Where Do You Come From?

North Hollywood News

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06/19/2019

Learn more about where you come from! The NoHo Library will help. As they say, you don’t know where you’re going if you don’t know where you’re from. Learn how to research your heritage using all the latest tools, tips and tricks from the experts – the folks at The National Archives.

Think of the National Archives and you think of Washington, D.C. But did you know there are Archives here in Southern California that are open to the public to use? Are you aware you can see and read U.S. government records in more than 10 languages?

Head over to the NoHo Library (North Hollywood Amelia Earhart Regional Branch) for one or both free programs about the public institution that’s been keeping America’s official records for almost 200 years, and learn how to use the research center located just 70 miles east of Los Angeles: The National Archives at Riverside.

The North Hollywood Amelia Earhart Regional Branch, Friends of the North Hollywood Library and Sherman Oaks Friends of the Library have put together this free, public event with presentations by Senior Archivist Randy Thompson and Archives Technician James Huntoon.

WHEN:

Thursday, June 27, 2019
2:30-4:30PM and 6-8PM

WHERE:

The North Hollywood Amelia Earhart Regional Branch of the Los Angeles Public Library
5211 Tujunga Ave. North Hollywood, CA 91601

WHAT:

Tailored for students, educators, scholars and writers, the Afternoon Program (2:30-4:30 p.m.) will cover the use of resources in Riverside as well as National Archives and Records Administration (NARAS) facilities across the country. Presentation will include an overview of current research trends and a Question & Answer period.

Of general interest for adults and teens, the Evening Program (6-8 p.m.) will cover records created by selected Federal agencies, including U.S. District Courts. Topics will include Chinese Exclusion Acts, Japanese Internment, Enemy Aliens, Genealogy, Hollywood, Native American history, NASA, criminal and civil court records, and land issues. A Question & Answer period will follow.

TICKETS:

Both programs are free and open to the public, but space is limited. Registration for one or both programs is available on a first come, first served basis at:

https://www.eventbrite.com/e/the-national-archives-unlocking-americas-records-tickets-61009029650.

MORE INFO:

For more information on the programs, please contact the North Hollywood Amelia Earhart Regional Branch of the Los Angeles Public Library at (818) 766-7185.

The National Archives and Records Administration (NARA) is the nation’s record keeper with over 40 facilities nationwide, including Federal Records Centers, Presidential Libraries, and the National Historical Publications and Records Commission. Its mission is providing public access to Federal Government records in its custody and control. The National Archives at Riverside, located in Perris, California, holds permanent records created by Federal agencies and courts in Arizona, California, and Clark County, Nevada.

A recipient of the nation’s highest honor for library service — the National Medal from the Institute of Museum and Library Services, the Los Angeles Public Library serves the largest and most diverse urban population of any library in the nation. Its Central Library, 72 branch libraries, collection of more than six million books, state-of-the-art technology accessible at lapl.org, and more than 18,000 public programs a year provide everyone with free and easy access to information and the opportunity for lifelong learning.

The North Hollywood Amelia Earhart Regional Branch of the Los Angeles Public Library is dedicated to serving the communities of North Hollywood, Toluca Lake, Universal City and Valley Village.

Friends of the North Hollywood Library and Sherman Oaks Friends of the Library are tax-exempt nonprofit organizations that promote and support their respective branches with community volunteers, encouraging and managing donations or books and other materials, and sponsoring local fundraising activities.

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Taking an On Camera Class

Acting Tips, Acting Exercises and Workshops

Fran Montano

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06/19/2019

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I get asked this question a lot from actors. “I’m thinking of taking an On Camera class, what do you think?”

Most of the people asking that question are ambitious, beginning actors who are passionate and excited. I don’t want to burst their bubble yet I believe there is a foundation that should be in place first.

When taking an on camera class, be sure you know how to act. Yes, know what you’re doing, how to make choices, how to break down a script, know how to find the arc, the timing, pace, the objective, and intention of a scene. Emotional preparation techniques need to be mastered, a strong and correct point of view, and a solid foundation in place. Then yes, absolutely, take it to the next level and see what it looks like on camera, and then what you can do to take it further.

Many actors take an on camera class too early and they focus all their attention on how they look; their wrinkles, teeth, hair style, what side they photograph better on. It can become about their vanity and not the work. There’s nothing wrong with those views, and yes they are important, but the work underneath needs to be there first.

Don’t rush, focus on the work first, then concern yourself about how it looks. You don’t want to edit your creativity because you’re worrying about how your hair looks. Your instrument needs to be free and uninhibited in its expression as you do this work. I know some teachers will disagree and dispute this, but from my experience in training actors, layering down the foundation levels first has been the most productive process.

That is one reason why at The Actors Workout Studio, actors can’t take an on camera class until their work is at a certain level of proficiency. There are so many classes available for actors to take as they pursue their work. What is very important is to take them in an order that one can build upon another, thus building a solid foundation. With a solid foundation, you can create wonderful organic choices in your house of talent.

The Hollywood Fringe Presents: “IM)PERFEKT”

THEATRE REVIEWS

Samantha Simmonds-Ronceros

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06/19/2019

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Written by Jannica Olin. Directed by Jessica Lynn Johnson.

Running June 9^th, 22^nd, and 28^th

Lounge Theatre @ Lounge 1, 6201 Santa Monica Boulevard, Los Angeles, Ca. 90038

“(IM)PERFEKT is a story that takes us on a journey of exploring and uncovering that which we think we are, have to be and maybe, ultimately aren’t.”

Jannica gives us the funny version of a life-altering situation at the perfect time in this trend-seeking, perfection-idolizing world we live in. She is in command of us and of her performance as she narrates her experiences through shock, embarrassment, tears and most notably her impeccable renditions of bodily features as characters.

This solo show is anything but dull. She brings us into the real Jannica once her, pseudo character, Kasey Ka$h, signs off to her Instagram followers, taking off the façade and her clothes, I mean literally, as the hot pink skirt slides off and the sweatpants come on Kasey Ka$h is now transformed into Jannica. Something that many of us are guilty of doing, showing only what we think others will like. We sit in our seats and sink into the reality of how it all began. This mixture of scenes in narration form in a TED talk-like style, one she knows so well being a former speaker works brilliantly. With photos on a screen above her head, providing a great plethora of entertaining ways to find out what Alopecia really is and letting go of a beauty we knew, to find the beauty she has always been. All while still working in the industry that sets the marker of what we should look like and what perfection is.

Not just an industry but a world where many women have felt like they are not enough, or are broken and can’t be fixed. I too sympathized with Jannica when she said “I wanted to hand myself over to someone and tell them to fix me, isn’t that what you’re here for?” Unfortunately, many women feel that exact thing day-in and day-out. They seek plastic surgery, hair dye, waxing, and on and on the list goes, but I believe if all these women saw Jannica’s show, they might change their mind of what beauty really is. It’s not believing you are broken; it’s acceptance of oneself as you really are and not what others think you are. It’s accepting that others will have an opinion and it doesn’t have to define or, better yet, hurt you. People are just scared of what “different is” but if we help others see that different is, well, just different and not necessarily bad then maybe they might come around. If they don’t and you notice “certain people dare not mess with you anymore” then I see that as a good thing. De-clutter your life of fake and insecure people and make room for the cool people.

Through the laughter and tears, Jannica gave an exquisite performance in her real-life tale of finding the blessing in a loss that seemed unbearable. Her story, perfectly matched with her director, Jessica Lynn Johnson, with her award-winning solo artist’s expertise, resulted in a beautifully crafted production. Encore!

Bow Wow Film Festival Comes to NoHo

North Hollywood News

Lisa Bianconi

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06/18/2019

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Comfy Carepacks presents Bow Wow Film Festival at The Secret Rose Theatre in the NoHo Arts District on Saturday, June 22.

Celebrate the human-canine bond as North Hollywood-based Comfy Carepacks presents Bow Wow Film Festival!

The Bow Wow Film Festival is a joyful, traveling, dog-centric collection of short films that celebrates the human-canine bond. Following the film, attendees are invited to a reception that includes music, light refreshments, and a mixer with local dog-centric business and organizations.

In addition, attendees will go home with a special swag bag and the chance to win exciting prizes! To purchase tickets, visit https://www.comfycarepacks.org/bowwowfilmfestival. Tickets cost $25 per person or $15 per person for the reception only.

All proceeds from the Bow Wow Film Festival will go back to Comfy Carepacks to provide free pet supplies to individuals experiencing homelessness. The Bow Wow Film Festival is a fundraising event supporting Comfy Carepacks’ mission to make life a little easier for pet owners in need.

WHEN:

Saturday, June 22 at 2PM

WHERE:

The Secret Rose Theater
11246 W Magnolia Blvd.
North Hollywood, CA 91601

TICKETS>>

About Comfy Carepacks

Comfy Carepacks started as an idea to do something for loving pet owners who have fallen on hard times. Based in the Los Angeles area, we’ve encountered many homeless individuals, particularly individuals who owned pets. As loyal companions to their owners, these individuals will give their pets whatever they can, even their own meals.

Some people may think that a person who doesn’t have a home shouldn’t have a pet, but, often times, having a pet can make a person feel loved and safe.

Our goal at Comfy Carepacks is to alleviate the stress of living on the street with pets, by assisting owners with a few supplies. We hope our contribution can make life a little less worrisome. This effort may not change the world, but it can make a pet’s life a bit more happier and healthier, which is all we strive to do! Help make a difference and sign up to volunteer today!

Would you be willing to give up a hour to help a owner and his/her pet?. Remember, a little bit can go a long way and make a big difference is someone’s life.

Follow Comfy Carepacks on Instagram!

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A post shared by Comfy Carepacks (@comfycarepacks)

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

The Battle of the Cocktails Begins…Thanks, Fat Dog.

North Hollywood News

Lisa Bianconi

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06/18/2019

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The Fat Dog’s Battle of the Cocktails is just another reason why we appreciated (and adore) our unique, locally owned NoHo Arts District restaurants . Thanks for helping to #KeepNoHoArtsy!

They had us at cocktails. And if you’ve tried one of the The Fat Dog’s cocktails, you know what we mean. They’re by far the most unique blends of deliciousness in a glass.

So what exactly is the Battle of the Cocktails?

Each employee from The Fat Dog NoHo and Fairfax (bartender/server/and or barback!) is eligible to enter one cocktail that will be judged on a scale of 1 to 5 (5 being the best) on the following three categories. A) Name, B) Look and presentation of the cocktail and C) taste and balance of the cocktail.

The top four highest scoring cocktails will go directly onto The Fat Dog menu and, at the end of two weeks, whatever cocktail sells the most will be awarded the grand title of “Top Dog” and the cash money prize and prizes that goes with it.

This year, the top two cocktails will each receive $100 cash and remain on the menu for the entire summer at both locations. The Top Dog will also receive $250 to donate to an animal charity of their choice. All employees who participate will receive t-shirts and a bottle of wine just for judging and taking part.

“The Battle of The Cocktails was simply a creative and even more fun solution to an age old problem we as restaurant professionals are constantly being faced with – “How do you stay fresh and relevant in an industry that is constantly changing?” For us at The Fat Dog this translates into consistently offering food fare, craft beer and cocktails that are constantly changing and evolving with the seasons and times.

That being said, one of the things that our management team is most proud of as well is our staff. They are honestly some of the hardest working and most talented people in the business, and super creative on top of it! Recognizing this, we felt we would be foolish not to take advantage of the skill sets they all possess. Hence the idea for Battle of the Cocktails was born!

