83.7 F
Los Angeles

NoHo Tours | Advertising | Contact Us | Business Concierge

Home Blog Page 152

Brandon Burciaga – Hip Hop Dancers Talks About Why They Vote

***

Antics and Vision Paradox present “Hip Hop Dancers Talk About Why They Vote” – a series of six talented hip hop dancers sharing their personal stories about why they dance and why they vote.

These dancers speak from the heart about why voting is a form of self-expression just like dancing. They believe that democracy is strongest when young people participate. They hope to use their dance skills to inspire other young people to register to vote, to vote, and to participate in democracy.

Meet Brandon Burciaga who found dance as an outlet; a release that words can’t express.  He votes because “equality is STILL something we’re fighting.” As an American, person, of color, and a member of the LGBTQIA+ community, Brandon is using his vote to be a stand against the many challenges his communities face.

“My vote stands for my community. It’s for those people who can’t speak for themselves… or are unfortunately not alive to do so anymore. And if my voice is going to count, I want their stories to be told.” In this time of uncertainty, don’t let it be a reason to use your voice and be a stand for what’s right.”  – Brandon Burciaga

ABOUT ANTICS

Antics is a hip hop dance theater company based in Los Angeles under the artistic direction of Amy “Catfox” Campion. Antics creates multimedia street dance performances that incorporate breaking, locking, popping, waacking, house dance, krump, poetry, theater, and film into virtuosic and provocative performances. Founded in 2007, Antics dancers represent the best in L.A. with credits that include major films, TV shows, and music videos. Antics is committed to empowering communities through hip hip dance residencies, workshops, and lecture demonstrations.

ANTICS SOLIDARITY STATEMENT

Antics stands in solidarity with the Black Lives Matter movement and the fight for racial justice. We believe it’s our responsibility to undo racism. Hip Hop originated in marginalized Black, Latinx, and Immigrant communities in the Bronx during the 1970s and has become one of America’s greatest cultural creations. We are committed to dismantling White supremacy, patriarchy, and the systems of oppression that gave rise to Hip Hop in the first place.

We also believe it’s important to recognize the global significance of Hip Hop culture and to welcome people of all identities who wish to learn about and create Hip Hop with integrity. Anyone can love and appreciate Hip Hop. Anyone can study Hip Hop. And anyone who works hard and finds inspiration can create dope Hip Hop art.

Antics’ mission is to empower people of all backgrounds through hip hop dance. We believe in collective liberation and the intersectionality of the struggles for LGBTQ rights, Immigrant rights, Indigenous rights, Women’s rights, Environmental Justice and Science. We support the protesters and activists fighting for justice across all of these movements. We are committed to listening to, working alongside, and amplifying the voices of those who are at the forefront of these struggles.

Website | Instagram | Facebook | Youtube

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

“Resistiré 2020”

***

With the political nightmares, the physical and mental pandemic suffering, and the economic collapse of our neighborhoods, we need something to keep us motivated and focused. Music has the power to put us in better moods, to lift our spirits.

But sometimes we need an anthem.

“Resistiré 2020” is a remake of DÚO DINAMICO’s 1989 original. The remake was recorded by 30 Spanish artists to raise money for COVID19 charities and include: Alex Ubago, Andrés Suárez, Álvaro Soler, Blas Cantó, Carlos Baute, Conchita, David Bisbal, David Otero, David Summers, Despistaos, Diana Navarro, Dvicio, Efecto Mariposa, Efecto Pasillo, Ele, Georgina, India, Jose Mercé, Josemi Carmona, Manuel Carrasco, Melendi, Mikel Erentxun, Nil Moliner, Pastora Soler, Pedro Guerra, Pitingo, Rosana, Rozalén, Rulo, Sofía Ellar and Vanesa Martín.

Resistere’ means I will resist but also, I will endure. It is a rich word that means we will be resilient and not give up.

This verse gives us hope:
“Resistiré para seguir viviendo (I won’t give up so I can continue living)
Soportaré los golpes y jamás me rendiré (take the hits and never give up)
Y aunque los sueños se me rompan en pedazos (Even if my dreams break into pieces)
Resistiré, resistiré (I will endure)

Warner Music Mexico also asked Mexican musicians to record a version of “Resistere’” to raise spirits and funds for the Coronavirus that features: Aída Cuevas, Belinda, Benny, Bronco, Camila, Cristian Castro, Dld, Edith Márquez, Gloria Trevi, Ha * Ash, Horacio Palencia, Kinky, Leonel García, Lila Downs, María José, María León , MC Davo, Mijares, Moenia, Paty Cantú, Rio Roma, Rodrigo Dávila, Sandra Echeverría, Ximena Sariñana, Yahir, Arath Herce, Axel Muñiz, Caztro, Chucho Rivas and Kaia Lana.

Here’s the original “Resistiré” by DÚO DINAMICO. Still a jam.

While music has the power to change our moods, our vote has the power to make change.

Keep making music that moves us… to the voting polls.

Breakfast Burritos, Pesto Pasta + More (3 Quick, Cheap and Amazing Student Friendly Recipes) │Vegan

If you want cheap recipes, that are quick, easy, taste insanely good, AND are vegan, this series is for you.

This series is made for people that don’t/can’t spend their time researching hundreds of recipes to find something that actually gives their body the nutrients it needs, without breaking the bank, or tasting like fresh dirt.

To make sure you don’t miss out on future parts of this series, plus the last episode where I show you the quickest way to make all of these meals, as well as the price breakdown, subscribe to the channel!

5 Things You Can Do in Melbourne

0

Although Covid-19 has made world travel more difficult, there are still ways to get out, explore the world, and stay safe.

A great place to start your exploration is Melbourne, Australia. If you can get to Melbourne, there are tons of things you can do without being in the city, worried about Covid-19 exposure. That said, if you really want to explore Melbourne’s city life there are things you can still do. Just be sure to use proper safety protocols, such as wearing a mask and washing your hands often. As long as you keep your distance from others and continue to care for your own health and wellbeing, you can still get out and explore.

The Great Ocean Road

The great ocean road is, not surprisingly, right next to the ocean. This is amazing because it allows you to walk or drive along the coast and is a scenic way to get to other nearby cities. If you can spend any time near the ocean, you will be immediately transported to a world of tranquility and serenity. However, if you want a little more excitement, you should look up cruises from Melbourne. These can take you from Melbourne to a new, exciting locale of your choosing. Many cruises also offer activities while onboard.

Royal Botanical Gardens

Another area that you can easily explore without bumping into people are the royal gardens. These gardens are found in the city of Melbourne, but house 94 acres of pathways and ornate landscaping. It is also next to Ornamental Lake, providing a a picturesque backdrop to the already beautiful landscaping. This is a great place to explore if you want to be in the city of Melbourne, but still want to stay away from people.

Museums And Art Galleries

Melbourne is known for some of the best museums and art galleries in the world. If you want to learn more about Australian culture, you should visit the Melbourne Museum. This museum let you explore not only Melbourne’ history, but how Australia was formed and became the unique place it is today. If you are new to Australia, this is a great place to visit to learn what makes Australia so special. When in Melbourne, you should also visit NGV Australia. This building houses the largest collection of Aboriginal art in the country. Both museums and art galleries are areas where there are typically very few people and you can easily see a lot without touching anything.

