Theatre Company

BEST SOUND DESIGN OF A PLAY OR MUSICAL

1. David Marling | Death House |The Road Theatre Company
2. Nick Neidorf | Cymbeline | Porters of Hellsgate
3. Austin Quan | The Man Who Saved Everything | Theatre West
4. Robert A. Ramirez | The Mountaintop | Garry Marshall Theatre
5. Huck Walton | Mamma Mia | Cupcake Theater

BEST LIGHTING DESIGN OF A PLAY OR MUSICAL

1. Yancey Dunham | The Man Who Saved Everything | Theatre West
2. Douglas Gabrielle | Cymbeline | Porters of Hellsgate
3. JM Montecalvo | The Mountaintop | Garry Marshall Theatre
4. Jesse Santos | The Theory of Relativity | Foothills Performing Arts Council
5. James G. Smith III | Dreamgirls | Cupcake Theater

BEST COSTUME DESIGN OF A PLAY OR MUSICAL

1. Jonathan Agurcia | Telenovela | Force of Nature Productions
2. Wendell Carmichael | The Mountaintop | Garry Marshall Theatre
3. Maxine Etchison| The Man Who Saved Everything | Theatre West
4. Sarah Morris and Angie Robbins | The Women | Archway Theatre Company
5. Jessica Pasternak | Cymbeline | Porters of Hellsgate

BEST STAGE MANAGER OF A PLAY OR MUSICAL

1. Maurie Gonzalez | The Rescued | The Road Theatre Company
2. Masi Hasher | The Women | Archway Theatre Company
3. Trevor Lee | Trainwreck | Loft Ensemble
4. Sean Spencer | Showpony | Victory Theatre Center
5. Giselle N. Vega | The Mountaintop | Garry Marshall Theatre

BEST SCENIC DESIGN OF A PLAY OR MUSICAL

1. Evan Bartoletti | The Man Who Saved Everything | Theatre West
2. Alex Calle | The Mountaintop | Garry Marshall Theatre
3. Madylin Durrie | Patron Saint of the Suburbs | Loft Ensemble
4. John Eddings & Steven Sabel | The Women | Archway Theatre Company
5. Cary Haze & Dylan Kenin | The North Plan | The Sherry Theater

BEST ONE PERSON PERFORMANCE

1. Cat La Cohie | Vixen Deville | Whitefire Theatre
2. Monique DeBose | Mulatto Math | Whitefire Theatre
3. Steve Nevil | As Always, Jimmy Stewart | Theatre West
4. Tina Preston | Don’t You Ever Call Me Anything but Mother | Zombie Joe’s
5. Kristin Towers Rowles | A Lovely Lineage | Theatre West

BEST IMPROV or SKETCH COMEDY ENSEMBLE

1. The Bermuda Show | Acme Comedy Theatre
2. Duncan Noise | Acme Comedy Theatre
3. The Gentle Ladies | Secret Rose Theatre
4. Mad JackRats | Theatre 68
5. Slow…Children at Play Improv | Whitmore-Lindley Theatre Center

BEST CHOREOGRAPHER OF A MUSICAL

1. Gina Rizzo Bishop | Turkeys! The Musical | Zombie Joe’s Underground
2. Tor Campbell | Dreamgirls | Cupcake Theater
3. Anne Marie Osgood | The Theory of Relativity | Foothills Performing Arts

BEST PERFORMANCE IN A CHILDREN’S PRODUCTION

1. Emmy DeOliveira | High School Musical | Gray Studios
2. Parker Gray | Annie | Gray Studios
3. Anthony Gruppuso | Snow White | Theatre West
4. Cloie Wyatt Taylor | The Rootbeer Bandits | Garry Marshall Theatre
5. Kai Wright | Aladdin | Act 1 @ Theatre 68

BEST SUPPORTING ACTOR IN A PLAY

1. Todd Andrew Ball | Lone Star | The Group Rep
2. Thomas Bigley | Cymbeline | Porters of Hellsgate
3. Tor Brown | Villiany | Whitefire Theatre
4. Benjamin Cramer | Faustus | Archway Theatre Company
5. Kyle Felts | Gray People | Force of Nature Productions
6. Brendan Lynch | LA Horror Stories: 4 Crimes | Fuzzy Bottoms Theatre Co.
7. Ty Mayberry | Laughter on the 23rd Floor | Garry Marshall Theatre
8. Grant Fletcher Prewitt | Rope | Robo & Bash Productions
9. Rishi Jaiswal| Radicals | Secret Rose.
10. Bobby Williams | Today’s the Day | Actors Workout Studio

BEST SUPPORTING ACTRESS IN A PLAY

1. Claudia Duran | Real Women Have Curves | Garry Marshall Theatre
2. Meeghan Holaway | The Rescued | The Road Theatre Company
3. Katy Jacoby | Bus Stop | Robo & Bash Productions
4. Joey Jupiter-Levin | Taboo | Actors Workout Studio
5. Katy Laughlin | To all the Lights in the Windows | Loft Ensemble
6. Nathalie Rudolph | Villainy | Whitefire Theatre
7. Michele Schultz | The Secret of Chimneys | The Group Rep
8. Mara Shuster-Lefkowitz | 26 Pebbles | Above the Curve Theatre Company
9. Samara Smith | Milkcrates | Secret Rose Theatre
10. Claire Stephens | The Gayest Christmas Pageant Ever | Defiance Theatre

BEST SUPPORTING ACTOR IN A MUSICAL

1. David Dickens | Turkeys! The Musical | Zombie Joe’s Underground
2. Chad Ra’shun | Dreamgirls | Cupcake Theater
3. Lloyd Pedersen | A Carol Christmas| The Group Rep
4. Cody Williams | The Theory of Relativity | Foothill Performing Arts Council

BEST SUPPORTING ACTRESS IN A MUSICAL

1. Hope English | The Theory of Relativity | Foothill Performing Arts Council
2. Beth Redwood | The Theory of Relativity | Foothill Performing Arts Council
3. Shayla Riggle | Avenue Q | Cupcake Theater
4. Harley Walker | A Carol Christmas | The Group Rep

BEST LEAD ACTOR IN A PLAY

1. Sam Anderson | Death House | The Road Theatre Company
2. Matt Brough | Butterflies | Defiance Theatre Company
3. Gilbert Glenn Brown | The Mountaintop | Garry Marshall Theatre
4. Chase Cargill | Death House | The Road Theatre Company
5. RJ DeBard | Lone Star | The Group Rep
6. Conrad Dunn | Peggy’s Song | Actors Workout Studio
7. Eric Keitel | Villainy | Whitefire Theatre Company
8. John F. Knight | Blues for Mister Charlie | Loft Ensemble
9. Anthony Marquez | 26 Pebbles | Above the Curve Theatre Company
10. Nick Paonessa | Lone Star | The Group Rep

BEST LEAD ACTRESS IN A PLAY

1. Madison Boyd | Butterflies | Defiance Theatre Company
2. Emily De Margheriti | The North Plan | Sherry Theater
3. Annie Freeman-Sabel | The Women | Archway Theatre Company
4. AJ Gardner | LA Horror Stories: 4 Crimes | Fuzzy Bottoms Theater Co.
5. Deborah Geffner | A Flock of Macaws | Theatre 68
6. Kate Huffman | Friends with Guns | The Road Theatre Company
7. Bianca Lamaire | Showpony | Victory Theatre Center
8. Carolyn Ratteray | The Mountaintop | Garry Marshall Theatre
9. Christine Sage | The Tempest | Porters of Hellsgate
10. Shelly Snellman | Bus Stop | Robo & Bash Productions

BEST LEAD ACTOR IN A MUSICAL

1. Apollo Levine | Dreamgirls | Cupcake Theater
2. Jared Price | The Theory of Relativity | FPAC
3. John Schroeder | A Carol Christmas | The Group Rep

BEST LEAD ACTRESS IN A MUSICAL

1. Dominique Kent | Dreamgirls | Cupcake Theater
2. Michaela Slezak | Turkeys! The Musical | Zombie Joe’s Underground
3. Mary Zastrow | The Theory of Relativity |Foothill Performing Arts Council

BEST ENSEMBLE CAST OF A PLAY OR MUSICAL

1. The Columbine Project | Loft Ensemble
2. LA Horror Stories: 4 Crimes | Fuzzy Bottoms Theater Co.
3. Marry F**k or Kill | Defiance Theatre Company
4. Anatomy of a Hug | Collaborative Artists Ensemble | Sherry Theater
5. The Women | Archway Theatre Company

BEST CHILDRENS PRODUCTION

1. Aladdin | Act 1 @ Theatre 68
2. High School Musical (Cast B) | Gray Studios
3. Snow White | Theatre West

BEST DIRECTOR OF A CHILDREN’S PRODUCTION

1. David P. Johnson | Snow White | Theatre West
2. Chera Marks | Aladdin | Act 1 @ Theatre 68
3. Kim Whalen | High School Musical | Gray Studios

BEST WRITER OF AN ORIGINAL PLAY OR MUSICAL

1. Lonnie Hughes | Talking Trees | Secret Rose Theatre
2. Jason Karasev | Deathhouse | The Road Theatre Company
3. Judith Leora | Showpony | Victory Theatre Center
4. April Littlejohn | LA Horror Stories: 4 Crimes | Fuzzy Bottoms Theater Co.
5. Max Marsh | Patron Saint of the Suburbs | Loft Ensemble
6. Julie Marie Myatt | The Rescued | The Road Theatre Company
7. Benjamin Scuglia | The Man Who Saved Everything | Theatre West
8. Howard Skora | Damaged Furniture | Whitefire Theatre
9. Bruce Kimmel & Doug Haverty | A Carol Christmas | The Group Rep
10. Chris Haas | To All the Lights in the Windows | Loft Ensemble

BEST DIRECTOR OF A PLAY

1. Cary Haze | The North Plan | Sherry Theater
2. Joe Lorenzo | 26 Pebbles | Above the Curve Theatre Company
3. Ronnie Marmo | A Flock of Macaws | Theatre 68
4. Tom Ormeny | Showpony | Victory Theatre Center
5. Alex Parker | The Tempest | Porters of Hellsgate
6. Bree Pavey | Trainwreck | Loft Ensemble
7. Stacy Ann Raposa & Ian McClure | Taboo | Actors Workout Studio
8. Steven Sabel | The Women | Archway Theatre Company
9. Randee Trabitz | Friends with Guns | The Road Theatre Company
10. Michael Van Duzer | The Man Who Saved Everything | Theatre West

BEST DIRECTOR OF A MUSICAL

1. Timothy Jon Borquez | The Theory of Relativity | Foothill Performing Arts
2. Tor Campbell | Dreamgirls | Cupcake Theatre
3. Michael Pettenato | Mamma Mia | Cupcake Theatre
4. Brandon Slezak | Turkeys! The Musical | Zombie Joe’s Underground
5. Bruce Kimmel | A Carol Christmas | The Group Rep

BEST PLAY OF THE YEAR

1. 26 Pebbles | Above the Curve Theatre Company
2. Blues for Mister Charlie | Loft Ensemble
3. Death House | The Road Theatre Company
4. A Flock of Macaws | Theatre 68
5. Friends with Guns | The Road Theatre Company
6. The Mountaintop | Garry Marshall Theatre
7. The North Plan | Sherry Theater
8. Showpony | Victory Theatre Center
9. The Tempest | Porters of Hellsgate
10. Damaged Furniture | Whitefire Theatre

BEST MUSICAL OF THE YEAR

1. A Carol Christmas | The Group Rep.
2. Dreamgirls | Cupcake Theater
3. The Theory of Relativity | Foothill Performing Arts Council

SPECIAL AWARDS

1. Lifetime Achievement Award is chosen to recognize exceptional contributions to the Valley Theatre Community over an entire career. (Announced Prior to Awards Night)

2. The Company Ensemble Award is chosen by the selection committee to celebrate an entire theatre company or group which works together closely while maintaining a friendly & welcoming atmosphere for theatre in the San Fernando Valley.