Though a fun and light-hearted event for our staff, its interest has also surprisingly spilled over into the neighborhood and our guests. For it is not uncommon for our regulars to be overheard chatting it up with our staff about their upcoming cocktail recipes and being offered tastes of the concoctions they have dreamed up for days and weeks leading up to the event. Going on our fourth year here in the Arts District, we couldn’t be more excited for the year’s event as well.” – Joseph Tremba, The Fat Dog

So how can we help choose a winner? Go to The Fat Dog NoHo and try one of the top four cocktails, or all of them.

Here are the top four finalists!

BONE APPETIT:

1) On a cheese plate, put red wine glass in center with 1 big cube.
2) Add 2 oz Sparkling Rose
3) Then add 2 oz Cucumber infused lemonade
4) Get (2) 3/4oz shot glasses. Pour 3/4 oz El Jimador Blanco in one and 3/4 strawberry puree on the other.
5) Garnish plate with mint and 2 Strawberries
6) Garnish with 1 dog spear to stir.

SOUTH PAW:

1) In a tin, muddle 1 sage leaf, 1 cucumber slice
2) Add 3/4 oz lime juice
3) Add 3/4 oz Hibiscus syrup
4) Add 1.5 oz El JImador Blanco
5) Add 0.5 oz Habanero infused mescal
6) Shake strain, pour over sage cube in a redwine glass rimmed half with Tajin.
7) Garnish with edible Hibiscus flower

THIS SHITZU IS BANANAS:

1) In a small tin, muddle small piece of pineapple and 1/4 oz lime juice
2) Add 1/2 agave (demerara syrup)
3) Add 1/2 oz creme de banana
4) Add 1.5 ounce spiced rum
5) Shake/double strain into a Coup glass
6) Top with Salted coconut foam
7) Garnish with a Banana Pocky and spritz with Kaffir lime tincture

EAT, PAW, LOVE:

1) Build in a small tin
2) Add 2 oz Hendricks Gin
3) 1/2 oz Giffard Apricot Liquor
4) 5-6 dashes Rose Water
5) 1/2 ounce agave
6) 3/4 lemon
7) Shake/strain into a Brandy glass filled with regular ice and rimmed with sugar rose rim (dehydrated roses)
8) Top with 1 oz Champagne
9) Thyme and Rose petal garnish.

Follow The Fat Dog on Instagram!

https://www.instagram.com/p/BvpBFYVBt9E/

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

The Hollywood Fringe Presents “Silver Bullet”

THEATRE REVIEWS

Samantha Simmonds-Ronceros

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06/18/2019

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Written and directed by Jesse Feldberg.

Running from June 8^th, 14^th, 22nd ,23^rd and 28^th,2019

Underground Annex Theater, 1308 N. Wilton Pl., Los Angeles, CA 90028

“Silver Bullet” is a story set in modern day.

“Silver Bullet,” an ensemble piece written by Jesse Feldberg, his first play as a writer and his second time as director and is performed at Underground Annex, at this year’s Hollywood Fringe Festival. A play with a film noir styling, that stays true to the femme fatale tale but is set firmly in modern day, with a female captain who, in this case, serves as the comedic relief to an otherwise melancholy story.

The writer/director was very smart in following a tried and tested plot as his first play, with one thing as a constant, he can play around with the characters themselves. His use of gender swapping for the captain’s role, making the the two female friends business owners, and by bringing the dialogue written in this old style right into the present.

Casting hit a home run, brilliantly performed by casting director Steven Nelson. Each cast member embodies their respective character’s personality perfectly. There are wonderful and committed performances from our leading femme Miss Lila Caine and her so called best friend Angelina, portrayed by Katherine Kimbal and Eden Rubinpour respectively, along with the chameleon of the show, Sgt Michael who later re-appears as the waiter in two different scenes played by Raul Tapia. The young detective Mathieu, played by Mark Piller, didn’t move too far from the traditional expectations: handsome, loyal and inevitably romantically naïve. He let us into his somewhat more insecure self via a couple of monologues that were sweet and very funny. However, one performance that stood out was the captain, played by Taylor Mack, who nailed the comedic punches with expertise.

The wardrobe was one of the remaining traditional pieces in this noire, nothing wrong with that, though in a story with modern circumstances and dialogue, a wardrobe to match could have perhaps provided this The performances were beautiful and professional and the commitment and skill of this ensemble is a testament to their hard work. In one instance, our femme fatale incorporated a prop mishap flawlessly to her performance without sacrificing character. The venue is an intimate, tight space and yet it worked so well, the minimalism in set design worked spectacularly. But it’s the story that really kept us riveted, everything else is extra.production a refreshing finishing touch without sacrificing the essence of a Film noir, just a thought. Overall a really great production, I know all of the cast members will be busy working, as their talent can’t be tamed!

Great job for Jesse on his first written play, I look forward to seeing more of his work.

Written by Arcelia Martinez

The Benefits of Making a Short Film First.

The Slings and Arrows of Independent Filmmaking

Samantha Simmonds-Ronceros

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06/17/2019

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The Benefits of Making a Short Film First.

So we have ideas for stories, we have ideas for scenes, we may even have ideas for series and feature films, but why work on an idea for a short film?

What benefit is there for a filmmaker to make a short film?

Making a good short film is a very important skill to learn. It’s like making a good feature, only cheaper, less hassle and it takes a lot less time.

This may seem like an obvious point to make and maybe it is a bit, but it’s one worth reminding ourselves of. The skills you use to make a short are exactly the same ones you will use to make your feature. Developing the idea, writing the script, finding locations, casting, raising money and budgeting, hiring crew, scheduling, feeding everyone, and post production, distribution and marketing.

We all need flex our filmmaking muscles, we all need to become better and better at everything we do and there’s no smarter way to do that than to actually make something. Making a short film is a less pressured way to make all your inevitable mistakes and to learn from them. We’ve all seen major studio movies with huge budgets and massive marketing that are rubbish…the latest X-men movie comes to mind, you know, the one the director is actually apologizing for. It seems like a better idea to make a bad, cheap, short film than a bad 300 million dollar studio film…unless you are a white guy under 40, then it will probably get you a three picture deal!

If you can make an entertaining, well-balanced, well-shot, interesting short film with little to no money, then you can make a feature.

I’m in pre-production right now on my first feature with a tentative shooting date of the end of January 2020. After producing more than 60 short films, writing and directing more than 25 of them, I think it’s time to take the leap and just get on with it. I have my script, I have my locations and some of my crew and cast already. Now I need to continue casting and organizing and making it happen.

But I never would have got here without all those shorts…never in a million years. Especially because I fund everything myself. These days it’s much easier to do that of course, with digital and such fantastic and way cheaper equipment in general. But think of what’s more important than stuff is story and style and a ferocious energy to do it. Again, I would have none of this without shorts and I certainly wouldn’t have the confidence…the ovarian balls – the “ballvaries” to do it.

Shorts made me a filmmaker.

Shorts proved to myself that I am a good writer, a good director, and a pretty damn good producer willing to do just about anything to get the film made.

I urge you to make many, many short films. Develop yourself as a filmmaker. Learn exactly what you are good at. Find your cinematic voice and keep doing it until you are so confident you will be dying to make your feature. I know I am!!

Some NoHo Love for Some #MondayMotivation

North Hollywood News

Lisa Bianconi

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06/17/2019

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So we wanted to start off this glorious week with some NoHo love, pride in our neighborhood that has remained a performing arts district for the past 30 years.

The NoHo Arts District is the backdrop of so many videos and images throughout Instagram. So to get us started off on the right foot, we’ve chosen a dance video (of course), to Beyoncé’s song and the #beforeiletgochallenge Instagram challenge.

Thanks to the dancers, choreographer and filmmaker who made this dance challenge video using the NoHo Arts District as their backdrop and stage. Give them some love below. And, of course, thanks a million to Beyoncé for another fabulous song.

https://www.instagram.com/p/ByoM_-flUW0/

Do you have a video or image of the neighborhood you’d like to share? Just tag us on Instagram – @nohoartsdistrict.com.

To get the latest, follow us on Instagram and sign up for the Thursday morning it’s free!

Still need some more #MondayMotivation? Just head over to The Federal NoHo from 5PM to close for their Mac ‘n Cheese Monday. There are lots to choose from and you can even build your own. It’s yummier shared with a friend.

https://www.instagram.com/p/BxsYCOIF_P5/

How do we #KeepNoHoArtsy? Easy! Support our NoHo artists.

Go see a play, go hear some music, take a dance class, follow them on Instagram, share what we create in the NoHo Arts District.

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

We’re Listening to A-WA “Hana Mash Hu Al Yaman”

What We're Listening to

Lisa Bianconi

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06/16/2019

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We’re Listening to A-WA “Hana Mash Hu Al Yaman”

We’re listening to A-WA’s lastest single, “Hana Mash Hu Al Yaman” (Here Is Not Yemen) from their new album “Bayti Fi Rasi.”

A-Wa is the spectacular Yemenite-Israeli sister trio of Tair, Liron and Tagel Haim. Like all of their songs, “Hana Mash Hu Al Yaman” is a beautiful blend of dance music with hip hop beats and folk melodies woven together to give us a unique sound that makes us move.

The song starts off with a cowbell and 80s-inspired chant in the Yemeni Arabic dialect. Then new beats are introduced, layered one top of one another. Then the Middle Eastern influences appear and blend it all in a musical cocktail.

The video incorporates modernity with tradition. They’ve cast some expressive dancers set against the musical backdrop of a dance track with Middle Eastern sounds and imagery. It’s eclectic, it makes you move.

But “Hana Mash Hu Al Yaman” is more than a fun dance track filled with body roll Middle Eastern beats. It talks about the struggles of Yemenite Jews who emigrated to Israel. It’s actually inspired by their great grandmom who fled the violence and persecution to Israel in 1949. But The Yemenite Jews were put in refugee camps and faced discrimination.

“Hana Mash Hu Al Yaman” means “Here Is Not Yemen” and the lyrics reflect this immigrant experience.

“Where will I stake a home? (You have a tent for now)
Or at least a small shack (along with four other families)
And here I will raise a family (Don’t let them take your daughter)
I’ll find myself a job with an income (either in cleaning or working the earth)
And I will learn the language (Lose the accent)
With time I’ll feel like I belong (Here is not Yemen).”

View this post on Instagram

A post shared by A-WA band (@a_waofficial)

The video, directed by Omer Ben David, features dancers Atalya Ben Ari, Nadav Shalom, Lilah Amar and Eshed Avraham, and is choreographed by Daniel Hazan. It’s also subtitled for those non Yemeni Arabic dialect speakers. It should be on repeat.

Yalla! Keep up with A-WA on their socials:

Website | Instagram | Twitter | Facebook

Keep making music that makes us move.

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A post shared by A-WA band (@a_waofficial)

NoHo News: Pout. Fringe. My Trans Wife. Urban Death for Kids. NoHo Summer Nights. Theatre!Theatre!Theatre!

North Hollywood News

Lisa Bianconi

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06/13/2019

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Here’s your NoHo arts community update!

We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood. Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

Follow NoHo News with Bloglovin

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Pout…#KeepNoHoArtsy

North Hollywood News

Lisa Bianconi

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06/12/2019

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What’s the unofficial NoHo Arts District motto? “NoHo is only as great as its people.” We like to feature new businesses that choose the arts community as their home because they see the value and strength in our collective of like-minded, arts-focused businesses. We make art in NoHo, all forms of art, and now we’ve added a new arts business to our growing neighborhood.