Shrine of Remembrance

This area is a beautiful spot just outside of the city where you can see and appreciate the cityscape of Melbourne. This shrine is in honor of the Australians who have lost their lives due to the effects and aftermath of war. It is a very serene area of Melbourne and you can either walk around by yourself of have a guided tour of the area. There is also a beautiful memorial garden that you can explore. All of these areas are outside so you can still be in the fresh air. As long as you bring a mask (in case you do encounter people), you can still experience this Melbourne icon with little Covid-19 exposure.

Alleyways And Street Artwork

If you are not a fan of for nature, museums, or history, Melbourne is also known for its eclectic and unique lifestyle. One of the coolest things about Melbourne is its street art. Found throughout the city in every area you look, there is beautiful and breathtaking art displayed on buildings and walls. Melbourne has also taken advantage of every nook and cranny available and has converted many alleyways into something else. From cafes to bars to shops, you can find a variety of stores by simply looking down the alleys. This is such a unique concept and it helps make Melbourne a truly unique city to visit.

If you are looking for a place to travel, you should consider going to Melbourne. It is a great place full of unique and interesting landscapes and places.

Alfredo Cáceres at AL FRESCO Fridays, October 30

***

What’s the NoHo Motto? “NoHo is only as great as its people.”

The NoHo Arts District is just one square mile but it’s filled with dancers, actors, musicians, artists and creative folks from all over the world. Our local business and government groups understand and support our artistic endeavors and eclectic neighborhood makeup. NoHo Arts District restaurants are participating in the “L.A. Al Fresco” program where they’ve taken over a lane and created an outdoor dining area on Magnolia between Vineland and Lankershim. To make Al Fresco Dining on Magnolia even more fun, we’ve added Al Fresco Fridays – live music from 6:30-9:15PM! Al Fresco Fridays brings music while you have a nibble and a cocktail while enjoying the neighborhood.

NoHo’s Al Fresco Fridays music program sponsored by the NoHo Business Improvement District.  Al Fresco dining program is brought to you by the team at Councilmember Paul Krekorian’s office. #KeepNoHoArtsy

We are excited to have Alfredo Cáceres join us on Friday, October 30 for Al Fresco Fridays.

Alfredo Cáceres AL FRESCO Fridays – Music on Magnolia on Friday, October 30 from 6:30-9:15PM via www.nohoartsdistrict.com

Born and raised in Guatemala City, Guatemala, Cáceres, a complete guitarist and composer, has been involved in a wide variety of projects and bands in styles ranging from World music, Flamenco, Jazz, Brazilian, Salsa, Pop and Latin. He has collaborated on several recordings in local and international productions, as well as in different festivals in the United States and in Europe. Alfredo has been living in the United States full-time since 2009, and has played alongside many different artists in the World Music arena, such as Persian singer Hamed Nikpay, guitarist Russ Hewitt, the Gypsy All Stars (of the Gipsy Kings family), Mario Reyes, and Marcus Nand (Ziroq), just to name a few.

In 2012, Cáceres released his first solo album in the U.S., one that involves a variety of his original compositions within the last ten years, recorded in his hometown of Guatemala and in Los Angeles, California.

Alfredo’s musical education started in this homeland of Guatemala with his first teacher, his father, Alfredo Cáceres Sr. He would later continue to study with different guitarists such as with spanish guitarist Paco Galiano in flamenco and with German Giordano in jazz. He also learned sight reading with William Orbaugh, as well as with drummers Byron Campo and Fernando Martin at the Poliritmos Academy.

Alfredo traveled to Seville, Spain on a three-year scholarship from the Fundación Cristina Heeren de Arte Flamenco. While there, he trained extensively under different well known Flamenco guitarists such as Miguel Ángel Cortés, Niño de Pura, Eduardo Rebollar, Paco Serrano, Paco Cortés, Juan Manuel Canizares, Manolo Sanlúcar, and Rafael Canizares, among others. At the Fundación, he received instruction for two years in flamenco compás (Flamenco rythms) from Paco de Lucía’s dancer & cajón player, the late Manolo Soler.

After being in Spain, Cáceres attended the U.S. at Brookhaven College in Dallas, Texas on a two-year scholarship, giving him the opportunity to play jazz guitar and go on tour in the U.S. and in Mexico with the award-winning Brookhaven Vocal Jazz Ensemble. In Brookhaven College, he pursued jazz guitar with guitarist Paul Metzger. Subsequently, Alfredo came to live in California where he occasionally studies with world renowned guitarist Jorge Strunz from the guitar duet Strunz & Farah.

https://www.instagram.com/p/CBiy3P4Adqu/

What made you interested in learning the guitar?

It was part of my childhood since my father was a guitarist, specialized in Flamenco and classical guitar.

You have a very strong and interesting musical training. What made you focus on jazz and Flamenco guitar?

The aspect of the improvisation and passion of it.

Why did you move to California?

To be able to keep learning and improve my musical skills. Also LA has one of the best music scenes in the world.

Tell us about your latest album “Hispanica”?

Well ,it was a very nice experience because I recorded and produced this album with my friend and colleague Waldo Valenzuela, a great chilean guitarist. So we have lots of invited guests in this album including amazing guitarist Jorge Strunz (FRom Strunz & Farah) also we have singer/guitarist Georges Reyes from the Gipsy Kings or Michael O’Neil (George Benson Band) to mention a few. But its a very diverse latin american album, we had guests from the whole latin-american continent.

What are you listening to now, what’s on your playlist currently?

I listen to a lot of Gypsy Jazz like Django Reinhardt, also lots Ethnic Middle Eastern ensembles, like Dhafer Youseff to mention a few. I usually have lots of variety in my repertoire from Pop 80s,90s stuff to Brazilean standards. Also lots of instrumental Gipsy Kings songs and Cuban Son songs from Buena Vista social Club.

What would you like to add?

I want to thank you guys for supporting local music and musicians. It’s very important that we all support every kind of art form. Art and science makes us advance as human beings.

WEBSITE  |  INSTAGRAM   


**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Here’s the NoHo News for October 22

…

NoHo News: Halloween Is Here “TORTURED SOULS THRESHOLD.” Dancers Vote! THEATER Ain’t Going Anywhere. artHYPE Gallery Opening. #KeepNoHoArtsy.

Here’s your NoHo arts community update!  We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood.

Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

NoHo News: Halloween Is  Here  

Follow NoHo News with Bloglovin

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

 

When is affection appropriate?

This is such a common question I get and there is no easy answer now that we live with our dogs and they have so much access to us. So I thought I would give you guys some ideas for clarity.

If you are having some behavioral issues with your dog or feel your dog is getting anxiety, ask yourself the questions below.

  • When your dog respects you and your space when you ask.
  • When you’ve worked with your dog are working together nicely in most situations.
  • When you’re rewarding good behavior calmly.
  • When your affection doesn’t trigger excitement unless you want it to…and you should rarely want it to.
  • When you can pet your dog and it doesn’t trigger them following you around.

Above are key things you should be able to do with your dog and if you can’t, your dog might be ruling the roost. Is this bad? It only is if you are having unwanted behaviors you aren’t able to help your dog with. They simply can’t listen to the person that is representing that amount of excitement and love. Love is awesome, as long as it’s shared appropriately and at the right time.

TIPS!

Don’t pet your dog when they are loose around the house and come up to you. Instead just ignore that so you don’t nurture it because it turns into the dog training you, haha. That leads to other behaviors you don’t want. Instead, when you want to share affection, only do it when your dog is calm and call them over to you. This puts you in control of the moment. That way the dog isn’t constantly rewarded for entering into your space on their own.