(Announced on Awards Night)
3. The Artistic Director AchievementAward is chosen by the selection committee each year to celebrate an artistic director who has gone above and beyond their duties to create and/or continue a successful company. (Announced on Awards Night)

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Getting Through Common Artists Troubles

If you’re one of the thousands of artists working today, you probably have your share of trouble.

Many artists struggle in various areas of their life. They may struggle financially, artistically, or in other ways. If you’re an artist and aren’t sure of how to navigate these challenges, these

are some of the more common areas where you may need some direction.

artist-troubles.jpg

Taken from Pixabay.com

Lack of Time

Artists are known for being busy and it’s not a surprise that you don’t have time for the things you need to do. If you’re finding yourself on productivity lists and articles, then you’re not alone. Chances are, you simply can’t fit everything into your day. As an artist, you also need to give yourself enough time for creative processes.

If you can, give yourself a schedule but then allow yourself to have breaks. Scheduled and unscheduled time is the key to balancing your energy and you’ll be much happier with some flexibility. You will probably have to say no to some commitments but this will allow you to have a more balanced lifestyle.

Poor Financial Status

If you’re a starving artist, then this probably seems like a challenging solution. You may find yourself working multiple jobs just to make ends meet. When this happens, you may need to find a loan program to help you through the tough times. If you’re one of the many people who doesn’t have much in savings or even a bank account in general, then you’re not alone.

You can find loans with no bank account, which you can easily access online and the approval process is fast, especially if you have other additional financial information such as a debit card. While you may need a boost to get through the hard times, work to create a budget to avoid overspending.

artist.jpg

Taken from Pixabay.com

Unhappy with your Work

Artists are the harshest critics. Your work probably never seems good enough. If you struggle in this area, it’s important to note that you should take the time to enjoy small accomplishments. Finishing your latest piece may not seem like a huge step ahead but celebrate small victories in

life. Treat yourself kindly and work on making small daily victories. This will help you feel more proud of your work. Although humbleness is not a bad trait, you can enjoy the victories as well.

Criticism from Others

As an artist, you’re also going to be subject from outside criticism when you start displaying your work. Keep in mind that not all criticism is bad. A good art critic can help you to hone your skills or to find areas where you happen to be weak. Unfortunately, it’s often off-hand comments

that make us rethink all of our life choices. The key here is to listen but not too much. You should try to take comments from serious critics seriously. People who don’t know much about art may bother you, but you shouldn’t take their criticism too seriously.

Keep in mind that you’re going to face many struggles as an artist. No one decides to become an artist because it’s an easy profession. However, the key to improving is to work hard at your craft and focus on the bigger picture. This will help you to be more successful and also enjoy your life as an artist.

The Victory Theatre Barebones Presents “The End of Sex”

The Victory Theatre and Barebones presents “The End of Sex,” written by Gay Walch, directed by Maria Gobetti. Produced by Maria Gobetti and Gabriel Ormenyi.

Extended through June 9, Friday, Saturday at 8pm; Sunday at 4pm

When we get to a certain age things can slow down a bit in the bedroom.

It’s not something people are particularly keen on discussing and it means very different things to women than it does to men.  The reality of sex in a relationship is a tricky subject to think about let alone write a play about and the end of it, even the feeling that it might end in some way someday is even trickier.

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“The End of Sex” tackles this sticky subject, if you will pardon the pun, with the use of two couples.  The older couple is the parents of the younger female half of the other couple and they are meeting for dinner on the night of the mother’s birthday.  Before the daughter and her dour husband arrive, the parents discuss the sex in their marriage and the mother announces that she is done, with sex, possibly forever. 

Of course, this revelation has an obvious effect on her husband who, it becomes clear, is far from done.  As the play unfolds, the daughter and her husband arrive and the daughter relentlessly prods for more information and considers options and ‘cures’, which mortifies just about everyone, and we discover just how universal is the currency of sex.  The giving and receiving, withholding and obsessing, the manipulations and the frustrations.  Sex in a long-term and committed relationship can become far more complicated than when it is casual and without expectations.  This play explores those complications and faces head on what happens when complicated is not sexy.

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This is a beautifully written play.  The characters are rivetingly real and the performances just explode with nuance, meaning and gorgeous sadness.

The Victory is fearless in its support of fine and fascinating plays about subjects one might not immediately consider to be a source for communal fascination.  “The End of Sex” is another in a long line of world premieres, always wonderful and chosen with the expertise of a museum curator and always given the room they need to breath and grow and become excellent.

I highly recommend “The End of Sex.”  Bring your spouse…and your sense of humor.  Bravo!!!

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https://ci.ovationtix.com/35020/production/1007485

The Victory Theatre, 3326 W. Victory Blvd., Burbank, 91505

Running April 26 through June 9, Friday, Saturday at 8pm; Sunday at 4pm

STARRING: Sara Botsford, Tom Ormeny, Austin Highsmith, Chad Coe, and Lianna Liew

4 Tips for choosing the right countertop

When looking for countertops, whether the kitchen or bath, you should consider a few things.

But let’s consider each point first.

1. What type of material do you want?  

Deciding on the counter material will take a bit of investigating.  You have granite, quartz, tile, concrete, and silestone or even a laminate to name a few.  Check into the pros and cons of each possible surface.  How to maintain and life span of the new surface are just a few questions to ask yourself.

2. What color?

This can be a daunting task for many.  Color choice is very important since the counter is usually fairly permanent and many of us will only replace them once. Cabinet and flooring will play a very large factor in deciding color.  Remember you won’t need to ‘match’ everything; just blend into a cohesive color scheme.

3. How do you want to use it?

Determining the space for usage will allow you to choose the right type of stone.  Each one has its own unique benefits as well as pitfalls.  Take Carrera marble for example.  While it creates a beautiful counter, it needs to be sealed periodically for protection as it can stain easily from many things.

4. What’s the budget?

This is where many of us find the sticker shock.  Buying slabs to make the counter surfaces can again be a daunting feat.  Research is key here.  I mentioned before you can purchase a slab of stone for a few thousand dollars or find ready-made pieces which are already to about 24 x 91.  I’ve found a few that can start at a few hundred dollars.  Just know you’ll need to allow for fabrication and installation on top of the materials.

Once you’ve answered each of them, it’s time to source for your materials.

I hope these few quick tips will help when it’s time to choose the right countertops for you. And as always, enjoy!

Leon Seti “Cobalt” Album Review

Leon Seti is an electro-pop solo project born in 2016 out of the mind and voice of the 23-year-old Leo Baldi, an Italian-born, alternative synth/pop musical artist.

His mind-bending, heart-changing music is far deeper and more spiritual than most could manage with 23 years on this planet.

Add to that a voice full of the resonance and humility of an angel and you have an album with the honesty and the emotional integrity akin to Madonna, Prince or KD Lang.

This is his second album and on the first day of “Cobalt’s” release it reached number one in the itunes Electronic albums chart in his home country, Italy.

This album is a journey, full of songs of love and loss, pain and celebration.  Leon self produces, writes and arranges everything on the album and I can understand why.  This music is so intimate, almost confessional in its beautiful and at times breathless delivery.  It would be like if you were an artist, having someone else paint for you or a stranger write the poetry in your heart.

The stories flow from one track to another growing with power and urgency, one to the next.  A sublime mix of dance power tracks and slow winding mournful unburdening. The songs seem to be torn directly from Leon’s heart and one feels as if each song were a different day in the journal of his soul.  His longing and his heartbreak poured into this brilliant music, we cannot help but be moved.  Loved it!

Music Videos

Artist Links

Facebook

Instagram

Soundcloud

Youtube Channel

Spotify

Alya “Ten Years of Solitude” Album Release

Alya relesase here album “Ten Years of Solitude” Album, produced by David Holman.

Alya is a multiple award-winning, independent musician.

A Russian-born, classically trained musician and dancer, “Ten Years of Solitude” is her first full-length album in what has been a long and hard fought road to success taking over a decade to produce this pretty astonishing and complex record.

Alya’s music is hard to define in simple terms.   She is an amalgam of pop, rock, electronica and trip-hop and is clearly a woman with a lot to say.  Her songs are full of lyrical, poetic and poignant observation on love, control and battling demons…sometime of her own making. “Each song in the album has a story; they are each quite different and diverse, but together they carry a strong message – you can do it, even if you are just the only soldier on a field,” says Alya.

The production is big….and that’s an understatement.  The tracks soar and fall, the sound full and lush, and then at times striped back and open.

The sound always honoring the song with syncopation, gorgeous rhythms and beautiful orchestration.  Alya’s voice is breathy, layered, emotional and triggering.  She sometimes whispers, sometimes rips, but always true to the integrity of the song.  Like the very best songstresses on the planet, Tori Amos, Kate Bush, Florence Welch, she grips her audience firmly by the hand, and sometimes by the neck as she demands our attention while sweetly spinning her musical yarns.