So let’s give a huge NoHo welcome to Pout!

Pout is an inclusive beauty bar based in the NoHo Arts District, offering makeup and hair services, private artistry classes, and an assortment of Los Angeles-based beauty brands. Proudly female owned and operated, Pout is the shared vision of pro makeup artist Nicole Faulkner (aka Lipsticknick) and her best friend and manager, Esther Koop.

Grand Opening:

WHEN:

Saturday, June 15, 2019 from 1 – 4PM

WHERE:

11135 Weddington Street #129
North Hollywood, CA 91601

✭ Free event, open to the public.
✭ Enjoy complimentary sweet treats from Coolhaus, a custom glitter activation from Lemonhead LA, live graffiti painting with artist Fernando Valdez.
✭ Spin the Pout Prize Wheel for a chance to win glam gifts.
✭ Receive a promo card for 50% off your first Pout treatment (while supplies last)

After years spent working behind the scenes on television and independent film sets, Nicole’s bold makeup style captured the attention of Hollywood, earning her numerous red carpet credits, the role of Director of Artistry for cult-favorite cosmetics brand, Morphe, and two Emmy nominations for her work on RuPaul’s Drag Race. Nicole’s deep passion for glam and her desire to give back to the local artist community led to the inception of Pout.

Unlike its local contemporaries, Pout skips the hushed spa music and muted palette in favor of a vibrant, tactile space where guests and artists alike can express themselves through the world of beauty. Pout’s distinct design takes colorful cues from Los Angeles street culture – from the glam rock graffiti installation and pop art mural, to the exposed industrial ceiling.

Guests can choose from an array of dry hair styles and makeup service options provided by Pout Pro Artists, all hand-selected and trained by Nicole.

All makeup services include standard human hair faux lash application, and range in complexity – from “The Quickie” ($45.00; a fresh-faced glow done in under 20 minutes) to “The Brush Werrks” ($105.00; a full-face glam beat).

Pout is also the first space in Los Angeles to openly market “boy beauty,” offering everything from basic men’s grooming to makeup services such as “Drag Me” ($175.00; a dramatic, full face transformational beat).

Dry hair styling services are all priced under $100, and range from braiding, to up-do’s, to beach waves, and more.

Beyond the traditional beauty bar fare, Pout boasts an array of extras, including but not limited to: body/face paint (with the option for blacklight UV paint), glitter application, special FX makeup, and embellishments.

Pout will also host a series of private master classes for up-and-coming artists, taught by Nicole and a selection of local celebrity artists.

In addition to glam services, guests can shop from Pout’s retail assortment. All products are curated by Nicole based on staples she personally uses in her own kit, and include offerings from LA-based beauty brands Jeffree Star Cosmetics, Lemonhead LA, Miss Casanova, Morphe, The Crème Shop and Togo Spa.

Don’t miss their official grand opening, Saturday, June 15 from 1-4PM and let’s #KeepNoHoArtsy!

https://www.instagram.com/p/ByayOKxhetQ/

For more information, visit poutbeautybar.com and follow Pout Beauty Bar on Instagram @poutbeautybar

Hours of Operation: Wednesday – Thursday, 10 AM – 7 PM Friday – Saturday, 10 AM – 9 PM Sunday, 10 AM – 6 PM

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Nine Winning One-Acts

THEATRE REVIEWS

Samantha Simmonds-Ronceros

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06/12/2019

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The Group Rep presents

“NINE WINNING ONE-ACTS”

Produced by Belinda Howell and Helen O’Brien

The Group Rep at the Lonny Chapman Theatre is celebrating their third “Play Fest” with the world premiere of “NINE WINNING ONE-ACTS.” Nine wonderful plays have been selected from 250 submissions from all over the US, and there is something here for everyone.

In Act One: “WHOSE PLOT IS THIS?” by Pamela Weiler Grayson (directed by Linda Alznauer), “CLIFFORD’S” by Lawson Caldwell (directed by Cheryl Crosland), A “MISINTERPRETATION OF EVENTS” by Margie Semilof (directed by Bruce Nehlsen), “THE LIBRARIEST” by Dan O’Day (directed by Jack Csenger), and “BLUE BENCH” by Aleks Merilo (directed by Helen O’Brien).

In Act Two: “ART ATTACK” by Cary Pepper (directed by Victor D’wayne Little), “INFESTING THE MOB” by Joe Starzyk (directed by Kathleen Delaney), “THE UNFORGIVEABLE SIN OF FORGIVENESS” by Rich Orloff (directed by Stan Mazin), and last, but definitely not least, “DESTINY & DAMAGE” by Chris Shaw Swanson (directed by Barbara Brownell).

NINE WINNING ONE ACTS is a lot to cover in one review. But suffice it to say many are ‘fall off the chair’ funny, some are poignant, and most have unexpected plots.

ACT ONE; “WHOSE PLOT IS THIS” is based in the afterlife, has Alan purchasing a burial plot, and is funny, funny, funny. “CLIFFORD’S” lets you see there are ways to have a discussion, and possibly change someone’s mind in the process. “A MISINTERPRETATION OF EVENTS” illustrates how times have changed and the difficult choices that have to be made. “THE LIBRARIEST” displays a book plot, and how that plot might scare us to death. “BLUE BENCH” brings us to the circus, the revelation of a young boy, and the torment of being disfigured.

ACT TWO: “ART ATTACK” is set in an art gallery. He is an art snob and criticizes her for not understanding what ‘art’ really is. Or is it art after all? “INFESTING THE MOB” is hysterical, and has two, two-bit mobsters meeting for an espresso. They turn out to not be as tough as they think they are. “THE UNFORGIVEABLE SIN OF FORGIVENESS” is funny and has her returning home after a night of bridge. He knows she hasn’t been playing bridge. What has she been playing? You start to question what you are hearing. “DESTINY & DAMAGE” brings us to the point of no return. What do we do when we are faced with the ultimate decision?

This is an exceptionally great group of nine premiere plays for this third Play Fest. The writing, direction and acting on everyone’s part were thoroughly entertaining and accomplished. Funny, funny, funny, poignant and thoughtful. All this is one show. How great is that?! This presentation from The Group Rep is a winner, and a great evening, or afternoon, of theatre.

Enjoy!!!!!!!!

Cast: Nick Asaro, Bix Barnaba, Michele Bernath, Barbara Brownell, Cynthia Bryant, Fox Carney, Stephanie Colet, Cheryl Crosland, Bert Emmett, Kait Haire, Doug Haverty, Mishia Marie-Johnson, Saana Laigren, John Ledley, Victor D’wayne Little, Stan Mazin, Lisa McGee Mann, Joseph Marcello, Helen O’Brien, Beccy Quinn, Michael Robb, Judy Rosenfeld, Adam Smith, Aidan Smith, Sal Valletta, Sascha Vanderslik, David Vu and Wyatt Wheeler. CAST VARIES

Directors: Linda Alznauer, Barbara Brownell, Cheryl Crosland, Jack Csenger, Kathleen Delaney, Victor D’wayne Little, Stan Mazin, Bruce Nehlsen, and Helen O’Brien.

Technical Director: Kenny Harder

Sound Design: Steve Shaw

Stage Manager: Jody Bardin

Assistant Stage Manager: Linda Alznauer

Photography/Videography: Doug Engalla

Graphic Design: Doug Haverty

Public Relations: Nora Feldman

Lonny Chapman Theatre

10900 Burbank Blvd

North Hollywood, CA 91601

2^ND FLOOR – UPSTAIRS AT THE GROUP REP

Plays: June 8^th – July 14^th: Saturdays at 4:00 pm; Sundays at 7:00 pm

Tickets: General Admission at $20; Students/Seniors with ID at $17;

Buy Tickets: www.thegrouprep.com OR (818) 763-5990

2 Hour Running Time with one intermission (not included in overall time)

MATURE SUBJECT MATTER – loud noises, adultery, prop gun, suicide, etc.

THE SECOND FLOOR IS NOT HANDICAPPED ACCESSIBLE.

AIR CONDITIONED.

Love the Craft of Acting

Actor & Director in LA

Javier Ronceros

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06/11/2019

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An actor has to be really in love with their craft.

It’s struggle to stay afloat, both financially and spiritually, so without that passion, that need to act, there’s really no point in subjecting yourself to the constant disappointments of this business. Finding the passion and keeping it is more than necessary, it’s vitally important.

I read for the role of a priest recently for an Independent short subject film. The auditions were being held at the American Film Institute building in Hollywood and it brought back memories of one of my very first auditions in Los Angeles, there at the AFI building. As I parked and stayed in my car for a moment looking out at the view of Hollywood from the hilltop at AFI on this uncharacteristically clear day. The first time I was here for an audition was almost thirty years ago. Back then I remember I felt excited, nervous, lost and hopeful for stardom. I still feel that way. As I got out of the car and walked into the Warner Bros. Bldg. looking for which room the auditions were being held, it seemed like no time had passed. Students were roaming the halls chatting about filmmaking or the all-nighter they pulled the night before trying to get the last shot out before dawn. When I got to the room and saw the sign in sheet, I felt excited, nervous, a little bit lost, and even more hopeful for stardom. I guess somethings never change.

The rest of my first two years as an actor in New York and Connecticut was filled with many, many auditions and a few booked jobs. I booked three plays, one television show, and one more film. The first play I booked was for the play “Sweet Bird of Youth” by Tennessee Williams. I read for “Chance Wayne” and got the part of “Fly, a servant and a cameo as a piano player. I had no idea what the world of plays were all about. I hadn’t seen a play, nor had I read a play. I went to every rehearsal and was humbled and amazed what a wonder the theatre could be. I went to every rehearsal (even the ones I wasn’t scheduled for) and almost memorized every one’s lines. I was enthralled and frightened. We had dressing rooms and there was a very long room with a long table where we all put on our own makeup before the show. I watched with the eagerness to learn what to do with the result being that the only make up I needed was powder for the sweat. My character opened the show and was the first one to speak. My character also closed the show and the last one to speak. At the end of the run, the director confided in me saying that I was his first choice to play Chance Wayne, but since the character was written for a white male and the theatre board voted him down because I was brown and not even an American (I was born in Peru and became a naturalized citizen a few years earlier), and that it might confuse the audience. The play was performed at the Weston Playhouse in Weston, Connecticut, where Paul Newman, who played Chance Wayne on Broadway and in the film, lived.

The next two plays were; “Hide and Seek” and “It’s Only a Play”. I played the roles of “Ray Erskin, handyman” and “Gus Washington, catering worker”, respectively. In “Hide and Seek”, I originally only had one scene and a few lines, but the director felt that perhaps my character could fill in some exposition in other parts of the play, so he wrote some additional lines in a few more scenes. I took that as a compliment. In regards to “It’s Only a Play”, I can say that it was the most polished and professionally. It was performed at the Brookfield Town Centre Theatre in Connecticut and the home of where the original Neighborhood Playhouse was formed. Once again I played a character that was originally played by a black actor and I opened the show. But this time I was part of an ensemble and during the rehearsal process, all the other actors took me under their wings and helped me to understand and love the world of theatre. We created a bound and as a result of this bond, the play took on a special life that feed our performances. It was also the first play where we had multiple weekly shows and, since I was a bigger part of the play, after the play, the audiences would come up to me and tell me how much they enjoyed the show. The last and most valuable lesson I took away from all three plays was that the audience was the other character in the scene or play. I could feel my body and mind respond to the effect the play had on the audiences. In my limited experience at the time, my energy level was all about the start and stop of films. In theatre, I was on the moment I stepped onto the stage and continued until the curtain call.