Also, how are you petting your dog. Is it with an excited or high pitched voice and fast pets on the head? I’d say try regularly doing calm scratches to the chest, shoulder, neck area. Then focus on doing some slow massage rather then the “good boy” and the fast pets that amp up your dog. You don’t want to represent mostly excitement if you are struggling with behavioral issues.

Praise, rewards, freedom, needs rules and needs to be earned or no amount of training will help you if you don’t have that! (Except those lucky people with those sensitive and genetically easy dogs ?)

-Bethany Wilson

How To Replace HP DeskJet Ink Cartridge?

0

If you are the proud owner of a HP DeskJet printer, then you will also understand the expense of buying new ink each time to run out. Did you know that there are a variety of ways to get ink with some being much cheaper than others? Check out our advice and find out the best way to replace a HP DeskJet cartridge.

Avoid Genuine Ink At All Costs!

One of the quickest ways you can reduce your outgoings and increase your ink life is to avoid genuine ink cartridge replacements. These cartridges are seriously expensive and are never full, meaning that you end up going through more cartridges each month then you need to.

Printer companies sell their ink at an inflated price because they need to recover the money they lose by selling printers below market value. This means that consumers are blindly led into believing that genuine ink is the best choice when, in reality, you are getting a sub-standard service when you part with your cash.

If It Looks Too Good To Be True, It Is!

At the other end of the ink spectrum are cheap ink suppliers that provide poor quality ink but sell it for such a low price that many consumers get caught out. Price is important when it comes to buying ink but not at the detriment of your work!

It is easy to spot a company that can’t be trusted as they often sell a huge range of very cheap products and have very poor ratings with verified review services. Despite waning to reducing your outgoings, it is a very bad idea to buy from these merchants as you will end up paying more to resolve the issue that poor quality ink creates.

Find a Specialist Ink Service

The best way to replace your HP Deskjet 3520 ink cartridge (or similar) is to opt for a specialised replacement service. This means choosing a seller that only sells one or two brands of ink, and that does not sell other items in their store.

These suppliers are becoming more popular with consumers because they bridge the gap between high and low priced ink. Companies like Smart Ink sell their ink at far less than the big named brands, but they also put effort into providing the highest quality ink. Each cartridge from a specialist ink company comes full, and you can expect to enjoy a decent return time and an easy to access customer service team. Put simply, these companies are not only cheaper, but they provide the best ink for your HP DeskJet without breaking the bank.

It’s simple; replacement ink providers are the best choice when it comes to HP DeskJet ink replacement both for price and ease of use. When you decide to try out a replacement ink service, make sure that you shop around to find the best supplier and always opt for a specialist service that will provide you with the high-quality ink you need every time. Have fun enjoying all the money you are sure to save!

 

Aminah Jackson – Hip Hop Dancers Talks About Why They Vote

***

Antics and Vision Paradox present “Hip Hop Dancers Talk About Why They Vote” – a series of six talented hip hop dancers sharing their personal stories about why they dance and why they vote.

These dancers speak from the heart about why voting is a form of self-expression just like dancing. They believe that democracy is strongest when young people participate. They hope to use their dance skills to inspire other young people to register to vote, to vote, and to participate in democracy.

Meet Aminah Jackson from Los Angeles. She’s determined to use her dancing as a way to express her thoughts and help her peers understand the importance of voting.

“I also believe in artivism. With voting, I feel like that is one platform to actually push issues that matter to you. And to have democracy reflect more of what you want and what your community wants. AndI think that’s the same with dance. You are part of communities that reflect and mirror back to you the things that are important to you.” – Aminah Jackson

ABOUT ANTICS

Antics is a hip hop dance theater company based in Los Angeles under the artistic direction of Amy “Catfox” Campion. Antics creates multimedia street dance performances that incorporate breaking, locking, popping, waacking, house dance, krump, poetry, theater, and film into virtuosic and provocative performances. Founded in 2007, Antics dancers represent the best in L.A. with credits that include major films, TV shows, and music videos. Antics is committed to empowering communities through hip hip dance residencies, workshops, and lecture demonstrations.

ANTICS SOLIDARITY STATEMENT

Antics stands in solidarity with the Black Lives Matter movement and the fight for racial justice. We believe it’s our responsibility to undo racism. Hip Hop originated in marginalized Black, Latinx, and Immigrant communities in the Bronx during the 1970s and has become one of America’s greatest cultural creations. We are committed to dismantling White supremacy, patriarchy, and the systems of oppression that gave rise to Hip Hop in the first place.

We also believe it’s important to recognize the global significance of Hip Hop culture and to welcome people of all identities who wish to learn about and create Hip Hop with integrity. Anyone can love and appreciate Hip Hop. Anyone can study Hip Hop. And anyone who works hard and finds inspiration can create dope Hip Hop art.

Antics’ mission is to empower people of all backgrounds through hip hop dance. We believe in collective liberation and the intersectionality of the struggles for LGBTQ rights, Immigrant rights, Indigenous rights, Women’s rights, Environmental Justice and Science. We support the protesters and activists fighting for justice across all of these movements. We are committed to listening to, working alongside, and amplifying the voices of those who are at the forefront of these struggles.

Website | Instagram | Facebook | Youtube

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

“Under Construction: THE ZOOM SERIES”

***

“Under Construction: THE ZOOM SERIES” produced by Jami Brandli, Meeghan Holaway and Carlyle King streams through November 15.

In 2019 Carlyle King and Jessica Broutt brought together a group of 11 playwrights, both emerging and established writers, to meet bimonthly to create and workshop new plays. They called it UNDER CONSTRUCTION. Each playwright entered the group with the beginnings of a new play. The work would be developed collaboratively. This program is modeled for playwrights who would benefit from a structured space to receive feedback from peers, all in the supportive environment of The Road. This group furthers The Road’s mission to develop socially and politically relevant voices and thoughts to the American stage, as well as continues to establish the company as a leader and champion of new work in Los Angeles. 

“Under Construction: THE ZOOM SERIES” is a virtual reading of eight new short plays focusing on timely topics of our current year and streams through November 15.

One of the plays that fits the current times perfectly is “Reach,” written by Jennie Webb, directed by Susan Diol and streaming Saturday, October 24. It’s a short comedy about the ways in which we connect, or try to, “Reach” takes a peek at socially-distanced friends during a time when the dual pandemics of Covid-19 and racism hit Los Angelenos-and bring them together-in rather revealing ways. The play features Brian M. Cole, Judith Moreland and Carlyle King. The choice of song for the play’s opening and closing is firehill’s “Believe.” Adam Bruce and Shawn Doll are the song writing duo of firehill who, together, have written more than 200 pieces and created nearly 40 songs across several genres.

We asked the playwright, producer, band and cofounder of the play reading series some questions.

Why did you choose to write this play?

Jennie Webb, L.A.-based playwright, dramaturg: When the prospect of writing Zoom plays as part of the Road’s UNDER CONSTRUCTION playwrights group was floated at the end of April, I thought, “Hey! Why not!?” To most of us, Zoom was a squeaky new deal, but I looked at this as a chance to write a little play for actors in the company who I really love – Brian M. Cole, Judith Moreland and Carlyle King.