This is an album worthy of a decade’s work.  The stories she tells are beautifully and painfully pulled from her heart…that much is very, very clear.  Her voice is gorgeous, melancholy and wise, sinewy, dreamlike and extraordinary. This will be firmly on my music rotation for a while.  Play it loud in your car, in your house and do yourself a big favor and plug it in to the phones in your head. All the subtleties of the fabulous production by David Holman will be instantly and unforgettably seared into your soul…..I LOVED THIS ALBUM!!

Amazing videos too. I’m a sucker for a cool video!

https://www.youtube.com/watch?v=4VGrsP1ERgw

https://www.youtube.com/watch?v=Qhhvme98Q_o

Visit Alya online at alyaofficial.com  Fans can purchase music online from any digital retailers including, iTunes and Amazon.

New single is available on Spins Tracking System  and AirplayAccess to radio programmers worldwide.

 

Artist Links

Website

Facebook

Instagram

Twitter

Bandcamp

Spotify

Youtube Channel

Homeward LA

Homeward LA  is a 10-day citywide event from April 26 – May 5, where multiple productions of monologues based on stories from people who have experienced homelessness will be performed by actors all around the city.

Join local productions from The Group Rep, North Hollywood First United Methodist Church, The Road Theatre or anywhere you can for one of more than 50 productions happening throughout the Los Angeles area!

Together we will experience stories from the lives of those who strive to find their way home, increase awareness around the homeless crisis facing Los Angeles, and raise funds for The Midnight Mission, an amazing nonprofit organization on Skid Row. Some material contains adult themes and language.

We asked our friends at The Group Rep (GRT) about why they chose to participate in Homeward LA this year. “GRT was approached by HomewardLA about being a part of this program,” said  GRT Board President Todd Andrew Ball. “We felt this was a truly important cause and were very happy that we could utilize our theatre to give back to the community and this important organization.”

Find a show>>

Upcoming shows in the 818:

April 29
• SpiritWorks Center for Spiritual Living (8:00) – 260 N Pass Ave, Burbank, CA 91505

April 30
• The Group Rep at the Lonny Chapman Theatre (8:00) – 10900 Burbank Blvd, North Hollywood, CA 91601
• The Road Theatre (8:00) – 10747 Magnolia Blvd, North Hollywood, CA 91601

May 1
• The Group Rep at the Lonny Chapman Theatre (8:00) – 10900 Burbank Blvd, North Hollywood, CA 91601

May 2
• The Road Theatre (8:00) – 10747 Magnolia Blvd, North Hollywood, CA 91601

May 3
• BGB Studio (8:00) – 10950 Burbank Blvd, North Hollywood, CA 91601
• Elk’s Lodge (8:00) – 14440 Friar Street, Van Nuys, CA 91401

May 4
• North Hollywood First United Methodist Church (7:00) – 4832 Tujunga Avenue, North Hollywood, CA 91601
• BGB Studio (8:00) – 10950 Burbank Blvd, North Hollywood, CA 91601
• First Christian Church of North Hollywood (8:00) – 4390 Colfax Avenue, Studio City, CA 91604

Homeward LA www.homewardla.org via www.nohoartsdistrict.com

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict. 

 

More NoHo Trees!

Want to help beautify North Hollywood and help restore trees in the NoHo Arts District? Roll up your sleeves and grab a shovel!

Councilmember Paul Krekorian, the Department of Recreation and Parks, the NoHo Neighborhood Council and other community partners are having a tree-planting event to help restore the tree canopy at North Hollywood Park – aka NoHo Park.

During the event, you’ll join volunteers to plant more than 100 new trees at NoHo Park to help reinvigorate the area’s urban tree canopy, which was affected as a result of the recent drought and tree-related disease.

Be sure to bring gloves, sunscreen and plenty of water for a day of community action. This event is being held in partnership with the Dept. of Recreation and Parks, the Los Angeles Beautification Team, the NoHo Neighborhood Council and CalFire.

WHEN:

May 4, 2019 from 9am – 12pm

WHERE:

North Hollywood Park
Meet on the south side of NoHo Park at Magnolia Blvd. and Tujunga Ave. at the Rose Garden.

RSVP:

www.paulkrekorian.org/nohoparktreeplanting

Join North Hollywood community partners for a day of neighborhood beautification!

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

What is the Difference Between Builder’s Risk and Construction Liability Insurance?

What is the Difference Between Builder’s Risk and Construction Liability Insurance?

For people who work in the construction industry, there is a huge risk of things going wrong every single day. Construction materials can become damaged, workers can be injured, and other incidents can occur that can cost the business both time and money.

For this reason, construction companies protect themselves using construction liability insurance and builder’s risk insurance. Here, we are going to look at the difference between these two types of insurance.

What Is Builder’s Risk Insurance?

Builder’s Risk insurance is a type of policy that covers the materials, equipment and property used by the contractor. This type of insurance usually covers the duration of the project from start to finish.

The types of things that builder’s risk insurance covers include damage which is resulted from hail, vandalism, fire or explosion, lightning strikes and much more. There are certain things that are excluded from this type of insurance including mechanical breakdowns, water damage and collapses.

What Is Construction Liability Insurance?

Construction liability insurance is a type of policy that will cover property damage and bodily injuries. This type of cover will protect a construction worker against any accidents that might happen on the job and the liability that tends to arise from these issues.

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Construction liability insurance tends to cover events when someone is injured on your property or when you or your employees cause injury or property damage. This type of liability insurance will also handle things like claims against false advertising or damage to rented space. Construction liability insurance often excludes negligence, errors and lawsuits that involve things outside the scope of the policy.

What Is The Difference?

The main difference between these two types of policies is that builder’s risk insurance does not cover anything owned by anyone except the person that is insured. While construction liability insurance will cover things like workplace accidents and liability, builder’s risk insurance will focus on the equipment owned by the policy holder.

This difference is very important and anyone working in construction needs to understand what their policy covers. It is recommended that construction workers are covered by both types of policies in order to ensure both their business and their personal belongings are protected should anything go wrong in the future. Forgoing one of these types of policies is only going to put your business at risk.

Final Verdict

It is clear that there are some differences between these two types of policies and anyone in construction needs to understand these properly. In this industry, there is always a risk of someone getting injured and so business owners need to make sure that they have the right insurance policy to cover them and their employees.

If you work in the construction industry, make sure to invest in both types of construction insurance to ensure that your belongings and your business are protected against any sort of possible incident that might occur when you are working on a job.

How to Cut Household Costs and Save Money

Many people live paycheck to paycheck and discover that handling their finances is difficult.

In order to save money, people cut out small luxuries like coffee, dinners out and nights at the movie theater. These cutbacks do help some, but they are only one time expenses. To save money and better manage your budget, you need to find ways to cut down the cost of recurring expenses. Whether you are trying to save money to reach a goal, pa off debt or build a savings account, these tips will help you cut your household expenses and save money.

Save on Food Related Expenses

Americans spend an absurd amount on money on take out due to its convenience. Whether it is because of poor time management skills, the inability to cook, or pure laziness, take out food is a budget killer. Most people aren’t aware that simple meals cooked at home could save them money in the long run. People who plan meals a week at a time save time and money. Meal planning also encourages a healthier diet.

Prepare a Budget

Preparing a budget can be difficult to start but is it one of many actions that will help eliminate financial stress and save money. A budget is a financial plan telling you exactly how, where and when your money is spent. Budget planning is essential to forming healthy spending habits. Basic budget plans suggest that 50 percent of your income is held for needs, things such as rent, car insurance, and bills. 30 percent of the money you make could go towards things that you want and the final 20 percent should be kept in a savings or used to pay off any debts. However, it is best that you do research and personalize a budget to fit your exact needs.

Change your Energy Provider

Utilities take up a large portion of the average person’s income so it only makes sense that people try to cut back on their energy related expenses. Something people often overlook when trying to save money is the idea of switching energy providers. Deregulation has brought on some fierce competition between companies, so they often offer competitive rates and bonuses to their customers. Some companies even offer free energy audits and give you recommendations on how to conserve energy within your home. Before you make any decisions, you should compare energy on Money Expert and an idea of the services and rates that are available in your location.

Bundle Services

There is a lot of competition in the televisions service industry outside of the obvious satellite and cable TV packages. Television providers also offer internet and telephone services. This allows their customers to bundle their services for all around cheaper prices. It is common practice that new customers get deals when signing on for service. Do some comparing of the service providers in your locations and consider switching. If money is painfully tight, consider downgrading your service to cut out pay cable channels. If you are phone or Netflix addict, you could cut out cable and landline phone services completely.

L.A. Pierce College Theatre Presents “In the Heights”

What a way to end the theatre season, Pierce College Theatre! They close out their 2018-2019 season with the Tony Award-winning Broadway musical, “In The Heights,”  with music and lyrics by Lin-Manuel Miranda and book by Quiara Alegría Hudes.

From the creator of the global hit, “Hamilton,” “In The Heights” is the universal story of a vibrant community in New York’s Washington Heights neighborhood – a place where the windows are always open and the breeze carries the rhythm of three generations of music. It’s a community on the brink of change, full of hopes, dreams and pressures, where the biggest struggles can be deciding which traditions you take with you, and which ones you leave behind. We can transport this story to Los Angeles easily.

The Pierce College Theatre “In the Heights” cast, crew and production bring a bit of the NYC to the 818.

The Lin-Manuel style of incorporating lyrics that are witty, spoken word rhymes is not an easy undertaking for the lead role of Usnavy. In this production, Alex Balderas is Usnavy, the story teller that guides us through the history, hopes and imaginations of the neighborhood. With his briskly rippling rap, Alex carries the lyrics to the audience with the right cadence, breath and perfectly timed wit. It was effortless.

Lin-Manuel’s songs are what tell this story so beautifully. Whether it be a flowing story rap, a ballad, a sassy trio, a romantic duet or an upbeat group number, his quick-wit lyrics give us glimpses of life in New York and an insider’s view of this ficticious yet real neighborhood.

When the three hair salon ladies, Daniela (Claudia Rosario Olvera), Vanessa (April Lam) and Carla (Bottara Khan) get together with returning college student Nina (Amy Solano) to dish some chisme, we want to break out the popcorn but instead break out into a smile. They coquettely sing “No Me Diga” (You don’t say) and their harmonies are spot on.


Photo by Lynn Levitt.

“Carnaval del Barrio” was another favorite number. Again, the voices made the audience bop. Daniela (Claudia Rosario Olvera) was the standout in this number with her vocal strength and a beautiful, steady, Mariachi-inspired pitch.

The Piragua man – the shaved ice vendor – (Vincent Macias) had a strong, robust voice that carried the lyrics in a calming wave of warm tone, that transported this audience member to the streets of San Juan on a hot summer night. 