I felt I had arrived as an actor doing theatre. I had a family that understood the rigors of rehearsals and I was able to be totally fearless by trying out different aspects and choices of character. I mastered memorizing lines (although that is still a challenge for me) and finally, I discovered a deep love for theatre. If being on the set of “Whispers of White,” my first film, was my love-at-first-sight moment, then finishing these three plays was courting a lover for the rest of my life. Perhaps that is why I am still so excited, nervous, lost, and hopeful for stardom when I audition, rehearse, and perform. I suppose there is no real rhyme or reason to it, nor does there have to be, because it that is the truth of true love. Keeping that feeling alive as an actor is the best gift you can give yourself. It helps you navigate the ups and downs of an actors life and keeps you wide eyed and honest in the work, which makes you much more agreeable to work with and a far better actor. I love to see actors huddled in groups in restaurants late at night after rehearsals or performances. High on the experience, glowing with the energy that comes with creating and bonding with other creators. It’s what its all about really and why I still have such a love and a need to act.

Investing for Major Financial Goals

Money Matters

Lillian Appleby

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06/10/2019

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Go out into your yard and dig a big hole.

Every month, throw $50 into it, but don’t take any money out until you’re ready to buy a house, send your child to college, or retire.

It sounds a little crazy, doesn’t it? But that’s what investing without setting clear-cut goals is like. If you’re lucky, you may end up with enough money to meet your needs, but you have no way to know for sure.

How do you set goals?

The first step in investing is defining your dreams for the future. If you are married or in a long-term relationship, spend some time together discussing your joint and individual goals. It’s best to be as specific as possible. For instance, you may know you want to retire, but when? If you want to send your child to college, does that mean an Ivy League school or the community college down the street?

You’ll end up with a list of goals. Some of these goals will be long term (you have more than 15 years to plan), some will be short term (5 years or less to plan), and some will be intermediate (between 5 and 15 years to plan). You can then decide how much money you’ll need to accumulate and which investments can best help you meet your goals. Remember that there can be no guarantee that any investment strategy will be successful and that all investing involves risk, including the possible loss of principal.

Looking forward to retirement

After a hard day at the office, do you ask, “Is it time to retire yet?” Retirement may seem a long way off, but it’s never too early to start planning — especially if you want your retirement to be a secure one. The sooner you start, the more ability you have to let time do some of the work of making your money grow.

Let’s say that your goal is to retire at age 65 with $500,000 in your retirement fund. At age 25 you decide to begin contributing $250 per month to your company’s 401(k) plan. If your investment earns 6 percent per year, compounded monthly, you would have more than $500,000 in your 401(k) account when you retire. (This is a hypothetical example, of course, and does not represent the results of any specific investment.)

But what would happen if you left things to chance instead? Let’s say you wait until you’re 35 to begin investing. Assuming you contributed the same amount to your 401(k) and the rate of return on your investment dollars was the same, you would end up with only about half the amount in the first example. Though it’s never too late to start working toward your goals, as you can see, early decisions can have enormous consequences later on.

Some other points to keep in mind as you’re planning your retirement saving and investing strategy:

Plan for a long life. Average life expectancies in this country have been increasing for years and many people live even longer than those averages.
Think about how much time you have until retirement, then invest accordingly. For instance, if retirement is a long way off and you can handle some risk, you might choose to put a larger percentage of your money in stock (equity) investments that, though more volatile, offer a higher potential for long-term return than do more conservative investments. Conversely, if you’re nearing retirement, a greater portion of your nest egg might be devoted to investments focused on income and preservation of your capital.
Consider how inflation will affect your retirement savings. When determining how much you’ll need to save for retirement, don’t forget that the higher the cost of living, the lower your real rate of return on your investment dollars.

Facing the truth about college savings

Whether you’re saving for a child’s education or planning to return to school yourself, paying tuition costs definitely requires forethought — and the sooner the better. With college costs typically rising faster than the rate of inflation, getting an early start and understanding how to use tax advantages and investment strategy to make the most of your savings can make an enormous difference in reducing or eliminating any post-graduation debt burden. The more time you have before you need the money, the more you’re able to take advantage of compounding to build a substantial college fund. With a longer investment time frame and a tolerance for some risk, you might also be willing to put some of your money into investments that offer the potential for growth.

Consider these tips as well:

Estimate how much it will cost to send your child to college and plan accordingly. Estimates of the average future cost of tuition at two-year and four-year public and private colleges and universities are widely available.
Research financial aid packages that can help offset part of the cost of college. Although there’s no guarantee your child will receive financial aid, at least you’ll know what kind of help is available should you need it.
Look into state-sponsored tuition plans that put your money into investments tailored to your financial needs and time frame. For instance, most of your dollars may be allocated to growth investments initially; later, as your child approaches college, more conservative investments can help conserve principal.
Think about how you might resolve conflicts between goals. For instance, if you need to save for your child’s education and your own retirement at the same time, how will you do it?

Investing for something big

At some point, you’ll probably want to buy a home, a car, maybe even that yacht that you’ve always wanted. Although they’re hardly impulse items, large purchases often have a shorter time frame than other financial goals; one to five years is common.

Because you don’t have much time to invest, you’ll have to budget your investment dollars wisely. Rather than choosing growth investments, you may want to put your money into less volatile, highly liquid investments that have some potential for growth, but that offer you quick and easy access to your money should you need it.

The information in this newsletter is not intended as tax, legal, investment, or retirement advice or recommendations, and it may not be relied on for the purpose of avoiding any federal tax penalties. You are encouraged to seek advice from an independent professional advisor. The content is derived from sources believed to be accurate. Neither the information presented nor any opinion expressed constitutes a solicitation for the purchase or sale of any security. This material was written and prepared by Broadridge Advisor Solutions. © 2018 Broadridge Investor Communication Solutions, Inc.

The Unconventional Guide in Taking Online Medical Courses

Editorials

NoHo - North Hollywood

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06/10/2019

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Taking online courses is no simple task, yet it is very costly and time efficient. In some circumstances, it is difficult to find a place nearby that certifies medical degrees, therefore taking them online is the best solution. Taking courses online requires discipline and organization, yet, given the fact that online courses can be completed via a portable computer, you can complete the tasks in any place, and depending on the course, at any time. Many universities and institutions around the world provide these services, such as Harvard University and United Medical Education. Below are ways that can get you started.

1. Learn the basics of medicine

Before you apply yourself to taking medical courses online, you should know the basics of medicine. Studying medicine takes years, so before you commit your time to taking a medicine certification, you should go through simple online courses such as those provided by edX or Khan Academy, to know what you will be getting yourself into. Think of it as sitting next to a driver before you actually start learning how to drive. Knowing the mere basics will help get you a head start as well as get your head in the game.

2. Organize your schedule

Unlike the conventional methods of taking medical courses, where there is already a schedule that you should follow and all you have to do is attend, online courses depend on you. Some courses have a limited duration in which they should be completed, in 4 months, for example, and suggest ways to organize your time (6 hours a week for instance). Not all of them do so, however, so you need to be able to manage your time well so that you are never behind.

3. Apply yourself in online courses

Online courses administered by Harvard or the United Medical Education as mentioned previously are certified by associations worldwide as they adhere to the guidelines provided by American Heart Association. United Medical Education also gives Advanced Cardiac Life Support (ACLS) certification and recertification. The latter is extremely convenient for those who have been working in medicine for years and do not have time to get recertified, so taking an online course between shifts can be the optimum plan. Before you worry about the legitimacy of these courses, they are accepted in the United States as well as internationally, as long as you fully completed the course and have the hard copy version of the certificate. The good thing with online medical courses, or online courses in general is that they have the option of practice exams, and reviews about the course so that you can be sure prior to applying to the course.

Taking courses online has many advantages and a few disadvantages. The disadvantages though depend on the type of way you learn best, some need physical interaction, and others can altogether forget about the course if they do not have to go to a physical place. If you can overcome these two points, though you will be able to finish the course in no time and get the certificate you need.

My Renovation Experience

Interior Design

Christopher Porikos

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06/10/2019

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This month I decided to write about my own experience with a renovation.

Two years ago I bought a new townhouse. It needed some paint and flooring along with three new bathrooms and a kitchen. Keep in mind it was very livable, clean and move-in ready. It just needed updating. At first I thought I would knock out the kitchen and downstairs bathroom. That way one floor would be complete. Instead, I painted and added new flooring thinking I’d live here a bit to get a feel for everything. The longer I was here the more confused I got about what and where to start. What countertops or backsplash would work best if I started with the kitchen? Or should I concentrate on one of the bathrooms? And which bathroom?

Well that decision was made for me when one of the upstairs bathrooms sprung a leak in the tub that would not stop. I tried fixing it myself to no avail, which started the countless interviews and conversations with contractors. The many hours deliberating over what tile to use in the tub. What style cabinet would look best? Hardware? What finish? A funny thing happened; I became my own client. I took a step back to really assess the room to make the best decisions. Should I play it safe and go with a gray/white or beige/white palette? But I kept thinking about resale values and how others would view my space. I then realized that I didn’t care about that. I wanted a great looking bathroom and didn’t want to spend 20,000.00 on a renovation. I then went to work sourcing everything needed. I spent countless days internet shopping before walking into an actual store. Within two weeks I purchased all the materials for the renovation. Timing couldn’t have been more perfect since some of the larger pieces were on sale. Total material cost was just over 2,000.00. That included a few upgrades like a better set of glass tub doors and chrome hardware. Luckily, I kept to my budget which included the labor cost and of course the timeline. The whole project took just about two weeks.

On to the next project.

Ivan Beecroft “Liars, Freaks and Fools” Album Release

Music Reviews

Samantha Simmonds-Ronceros

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06/06/2019

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Ivan Beecroft “Liars, Freaks and Fools” Album Release

Progressive Rock with a solid twist of 80’ & 90’s retro.

An homage to all things working class, the passion, the struggles, the torments, the camaraderie, the joy and the feeling of spinning endlessly in place.

This album is straight from its creators Ivan Beeman’s heart, the music full of echos of his childhood spent listening to Nirvana, Joy Division and The Clash. All this music inspired him to self produce as well create sublime songs and he’s done an amazing job of both on this album.

The sound is rich, full of life, much of it mixed to sound live in fact. There’s a lot of history here. Love songs sung with his distinctive baritone rasp, songs that push against the machine, songs that harken back to his family, his city and the love of his friends.

Ivan was a Steel worker, a classic American working class hero, he writes about his experiences and pressures with the grace of a poet and the heart of warrior. His fantastic musical abilities, he plays more instruments than I could name, give him the musicality necessary to rise above the oceans of independent rock music available right now. He uses his gifts to write songs that mean something. His social conscience is front and center in the album. Together with sawing guitars, pounding drums, gorgeous and memorable melodies and great songs with powerful messages, full of purpose.

Great indie album, confident sound, passionately performed and brilliantly mixed…love it!!!!

NoHo News: Summer Under the Stars. NoHo Acting Class Guide. Theatre!Theatre!Theatre!

North Hollywood News

Lisa Bianconi

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06/06/2019

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Here’s your NoHo arts community update!

We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood. Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

Follow NoHo News with Bloglovin

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Actors Workout Theatre Presents “Scene From a Bench”

THEATRE REVIEWS

Samantha Simmonds-Ronceros

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06/05/2019

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Actors Workout Theatre Presents “Scene From a Bench.” Executive Produced by Fran Montano. Produced by Stacy Ann Raposa. Written and directed by members of the Actors Workout Studio.