So for a bit I walked around trying to figure out what the scenario would be; who were the characters and why would they be together. On Zoom! I loved the idea of the communication challenges we were (and are) going through in the time of Covid, when we are so desperate for connection. To really feel like we’re reaching each other even (or especially) at a distance. My first step was talking to Brian, who is deaf, about his experiences and doing a bunch of research on the deaf community… and then George Floyd was murdered.

And so the play deepened. Like many white Angelenos, I started taking a closer look at my own hidden biases, expectations, assumptions and reached out to Judy, who is Black, to get a sense what she was going through and was comfortable sharing and exploring in this piece. Like everything right now, we were making it up as we went along. And working collaboratively with Brian, Judy and Carlyle, along with director Susan Diol and Christine as producer, made this a really special project for me.

What I’d love people to sit with after seeing Reach is the humor. The often uncomfortable humor in the play that hopefully helps us see things in a new way? In ourselves, and others. So that when we reach out and really connect, we’re open to something new maybe happening. And when our efforts miss, it doesn’t dissuade us from trying again. And again. We’re all in this together. Right?

Why did you choose to add the song, “Believe” to the reading?

Christine Joëlle, producer for “Reach”: I quickly realized how special the play “Reach” by Jeannie Webb was after reading it. And after watching our first rehearsals on Zoom, I instantly thought of the song, “Believe” by firehill – knowing it would make a perfect song to use for the play’s opening and end credits. After receiving permission for its use, it started all coming together. It’s a beautiful catchy uplifting song focusing on Black Lives Matter and matches on point with “Reach”s message, which takes a peek at socially-distanced friends during a time when the dual pandemics of Covid-19 and racism hit bringing them together in revealing ways. The UNDER CONSTRUCTION Zoom Series by the Road was created to showcase playwrights out to the world with their unpublished work. And with our play, “Reach,” I extended that olive branch even further to include unknown music.

Why did you pen this song?

Adam Bruce of firehill: In the last couple of years I’ve had conversations with people of color and watched many disturbing videos… both of which have finally opened my eyes to the racism that exists in our country today. The problem is exacerbated when people try to politicize human rights issues. This song was penned out of both frustration for those that refuse to accept the reality of racism as it exists today, and out of hope that the current movement to drive positive change will continue to grow stronger.

What’s coming up for you?

Shawn Doll of firehill: It’s been a busy couple of months and will only get busier as we set out to release new songs and videos every couple of months for the foreseeable future.

Up next is a song called “Somebody’s Bitch” and it is a song that represents and celebrates individuality and independence. We will release the new tune and video sometime in November 2020 followed by a powerful new song in the first part of 2021. More details to come and all the latest news at firehillmusic.com

What are the plus and minuses of doing virtual readings?

Carlyle King, Road Theatre Company: As the producer of the Zoom Series (with Meeghan Holaway and Jami Brandli) and of Under Construction (along with Jessica Broutt and Carlos LaCamara), we love the challenge of virtual and learned the plus is the number of people you can reach across the world. For our playwrights festival we reached 18,000 people on six continents, which is thrilling. We now have fans in Mexico and Dubai. Of course nothing replaces live theatre. Both the energy from the audience and the energy from your fellow actors. Once this is over, we will continue a virtual platform and welcome back our fellow theatre goers and actors in person with joy!


“Reach” featuring Brian M. Cole (upper left), Judith Moreland (upper right) and Carlyle King (bottom). Photo by Christine Joëlle.

“THE KEEPSAKE” by Carlos Lacámara

Directed by Meeghan Holaway

“Love and clocks.”

Ed: Tom Knickerbocker
Lauren: Ann Hearn
Tara: Kacie Rogers

“THE STATEMENT” by Bernardo Cubría

Directed by Chelsea Gonzalez

Late to put out a “Black Lives Matter” statement, the marketing team at White Claw holds an emergency meeting to find the right words while remaining on brand.

Pablo: Roland Ruiz
Britney: Chelsea Gonzalez
Marl: Jon Sprik
Chad: Kyle Bryan Hall

“BUBBLE” by Jennifer Maisel

Directed by Sara Guerrero

Two women hover on the brink, juggling the insanity of solo parenting in the pandemic. How far will they go for their friendship?.

Carrie: Cherish Monique Duke
Liz: Presciliana Esparolini

“SNOWFLAKE” by Velina Hasu Houston

Directed by Stewart J. Zully

Two college administrators of color meet online with an applicant they think is Black. Much to their surprise, while the applicant identifies as Black, she looks White. The encounter blows to smithereens all notions of race and ethnic diversity.

Sumi Sommerville: Kimberly Green
Riley Doyle: Jennifer Finch
Reggie Sumoto: Dana Lee

“ExZOOMED” by Steve Apostolina

Directed by Steve Apostolina

23 years after their mysterious breakup, two ex-lovers reunite on Zoom. Inner secrets will finally be exhumed – and truth is king.

Jack: Jonathan Nichols
Diane: Meeghan Holaway
J2: StephenTobolowsky
D2: Ann Hearn

“TERRORIST IS SPELLED K-A-R-E-N” by Aja Houston

Directed by Inger Tudor

Grocery stores. Parks. Sidewalks. Restaurants. At home. Black couple, Toni and X, fight daily for their survival as they move through these commonplace spaces that are regularly targeted by the American terrorist group, KAREN. When one member violently attacks X, Toni struggles to help put the pieces of his soul back together KAREN sought to annihilate.

X: ChristianTelesmar
Toni: Kacie Rogers Karen:
Paris Perrault

“REACH” by Jennie Webb

Directed by Susan Diol

A short comedy about the ways in which we connect, or try to, Reach takes a peek at socially-distanced friends during a time when the dual pandemics of Covid-19 and Racism hit Los Angelenos—and bring them together—in rather revealing ways.

Jeffrey: Brian Cole
Claudia: Judith Moreland
Janet: Carlyle King

“EVERYTHING IS GOING TO BE OKAY” by Jami Brandli

Directed by Ann Hearn Tobolowsky

A long-time married couple struggles to adjust to the never-ending pandemic living situation while their marriage counselor wrestles with her own problems.

Kim: Lizzy Kimball
David: Brian Graves
Alex: Donna Simone Johnson

WHEN:

All streaming through November 15.

HOW:

STREAMING PLATFORMS:
www.roadtheatre.org/live | www.facebook.com/roadtheatre/live | www.youtube.com/roadtheatrecompany/live

PRICE:

Ticket prices are suggested donation of $15. No donation is too small, but if you can’t afford to donate at this time we understand.

The Road Theatre Company

Located in the heart of the NoHo Arts district-the fastest growing arts district in Los Angeles County. Fiercely committed to that most dangerous of theater missions-the dedication to new works-The Road Theatre Company led by founding artistic director Taylor Gilbert and artistic director Sam Anderson, is a multi-award-winning theater that has been named one of the top ten intimate theater companies in Los Angeles (LA Weekly). It is home to over 150 theater artists devoted to the creation of the highest level of work.

Under Construction: The Zoom Series from Road Theatre on Vimeo.

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

HALLOWEEN: From Pagan Worship to Quintessential American Holiday

***

HALLOWEEN: From Pagan Worship to Quintessential American Holiday

An insightful and illustrated conversation via Zoom by two horror writers on the true and twisted history of the ghoulish holiday! 

What we think of as a quintessential American holiday didn’t start as the celebration for costumed children and fun-loving adults we enjoy today. The strange and true story of the Halloween is long, twisted and oftentimes dark.