“Useless/Inutil” was a number that brought a tear to the eye, sung full heartedly by the papa, Kevin, played by the showman Jeremy Lee. It was a beautifully sung piece on generations of hardworking fathers wanting something better for the next generation. This is the American dream.

Sonny (Nicolas Escalante) is a great actor. His facial expressions, one-liners, use of the stage and theatrical body language is hard to play because playful can become trite. He played the playful pranking, pushy young cousin perfectly.

 Photo by Lynn Levitt.

Trevor Alkazian. Remember that name, folks. Trevor plays Benny, the lovable, non-Spanish-speaking hustler who’s in love with his boss’ daughter, and he plays the role with such ease that we believe Trevor is Benny, that he’s in love with Nina. The moment the enterprising Trevor/Benny sets foot on stage, his charisma takes over, but effortlessly.  You don’t learn stage presence, you’re born with it. Trevor is an instinctual actor and he’s also a phenomenal singer. He has a stunningly beautiful voice with a wide range and enchanting tone that “you could listen to all day,” said the person sitting next to me. He switches easily from a rap to a high note, a dance move to a scene with the boss, a group number to a love duet. His timing was spot on and I don’t see him doing anything else but being on Broadway. Bravo. 

Hats off to director Shaheen Vaaz for the great use of the stage and props on the detailed set designed by Gene Putnam. Her director’s notes capture her efforts: “This is a show I wanted everyone to feel as welcome as possible in this neighborhood…” Claps must go to Dr. Garineh Avakian for the amazing vocal direction accompanied by the Pierce College Orchestra conducted by Dr. Wendy Mazon.

The entire cast was full of strong singers – Vanessa (April Lam), Camila (Brenda Garcia), Abuela Claudia (Christine Avila), Nina (Amy Solano) and the ensemble.

For those who haven’t seen Lin-Manuel Miranda’s Broadway debut musical, “In the Heights,” now’s your chance, while supporting theatre at our local college.

There is something joyful about being entertained live, surrounded by folks smiling at words and music written by a stranger and then sung beautifully by others who become our friends for that two-act musical. The “In the Heights” takeaway is simply: yes we can, with a little paciencia y fe…patience and faith.


WHERE:

6201 Winnetka Ave.
Woodland Hills, 91371

WHEN:

April 26 – May 5
Thursday – Saturday at 8PM, Sunday at 2PM
Saturdays at 8PM

TICKETS>>

The cast features principals Trevor Alkazian, Christine Avila, Alex Balderas, Aro Caitlin, Tara Cox, Nic Escalante, Brenda Garcia, Asia Herbison, J.J. Javier, Bottara Khan, April Lam, Jeremy Lee, Sonny Lira, Claudia Rosario Olvera, Amy Solano, Julianne Sillona and Kristine Sallona.

The ensemble includes Dominique Alburo, Destiny Cable, Melaney Garcia, Javier Lopez, Nicolas La Salle, Vincent Macias, Eddie Rios, Eric Rodriguez, Patricia Ruiz, Joyanne Tracey and Jacob Villapando.

Director Shaheen Vaaz Choreography by Brian Moe
Vocal direction by Dr. Garineh Avakian
Dr. Wendy Mazon conducts the Pierce College Orchestra
Scenic design by Gene Putnam
Costume design by Eileen Gizienski
Lighting design by Michael Gend
Sound design by DJ Medina
Stage manager: Michelle Sanchez is the stage manager

Stay in touch with L.A. Pierce College Theatre – follow them on Facebook>> and Instagram>>

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Free Comic Book Day 2019 at Blastoff Comics

Free comics, amazing artwork, helping kids read. It’s Free Comic Book Day at Blastoff. See you there on Saturday, May 4!

We are really proud of our NoHo Arts District businesses that are unique and independently owned. But what makes Blastoff Comics such a gem in the NoHo arts community is its dedication to the comics art form and to charitable giving. On Saturday, May 4, Blastoff Comics in NoHo will hold their Free Comic Book Day (FCBD)

As always, they’ll be giving away comics all day, both new FCBD releases as well as vintage comics. Also back this year is their FCBD sale, which gives us 30% -60% off all comics and books and all vintage comics are 20% off.

Blastoff Comics Free Comic Book Day 2019 via www.nohoartsdistrict.com

Make sure to enter their raffle to be eligible to win vintage comics and amazing original art, including their grand prize, a beautifully painted page by J. K. Woodward from “Star Trek: The Next Generation: Mirror Broken!”

Blastoff Comics Free Comic Book Day 2019 gives to First Book via www.nohoartsdistrict.com

This year Blastoff Comics is teaming up once again with the good folks at FirstBook, who provide books and educational resources for children in need around the world! A portion of all proceeds from the day will go to FirstBook, and they’ll have a donation box available for those of you who’d like to help Blastoff Comics help them a little more!

“We can’t think of a better way to celebrate Free Comic Book Day than by putting more books in the hands of children all over the world. Free comics for our friends here in the community, who can then help us provide free books for kids in communities everywhere.: – Jud Meyers

WHEN:

Saturday, May 4, 2019, 9AM-8PM

WHERE:

5118 Lankershim Blvd.
North Hollywood, CA 91601

MORE INFO:

(818) 980-BOOK (818-980-2665)
info@blastoffcomics.com
Facebook event>>

 

About Blastoff
Blastoff is the creation of Scott Tipton and Jud Meyers. It is a retail destination devoted to offering customers the best and most exciting pieces of comic-book memorabilia, from vintage comics to hard-to-find hardcovers and art. Blastoff celebrates comic-book history by putting it in your hands. Listen to The Blastoff Podcast on iTunes or directly from blastoffcomics.com.

So North Hollywood and the rest of Los Angeles, head over to Blastoff Comics on Free Comic Book Day on Saturday, May 4 from 9AM – 8PM for free comics and good people helping kids.


**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Linards Zarins “Good Thing” Single Release

Linards Zarins was born in Latvia and is now based in Spain but his music is clearly made for the world.

This track, “Good Thing,” is the perfect summer hit.  Full of heartache, twinkly guitar riffs and catchy, beautiful production, Zarins uses his gorgeous voice – sweet, pure but with just the right amount of husky- to convince he just can’t live without love…and it works!

I’m a sucker for romantic summery songs, reminding us of what is important and worth sticking around for.

He’s a rising star in Europe and this track shows us why.  He’s cute of course, but he’s also the real deal as a songwriter and a performer.  Working hard over the years to make his way and establish himself with covers, he’s now perfectly poised to storm the charts with “Good Thing.”

His voice is soulful and strong, it has heart and substance. I hear Justin Timberlake, George Michael and Ed Sheeran sure, but Zarins has his own voice and something to say. And with a name like a superhero from another planet lets hope earth takes notice!!!

Love this song!!

{https://youtu.be/CCJK1IM3wd4}

https://ffm.to/xmo8gap

https://www.instagram.com/linardszarinsofficial/

The Whitefire Theatre Presents “The Big Strum Theory”

The Whitefire Theatre Presents “The Big Strum Theory.” Written and performed by Frank Simes.  Directed and Developed by Lisa Verlo.  Produced by Frank Simes and Lisa Verlo.

Frank Simes has been a musician since he was a kid. 

Always growing, always expanding his talents, no matter how hard the journey.  He has played with some of the greatest bands of all time, The Rolling Stones, The Who, Stevie Nicks, Don Henley, and has written and produced his own music, been nominated for numerous Grammy awards and has platinum records galore. The London Philharmonic has even played his compositions. Blimey!

Throughout this career he has always held a fascination for science and how music connects us all.  As he read and learned more and more about the universe and its impact on everything we do he discovered that music was truly the beginning of it everything.  “The Big Strum Theory” is a way for Frank to introduce us to the meta-musical field and the fundamental fiber of the universe.

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This event, “The Big Strum Theory,” is part lecture, part musical performance part spiritual awakening. 

Frank uses his own journey to weave a world of universal harmonics.  He plays us the mysterious heart beat of the galaxy and explains how the stars are waves of light and sound.  He is a natural storyteller, an incredible guitar player, and he joyfully shares his experience of finding profound spiritual enlightenment through playing music.

I know I have experienced an elevated peace of mind and a deep connection with people and the world through the playing and performing of music.  As a singer, I know the state of otherworldliness that can be reached and rarely reproduced in any other way than through using the voice to make harmonious sound.  Vibrating and oscillating, my body humming with energy. Singing together is one the most spiritual things humans can do and music has been around since before the wheel, that’s for sure.  So it’s fundamentally familiar, all this music and life and resonance and peacefulness.  Maybe that’s why Mick Jagger and the rest of the band are still leaping about the stage well into their 70s…it’s all in the music babe.

Frank has a unique ability to touch the face of heaven, he plays like an angel after all, but music can bring us to the same place regardless of how skilled we are.  Something as simple as humming can get you there, or listening to your favorite music, or strumming a guitar or even playing notes on a piano, feeling the steel string vibrating against each other.  Music is the building block of the universe, all those heavenly bodies produce their own sounds, their own scales of energy and music.  After all, we do have to literally break the sound barrier in order to fly fast enough to get close to them.

It’s truly amazing to think of time and space in terms of musical waves.  That our very existence originated billions and billions of years ago from waves of sound becoming matter.  Creativity is the meaning of life, as Carl Sagan famously wrote.  So when we create music we must be getting in touch with our own beginnings, our own part of the whole of creation. 

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This is a weird and wonderful lecture on the connection between science and music and spirituality.  There’s an awful lot of science in this, some proven and long understood and some theoretical of course, but it all makes so much sense.  Like being reminded of something you all ready know, deep in your DNA…amazing.

Frank Simes intends to tour with this wonderful and beautifully unusual evening of enlightenment.  Reaching more people and sharing his insights on science and music is his goal and I can’t think of anything more worthwhile than to bring wonder and peace and positivity to rooms full of people.  We are all seeking hope and healing, and longing for a future full of harmony. How better and more magical than to find it with Frank Simes and his “Big Strum Theory?”

You can keep up with his tour on his website: https://thebigstrum.com

He’ll be posting more dates as he books them. Do your self a huge favor, go and spend an evening reconnecting with what’s important, remember we are all made of stars.

Producing Artistic Directors – Bryan Rassmusen

Board Operator – Mitch Rosander

Programmer – Tor Brown

Lights – Derrick MCDaniel

Qlab – Brandon Loeser

Video Sequences – Lisa Verlo

NoHo News: Julius Weezer. Free Comic Books. Wine Finals. Theatre!Theatre!Theatre!