Running May 31 through June 15, Fridays & Saturdays at 8pm, Sundays at 7pm.

“Scene from a Bench” is becoming a bit of a tradition of mine. Each year the very talented writers, directors and actors at The Actors Workout Studio develop pieces together to be showcased. All the stories are centered around a park bench. They dip into various moments in our lives, sometimes deeply, sometimes coyly, but always with total authenticity, great humor and heartfelt candor.

This year we were treated to such varied subjects as a man who brings his support group to his date, another reliving his former sporting glories, sisters who can’t connect at all, and a man convinced that there are no coincidences in love.

All the shorts are very, very well written, full of interesting characters with fascinating stories, all told brilliantly by the wonderful actors of AWT. As usual I will press you all into supporting emerging artists working hard at their craft, but believe me when I tell you that this is not amateur hour…definitely not. These writers and directors and supremely talented actors are absolutely excellent and they deserve our support, our laughter and our dollars…

This showcase is not up for long, so support your local theaters and our furiously talented NoHo artists that populate them. It’s only on till June 15, so don’t dawdle!! Loved it!!!!

The Actors Workout Studio, 4735 Lankershim Blvd., North Hollywood, 91602

http://www.actorsworkout.com

Directed by: Danon Dastugue, Karla Davis, Conrad Dunn, Ian McClure & Steven Reveles

Written by: Roger Gutierrez, April Littlejohn, Stephen Olson, Paul Surace, Bobby Williams and Daniel Weisman

Showcasing the talents of: George Ayvazian, Stirling Bradley, Roger Gutierrez, Joey Jupiter-Levin, Rosanne Limeres, Byron Luke, John Maraffi, Stephanie Mayer, Carlene Olson, Rachel Parker, TuQuyen Pham, Jylian Sy, Ivory Tiffin

The Enchanting and Charming Prague

Active Journeys with Jack Witt!

Jack Witt

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06/05/2019

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Known as the “city of a thousand spires,” Prague is the capital of the Czech Republic and is one of the best-preserved medieval cities in the world.

This bohemian gem is just waiting for you to visit and won’t disappoint.

Your first stop in Prague and the best bang for your buck is old town square. A highlight of this area is the world’s oldest operating astronomical clock, dating back to the 1400s. Every hour on the hour from about 9a to 9p the clock puts on a show. Death tips the hourglass and pulls the cord, ringing the bell, while the moneylender jingles his purse. Then the windows open and the 12 apostles shuffle past. It’s a fun little spectacle that lasts a couple minutes and always attracts a large crowd of tourists.

Take the time to visit inside the Old Town Hall and its tower where the clock is located. The guided tour includes the historical halls, the tower and the underground areas. The bird’s eye view of the city’s numerous spires is amazing from the top of the tower.

There are bridges, but then there is the Charles Bridge in Prague! Also dating back to the 1400s, this gothic style bridge features 30 statues of saints along its length. It’s very atmospheric, and the best time to walk it is in the early mornings, before the crowds get to it. There’s a certain calm and still in the air during this time that seems to let the old bridge speak to you of untold stories it has witnessed throughout the centuries.

Close to Prague’s Old Town, and a must, even if you’re not Jewish, is the Jewish Quarter. It’s well worth a visit of a couple few hours. You can meander through the Old Jewish Cemetery in Prague among some of the 12,000 medieval headstones that stick up in all directions on top of one another. From the 1400s – 1700s this was the only burial ground allowed for the Jews of Prague. In fact, National Geographic ranks it among the 10 most worthwhile cemetery sights to see in the whole world!

Along with the cemetery you can purchase a bundled tour (#2) that includes entrance to several of the old synagogues in the quarter. It’s well worth it and includes The Pinkas Synagogue where the 77,297 names of Prague’s Holocaust victims are on the walls along with a recording reading out loud all of their names. This, along with a display of the artwork made from Jewish children in the nearby concentration camp, is quite the somber and sobering experience.

Up on the hill above Prague sits the Prague Castle complex. Built in around the 9^thcentury, it’s been the seat of ruling for kings of Bohemia and Czech Presidents and more. It’s around 8 acres in size, making it one of the largest castle complexes in the world. Plan to arrive there either early morning or later in the day as the lines to buy tickets can get very long. (I got up to the castle complex around 8:30a and was first in line for a ticket when the office opened at 9a. By 9a the line was at least 50 people long.)

Did you know the Czechs invented the pilsner beer? It takes its name from the Czech city of Pilsen, where it was first produced in 1842. The world’s first blond lager, the original Pilsner Urquell is still produced there today. The interesting thing is that a beer in Prague actually costs less than a bottled water! Pilsner beer is a way of life for Czechs, and you can sample some of the best Prague has to offer on a beer/pub tour to some very lively pubs that only the locals hang out at through a Walking Prague tour. Ask for Flip or email him directly at info@walkingprague.cz, he’s an outstanding local guide that brings not only the history of the pubs and pilsner into the evening but explains the changing politics in Prague from a local’s perspective. Flip was a young teen during the communism years and told me stories of going down to the city square with his parents during the velvet revolution for independence from the Soviets. Many of his family and friends had been suppressed for so many years it all started boiling over in 1989 and after 10 days of peaceful protest and without firing a shot, they ended communism.

The first few years of independence he described were like the “wild wild west.” People could now have businesses again and try to get their property back that had been taken over by the state. A sort of mob mentality however took over and the early to mid-nighties was a scary time in Prague.

But today, Prague and the entire Czech Republic country is a very safe place to visit, and Prague is a major tourist destination that Flip said is overwhelmed with tourists in the summer. (I was visiting in March and it was moderately crowded.) Demand is causing the supply (his price to live here in the city) to go up and up each year.

One thing is for sure, after so many years of Hapsburg rule, Nazi rule and Soviet rule – the Czechs are proud to be speaking their language, embracing their unique identity and culture and well…enjoying lots and lots of their pilsner beer!

Speaking of beer (burp), did you know there’s such thing as a beer spa?! Well, you do now and it’s in Prague. The hops you soak in are rejuvenating and healthy for you skin, and you’ll also have your own private beer tap on your tub for drinking while you soak. Just don’t get the tub beer mixed up with your mug beer! Contact Bernard Beer Spa today and make an appointment. You can even pre-purchase some food to go along with your beer soak and sip experience.

Prague has indeed hit its stride with an ever-expanding culinary scene. Bite, savor, and swig the evening away and make new friends with Eating Europe on their Prague Evening Food Tour. A local guide will take you down picturesque, tiny back streets to discover some of the city’s most hidden gems. You’ll be taken into secret wine cellars, backstreet bistros and tiny, family-run cafés, to savor Prague’s best food and drink. Come hungry! Enter “EVA” for a 10% discount.

I found Prague to be a safe city and the people very down to earth and hospitable. Not many cities can compare to Prague’s charm and enchantment factor. Spend a few days in Prague, the historic capital of Bohemia, and you just might have yourself a travel rhapsody!

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The Group Rep presents “AVENUE Q”

THEATRE REVIEWS

Samantha Simmonds-Ronceros

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06/04/2019

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The Group Rep presents “AVENUE Q” with music and lyrics by Robert Lopez and Jeff Marx.

Book by Jeff Whitty

Based on an original concept by Robert Lopez and Jeff Marx

Directed by Patrick Burke

Musical direction by Paul Cady

“AVENUE Q,” the show that garnered Best Musical, Best Book and Best Score at the 2004 Tony Awards, is now playing at the Group Rep at the Lonny Chapman Theatre in North Hollywood and it is A MUST SEE!!!

I know, I know, reviewers are supposed to wait until the end of the review to profess their opinion, but why wait!?

Now, this is not your child’s puppet show. It is an adult theme, coming of age story filled with fabulous music, lyrics, singing voices, and a storyline that forces our protagonist to face the fact that he is not as extraordinary, not as “special” as he has been led to believe by his parents. The real world forces him to realize he is just as ordinary as everyone else. Princeton (Joey Flint) has just graduated from college, and is ready to go and make his mark on the world. He arrives on AVENUE Q looking for his first apartment. But he learns he has lost his first job, and so begins his journey to find his PURPOSE, his reason for being alive.

Kate Monster (Hartley Powers) takes a fancy to Princeton only to be pushed aside by Lucy the Slut (also Hartley Powers). You can imagine from the name how Lucy tantalizes Princeton away from Kate Monster. Brian (Ashkhan Aref) and Christmas Eve (Kristina Reyes) both live action residents of AVENUE Q are boyfriend and girlfriend. Rod (Joey Flint) and Nicky (Troy Whitaker) are roommates with a twist. Mrs. Thistletwat and Girl Bear (Harley Walker) is Kate’s boss, and Trekkie Monster and Boy Bear (Troy Whitaker) is, well, quite something!!! You gotta love Trekkie Monster. Then we have Gary Coleman (also live action) played by Courtney Bruce. Yes, that Gary Coleman who has become the landlord of all the residents of AVENUE Q, who fills the stage at every turn. The performances by the cast are amazing, utilizing the puppets masterfully and becoming one with each of the characters.

Patrick Burke has given us a fantastic musical filled with great direction, as well as casting the exact right person for each character/puppet. Paul Cady’s musical direction, and Michele Bernath’s choreography enhance this great show. The stars of the show are the puppets and they are glorious, so the puppet wranglers (Lisa McGee Mann, Dorathy Haverty and Kaylena Mann) deserve stars and first-rate acclaim. As always, Chris Winfield’s set is the best, costumes, lighting, sound, stage manager (Kenny Harder). Every craft deserves stars. Now, there is some puppet nudity, so be prepared.

I could go on and on. As I said at the top of this review, this is a MUST SEE. Yes it’s puppets, and yes it’s AMAZING. “AVENUE Q” is funny, poignant, artful, with a great story, great music, and great actors and puppets. What a great night out in North Hollywood! What are you waiting for?

Enjoy!!!!!!!!!! (yes it’s a 10)

Cast: Ashkhan Aref, Courtney Bruce, Joey Flint, Hartley Powers, Kristina Reyes, Harley Walker and Troy Whitaker

Produced for The Group Rep by: Drina Durazo and Kevin Hoffman, Jr.

Director: Patrick Burke

Musical Direction by Paul Cady

Orchestrations and Arrangements by Stephen Oremus

Choreography by Michele Bernath

Puppet Creations by Patrick Burke inspired by the Puppet Designs of Rick Lyon

Set Design: Chris Winfield

Costume Design: Stephanie Colet

Lighting Design: Patrick Dennison

Sound Design: Steve Shaw

Stage Manager: Kenny Harder

Animation Design: Robert Lopez

Lead Puppet Wrangler: Lisa McGee Mann

Puppet Wranglers: Dorathy Haverty and Kaylena Mann

Properties: J. Christopher Sloan

Audio Supervisor: Kevin Hoffman, Jr.

Dance Captain: Hartley Powers

Assistant Director: Patrick Skelton

Light Board Operator: John Ledley

Public Relations: Nora Feldman

Photography/Videography: Doug Engalla

Graphic Design: Doug Haverty

Lonny Chapman Theatre

10900 Burbank Blvd

North Hollywood, CA 91601

Tickets and Information:
www.thegrouprep.com OR (818) 763-5990

General Admission:
$30; Students/Seniors with ID: $25; Groups 10+: $20;

Show Times:
May 31 – July 7, 2019
Thursdays June 13 and 27 at 8PM
Fridays and Saturdays 8PM, Sundays 2PM
Fridays and Saturdays 8:00 pm; Sundays at 2:00 pm

Talk-Backs after matinees June 9 and June 23.