Halloween, like a creature made in a mad scientist’s laboratory, has taken form over centuries from ancient mysticism and spiritualism, supernatural and Christian beliefs, folk tales and Gothic horror stories, and Hollywood movies. Although it’s now primarily targeted by retailers at children and parents, its appeal is widespread and it remains a popular and never-ending well for creators of ideas and imagery.

Halloween authority and award-winning writer LISA MORTON and horror writer KATHRYN E. McGEE will discuss and take questions from participants on how and why this strange and fascinating celebration evolved and spread over many centuries, inspiring the works of Mary Shelley, Bram Stoker, H.P. Lovecraft, Edgar Allan Poe, Stephen King, Anne Rice, Susan Hill, J.K. Rowlings, Tim Burton, Guillermo del Toro, and many others.

This virtual event is suitable for adults and older teens, and is presented free and online via Zoom as a public service by the Friends of the North Hollywood Library and Sherman Oaks Friends of the Library. A link to the virtual event will be sent to attendees.

WHEN: Monday, October 26, 2020, 6PM PDT

REGISTER FOR THIS FREE EVENT>>

Lisa Morton “HALLOWEEN: From Pagan Worship to Quintessential American Holiday”  via www.nohoartsdistrict.com

LISA MORTON is a screenwriter, short story writer, and author of four novels and several nonfiction books, most notably “Trick or Treat.” “A History of Halloween” and “The Halloween Encyclopedia.” She is a six-time Bram Stoker Award recipient, and world-renown expert on Halloween. She co-edited, with Leslie S. Klinger, the anthology “Weird Women: Classic Supernatural Fiction by Groundbreaking Female Writers 1852-1923,” and her nonfiction study “Calling the Spirits: A History of Seances,” was also released recently. https://lisamorton.com/zine/

Kathryn McGee “HALLOWEEN: From Pagan Worship to Quintessential American Holiday”  via www.nohoartsdistrict.com

KATHRYN E. McGEE is a horror writer whose stories have appeared in Automata Review and Gamut Magazine, and in anthologies such as “Horror Library Vol. 6,” “Winter Horror Days” and “Cemetery Riots.” She moderates a monthly horror book club at The Last Bookstore in Los Angeles, and is a member of the Horror Writers Association. https://www.kathrynemcgee.com/

We asked Raul Garza from the Friends of the North Hollywood Library a few questions about their latest event.

Why did you choose these two writers?

Lisa Morton is an LA-based author, prominent Halloween authority, and a bookseller at The Iliad Bookshop, a North Hollywood community-based business. Kathryn McGee is a popular horror writer who also lives in the SF Valley, and someone Lisa knows and feels comfortable with. Featuring more female authors is something we’ve wanted to do.

Why Halloween?

The Friends of both the NoHo and Sherman Oaks Libraries have partnered on community events for adults for two years and started planning in June to adapt to author/book virtual events. We’ve also had Halloween-related activities (such as a mystery book sale) at the Libraries for years. Virtual events are opportunities to encourage community members to read these and other books and borrow items thru Sherman Oaks’ Library-To-Go. A Halloween virtual event can reach a broader audience than in-person events usually do.

What’s coming up for The Friends of the North Hollywood Library? Any more Zoom readings/chats?

The Friends of the North Hollywood Library are supporting a virtual event on Zoom by the Sherman Oaks Friends of the Library on Monday, October 19, at 6:15 PM, featuring author Simon Goodman. We’re also collaborating on events in November and beyond. (Including a pre-holiday food event featuring LA-born author and motivational speaker Victoria Price, daughter of actor, art connoisseur and author Vincent Price! More on that later 🙂

Is there anything you would like to add/highlight?

The LA Public Library provides ADA accommodations in English and Spanish for events if patrons call (213) 228-7430 at least 72 hours prior to the event.

FRIENDS OF THE NORTH HOLLYWOOD LIBRARY and SHERMAN OAKS FRIENDS OF THE LIBRARY are independent nonprofit organizations serving their communities by supporting of branches of the Los Angeles Public Library, through advocacy, financial and volunteer activities, and special events such as this.


**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Artist Spotlight | Renée Fox

Both Curator and Artist, Renée Fox has been inspired by natural connections since a young age.

Predominately an artist now, Renée Fox lives and breathes art, as she branches out from her originally inspired mural practice, and has honed her skills through pathways which enable her to more quickly develop and stylize her art. From her homebase of Inglewood, Renée Fox shares her gifts with Los Angeles at large. Fox was kind enough to share insights into her professional trajectory and personal practice: for which we are very grateful.

Q:        How long have you been an artist? What has been your professional trajectory/arc?

A:        I knew I wanted to be an artist when I was a child. Art has always been a way for me to connect with people. I did not attend traditional college; instead, I aimed directly at a career in the arts. I earned my BFA from Otis College of Art and Design in 2002 after a transfer to the Corcoran College of Art and Design, Washington DC when I relocated to LA in 2000. I made a nice space for myself in the LA art world through constant engagement with the art community, so LA would be hard to leave.

Q:        How has your practice changed over time?

A:         Over time, my practice has developed from drawings and paintings I showed through galleries and curatorial projects to public murals. Public art truly belongs to everyone so it can have a life outside of private exhibitions. I am currently working on two public projects- a commission for LA County to create a permanent mural for the Restorative Care Village (RCV) at UCLA in Sylmar and a mural for the Los Angeles World Airports Art Program for the newly built terminal 1.5  opening in January 2021. These two projects are important steps toward expanding my audience outside of California and internationally.

It is worth mentioning that it takes a lifetime to truly master technique as part of an art practice. I’ve worked in pencil and paint since I was very young. Even though I am now learning photoshop to help save time with proposal mockups and sketches, a combination of pencil and paint is integral to my work no matter what the scale, specifically because these media show the evidence of the human hand.

Q:        What is your inspiration? Who has been an inspiration to you (professionally and personally)?

A:         Nature is and has always been my muse. It is my main source of inspiration and so the looming threats to the environment also inspire my work with a sense of urgency.

Q:        What has been an artistic challenge you have faced and how did you overcome this?

A:         Art is my full time job, it affects how I interpret the world and it is how I respond to and learn from ideas and situations I find challenging. To be an artist is to care enough to speak up when I need to and to share my thoughts and imagination with others. Art is essential because it makes the world a better place.

Renee Fox’s vision for not only art, but her own art, is a peace and fellowship we all could reflect a little more on, especially in 2020.

Artist:

Renee Fox

About:  

https://www.reneeafox.com/

https://www.lawa.org/art-program/past-exhibits/2019/songs-of-freedom

reneeafox.com

[Credits below for photos]

Temptation of Faustus, 2017. Acrylic and graphite. 9 x 42 feet. Image courtesy OTIS College

Temptation of Faustus, 2017 (detail). Acrylic and graphite. 9 x 42 feet. Image courtesy OTIS College

Eve, 2015.  Acrylic. 9.5 x 24 feet. Permanent collection of MOAH. Image courtesy the artist

Songs of Freedom: Renée Fox + Write Girl, 2019-2020 (detail). Acrylic latex and graphite. 8.5 x 218 feet. Photo by Panic Studio L.A., courtesy Los Angeles World Airports [LAWA] and City of Los Angeles Department of Cultural Affairs [DCA].

Hiking on the Famed Appalachian Trail in Shenandoah National Park

One of the most beloved and popular National Parks in the United States is Shenandoah in Virginia, featuring the famed Blue Ridge Mountains.