Here’s your NoHo arts community update!

We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood. Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

NoHo News via www.nohoartsdistrict.com

Follow NoHo News with Bloglovin

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Leipzig Germany – One Visit and You’ll Be “Bach”

Only a little over an hour’s train ride south of Berlin in the Saxony region of Germany is a city that has redefined itself after being behind the iron curtain during the Cold War.

Leipzig is a city of music, arts, breathtaking history, architectural wealth, a paradise for shoppers, and a city for daydreamers and night owls! I would say it definitely rivals its big sister Berlin.

Leipzig’s “ring” as they call it ,of streets around the city center, is anchored by Europe’s largest train station, The Leipzig Hauptbahnhof. This is a good area to stay as your base for exploring the city. The Vienna House Easy Leipzig, which is directly across from the main train station, just opened recently to much fanfare and has a neat art nouveau meets industrial decor vibe to it. The hotel has a wonderful complimentary breakfast buffet in the morning to get you going. They have a great gym on the top floor that has a nice view overlooking the Hauptbahnhof, as well as free high-speed WiFi throughout the hotel and free rental bikes for exploring the city. I found the staff to be all very friendly and helpful.

A good start nearby to exploring the city would be to head over to Karl-Liebknecht-Straße, known affectionately as ‘Karli’. It’s’a lively area of quirky shops and cafes. Close by and right near the University of Leipzig (at Augustusplatz) you can go to the top of the Panorama Tower building for spectacular views of the city. There’s a restaurant / bar up at the top but you don’t have to eat or drink there. You’ll pay just a couple Euros to keep going up past it to get to the top open-air viewing deck.

While I admit, I am not much of a classical play enthusiast, Auerbachs Keller, dating back to the 16th century, is a famous place to go for lunch or dinner as it was featured in Goethe’s  “Faust” play and is the first place Mephistopheles takes Faust on their travels. It is one of Leipzig’s oldest restaurants too (and I am an enthusiast of “oldest” restaurants).

The Old Town Hall at the Market Place is considered one of the most beautiful Renaissance buildings in Germany. From the remains of old prison cells in the celler, via the historical rooms on the main floor, up to the tower sphere and the weather vane, the building is a compendium of the history of the city and the permanent exhibition presents the checkered Leipzig history from early times to the Batlle of the Nations, from the revolution of 1848 to the peaceful revolution of 1989 and the German reunification. Admission is 8 Euros for adults and I found it well worth the time and cost and very…well..German looking and feeling.

No visit to Leipzig is complete without heading over to the historic St. Thomas Church. Bach used to perform here (and his tomb is on the church alter) and Martin Luther gained much of his protestant reformation momentum here.  While I admit (again), I’m a rocker and know little about classical music and composers, Leipzig’s most famous son, Johan Sebastian Bach, left his mark on the city and the world for that matter. The Bach Museum near the church is quite interesting and interactive, and contains listening stations and actual manuscripts and is well worth the 8 Euros admission cost if you have the time.

I found it fascinating that Leipzig was actually where the momentum started for the eventual fall of the Berlin Wall. For about two years from 1989-1991, there were peaceful spontaneous gatherings called “The Monday Demonstrations” that happened every Monday evening, starting at St. Nicholas Church and eventually spilling out into Augustusplatz towards the end of the movement. It inspired other cities in the communist  DDR (German Democratic Republic) to follow suit and, eventually, the peaceful movement’s momentum couldn’t be stopped and freedom came to East Germany with the fall of the Berlin Wall, bringing an eventual end to the communist oppression of the East German people. At the Museum in der Runden Ecke in Leipzig (which was the former secret police / “Stasi” headquarters) there is a good exhibit about life under the police state during the Cold War. It is free to enter and you can pay for an English audioguide for around 5 Euros.

One of the things I especially liked about Leipzig is the old (and sometimes secret) courtyards and passages scattered throughout the main center of the city. Dating back about 500 years, Leipzig was a major center of trade and commerce and hosted many international trade shows. By the 18th century, Leipzig was known as “The Marketplace of all of Europe.” The passages were built to accommodate the trade shows and today many of those same historical passageways have been updated and feature boutique shops, restaurants and bars.

I’d have to say though that one of the coolest places I’ve ever visited in the world is The Spinnerei in Leipzig. It’s a giant multi-city-block old brick factory dating all the way back to the late 1800s when it was Europe’s largest cotton spinning mill. Today it’s home to more than 100 studios of artists with galleries and exhibitions. There are also a few start-up companies with headquarters in the complex as well.  The Spinnerei is another great example of Germany re-purposing old buildings and sites and it is such an authentic, historic factory complex whose soul is its many creative inhabitants and the contemporary content which they bring to it. You can ramble around and do a self-guided tour but they have guided tours (highly recommended) for 11 Euros on Fridays between Noon and 5p and Saturdays between 11a-5p. Close by in this Plagwitz district of Leipzig, and worth checking out there is Karl-Heine-Straße where lots of hip and eclectic stores, bars and restaurants are located. You might even notice an old large DDR era airplane somehow sitting on a building just off the sidewalk!

Leipzig is absolutely worth a couple of days visit. However; If you are short on time, you can do it as a day trip from Berlin or on the way to/from Dresden and knock out the major sites and attractions. It’s being coined lately on travel blogs as “The new Berlin,” but I thought it was a super unique smaller city with its own identity, vibe and culture stemming from such a rich and dynamic past (and I’m pretty sure it’s going to have a rich and dynamic future).

Leipzig really should be in your travel plans when planning a visit to the Saxony region of Germany. You won’t be disappointed and you may even decide you want to go “Bach” someday!

Cheers,

Jack Witt, MS, CPT
Fitness and Health Coach

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The Porters of Hellsgate Present “The Taming of the Shrew”

The Porters of Hellsgate Present “The Taming of The Shrew.” Written by William Shakespeare. Directed by by Rose Fliegel and Alicia Patterson.

Running from April 20 through May 19, Fridays & Saturdays at 8pm, Sundays at 2pm

The Whitmore Lindley Theatre, 11006 Magnolia Blvd., North Hollywood, 91601

Isn’t it fascinating how simply by flipping the gender roles in a play like “The Taming of the Shrew” can change it in a subtle, almost indefinable way? 

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The Porters of Hellsgate, with their usual aplomb, have taken this play and turned it on its head.  With the gender roles firmly reversed, it becomes infused with new energy and humor, as well as giving these spectacular women a chance to sink their teeth into the most wonderful prose ever written…with a wink and a nod and some majestic eye rolling.  Kate is not now a man, however, the character of Kate is simply played by a man, a man not trying to be female.  The same is true for all the roles.  Petruchio is a man, but played by a woman as herself…confused…don’t be. It totally works.

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The sStory of the shrewish Katherine and her exasperated father willing to pawn her off to whoever has the nerve to take her on is one of the most repeated and reinterpreted in the Shakespeare cannon, so it is with some relief that I read of the Porters of Hellsgate’s intentions with their version.  Shakespeare can be tweaked a bit too much sometimes, let’s face it, but this is pure inspiration and the results are effervescent and sublime.

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Of course, the cast is brilliant. They are chosen by Hellsgate after all. 

It’s a play full of humor and family arguments and challenges to our feisty femaleness, but watching a male actor squirm and swallow his pride as Kate does when she falls hard for the quite marvelous, thigh-slapping, stage-striding, sure-gazed Petruchio is perfection.

There is song and there is dance and a little sauciness to boot.  It’s a madcap, high-energy, storming the gates kind of production, with leather and frills and tousles and playfulness.  This is a play without death or battles or mad maneuvering…unless you count the love that’s forged and the Kate that’s tamed.  But we all know that Kate was yearning for someone to challenge her, and in the end she didn’t give in to Petruchio, she – or in this case, he – simply saw Petruchio for what he was, a man in love…completely.

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I never thought of this play as a woman giving up or being broken in or learning some kind of lesson, far from it.  It’s a love story and told this way around it’s still a love story…just funnier and more intense in a totally different kind of way.

I adore The Porters of Hellsgate and their mad commitment to performing the entirety of Shakespeare’s cannon.  It’s always a highlight of my year when they open and this is another full force production with insight, spirit and humility….absolutely loved it!!!

The run is frighteningly short….so don’t dawdle!!

https://www.brownpapertickets.com/event/4099183

Cast

Christopher Sly – Sean Faye

Sly’s wife – Lauren Jean Lee

Petruchio – Lauren Jean Lee

Katherina – Sean Faye

Lucentio – Julie Lanctot

Train – Lauren Zbylski

Train – Evan Isaac Lipkin

Baptista – Dawn Alden

Hortensio – Kate Faye

Gremio – Jennifer Lee Weaver

Grumio – Whitton Frank

Biondello – Micheal Bigley

Vincent – Jill Penfold

Merchant – Caitlin McColl

Musician – Juno Eiland

Production Crew

Costume Design – Jessica Pasternak

Scenic Design – Thomas Bigley & Alex Parker

Lighting Design – Rose Fliegel, Thomas Bigley & Will Block

Sound Design – Nick Neidorf

Fight Choreography – Jesse James Thomas

Set Construction – Thomas Bigley & Alex Parker, Joe Rotolo, Margret Starbuck, Michael Bigley

Lighting Consultant – Douglas Gabrielle

Text Coach – Charles Pasternak

Graphic Design – Kate Drude

Ticketing – Sean Faye

Outreach – Gus Krieger

Producer – Charles Pasternak, Thomas Bigley, Gud Krieger, Sean Faye, Alex Parker, Will Block, Nick Neidorf

Write Act Repertory, John Lant & Tamra Pica Present “Swing”

Photographs by Tamra Pica

Write Act Repertory, John Lant and Tamra Pica present “Swing” with book and music written by Michael Antin, directed by Corey Lynn Howe.

Running from April 27 through May 19, Saturday at 8pm & Sunday at 2pm

Brickhouse Theatre, 10950 Peach Grove St., North Hollywood, 91601

The folks at The Write Act Rep have a knack for historical plays, a love for vintage attire, and a joyful commitment to full form musicals in black box theatre. 

“Swing” is a musical set in the weeks and months after the end of World War II, when the boys were coming home and the women were too, having been replaced at the wartime “swing” shifts jobs at the local factories by their fellas.

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Godfrey Flax (Butch)/Heather Rose (Adrianna)

We begin with a song by the ladies, happily singing about how they love their independence and their work.  Then the war is declared to be over and the story then follows one of them, Adrianna, as she welcomes her husband home only to find him deeply depressed and shell shocked.  As much as she tries to help him, he pulls away and then divorces her. The guilt of surviving the war when so many did not prevents him from the happiness of their marriage. 