Adult Themes, language and full puppet nudity.

Running Time:
2 Hours (one 15 minute intermission)

Godzilla: King of the Monsters; John Wick: Chapter 3 – Parabellum

Movie Reviews

Mike Peros

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06/01/2019

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Godzilla: King of the Monsters; John Wick: Chapter 3 – Parabellum

Has it really been five years since Godzilla visited to assert his supremacy over man and beast?

If you’ve been pining away for the return of the big guy, take heart, for Godzilla: King of the Monsters has emerged once again to save the human race from its own excesses, the machinations of presumed higher minds, and some other really bad monsters.

Michael Daugherty’s Godzilla: King of the Monsters (he also co-wrote the script with Zach Shields) tries very hard to ramp up the human element, as a misguided, grieving Vera Farmiga (as a doctor who lost her son because of events in 2014’s Godzilla) joins forces with eco-terrorist/planet shaker-upper Charles Dance to restore order to nature by utilizing the formidable talents of the Titans (read monsters). It’s their unfortunate luck that the “good” doctor’s daughter (Millie Bobby Brown) is with them, because this galvanizes Farmiga’s estranged ex Kyle Chandler (a rare lead in a big-budget film for this very capable actor) into moving heaven and earth to not only find his daughter, preserve the balance of nature, destroy the monsters and save Earth (or at least the major cities)—at least until the next go-round.

There are other humans on hand, including an under-used Sally Hawkins, an amusing Bradley Whitford, an appealing and earnest Zhang Ziyi, and Ken Watanabe as everyone’s favorite Godzilla advocate. And while there are the requisite deaths and sacrifices, none of the characters have the opportunity to enact anything credible enough so that we feel for their untimely exits. In fact, many of the characters’ actions and motivations become laughably absurd as the movie progresses.

However, we’ve come to the theater for the monster appearances, the all-out battles between whatever creatures have been unearthed (this time including King Ghidorah). These sequences are occasionally effective but hampered by their joint emphasis on action and atmosphere (there’s plenty of rain and mist on display)—at times, it’s difficult to see which monster is doing the attacking, and which the defending (The climactic battles take place in Boston—a welcome change of pace from San Francisco and Tokyo—unless you happen to live in Boston). And even though it’s pretty clear at the end that Godzilla will be back, it’s also equally clear that whether he’s a ‘good” monster or “bad” monster, Godzilla takes no prisoners. The movie suggests otherwise, but concern for the environment isn’t exactly in Godzilla’s DNA.

About a third of the way through John Wick: Chapter 3 – Parabellum, I wanted to tell the black-clad Wick to change into some other outfit—perhaps a little khaki would do—since everybody seems to know him. This is not to Wick’s benefit, as Keanu Reeves’ erstwhile intrepid assassin is on an international hit list (because of events in the previous installments) and hopes to set things right—at least before he is killed. (As his friend/foe Ian McShane puts it, considering the immense odds against Wick, the world has a 50/50 chance.) This involves reaching the “fearless leader” for some instructions and guidance (and a bit of repentance), avoiding the hordes who wish to collect the bounty on his head, and determining who his real friends are—if any. Meanwhile his main antagonist (Asia Kate Dillon) his limitless resources at her disposal, and a desire to see this Wick put out for keeps.

If you’re looking for action—as a John Wick fan, that’s practically a pre-requisite—the film doesn’t disappoint. There are all kinds of physical battles, ranging from brutal one-on-one, mano a mano combats (with the assistance of some unlikely weapons), high-speed (and body count) motorcycle chases to all-out thousand-to-one (or two) mini-Armageddons. Reeves’ hunted and haunted John Wick is convincingly taciturn and world-weary, and there is some sturdy support from Anjelica Huston, Lawrence Fishburne and Ian McShane. Best of all, there is a welcome appearance by Halle Berry as a friend who is Wick’s equal both in terms of repartee (admittedly not a major victory) and in the realm of two-fisted action. Their extended sequence in which they join forces against a mutual foe is the highlight of the film—and Berry’s work here is enough to make one hope for an even larger role in the next chapter, Now that is something we all could look forward to.

NoHo News: Summer Under the Stars. Valley Theatre Awards. Theatre!Theatre!Theatre!

North Hollywood News

Lisa Bianconi

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05/30/2019

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Here’s your NoHo arts community update!

We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood. Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

Follow NoHo News with Bloglovin

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Ford Theatres 2019 Season Is Here!

North Hollywood News

Lisa Bianconi

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05/30/2019

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Ford Theatres announces 2019 season of music, dance, theatre, film and family events on the revitalized historic stage under the stars.

The 2019 season opened on Saturday, April 27 with The Spring Quartet: Jack DeJohnette, Joe Lovano, Esperanza Spalding and Leo Genovese,who The Arts Desk described as “an expansive, freewheeling rampage, ideas flying out like sparks from a roaring fire,” and will conclude on October 19 and 20 with a Día de los Muertos Concert and Community Celebration. These bookend performances are both part of the third season of the IGNITE @ the FORD! series. Tickets can be purchased at or by calling (323) 461-3673.

2019 Grandeza Dia Event at Ford Theatres.

IGNITE @ the FORD!, a presenting series that began in 2017, will continue to broaden the scope of performances in the Ford Theatres’ season by presenting artists from around the world. IGNITE @ the FORD! is curated by Ford Theatres Executive Director Olga Garay-English, an arts leader with more than 30 years in the field, and features thought-provoking nationally and internationally-known artists whose work is compelling and contemporary. Complementing the IGNITE series are events from the Ford’s flagship Artists Partnership Series, in which the Ford partners with LA County-based artists and producers in a shared-risk revenue model; free Monday night JAM Sessions, the Ford’s participatory arts program; and Big World Fun, a free-for-kids Saturday morning family series.

“The Ford Theatres 2019 season has something wonderful for everyone,” said Los Angeles County Supervisor Sheila Kuehl. “I hope you will all take the time to look closely at this year’s calendar, event by event. Each and every performance is distinctive and showcases a jewel in LA’s cultural scene! If you haven’t been to the Ford in years, this is the season to come back, and if you’re a regular, you’re in for another outstanding season.”

Garay-English said of this season at the Ford, “This season, voices of women from around the globe will be amplified as they express themselves through art, from an epic night of female Mariachi groups to a celebration of LA-based women choreographers, from the 35^thanniversary of Urban Bush Women to an all-female kathak dance drama.”

Urban Bush Women Hair & Other Stories (c) Hayim Heron Group at Ford Theatres.

She added, “This year, we have created a new artist residency program, providing local artists the space and resources to experiment and bring new work to fruition.” The 2019 Ford Theatres Artists-in-Residence program includes Micaela Taylor, a rising star in the dance world who is creating a new work called Driftthat will have a pre-season performance at the Ford prior to being presented at Jacob’s Pillow Dance Festival this summer; visual artist Edgar Arceneaux who is using his residency to create Boney Manilli, a theatre piece loosely centered around ‘90s pop group Milli Vanilli; Arianne MacBean, Artistic Director of The Big Show Co., who is working with female veterans to bring forth their stories; and Versa-Style Dance Company, known for their blend of hip-hop and Afro-Latin dance styles.

The IGNITE series presents a selection of dance performances from around the world. On July 20, street dance pioneer Rennie Harris, called “the most profound choreographer of his idiom” by the New York Times, returns to the Ford with Funkedified. Dancers from Rennie Harris Puremovement, The Hood Lockers and LA’s own Versa-Style Dance Company will perform to a live band playing funk favorites by James Brown, George Clinton and more. On August 30, the Ford will celebrate the 35^thanniversary of Urban Bush Women with a presentation of Hair & Other Stories, a multidisciplinary experience that blends dance-theatre with conversations to explore disquieting perceptions of beauty, identity and race. One of the top names in Spanish flamenco, Olga Pericet will perform her latest work La Espina on September 21. The recipient of Spain’s 2018 National Dance Prize, Pericet blends a respect for tradition with a contemporary vision. The New Yorker calls her, “a mercurial presence and a fearless experimenter.”

Rennie Harris Funkedified at Ford Theatres – Richard Evans Jr. l Marcus Tucker mid | Andrew Ramsey top | Joshua Culbreath bottom. Photo by Brian Mangini.

Once again, the Ford Theatres will collaborate with several of its esteemed peers for events in the IGNITE series. On June 14, the Ford will present Last Whispers – Oratorio for Vanishing Voices in association with LACMA and the Natural History Museum. An immersive experience, Last Whispersis simultaneously a spatially-designed sound composition and film. Dedicated to the mass extinction of languages, the project was created by Lena Herzogwith sound design by Mark Mangini and Marco Capalbo. And on October 11, artist Hassan Hajjaj will recreate his world-renowned My Rock Starsseries live on stage for the first time in My Rock Stars Experimental – Live, presented with UCLA’s Center for the Art of Performance. A photographer, designer and filmmaker, Hassan Hajjaj is one of Morocco’s preeminent international artists, sometimes called his country’s answer to Andy Warhol.

In addition to The Spring Quartet (Apr 27) and Día de los Muertos Concert and Community Celebration (Oct 19 and 20), other music events in the IGNITE series include Element Band on June 23. Their large bodied vocals and contemporary soundsboth preserve and refreshtraditional Armenian songs. Armenia’s Miqayel Voskanyan and his band will open with a set of folk and jazz-fusion combinations. On July 13, visionary vocalist and bassist Meshell Ndegeocello will perform songs from her new album, Ventriloquismwhich has all of the hallmarks of her work: lush and investigative, subversive and sublime. Closing out July, radio/TV host and journalist Nic Harcourt presents legendary electronic/funk/rock band Kinky (July 28), with an opening set by Mexico City-based DJ Mexican Institute of Sound.

Nic Harcourt Presents Kinky with Special Guest M.I.S. at Ford Theatres.

Now in its 26^thyear, the Ford’s Artists Partnership Series continues to bring to the stage the best and brightest Los Angeles-based performing artists. New to the series isthe SAG-AFTRA Foundation, presentingGame Changers (June 27-30). Taking place over four nights, each evening will highlight a groundbreaking film or television series that made a significant impact on diversity in representation, reimagined traditional narratives, or achieved major technological advances in storytelling. Moderated discussions with original cast members and/or directors will kick off each event.On August 9, The Nonsemble will present [Up]Rising: an Afro-Future Jazz Her-Story, an evening of South African-inspired music by Siya Makuzeni and Thandi Ntuli,hosted by actor Don Cheadle with KCRW’s Garth Trinidad as emcee. Brockus Project will pay tribute to the women pioneers of modern dance with Women Rising: Choreography from a Female Perspective (Aug 16), featuring such dance companies as JazzAntiqua, Heidi Duckler Dance and Rosanna Gamson/World Wide. On September 14, The Leela Dance Collective will present Son of the Wind, an all-female kathakdance drama that is a contemporary spin on India’s ancient epic, the Ramayana. And, GRAMMY® Award-nominated We Are KING will make their Ford debut, performing a fusion of dream-pop and R&B (Oct 12).