A 100-mile, well-marked section of the Appalachian Trail (AT) goes through the park on the crest of the mountain range. (The entire Appalachian Trail is 2,000 miles and runs from Maine to Georgia.)

Our small group hiked a 35-mile “best of “ section of the AT in the park over four days featuring spectacular vistas and well-situated, rustic, full-service cabins and lodges along the way. We had our luggage transferred for us each day so we only needed light daypacks while we hiked.

At our welcome dinner in Luray, Virginia, we were treated to an informative talk by a former Shenandoah Park Ranger, Jerry Dofflemyer. He shared with us the history and lore of the park and mountains (more than 500 families had to be displaced to open the park in 1936).

Starting near the Swift Run entrance station we hiked on our first day in the park for about eight miles.

It was a nice section with plenty of overhead canopy. The weather was perfect; in fact, we were fortunate enough to have the most ideal weather the entire trip; it was that late September refreshing transition between summer and fall. Just off the trail was the Lewis Mountain Cabins and we stayed there for our first evening. Local Appalachian Trail liaison Alison Coultrain from Luray brought us up a delicious BBQ dinner and let us borrow her Appalachian Trail board game as we sat around the fire in fellowship enjoying the quiet of the area. (Did you know only 1% of those who set-off on the entire 2,000 mile trail finish it?!)

On our second day in the park we hiked roughly another eight miles which started with a gentle ascent of Bearfence Mountain.

There’s an amazing hands and feet scramble up basalt rocks to a spectacular 360-degree view. (But you can also take an easy path if you’re not keen on scrambling.)

Towards the end of the day we got to Hazeltop Mountain and hiked a mile along the ridge, called the “green tunnel.” It’s a magical section where you almost expect to see leprechauns, gnomes, centaurs and fauns. Not too far off of the trail is Big Meadow Lodge, where we stayed for the evening.

Day three saw us setting out on the AT but also we took a couple of what they call “blue-blazed trails” that detour from the AT to panoramic overlooks.

One is called the Salamander Trail which leads to the top of Hawksbill Mountain, the highest peak in the park with spectacular views. We then descended to the Hawksbill area and continued on the AT to Skyland Lodge, our accommodations for that evening, which was our last evening in the park. We hiked roughly eight miles on that day too.

Our last day on the trial was chock-full of views, most notably – Mary’s Rock.

The vistas were expansive from this viewpoint and we had fun taking some final photos inside Shenandoah National Park. We then descended down the AT trail on our final stretch to the Panorama Parking at Thornton Gap Entrance Station where Alison picked us up and took us to our luxury classic accommodations in Luray, just outside the park. That was a 10-mile hiking day.

The next morning before we checked out, we got what felt like an unearthly experience by visiting the Luray Caverns.

The cavern system is generously adorned with speleothems such as columns, mud flows, stalactites, stalagmites, flowstone, and mirrored pools. It’s the largest system of caverns on the east coast.

Our lodge-to-lodge trekking adventure in Shenandoah National Park was so inspiring.

The Appalachian Trail is well marked inside the park and all of the accommodations were just fine. Some had limited services due to the pandemic, but it didn’t’ really affect us that much. We were grateful for the wonderful hospitality of the employees at the cabins and lodges and as always we came across (safely) so many nice and kind hikers along the trail. As crude and divisive as the news and social media can be these days, one thing I’ve noticed is that no matter where you are in the world, people out in nature on hiking trails are always genuine and respectful. I guess it’s that common bond of the great outdoors that brings us together as humans. In a modern world, retreating to nature and hiking is indeed the best medicine for the body, mind and soul.

If your small group would like a guided or self-guided lodge-to-lodge trekking adventure on the Appalachian Trail in Shenandoah National Park feel free to contact me at Jack@ActiveWorldJourneys.com

Cheers,

Jack Witt, MS, CPT
Fitness and Health Coach

Andy Warhol And The Great One

0

NYC - MoMA: Andy Warhol's Campbell's Soup Cans

“NYC – MoMA: Andy Warhol’s Campbell’s Soup Cans“ by wallyg is licensed under CC BY-NC-ND 2.0

There are perks that come with a career as a professional sports writer. Over the years I’ve worked on a number of projects in conjunction with the Hockey Hall of Fame. One day while at the Hall’s research centre, I was asked if I wanted to venture into the dungeon.

The dungeon, as the workers at the Hall refer to it, actually isn’t in the basement at all. It’s a locked, climate-controlled room adjacent to the research centre. Most people probably aren’t even aware of its existence.

The purpose of the dungeon is to safely store and maintain all artifacts not currently on display at the Hall. When the chance to tour this unique facility was offered, there was only one answer that was appropriate.

Of course. Let’s go.

Upon entering the room, my gaze was immediately caught by a unique painting hung carefully on the wall. Upon closer examination, it became apparent that the work was of New York Rangers legend and 1982 Hall of Fame inductee Rod Gilbert. Even closer scrutiny revealed the artist’s signature.

It was another legend who’d captured Gilbert’s likeness on canvas.

The painting was an Andy Warhol.

Big Sports Fan

Warhol’s brilliance over the years encompassed a variety of media. You might not have been willing to put a wager down on it at a U.S. online sports betting site that his areas of expertise would include sports but you would’ve been wrong.

In fact, Warhol’s first first photo silkscreen painting was a baseball scene, done in 1962. In 1977, Warhol was commissioned by businessman Richard Weisman to complete a group of paintings that became known as the athlete series.

Among those featured in works by Warhol were golfer Jack Nicklaus, basketball’s Kareem Abdul-Jabbar, jockey Willie Shoemaker, figure skater Dorothy Hamill, tennis player Chris Evert, soccer’s Pele, baseball’s Tom Seaver, football’s O. J. Simpson, boxing’s Muhammad Ali and hockey’s Gilbert.

Warhol was known to be a Rangers fan and would socialize with the players.

In 1983, he was among 17 prominent artists commissioned to create paintings for the 1984 Sarajevo Winter Olympic Games, called The Official Art Portfolio of the XIV Olympic Winter Games. Warhol’s work depicted a speedskater.

Warhol's Children's Toys (Andy Warhol's Factory)

“Warhol’s Children’s Toys (Andy Warhol’s Factory)” by batmoo is licensed under CC BY-SA 2.0

As part of fundraising efforts for the Cincinnati Art Museum in 1985, Warhol created a poster of Cincinnati Reds star Pete Rose, designed to look like a baseball trading card. He also painted a work of a polo player that same year to be featured on the cover that recognized the 10th anniversary of Polo magazine.

The Art Now Gallery in Göteborg, Sweden, which is home to the Swedish hockey team the Frölunda Indians, commissioned Warhol to create an image of a Frolunda player skating down the ice.

Perhaps the most unique of Warhol’s sports-related work came to be when he was asked by BMW to paint one of their M1 race cars that would later compete at the famed 24 Hours of Le Mans. The Warhol-themed vehicle finished second in its class in the race.

A Great (One) Work Of Art

Canadian art dealer Frans Wynans of Vancouver approached Warhol in 1983 with an idea for a special project. At the time, Wayne Gretzky of the Edmonton Oilers was annihilating the NHL record book, putting up totals never seen before or since.

Gretzky’s nickname is The Great One and that one Great One should be captured on canvas by another great one only seemed appropriate to Wynans.

Warhol immediately saw the connection. “He’s more than a hockey player, he’s an entertainer,” Warhol told Radio Canada International of Gretzky.