Adrianna has her own journey though, one with another kind of “swinging” as she rediscovers her penchant for women in the arms of a beautiful German doctor who settled in the US with the rest of her family before the war.

It’s a spirited tale of love and loss and grumpy German bakers with delicious schnitzels. The songs are as clever as the characters and the cast full of passion, enthusiasm and fabulous vocals.

The whole performance is accompanied by a wonderfully accomplished pianist filled with the gusto of the era. 

It’s a rollicking and slightly naughty musical ramble through yesteryear – half serious commentary on the hardships of survival syndrome and half playful, rousing musical extravaganza.

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Richard Warren (Fritz)/Heather Rose (Adrianna)

Musicals about family, friendship and love are important.  We need to know we can rely upon the magic of art and its reflection of the immigrant experience on our shores.  America is a beautiful tapestry of cultures and backgrounds, some brought here by the devastation of war and and some by a thirst for adventure and a yearning to be free. ”Swing” is a lovely piece with a sweetness and a grace.  An inventive and lyrical story about acceptance, fearlessness and love…of all kinds.  Love it!

It’s a short run, so don’t dawdle…

http://www.writeactrep.org

CAST LIST

Jim Blanchette (Wynney)

Christopher Callen (Marlena)

Andrew Diego (Jake)

Godfrey Flax (Butch)

Nabila Hossain (Ensemble)

Cameron Kauffman (Janine)

Courtney King (Janine)

Katherine King (Ensemble)

Apollo Levine (Ensemble / US Butch / US Jake)

Diane Linder (Ensemble / US Marlena)

Heather Rose (Adrianna)

Richard Warren (Fritz)

CREATIVE TEAM

John Lant (Artistic Director / Producer)

Tamra Pica (Producer)

Michael Antin (Writer / Composer)

Corey Lynn Howe (Director)

Jim Blanchette (Dramaturg)

Jonathan Harrison (Associate Producer/Stage Manager)

Cassie Soliday (Associate Director)

Mark Baker (Lighting Designer)

Isabel Gallegos (Costume Designer)

Tamra Pica Casting (Casting)

Mercury Retrograde and OM Music Sanity

Crashed computer? Missed flights? Tensions in your workplace? Stop!

Maybe you think you were born under a bad sign for the duration, or maybe it’s just Mercury Retrograde messing with your mind, life and whatever else it can throw a monkey wrench into.

People have been driven to the frayed edge of sanity during the most recent Mercury Retrograde which occurred during March 5 to March 28, 2019. This most recent one really hit hard for many, including this writer. Things became so dire that it was decided that a trip to the Green Man Store in North Hollywood was in order to pick up some supplies to counteract the consequences of this vile Mercury Retrograde.

Once the decision was made to go to Green Man, the tape of OM music that had been playing on my stereo system snapped and I knew it was the right decision to pay a visit to Green Man to purchase their special candles and incense made especially for Mercury Retrograde.

OM music has been a lifeline to sanity and peace of mind during Mercury Retrograde for many decades and the tape decides to break now? Yeah, just another ploy by Mercury Retrograde to tamper with my mind. Off to Green Man I fly. As I am leaving my apartment building, the building’s fire alarm goes off. Jeez, enough already….please.

Practically crawling into Green Man, I spy out of my eye an OM recording by Jason D. McKean. “Saved” I whisper to myself. It did not occur to me that this music would be available at Green Man at the time I decided to visit them. Serendipity? Kismet? Who cares! They had it and that is all I cared about.

I quickly grabbed my special candle, incense and OM chants and headed home to chase away the Mercury Retrograde blues. Thank you, Hovik, for being such a huge help.

Once home I tore the wrapper off of “OM Serenity” and began to soak up the vibes of peace and breathe freely. This is the music to listen to when Mercury Retrograde invades your space and makes day to day living a really trying experience.

“OM Serenity’s” cover tells us to “step into the flow, open a clear channel to your heart.” Ok, I’m all for that. It goes on to say “Serenity is a way of life. Allow the OM to flow into your heart, and be the transformation you seek in the world. The OM, created with both male and female voices, is combined with gentle movements of harp and synthesizer, lifting you into a serene state of being. Ideal for meditation, yoga, relaxation and massage.” And away I sailed into an altered state of relaxation, which is something that my favorite genre of music cannot do for me.

So taken with this CD of OM music, I decided to give this guy Jason D. McKean a call and find out more about his methodology for creating peace in the middle of Mercury Retrograde’s chaos. Once connected to McKean, there is a whole lot of wonderful things swirling around his creative forces to be known and understood. Originally from Alaska, McKean first cut his creative chops on Punk music with a band that called themselves the Psychedelic Skeletons, which modeled themselves after the Butthole Surfers and they actually were able to open for them in Austin, Texas. How cool!

McKean cites The Dead Kennedys, Violent Femmes and Patti Smith as influences in the early stages of his musical career which in time morphed into OM chants. As McKean tells it, “there were 10 people in front of a mic just doing “OM” chants and I had no idea of what it was doing.”

This was done for a publishing company in Agoura, CA that produced New Age music and books. They wanted to create to an “OM” chant and there was the opportunity. McKean used/uses “a basic tone key of “C” with a ⅕ and drone for a meditative background.

McKean is a self-taught musician that has his own studio in Malibu, CA and has never put his photo on any of his recording because he “didn’t to impede a listener’s journey.” This makes sense in an offbeat sort of way.

“With the OMs I feel a very different attitude for. It’s not about me, it’s about their connection to the divine. A background, a tone, a primordial sound. It’s a sacred tone which is a source of healing and calming,” McKean adds.

According to McKean, vibrations can calm when the Mercury Retrograde effect comes into play. “We’ve got to be flexible and slow things down especially when it comes to communication,” McKean explained.

McKean has been on the OM chant road for 25 years and also can be found at the Green Man reading Tarot cards. Interestingly McKean also finds solace and calm at the “Self Realization Center and Lake Shrine” on Sunset Blvd. as I do when in need of peace and a quiet place to meditate.

We aren’t finished with Mercury Retrograde just yet as there are two more cycles to come July 7 to August 2 and October 31 to November 20. If this last one that was March 5 to March 28 is an indicator of what to expect, I say stock up on your OM chants ahead of the next one.

The cycle that begins on October 31 is more than likely going to require all that you can muster to get through due to the nature of Halloween. Remember, anything that can go wrong will, which is especially true for communication as McKean has suggested.

McKean’s voice has a soothing quality that I’ve not heard on other OM chant records and has served me well. There are several CDs in his collection, some of which can be found at Green Man. If you would like to check out his website please go to OMdogOM.com and check out his selection. The CD that I purchased is titled “OM Sanctuary” and I have found a great deal of peace with it.

The Whitefire Theatre & Loft Ensemble Presents “The Columbine Project”

The Whitefire Theatre and Loft Ensemble Presents “The Columbine Project.” Written by Paul Storiale.  Directed by Bree Pavey.

Running from April 17 – May 22, Wednesdays at 8PM

The Whitefire Theatre, 13500 Ventura Blvd., Sherman Oaks, 91423

It seems impossible that the tragedy of Columbine was 20 years ago.

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It’s one of those moments in our lives when everyone knows exactly where they were.  The shots quite literally heard around the world, and it changed everything.

This production has been evolving for many years, since the writer Paul Storiale was first moved to say something about this shameful day.  He built his piece from memories shared with him personally by some of the survivors, as well as passages from their journals and diaries, and the journals and videos from the killers themselves.  With so much information finding a clear path through it all to the truth of the story must have been daunting.  But Storiale masterfully creates a fusion of thoughts, reactions, memories and reality that blend together to tell a solemn and cautionary tale. 

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Who are these boys who kill?  Why do they fall so far and chose to take so many with them?  There have been far too many more of these terrible days. What first was shocking is now almost a daily event and still we are no closer to real gun laws and any kind of healing.

This cast is truly extraordinary in their ability to present such a horrific story and imbue every moment, even those so hard to face, with humanity and grace and fearlessness.  The play doesn’t turn away from what happened, doesn’t make pretty what is ugly and romanticize what must be faced.  What it does is give us a full and fair picture of the days leading up to the shooting and some semblance of understanding of the two boys who murdered and terrorized Columbine High.  What we come away with is sadness for everyone and a more detailed understanding of the victims, all so young and so loved, and a hope that somehow things will change.

Why commemorate such a subject? It’s sadly a part of our American culture, a shameful and awful part that needs to be talked about and shared in vivid and heartbreaking ways like this until it becomes ancient American history.

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It’s not easy to look in the mirror, to know that these kids are just like many others all over the world.

Full of loathing and pain, fear and hopelessness, they are terrifyingly invisible and always overlooked and easily dismissed.  They crave to be seen, even as they destroy themselves.  Maybe we have learned a little then. The recent shooting in New Zealand was one of the worst so far and the impact was brutal.  We still don’t know the killer’s name, his videos are blocked, social media taken down ,and assault rifles were totally banned in New Zealand within a few days.  We can wish that they will also be banned here without the horrible loss of life. But it’s unlikely, sadly.  So we must talk about it and write about it and push our elected officials and even perform plays about it, until that wish comes true.

This is a really excellent play – poignant, purposeful and deep, and wonderfully acted and directed. 

It’s only being performed once a week on Wednesday nights, so there are not many performances. Get your tickets quickly.  It’s a tough subject but the play gives grace to those who were lost and a vivid, important glimpse into the nature of those who killed and that is well worth your time.

Highly recommended!!

https://www.brownpapertickets.com/event/4090819

The cast features the talents of Elijah Archibald, Tor Brown, Gary Clayton, Noah Copfer, Dantzen DeBusk, Madylin Sweeten Durrie, Victoria Anne Greenwood, Barbera Ann Howard, Katy Laughlin, Marc Leclerc, Max Marsh, CJ Merriman, Sarah Nilsen, Bree Pavey, Danielle Power, Bryan Rasmussen, Diane Renee, Matthew Wayne Roberts, Devan Schoelen and Nora Yessayan.

The production and design team includes Bree Pavey (Director), Latiera Harmon (Assistant Director), Sarah Nilsen (Rehearsal Stage Manager), Tor Brown (Lighting Designer), Tor Brown (Sound and Video Designer), and Linda Muggeridge (Costume Designer)

Plastic Straws (upon request)

Editors note: How about this? No plastic straws will be used in Los Angeles. Period. Thoughts?