Returning to the Ford for the first time in 10 years is Mantra Siam, presenting Tales from Mount Sumeru: The Golden Peacock on August 24. Colibrí Entertainment will present ¡Viva La Tradición! – Viva LA Mujer, featuring some of the world’s most influential female mariachi groups (Sept 7). The 4th Annual Boleros De Noche (Sept 15) will be headlined this year by Trio Los Panchos, led by Gabriel “Gaby” Vargas Aguilar, the adopted son of original member Alfredo Gil, with an opening set by Trio Ellas Musicians at Play will present GAME THEORY: Modern Indie Game Music Live (Oct 5), shining a light on music in modern gaming with the Hollywood Studio Symphony Orchestra, conducted by Chad Seiter (Star Trek, The Legend of Zelda: Symphony of the Goddesses). And, Jail Guitar Doors will return for Rock Out 5! (Sept 28) with Wayne Kramer and friends performing in support of this nonprofit organization that uses music to help rehabilitate prisoners and youth offenders.

MAP GAME THEORY at Ford Theatres.

ABOUT THE FORD

At 1,200 seats, the Ford Theatres creates an intimate concert experience that is a favorite among Angelenos. Each season, the Ford hosts music, dance, theatre, film and family events reflective of the communities that comprise the region. Many Ford season events are presented in partnership with Los Angeles County-based arts organizations and producers. Unlike a traditional presenting model, these groups apply to be part of the season and, if accepted, receive significant support, while keeping the bulk of the box office revenue. Complementing this program is IGNITE @ the FORD!, a presenting series comprised of world-renowned contemporary artists. Proceeds from the IGNITE @ the FORD! series benefit the Ford Theatre Foundation, a 501(c)(3) nonprofit. Owned by the County of Los Angeles, the Ford is operated in partnership with the Department of Parks and Recreation and the Ford Theatre Foundation. Situated in a canyon in a 32-acre County park, the Ford Theatres has a rich history dating back to 1920.

The 2019 Season at the Ford Theatres is made possible through the support of the Los Angeles County Board of Supervisors. Additional support provided by Los Angeles County Supervisor Sheila Kuehl, along with the Department of Cultural Affairs, City of Los Angeles; City National Bank; Discover Hollywood; Edison International; First 5 LA; Fusicology; Gang, Tyre, Ramer & Brown Charity Fund; The Garland Hotel; Heirloom LA; the Hilton Garden Inn; Hollywood Chamber of Commerce Community Foundation; The James Irvine Foundation; KCET/PBS SoCal; KCRW; LAArtsOnline.com; Metro; the Millennium Biltmore; Million Dollar Round Table; Motev; The National Endowment for the Arts; NBC Universal; The Ralph M. Parsons Foundation; Sidney Stern Memorial Trust; Univision; Whole Foods;and Yelp.com.

WHEN:

April 27 – October 20, 2019

WHERE:

2580 Cahuenga Blvd. East, Hollywood, CA 90068

Just off the 101 Hollywood Freeway between Hollywood and Universal Studios in the Cahuenga Pass

PARKING:

On site, stacked. $12 per vehicle for evening shows; $5 per vehicle for Big World Fun shows; free for JAM Sessions. Carpool and save: three or more people per vehicle save $5 on parking, Ford Theatres 2019 Season evening shows only, excluding lease events. A FREE shuttle to the Ford services the Universal City/Studio City Metro Station lot at Lankershim Blvd. and Campo de Cahuenga (excluding Big World Fun and JAM Sessions). The Ford shuttle stops in the “kiss and ride” area and cycles every 20 minutes. Non-stacked parking will be available off-site with free shuttle service to the Ford, details to be announced.

TICKETS:

Online:

Phone: (323) 461-3673

Box Office Hours: Now – June 7: Tuesday – Friday, noon – 5:00 p.m. for phone and window sales; June 8 – October 20: Tuesday – Saturday, noon – 5:00 p.m. for phone and window sales. On show days, including Sundays, the box office opens two hours before the start of the show. Visit the website for more info.

Don’t miss JAM Sessions, the free and interactive events at the Ford Theatres on Monday evenings at 7:00 p.m.

JUNE 17 – Afro-Cuban Dance
JUNE 24 – Celtic Dance
JULY 8 – Mexican Folk Dance
JULY 15 – Old School Street Dance
JULY 22 – Drum Circle
JULY 29 – African Dance and Drums
AUG 5 – Caribbean Dance
AUG 12 – Ukulele & Hula
AUG 19 – Chicago Style Stepping
AUG 26 – Creativity in Movement

Big World Fun are one-hour music and dance events for children ages 4-12 and their families take place at the Ford Theatres on Saturdays at 10:00 a.m.

JULY 6 – Afro-Latin Rhythms with El Santo Golpe
JULY 13 – Samba with Viver Brasil and Friends
AUG 3 – Bluegrass Music with The Get Down Boys
AUG 10 – Classical Indian Kathak Dance with The Leela Dance Collective

Michelle Kingdom, Peripheries

LA Art

Raleigh Barrett Gallina

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05/28/2019

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Sold out before the opening reception, Michelle Kingdom debuts her unique artwork at bG Gallery in Santa Monica.

Well, Kingdom sold out all but one artwork before the opening reception on April 20^th, but by the end of the reception all of Kingdom’s works had been snatched up by art-goers. This isn’t hard to believe once you lay eyes on Kingdom’s work. What is hard to believe is how Kingdom only hit the art scene four years ago. Kingdom was doing art before 2015, yes, but Kingdom didn’t think the general public would appreciate her work, or want to put money down to buy her art. Nothing could be farther than the truth. Kingdom not only sold out before her solo show hit bG Gallery opening night, but Kingdom has a backlog of custom, commissioned works, requested by fans.

Originally hailing from Los Angeles, Kingdom injects the art scene with her own unique flavor. Kingdom’s medium of choice is canvas and embroidery. Not only does Kingdom showcase machine-exact stitching, but Kingdom’s embroidery even features a unique, pinnable style.

Kingdom’s embroidered works are stitched into unique canvas backdrops, where Kingdom has clearly stretched her own linen canvases. These, grey, blue, and black canvases give depth to Kingdom’s tongue-and-cheek works that are enhanced by exacting needlework.

Artist:

Michelle Kingdom

Run:
April 20, 2019 – May 11, 2019

bG Gallery hours:
Tues – Sat 11:30am – 6:00pm

Gallery location:
3009 Ocean Park Blvd.
Santa Monica, CA 90405

Starlight Bowl Summer Season 2019!

North Hollywood News

Lisa Bianconi

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05/28/2019

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The Starlight Bowl is excited to announce another superb summer concert season lineup for 2019, including its annual 4th of July celebration and an incredible season finale with legendary rocker John Waite!

An American Celebration on the 4th of July will be a real crowd pleaser with performances by the legendary kings of swing, , and opening act Rumble King. Plus, a dazzling fireworks show is planned to top off the evening at the .

Lower reserved seating is $25 per person and $20 for seniors while upper reserved seating is $20 per person and $15 for seniors. All lower and upper reserved seating is assigned. Seats on the grass are $15 per person and $10 for seniors, and children under 2 years of age are free. Current or active members of the U.S. Military are invited to use promo code MILITARY to receive a 10% discount. Box seating is $140 and based on availability. Tickets must be purchased in advance; there will be no tickets sold at the gate the day of the concert.

The Starlight Bowl concert season officially kicks off on July 13th and runs through August 10th, 2019. Details on the upcoming concert season are available online at the Starlight Bowl website, . The fantastic summer lineup features:

July 13, 2019 –
July 20, 2019 –
July 27, 2019 –
August 3, 2019 –
August 10, 2019 –

WHERE:

Starlight Bowl
1249 Lockheed View Dr.
Burbank, CA 91501

Tickets for the 2019 season are on sale now at and in person ticket sales at the Park, Recreation and Community Services Department on the third floor of the City of Burbank, Community Services Building located at 150 North Third Street. Payment is by cash, check or credit card, though all credit card sales will incur a nominal service charge per ticket.

The Starlight Bowl is pleased to once again offer the Park Lover’s Season Ticket Pass. This pass is a terrific deal at $60 for the entire summer season of shows. These passes are for grass seating only and do not include the July 4th show. Season ticket prices for box seating are $400, seat 4 people only, and include 1 prepaid parking pass per box. Premium seating is available for $100, which is seating within the first 8 rows and includes 1 prepaid parking pass per 2 tickets. All season tickets and box seating are based on availability.

Individual concert tickets are priced at $15 for adults, $10 for children ages 3 to 12, $10 for seniors and the disabled, and children ages 2 and under are free (excluding box seats). There may be a limited number of tickets available for purchase at the gate on the evening of a performance for an additional $2 per ticket. Individual ticket pricing does not include the July 4th event. Parking at the Starlight Bowl is $8 cash per vehicle. Carpooling is highly recommended. Parking opens at 4:30 p.m., the gates open at 5:30 p.m., and all concerts begin at 6:30 p.m. Tickets for the Special Engagement concerts arranged by LA Concert Group and The Canyon are sold separately from the Starlight Bowl series. Details for these individual shows can be found on the .

“It’s going to be a toe-tapping, hand clapping, summer of fun under the stars for the whole family. We can’t wait to have you join us!” – Starlight Bowl Team

About the Starlight Bowl

Since 1992, the Starlight Bowl has been thrilling huge audiences with a blend of high-energy performances and community based programming. Nestled in the Verdugo Mountains, the Starlight Bowl is the City of Burbank’s premier outdoor entertainment venue.

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Marty Thompson “My Kind of Woman” Album Release

Music Reviews

Samantha Simmonds-Ronceros

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05/28/2019

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Marty Thompson “My Kind of Woman” Album Release

This album is pretty experimental, in a cool, Southern Rock way.

With a crazy mix of post punk rock and synth based 80s XTC-style societal commentary, it mixes genres, styles, attitudes and even keys and scales with a rather refreshing indie vibe.

Marty Thompson hails from Texas and was a massive classic and psychedelic rock fan from the cradle. He certainly shows a clear path from Zeppelin, Floyd, ZZ Top and the Beatles to this album. The lyrics are sparse and simplified, yet meaningful and cleverly chosen.

The production is pure, almost live-like in places, which really suits this kind of old school, no apologies retro rock. Thompson took tracks that in some ways feel like they should be on totally different albums and put them together on “My Kind of Woman,” the title track of which is a totally kickback, turn up the sound, roll down the windows, drive down country lanes kind of song. But the mix works somehow…it feels like his own special kind of mix tape.

Thompson treads lightly on the reverence to his influences and heavy on the guitar solos. And it all seems to make sense, and this wild trip back to his roots feels familial and real and authentic. Not for everyone! But it’s honest, thoughtful and totally rockin’.

Artist Links:

Acoustic Guitars – Marty Thompson

Electric Guitars – Marty Thompson

Basses – Marty Thompson

Keyboards & Synthesizers – Marty Thompson

Vocals 1, 2, 3, 4, 5 & 6 – Marty Thompson

Latin Percussion – Marty Thompson

Samples – Marty Thompson

Drums – Eric Warwick

Nick de la Hoyde “Animals” Gatcombe Music Pty Ltd Single Release

Music Reviews

Samantha Simmonds-Ronceros

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05/27/2019

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Nick de la Hoyde “Animals” Gatcombe Music Pty Ltd Single Release

Blimey! What a gorgeous track. Nick de la Hoyde has a truly beautiful voice, soft, emotional, authentic.

His new single “Animals” is about love of course, but with a bit of a twist. “Human beings can learn a lot from animals, and real, unconditional love is the biggest lesson you can learn from them and one that we should put into practice in our own lives,” he says.

Well, you get no argument from me that our animals love us far better than any human ever could, but this song is about longing for love a like that, limitless and unconditional, but from another human and being smart enough to recognize it when you find it. The kind of love so impossibly rare and well worth the wait.