The feeling was mutual. “I have a few of Andy Warhol’s paintings of my own that I’ve collected over the years,” Gretzky told Radio Canada International in December of 1983.

“I’m by no means saying that I know a whole lot about art. I buy things that I enjoy and I enjoy his stuff and to be painted by him is terrific.”

Warhol completed six separate paintings of Gretzky and then permitted the Great One to pick out the one he liked the best and take it home. Gretzky selected the painting that depicted him in Oilers colors.

“The Oiler colours, if you can see the blue with the orange and white,” Gretzky said. “They all look the same, but the colour in that one was the one that I seemed to like the most.”

The painting still hangs in a place of honor in Gretzky’s California home.

Warhol did a Gretzky

Surviving Covid – Join a Community

I recently had the honor and pleasure of speaking at a conference to hundreds of actors from around the world.

It was a virtual conference online through zoom.  Afterwards, I had interviews with many of them individually. It was a great learning experience for me and hopefully for them.  In my personal interviews I got to chat with people from all kinds of diverse places. Some got up at 3 in the morning to make our meetings due to the time differences. I met with actors in Austria, Germany, Poland, Italy, Paris, London, China, and all around the US including, Atlanta, South Dakota, Alabama, New York, and throughout the Midwest.  Some of them were in big cities, some in small rural towns. What an honor to be invited into their private spaces and have some time to discuss acting, their careers, and coach them on their own unique journey.

What I discovered in these meetings is how similar artists are in spirit, desire, and creativity. 

No matter where in the world, small town or big city, a lot of the conversation had similarities.   What we had in common, including myself, is the need, desire, and passion about working with a community of like-minded people.  There is a craving to be around other artists, to be challenged, have provocative conversation about art, how to get it out there, and how to get ourselves out there.

This is one good thing that has surfaced from coping with the Covid crisis. It is the opportunity to be a part of a community, and exchange ideas and work that is outside the city and area where you may be living.

Now no matter where you are located, you can get involved and be around people with your shared passion. 

Just a few months ago the only people who could benefit from The Actors Workout Studio, which includes our theater, master classes, training, coaching, performances, and events, were those who live within driving distance. Now, that is now open to anyone around the world.

My advice to actors where ever you are is to find and get involved with a community of artists. Find one. Find one that supports you. Find one where you have similar interests. Find one that challenges you and your art.  Find one that pushes you. There are great online classes, theater companies, writers groups, acting troupes, director assemblies, film cooperatives, and all kinds of  support groups that can support you and your art during this time.

Many are free and available to check out. Try them out, and see if they serve you.  It is a way to keep stimulated, inspired, and expand your view of yourself, your art, and your contribution as an artist.

With all the challenges and restrictions of Covid, there is this new opportunity to be a part of a community. And that is what we want right now and what I saw that so many people need during these times. That being, a sense of community and belonging, and a chance to be seen.

Get out and explore the possibilities, get outside yourself and find a community to be a part of. Geography is no longer an obstacle.

All the best.

Fran

What To Do If An Auto Accident Occurs

0

The statistics regarding the number of car accidents in the US make for worrying reading, with around 6 million accidents occurring each and every year, and around 100 Americans dying in car crashes every single day.

We can all make efforts to stay safe on the roads, following the rules, sticking to the speed limit, keeping our hands on the wheel, minimizing distractions, and so on, but sometimes, other drivers’ behavior can endanger our lives, and some accidents are almost unavoidable.

But what do you do if an accident occurs? Many people never spend much or any time pondering this possibility, hoping and believing that it simply won’t happen to them and that they’ll never have to worry about.

However, with so many of these accidents occurring each year, it’s clear to see that the chances of being involved are quite high, even for safe and sensible drivers, and it’s wise to know exactly how to react if and when it happens.

This guide will cover all the key steps to take after an auto accident, from treating any wounds and injuries in the immediate aftermath to negotiating with insurance companies and how to handle settlement offers too.

The First Steps

Let’s begin with what to do right after an accident occurs. Naturally, the immediate action you take will depend on how severe the accident is and whether or not you’ve actually been seriously injured. Accidents can vary wildly in their severity; some will only leave you with bumps and bruises, but others might leave you suffering from other common car accident injuries like whiplash or TBI.

If you don’t seem too hurt and are able to move, the first step is to get out of the car and assist other passengers from the vehicle too, contacting an ambulance if necessary and then getting yourselves safely to the side of the road, away from danger. If your car is blocking the road and you’re able to move it to the side, you should take this time to do so.

Reporting and Documenting

Next, you’ll need to think about reporting the incident to the authorities. Even minor collisions should be reported to the police. This means that an official police report will be filed, and officers may come out to the scene to provide assistance and take witness statements, which could prove highly useful later on if you find yourself in a legal battle with the other driver or their insurance adjuster.

Documenting the scene is another essential step to follow, and this includes taking photos of the vehicles, documenting any injuries you might have, speaking with nearby witnesses who might be able to support your claim of innocence, and so on. All of the evidence you gather in the aftermath of an accident can prove to be invaluable later on, so it’s important to bear this step in mind.

Exchange Information

Next, you’ll need to speak with the other driver and exchange information. Usually, this process is pretty straightforward; you’ll need to get the driver’s name, contact detail, insurance information, and license plate number. Some drivers can be irate or even violent in the wake of accidents, and if this is the case, you may want to wait for the police to arrive on the scene to calm the situation down and collect the information you need.

This part of the process really is key, and there are many drivers who will try to give fake information or simply flee scenes without sharing their contact details, so be sure to document everything and take photos, as mentioned above, so you don’t fall into any traps. Once you’ve got the other driver’s information, you may also choose to call your own insurance company and report the incident.

Get Medical Help

As mentioned earlier on, car accident injuries can range from simple cuts and scrapes to broken bones and severe brain trauma, so it’s really important that you get yourself to a doctor as quickly as possible, along with other passengers involved in the accident. This rule applies in all cases, even if you don’t feel any pain or notice any visible injuries on your body.

There are various kinds of car crash injuries that don’t appear straight away, and it’s not uncommon for victims of accidents to feel fine at first, but then notice pain building up in the hours and days that follow. A medical doctor will be able to diagnose any issues and carry out some tests to ensure that you’re not severely injured or identify any injuries you might not have noticed.

Contact a Lawyer

Once the above steps have been taken care of in the wake of a car accident, you might like to contact a car accident attorney. Even if the accident wasn’t your fault, the other driver’s insurance agency may take steps to try and minimize your claim and offer low unfair settlements. An attorney will help you deal with these potential pitfalls and get a settlement that is right for you, covering any medical and additional expenses you incur as a result of the crash.

The sooner you get in touch with an attorney, the better, as insurance adjusters and opposing legal teams often get to work very quickly, using various tactics and techniques to try and get the best possible arrangements for themselves and their clients. An attorney on your side will be able to guide you through the process, helping you avoid common mistakes and make the right decisions.

Final Word

Being in an accident is never easy. It can be stressful, harmful, and damaging in more ways than one, but by taking the right action, you can get through this difficult time and achieve a settlement that works for you. Keep these tips in mind to give yourself the best chance of success, remembering the importance of documenting and reporting the scene, as well as getting any necessary medical care you may need.

The Whitefire Theatre & Twizztid Angle Productions Presents “No Offense”

Written, directed and produced by Jerry Belitch.

This is a really low budget film, but what it lacks in flash it makes up for many, many times over in satire and outrageous content.