Thanks to the folks at the office of Paul Krekorian for keeping us in the loop on what’s happening at City Hall.

This Earth Day, L.A.’s new law to reduce single-use plastic waste from littering our beaches and waterways goes into effect. Starting April 22, the “plastic straw upon request” law will require restaurants and fast food chains to withhold plastic beverage straws unless a customer requests them.

This ordinance makes Los Angeles the largest municipality in the nation to tackle the top environmental issue of plastic straws. The City’s law goes above and beyond state law by encompassing all food or beverage facilities and types of service, including: dine-in, take-out, drive-through, and delivery.

Nearly half a billion plastic straws are used in the United States each day. As a result, plastic pollution contributes to major problems for our oceans and waterways. Plastics do not break down in the environment, but instead break up into smaller pieces, which are ingested by marine life and cause them starve, suffocate or become poisoned. Because of their small size, few straws can be recycled due to limitations of recycling process equipment. When disposed in landfills, plastic straws have the potential to leach toxic pollutants into soil and groundwater.

To learn more about the law, visit www.lacitysan.org/straws.

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict. 

 

10 Benefits of Renting Property to University Students

Landlords are always looking for ways to make more money, and student rental is one of these ways.

When students decide to leave town and seek a higher degree in a reputable university or college, they must find affordable accommodation close to campus so they can live comfortably and focus on their studies. Finding a spot at the university or college dorms isn’t always an option. This is why they’ll look for nearby properties that they can rent alone or share with others.

As a landlord, you should think of the benefits that you can gain by renting your property to university and college students. Students are usually young between the ages of 17 and 24, although those enrolling for the Master’s degree might be older. Some of them might have full-time or part-time jobs, while others might rely on receiving an allowance from family or study programs. So, what are the advantages of student rental? Here are ten benefits that you gain by exploring this tenant base:

  1. Your Property is Always in High Demand:

Students will always look for good places to stay. This means that your property will still be in high demand. Some students might take a year or two off and then return to school. They’ll always be back to your flat or apartment. As a matter of fact, there will be lots of competition, because staying at home is no longer an option. The closer your property is to campus, transportation, and town facilities, the more desirable it will be.

  1. You Get to Pick:

If you don’t like your current tenants, you get to choose new ones every year. At the time of renewing the contract, you’ll always find new candidates who are interested in your property, so you won’t have to stick with noisy and annoying tenants who don’t obey the rules. You can also advertise your vacant apartment on the university website, gaining more exposure.

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Photo by Priscilla Du Preez 

 

  1. Short-Term Contracts:

You’re not obliged to keep up with a tenant who would cause problems for a long time. Young people are always more interested in short-term contracts because they don’t know how long they will stay in college or university. Some take a year off or decide to return after a couple of years. This means fewer obligations on your side.

  1. Receive Higher Rents:

Your rental property is highly desirable, and this means that the rents you can charge are usually high compared to other areas in the city. It’s all about the rules of supply and demand, where the demand is generally higher, so you get to charge higher. The rents in towns close to university campus are closely linked and attached to room and board fees at college.

  1. Rent Per Room:

One of the benefits of renting to students is that you can rent per room. Most young people won’t be interested in living on their own and would love to share their living area with other friends. This means that you can charge rent per room instead of the whole unit. If you have a nice living area, your unit will be more appealing, and you’ll definitely receive more money.

  1. Secured Payments:

Your money is safe because students must pay on time; otherwise, they won’t have a place to stay to pursue their studies. University applicants should make several regular payments to keep up with their studies, and they’ll find ways to have these taken care of. Some students ask, “write my essay for me” because it is the only way they could submit their essays and papers on time, especially with tens of pending tasks to finish. Most of the time, the rent is secured and funded by parents who want the best for their children. In some cases, they’ll make upfront payments to take the burden off their shoulders. This also means that you know that your money is safe, and you won’t worry about getting paid every time.

  1. Your Apartment will Never be Vacant:

Once a tenant leaves, you know that your apartment won’t be vacant for long. Word of mouth travels fast, and university students tell their friends about the availability of a new place before it gets occupied. Before you know, you’ll find interested applicants who want to live in your apartment.

  1. You Make the Rules:

Students can’t afford being evacuated during the academic year. They already have tons of things to worry about and finding a place to stay shouldn’t be one of them. That is why you’ll be able to set the rules and expect tenants to follow them. This means that you’ll also be able to get rid of those who cause problems without worrying about finding other tenants for your apartment.

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Photo by Andrew Neel o

  1. Students are Easy Going:

University students have probably never lived alone or taken care of a rental unit before. This means that they aren’t as annoying as other tenants who always want things in top shape. They might be OK with less well-appointed units and won’t be annoying tenants who are always asking for regular maintenance. Students don’t usually have very high expectations regarding their home appliances or facilities. They haven’t experienced the best yet, so they won’t ask for much. They’re also more likely to obey the rules.

  1. You’re Empowering the Younger Generation:

This situation is beneficiary to you because you’re making money. But at the same time, you’re doing a great job and empowering the younger generation by offering them a safe place to stay. Young people view their degrees as tools that qualify them for better career opportunities. You get to help aspiring students reach their goals by securing a safe place to stay and study.

As a landlord, exploring a new tenant base is scary, but renting your apartment to students is worth the try. Students are responsible young people who are focused on improving their future. They might be young, but this doesn’t mean that they won’t take care of your property. These are the advantages and benefits of renting your apartment. There are lots of rules that govern the relationship between the landlord and the tenants, so you’ll know that your investment will be safe.

Author’s Biography:

Emma Rundle works as a student consultant. She got her degree in Psychology and currently helps students find jobs and accommodation to secure their studies. She’s helped tens of students overcome challenges that might push them to drop out of college or university.

Play Reading vs Staged Reading – PART II

 Play readings (and screenplay readings) are very important for writers, directors, actors, and producers. 

It’s an opportunity to hear the material so it can be evaluated, timed, and as a way to attract potential investors.

Staged readings are different. Some people are confused between the two. If you google the subject you will find different interpretations. Last month’s blog was Part I of this topic where I talked about play readings. This month I’ll discuss staged readings and how we do them at the Actors Workout Studio. 

It’s a good idea to review Part I first as I will be using the same script to demonstrate the difference. If you missed it just look at my last blog here on this site.

Staged Reading

A stage reading “shows” the material being performed. It is visual, both watched and listened to as opposed to a play reading that is listened to only.  The idea is to “show the potential” of a production. Therefore, it has movement, direction, props and actions. In a writers reading the actions are read by the stage manager, in a staged reading they are watched and performed. We watch the actors’ movements. They have scripts in their hand and are reading the material. Below is the same script from Part I. The sets can be suggestive, if they are not seen, then they should be read by the Stage Manager. In our staged readings, I like to have actors perform as much as possible.  The idea is to get an idea of what the play might “look” like.

Here’s the example from Part I, but for a staged reading. Notice I replaced the stage manager reading to what the audience sees:

Lights up:

Audience: sees a stage set up like a living room, a couch is in the center, left of the couch is a table with 4 chairs. There are dirty dishes on the table as well as 5 empty bottles of beer.

Jim enters the front door and walks into the room. They will see a young handsome man around 30, wearing a baseball cap, heavy coat and scarf.  They’ll watch him as he takes off his coat and scarf, look at the table with disgust, and look around the room. He walks into the bedroom, then walks back to the living room. They’ll see a scared look on his face.

Jim:  Max! Here boy, Max where are you?

Audience:  sees an older woman sit up, she is approximately 60 years old. She had a blanket over her that she threw off herself. She wears a bathrobe and looks upset.

Marta: Will you please stop yelling!

Audience:  sees Marta throws a set of keys to Jim.

Marta: Max is next door. I couldn’t sleep, he was making so much noise running around the room.

Audience: sees Jim look at Marta with an angry look and walk out the door.

Marta: I tell you I get no respect.

Audience: sees Marta lie back down on the couch and throw the blanket over her.

The purpose is for the audience to watch the action and to experience the potential of a produced play. They watch behavior and action. Notice one difference between the reading and the staged reading is that here the audience doesn’t know who Marta is, that information needs to be revealed through the action  and experience of the play vs read to the audience as in Part I.

These two types of readings have different purposes. Where in a reading we are listening to the words, in a staged reading we are watching the show.  When I see a great staged reading, in just a few minutes, I don’t even notice the actors having scripts in their hands. I get lost in the performances, relationships and chemistry. The scripts simply look like a piece of clothing. I am experiencing the potential of the play.

In a staged reading, there should be several rehearsals, with a director. It should be blocked, paced, and all actions fully directed. The actors need to be much more familiar with the material, even certain passionate speeches memorized. They should be glancing at the script while making eye contact with the other actors on stage. We are watching interaction and chemistry. They are in character, acting with their physical and emotional bodies.

A good staged reading should be like watching the play. Sometimes readings charge admission and are treated like a performance. The performances should be such that the audience’s imagination and investment into the experience forgives the fact that scripts are in their hands. They don’t even notice it after a few moments.

Staged readings are a great way to show the potential of what the production will look like. You can’t really have staged readings of screenplays as the locations are constantly moving, but in a play, staged readings are very common and effective. There was a time in Hollywood when pilots of sit coms were done as staged readings to save time and money for investors and networks. Decisions to shoot the pilot would be made from their experience of the staged reading. For me, the difference between a staged reading and a production is that the lines are memorized and the sets more elaborate.

Actors need to be good at staged readings. Where this shows up for actors is when rehearsing a sitcom, soap, or any multi-camera shoot. They are rehearsing with the scripts in their hand for the camera, so the movements, timing, and pace need to be in sync.

Too many times I see play readings done as hybrid of the two discussions of Part I and Part II. I think that compromises the purpose of what the reading is being used for.

When planning on a reading, know your purpose for doing it, and it will help you decide which type of reading to do. Remember, there is a difference.

Have a great month.

Till next time.