It’s a great song. Gorgeous production, spiraling, spacious, waves of lightness washing over you, full of sublime longing. The video is inspired too… brilliant in fact. His music, Australian based, is a lovely blend of clever, humorous lyrics and bouncy, catchy and wonderfully intelligent melody. Anthemic but in an understated way. R&B in space.

Dazzling, hopeful, synthy, frothy, pure and free from formulaic histrionics….absolutely LOVED IT!!!!

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Artist Links

City of Sound Plays for Semper Fi Fund

North Hollywood News

Lisa Bianconi

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05/25/2019

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The North Hollywood-based alt/rock trio City of Sound returns to the Federal NoHo on May 31 with show proceeds going to the Semper Fi Fund in honor of Memorial week.

Jordan Wright of the band says: “City of Sound has been wanting to give to a cause at each show we perform, most recently playing the grand opening of the Hollywood LGBT Youth Center, and Memorial week was a perfect time to shed light on our veterans. The Semper Fi Fund focuses on transitioning soldiers back into everyday life who have suffered injuries and/or PTSD from war.”

WHEN:

Friday, May 31, 2019 at 6:30-8PM

WHERE:

The Federal NoHo
5303 Lankershim Blvd.
NoHo Arts District

TICKETS>>

The band has been building accolades while rolling out their thematic “Silent Empire” album which is being released in three parts. Frank Malerbra of CrypticRock.com raved, “Very much in the Alternative Rock realm, City of Sound…with a passionate, emotional sound filled with ambiance and melody, they are certainly on the rise…they create a wall of sound that is both lively and unique to what others are doing at this time.”

Above: City of Sound L-R: Lacey Nova, Jordan Wright and Andrew Leigh

“Our specific sound was always the vision,” says Jordan Wright (vocals/piano). “I had wanted to create something that makes people feel epic and punches them right in the face with hope. Luckily, I found two people who wanted to be a part of the same thing.”

Rounding out the City of Sound trio is Andrew Leigh on guitar and Lacey Nova on Violin; creating a unique flavor of arena-sized alternative rock music that’s ever present with their epic lead single, “Odyssey.” Wright notes, “it’s the first song on the album and it introduces the journey we want our album to take people through. The journey of reflection.”

“Silent Empire” is crafted with that theme of reflection in mind and written around a central character, Empire, and her journey to become something greater. “The song ‘Odyssey’ is the beginning of that journey,” says Wright—the band’s primary songwriter, producer and arranger. “It begins with her world destroyed, left with nothing, but with everything to become. Left with nothing she makes the choice to take the journey she has long resisted. It’s something that is central to our message of love over fear.”

Being released in three parts, “Silent Empire” takes the listener on a journey through the character Empire, inspired by Wright’s personal experience. Part one dives into the deconstruction of who we are and the honest acceptance of our created insecurities. Part two explores the reconstruction of who we truly are. Then, in part three, what we do after we’ve gone through that process.

For more information onCITY OF SOUND, visit:

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Vicky Hamilton’s “Appetite For Dysfunction”

LA Music Scene

Caroline McElroy

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05/23/2019

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Vicky Hamilton’s “Appetite For Dysfunction” is a guided tour into the realm of the steamy side of the rock scene in Hollywood during the 80s where an “anything goes” attitude ruled and the women that flocked to see bands such as Motley Crue, Poison, Guns N’ Roses and Faster Pussycat were required to be strippers if they were to move beyond being a “fan.”

Dubbed a cautionary tale, this first-hand account is by no means sugar coated nor is it a PG read. Be prepared to go for a quite a ride on the rock n’ roll highway to hell. It starts out a bit slow as Hamilton tells her readers about her early life in West Virginia and Fort Wayne, Indiana and then she hits you with her earliest rock n’ roll experience that sent her on a course that took her into the darkest realms of the strip scene in Hollywood, CA.

Hamilton lands in Hollywood with only a few dollars to her name and gets to work on her dream…work in the business of music. Sooner than later, Hamilton is den mother to some of the most famous bands of the 80s.

This path is not paved with riches and fame for Hamilton in the beginning and she had to sue to get what was due more than once, but the ride getting there is fraught with many interesting ins and outs.

There are some very funny and interesting anecdotes that are woven into the tapestry of Hamilton’s life as a den mother to some amazing talent. One of my favorite tales is about Motley Crue and witchcraft, which brought in some undesirable energy that made things move about their living quarters.

Once Hamilton arrives at the pinnacle of success and acknowledgement, she finds that sexism is alive and well and thriving in the A&R section of the music business. Hamilton tells it like it is and as only an insider can deliver it…raw.

One story that she talks about is how music mogul David Geffen got on her case about her reaction to being disrespected and how he minimized her act “Little Napoleon” by telling her that they should create a “Little Tour” with “Little America,” “Little Ceasar” and “Little Napoleon.” Jeez, David, could you have been any more insulting and sarcastic?

Interestly, Hamilton has had to reinvent herself more than once in order to stay relevant and on top of her game. She has also had to let go of several bad habits that were not serving her best interests. The habits include cocaine and smoking as well as trying to get her lavish spending habits under control so she could live on the $100,000 she was earning working for Geffen Records as a Street Level A&R representative.

Hamilton liked to throw lavish parties for her friends, crew and clients which contributed to her blowing through her earnings more. So when disaster struck there was no “nest egg” to fall back on.

It is important to note that one of her crowning achievements was creating a best selling-album with June Carter Cash. She won a Grammy for this effort and yet no one in the industry that she loved and worked for ever congratulated her for this work that took her into the realm of country music where she didn’t have a clue, but did know good music when she heard it.

Hamilton is a pioneer for sure when it comes to carving out a career for herself where she could scout talent and be able to get the talent a record deal. She delivered on that more than once.

This book is like a who’s who in the music business and you will recognize many of the players and what they are really like. In other words “Trust No One” as they say on the “X-Files.”

It’s sad to think that of all the bands that she has brought up through the ranks of super stardom there are only a few that have stayed close such as Guns N’ Roses guitarist Slash and vocalist Taime Downe of Faster Pussycat.

It doesn’t sound like Bret Michaels from Poison can be trusted and as a whole, Poison doesn’t fare well in the human being departement as well as in Hamilton’s book.

While it distresses me that Poison behaved so despicably toward Hamilton, I cannot say that I am surprised. I never thought that they were all that to begin with.

While reading Hamilton’s book, I really wished that I had known her as I would have helped her in the early days of her career. And I am so very sorry that she had to go through the vicissitudes that she did in order to make it and pave the way for other females to follow.

At the end of her book Hamilton asks for an AMEN which I am more than happy to provide. Hamilton survived the wild ride that she was allowed to take with her very famous clients.

Today, Hamilton has transcended the limits that were put upon her as an A&R representative for two major record labels and now has her own record company, Dark Spark Music, which manages acts and works on fund raising for her many music projects. She is also an author of several articles as well as her book.

Several of my friends have read the book and loved it. Each reader has arrived at a different part of the book and all say the same thing “WOW.” I’m thinking that perhaps I should form a book club so we can gather and discuss this what not to do primer.

Buy the book and see for yourselves why she is one of the most respected women in rock n’ roll by women as well as men. Read how the music business really is and how women are treated.

Read “Appetite For Dysfunction” and see what obstacles Hamilton has had to overcome in spite of her instincts for the next “Big” deal. Learn from her mistakes and don’t allow anyone to take you off your course.

WHEN:

WHERE:

WHAT:

TICKETS:

MORE INFO:

I get asked this question a lot from actors. “I’m thinking of taking an On Camera class, what do you think?”

Celebrate the human-canine bond as North Hollywood-based Comfy Carepacks presents Bow Wow Film Festival!

WHEN:

WHERE:

About Comfy Carepacks

Follow Comfy Carepacks on Instagram!

They had us at cocktails. And if you’ve tried one of the The Fat Dog’s cocktails, you know what we mean. They’re by far the most unique blends of deliciousness in a glass. So what exactly is the Battle of the Cocktails?

So how can we help choose a winner? Go to The Fat Dog NoHo and try one of the top four cocktails, or all of them.

Here are the top four finalists!

BONE APPETIT:

SOUTH PAW:

THIS SHITZU IS BANANAS:

EAT, PAW, LOVE:

Follow The Fat Dog on Instagram!

Underground Annex Theater, 1308 N. Wilton Pl., Los Angeles, CA 90028

So we have ideas for stories, we have ideas for scenes, we may even have ideas for series and feature films, but why work on an idea for a short film?

Shorts made me a filmmaker.

To get the latest, follow us on Instagram and sign up for the Thursday morning it’s free!

How do we #KeepNoHoArtsy? Easy! Support our NoHo artists.

Yalla! Keep up with A-WA on their socials:

Keep making music that makes us move.

Here’s your NoHo arts community update!

So let’s give a huge NoHo welcome to Pout!

Grand Opening:

WHEN:

WHERE:

Pout will also host a series of private master classes for up-and-coming artists, taught by Nicole and a selection of local celebrity artists.

Don’t miss their official grand opening, Saturday, June 15 from 1-4PM and let’s #KeepNoHoArtsy!

“NINE WINNING ONE-ACTS”

An actor has to be really in love with their craft.

Go out into your yard and dig a big hole.

Every month, throw $50 into it, but don’t take any money out until you’re ready to buy a house, send your child to college, or retire.

How do you set goals?

Looking forward to retirement

Facing the truth about college savings

Investing for something big

1. Learn the basics of medicine

2. Organize your schedule

3. Apply yourself in online courses

This month I decided to write about my own experience with a renovation.

Progressive Rock with a solid twist of 80’ & 90’s retro.

Great indie album, confident sound, passionately performed and brilliantly mixed…love it!!!!

Here’s your NoHo arts community update!

Known as the “city of a thousand spires,” Prague is the capital of the Czech Republic and is one of the best-preserved medieval cities in the world.

“AVENUE Q,” the show that garnered Best Musical, Best Book and Best Score at the 2004 Tony Awards, is now playing at the Group Rep at the Lonny Chapman Theatre in North Hollywood and it is A MUST SEE!!!

Here’s your NoHo arts community update!

WHEN:

WHERE:

PARKING:

TICKETS:

Don’t miss JAM Sessions, the free and interactive events at the Ford Theatres on Monday evenings at 7:00 p.m.

Big World Fun are one-hour music and dance events for children ages 4-12 and their families take place at the Ford Theatres on Saturdays at 10:00 a.m.

Sold out before the opening reception, Michelle Kingdom debuts her unique artwork at bG Gallery in Santa Monica.

July 13, 2019 – July 20, 2019 – July 27, 2019 – August 3, 2019 – August 10, 2019 –

WHERE:

“It’s going to be a toe-tapping, hand clapping, summer of fun under the stars for the whole family. We can’t wait to have you join us!” – Starlight Bowl Team

About the Starlight Bowl

This album is pretty experimental, in a cool, Southern Rock way.

Blimey! What a gorgeous track. Nick de la Hoyde has a truly beautiful voice, soft, emotional, authentic.

Dazzling, hopeful, synthy, frothy, pure and free from formulaic histrionics….absolutely LOVED IT!!!!

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ABOUT US

FOLLOW US

They had us at cocktails. And if you’ve tried one of the The Fat Dog’s cocktails, you know what we mean. They’re by far the most unique blends of deliciousness in a glass.

So what exactly is the Battle of the Cocktails?

July 13, 2019 –
July 20, 2019 –
July 27, 2019 –
August 3, 2019 –
August 10, 2019 –