Fran Montano

Reviews – Shazam!; Hellboy

by Mike Peros

If you’re looking for an endearing super-hero with a likable sidekick (this time from DC Comics, and not the Marvel Universe), you need look no further than Shazam! Asher Angel (Disney Channel’s Andi Mack) and Zachary Levi (Chuck, The Marvelous Mrs. Maisel) share the title role, in that it involves young orphan Billy Batson  (Angel) and the adult superhero he turns into (Levi)—and out from—when he says the word “Shazam!” There’s plenty of backstory to go around, involving Billy’s search for his birth mother and becoming part of a foster family. Billy’s disabled foster brother Freddy (Jack Dylan Grazer) is a superhero geek and the target of bullies. After Billy demonstrates some goodness and bravery while defending the hapless Freddy, he is summoned to a mystical lair complete with a wizard (Djimon Hounsou) who bestows all his powers on an initially unwilling Billy. However Billy is not alone with these powers, since the Wizard has earlier had a confrontation with the unlucky, mistreated young lad Sivana—who alas, did not exhibit the requisite goodness to gain the wizard’s powers at the time. As an embittered adult, Sivana (Mark Strong) possessed enough cleverness (and wealth) to later find his way back to the lair where he stole whatever powers he could, including the all-powerful Eye of Sin. And by the way, Sivana’s hatred extends not only to his own father (John Glover), but to the newly created Shazam!

Shazam! as directed by David F. Sandberg from a screenplay by Henry Gayden, has many of the characteristics (not sure I would say virtues) endemic to films of this ilk, including many scenes of the vengeful super-villain showing just how lethal he can be. Mark Strong does a decent job without being especially memorable, and the final battle goes on far too long for the movie’s good. What elevates Shazam! above others of its kind are its liberal doses of humor, accompanied by a whole lot of heart—and two exceptional performances. While Asher Angel is fine as the young Billy, Zachary Levi is sensational as the “adult” Billy/Shazam. Levi hits all the right notes, playing Shazam as an overgrown kid with a new super-suit of clothes, gleefully surprised by the powers that accompany it (though he does neglect the fact that with great powers comes great responsibility—but that’s Marvel). Jack Dylan Grazer is also terrific as Freddy, the only one (at first) who know of Billy’s new superpowers, and the scenes where they’re testing Billy’s powers and trying out new names (his superhero name isn’t decided on till the end—you can probably guess what it is). It also helps that the film encourages you to care about Billy’s new foster family, including his siblings, and they are also a recognizably human bunch—they too add a good deal of the film’s heart. The bottom line if you’re still looking for a “superhero fix,” Shazam! is hard to beat—at least until Endgame.

I wasn’t aware that the world was clamoring for yet another Hellboy, especially following Ron Perlman’s take on the role of the brooding hunter of lost souls (to put it kindly) from the Guillermo Del Toro films. Yet here we are with the all-new Hellboy with David Harbour taking on the role; to his credit, Harbour projects enough angst and anger along with the quips to acquit himself in a respectable manner. The plotting is unwieldy to say the least, and there are several respected actors who come in for a quick appearance before becoming human mulch. Hellboy’s major nemesis is a long-buried Blood Queen (Milla Jovovich) who either wants to destroy Hellboy or marry him (though in Hellboy’s world, that might prove one and the same). Ian McShane is also here, picking up the rent money as Hellboy’s loving foster father (there is a backstory here too). I can’t say that Hellboy is a good film, but it does have some offbeat humor and is fairly entertaining at times, —as long as you don’t take it too seriously and have invested in some ear plugs to be utilized at strategic points.

NoHo News: In the Heights. Wine Finals. Seders + Eggs. Theatre!Theatre!Theatre!

NoHo Life: fun in one square mile of Los Angeles.

Here’s your NoHo arts community update!

We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

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This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood. Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

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Dems Entertainment Presents “The North Plan”

Dems Entertainment Presents “The North Plan.” Written by Jason Wells. Directed by Cary Norman Haze.

Running from April 5th through April 27th, Friday & Saturday at 8 pm, Sunday at 7 pm

The Sherry Theatre, 11052 Magnolia Blvd, North Hollywood, CA 91601

What’s so extraordinary about theatre, especially small theatre, is how in a space of a few meters square, with some lights, a skillfully designed set and an earnest group of actors, an audience can be transported to another place and time and given something as perfect as truth.

The Sherry Theatre is an intimate place and I have seen quite a number of interesting plays there, but “The North Plan” is something rather special. 

The story is set in a small town’s Sheriff’s station in the middle of what we quickly discover is a rapidly unfolding and potentially illegal declaration of national disaster, in order to declare martial law and curtail a revolution.

The play opens with a local woman, Tanya, being locked in a holding cell for a minor infraction and some outstanding warrants while her paperwork is processed.  She is loud, rude and not happy to be there.  She is watched over by Shonda who works for the sheriff, she’s not law enforcement, she holds some kind of administrative position instead, and she is as unhappy to be there as Tanya.  The Sheriff, Swenson, brings in another prisoner, Carlton, who is being held while he waits to be picked up by the Feds.  Carlton works for the government, or at least he used to, and he has vital information he is trying to get on the web as proof of the government’s illegitimate claim for the national disaster and of their subsequent and increasingly violent take over of the country.

And so the story unfolds and a group of very unlikely heroes are thrown together.  It’s a very clever concept and a scenario that seems not such an impossible reach right now.  The actors are utterly captivating and believable and bring tension, pathos and a good deal of humor to their situation.

By the time the Feds turn up Carlton has convinced a skittish Tanya to help him get his information to a friend in Texas, for which she will be handsomely paid.  Shonda is getting more and more nervous and the Feds, a couple of classic scumbags, hardly make the case for her to have confidence in the police. 

The Sheriff is a more shadowy character and it’s hard to tell which way he will go, although he clearly has as healthy an amount of suspicion as the rest of us.  It’s a comical look at a scary situation, but the humor makes it more real. And as the stakes rise, so do all our hackles and our universal human urge to overthrow tyranny and reject totalitarianism.  You can feel the electricity in the air and the clenching of fists in the audience.  It’s so wonderful to see this kind of theatre in NoHo.  Truly excellent actors making brilliant material compelling and transformative. 

I highly recommend “The North Plan.”  This is intense, highly evolved, character-driven drama at its best, with big ideas and no intention of staying small in the confined space of a black box theatre.

The run is short, so no dawdling…

April 5th through April 27th, Friday & Saturday at 8 pm, Sunday at 7 pm

https://www.thesherry.org

Cast

Tanya Shepke……………………… EMILY DE MARGHERITI

Shonda Cox……………………………………….. AMY ARGYLE

Chief Swenson…………………………………… SCOTT HAZE

Carlton Berg…………………………………….. DYLAN KENIN

Dale Pittman………………………………….. JIM FRIEVOGAL

Bob Lee……………………………………. SHANE VITKOVICH

Production Crew

LIGHTING DESIGN BY TREVOR ANDERS
STAGE MANAGER: TIFFANY VAN GOEY
SET DESIGN BY DYLAN KENIN & CARY NORMAN HAZE
ARTWORK BY CHRISTINA DIENST

PRODUCED BY SCOTT HAZE & BLAKE DEW
EXECUTIVE PRODUCED BY DEMS ENTERTAINMENT & JOHN DE MARGHERITI
ASSOCIATE PRODUCER: JOSH KESSELMAM

Dean Productions Presents “The Chekhov Comedies, 5 Short Plays by Anton Chekhov”

Dean Productions Presents “The Chekhov Comedies, 5 Short Plays by Anton Chekhov.” Translated by Julius West. Directed by Rebecca Lynne.

Running from April 11 through April 27, Thursday through Saturday 7:30pm, also Wednesday 17 at 7:30pm

Brand Park, 1601 W. Mountain Ave, Glendale, CA 91201

I’ve come to expect quite a lot from the dedicated members of Dean Productions. 

Over the last few years, they have presented some wonderful plays, Shakespeare in a mad house, The 39 Steps to name a very memorable couple.  They have given me some spectacular theatrical memories tucked away in this gorgeous park under the shadow of the hills in Glendale.

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Lilja Rose Michaud as Revunov and Madison Young as Nunin in “The Wedding”

So Chekhov ehy?  He just happens to be one of my favorite writers.  His work is absolutely hilarious and utterly sublime.  It’s also mysteriously difficult to do well.  It takes a certain pizazz, a very subtle thread of annoyance and a deep understanding of his delight in leaving us hanging.

On a very windy night, while the trees swayed and the dust blew and the hatstands toppled, I sat in Brand park and watched these brave actors lean in to the wind and perform five of Chekhov’s short comedic plays.  And they were absolutely wonderful.

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Madison Young as Tatiana, Sierra Laurin Parsons as Khirin, and Lilja Rose Michaud as Shipuchin in “The Anniversary”

The plays were “The Anniversary,” “An Unwilling Martyr,” “The Bear,” The Proposal” and “The Wedding.”  Unfortunately, I was unable to see the last two plays as the wind reached 30 miles an hour and in true Chekhovian fashion, the evening remained incomplete.

But the three plays I did see were really excellent.  The cast consists of four delightful actresses who take on all the roles, male and female.  They do this with the energy, the nerve and the infinite sarcasm that it takes to do justice to Chekhov.  His dour and awkward characters and his nonsensical and often unhinged relationships between them require an audacious approach and a fearless, comic physicality to truly translate his brilliant prose.

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Sierra Laurin Parsons as Khirin in “The Anniversary”

I honestly can think of few things I would prefer than to sit in a lovely park of an evening and watch joyfully performed Chekhov…by talented women.

Dean Productions are big-hearted, brave and ambitious.  They revel in adversity, whether that be the wind or the play.  They take on works by writers they admire and produce performances that more than do them justice.  They are well worthy of our support and the amazing work they do for children with cancer, helping them to write and then perform their own work is admirable and important.

NoHo Arts District Sierra Laurin Parsons as Lomov and Lilja Rose Michaud as Chubukov in The Proposal
Sierra Laurin Parsons as Lomov and Lilja Rose Michaud as Chubukov in “The Proposal”

“The Chekhov Comedies, 5 Short Plays by Anton Chekhov” at the Brand Park in Glendale is a magical and glorious production of one of the finest writers of our times. 

The run is short so don’t dawdle, the tickets are free…although you really should donate!!!

Running from April 11 through April 27, Thursday through Saturday 7:30pm, also Wednesday 17 at 7:30pm

Brand Park, 1601 W. Mountain Ave, Glendale, CA 91201

Tickets are free but donations are gratefully received and reservations are necessary!

http://deanproductionstheatre.com/index.html

The Players

Cassie Clark, Lilja Rose Michaud, Sierra Laurin Parsons, Madison Young

Production Team

Rebecca Lynne – Artistic Director & Director

Madison Strasser – Managing Director

Mannette Antill – Dialect Coach

Melissa Wilson – Costume Designer

Joshua Winkler – Lighting Designer

Jeremy Leung – Sound Designer

Edward Khris Fernandez – Stage Manager

Hannah Trujillo – Stage Manager

Lisa Bigelow – House Manager

Philip Sokoloff – Publicist