The story is based around the current president, and the actor Thomas Ferranti channels Trump to a T.  The basic plot is the president falls in “lust” with a 16 year old girl and attempts to change the law of the age of consent so he can pursue her.  Pretty creepy, but is it that really that much of a stretch?

There is a healthy helping of many more of the White House staff, Ivana, Sarah Sanders, Melania and other easily recognizable minions, all played with dastardly accuracy. It’s a very powerful storyline of celebratory sexual predators and abusers.  Ryan Seacrest shows his sorry head, several Hollywood producers, including Weinstein, all making the rather obvious point about the horrors of sexual aggression in the workplace and the subrogation of women for time immemorial.

R Kelly is also highlighted, so Belitch clearly has a very strong position on this.  He even brings Bill Cosby into the fray.  It’s as if all these sleazeball predators have each other on speed dial and activate their “calling tree” to cover each other’s lies.

So whats the point of this? It’s certainly an interesting way to highlight a subject as front and center as this.  Having a sexual predator in the White House seems to have become just one of a hundred other shameful stories of his climb to power. I do like that this film has encompassed so many different aspects of this story though, not just the obvious, but the shameful cover ups, the weirdness of it all, the darkness and the disgust.

Making a film is a magical thing.  An impossible task, believe me I know. So the fact that Jerry Belitch got this made at all is a miracle and for that alone he should be admired.  There are imperfections, of course there are, this was made on a shoestring and with stolen locations and seat of your pants production value.  But it works.  The story is clear, the characters bold, the intention defined and the result is a darkly funny and seriously timely film you won’t soon forget.

I am a filmmaker myself, so I understand the trials and tribulations of it all.

It can literally kill you, take all your money, your soul and your good sense.  But in the end, if you persevere, if you survive, you will have something permanent, something real and complete and entirely yours.  I hope Jerry feels a huge sense of accomplishment, to have pulled this together so quickly and with very little help.  I think he and his “No Offense” cast and crew deserve a huge Bravo!!

The film will be available to steam and download sometime in November, there will be updates and an interview with Jerry in November to celebrate the worldwide release of “No Offense.”

https://www.facebook.com/nooffensemovie

twitter.com/parodyjerry

https://www.imdb.com/title/tt12986962/

The Whitefire Theatre’s Black Voices Solo Theatre Festival Presents “Shadee”

Written, produced and performed by G. Smokey Campbell.

Developed and directed by Jessica Lynn Johnson.

The Whitefire Theatre’s Black Voices Solo Theatre Festival series continues to be a lifeline to those of us whose hearts ache for live theatre.

This latest of the shows I have had the privilege to see is SHĀDEE,  an 80 min dramedy written and performed by G. Smokey Campbell, about Nick Niles, an innocent activist wrongfully imprisoned at a prison farm.

Mr Campbell artfully embodies the 20 vastly different characters leading us through the story and giving us a vivid, shocking and heart-breaking window into the world of privatized prisons, the sickening spread of gentrification, and the profits culled from both by ‘shadee’ corporations that give free reign by politicians and unwitting citizens benefiting from this culture of greed.

Nick Niles’ life story is a lesson for us all.  A history of America, a twisting of karma, a mythological hero’s journey.  It’s a clear and beautifully written piece.  Full of the horror of Jim Crow, segregation, busing and the arch of injustice, isolation and poverty’s path to prison.  Niles’ life is told with light too though, his grandmother, or ”G’mom,” is a pillar of strength and a source of love to him.  The childish escapades are warmly remembered, even running from his cruel father feels like a victory and fuel to his growing heart.  So there’s a very real sense of place, a deep connection to the characters and a humor and a poetry.  It’s such a hard line to walk when telling stories such as this, knowing when to laugh and when to cry and when to scream.  Mr Campbell walks it with brilliance.

My father grew up very poor, charity shoes and many kids to the bed, icy winters and one bath a week.  The stories he told us, oh how I wish there were more, were always full of humor and small victories, even though it was a hard, hard life.  Although I can see some of that in Niles’ story, of course it is very different. This story is about the Black experience, poverty is cruel enough without everything that being Black adds to it. The grace of G’mom could not protect young Nick Niles from the harsh reality of his path.

How can we change if we don’t acknowledge this story? His is a story that could belong to so many others over so many years and even now still rings true to children growing up in this America.  These past few years in this country have changed us I think.  More of us that didn’t really know the true experience of this terrible legacy can now say that we do.  We can now say that we will do all we can to ensure that it will never be that way again and that we recognize the pain caused and the atrocities ignored.

We have a long way to go but I feel sure that we are on the road together at last, thanks in no small part to stories like this one and to artists like G. Smokey Campbell who shine the light so we can see.

A portion of the proceeds will go to: Equal Justice Initiative and the Ella Baker Center for Human Rights.

If you want to find out more about G. Smokey Campbell and to see where you might be able to see this show either online or even live…we can only hope, please check out his Facebook, instagram or his website.

https://www.facebook.com/gsmokeycampbel

www.instagram.com/gsmokeycampbell/

http://www.gsmokeycampbell.com

Here’s the NoHo News for October 15

…

NoHo News: Halloween Is Not Cancelled. Vote! THEATER Ain’t Going Anywhere. artHYPE Gallery Opening. Beverly Hills Art Show Goes On. #KeepNoHoArtsy.

Here’s your NoHo arts community update!  We look forward to sharing lots of fun and unique news, events, profiles and updates on what’s happening in the NoHo Arts District.

Every Thursday we send out our NoHo e-News. Do you get it? It takes 30 seconds. Make sure you sign up, it’s FREE. Sign up HERE>>

This issue of NoHo e-News is about what’s going on in North Hollywood and a selection of some theatre shows. But we have a ton of them. Did you know that the NoHo Arts District has the highest concentration of theatres outside of New York City? Just check out the NoHo Arts District Theatre Guide>>

Here’s a glimpse at what’s going on in North Hollywood.

Click on the image and to see the online version of our NoHo News…ENJOY NOHO!

Here's the NoHo News for October 15  via the official guide to the NoHo Arts District - www.nohoartsdistrict.com 

Follow NoHo News with Bloglovin

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

 

FEAR: Friend or Foe of the Solo Artist?

“He who has overcome his fears will truly be free.”  Aristotle

Fear is the single biggest culprit when it comes to keeping the Solo Artist captive.

Fear tells the Solo Artist that they have no original or interesting ideas to put into a solo show. Fear warns the Solo Artist that they will never be able to memorize so much material. Fear convinces the Solo Artist that they are merely navel gazing and being narcissistic if they dare demand attention for an hour alone on stage. Fear screams at the Solo Artist that their opinions, their stories and their voice are irrelevant.

Fear’s various claims are too numerous to list in this blog, but you get the idea.

Fear is a Foe that travels with us all along the creative journey whether we try to ditch him or not.

But what if you could befriend your Fear? What if you could overcome your Fear and step into total creative freedom?

You can.

Here are 4 steps to reframing your Fear so that you are no longer creatively imprisoned by it.

1) Stop fueling your Fear with inaction. 

Too often when our Fear starts to psyche us out, we just completely allow it to paralyze us. We stop writing. We do not schedule coaching sessions with our mentor. We do not memorize our lines. We do not research performance opportunities. We literally do nothing but allow the Fear to talk us out of the entire solo journey. We stay stationary instead of taking the meaningful next steps that we know inside we need to take.

So, no matter how scary it is, no matter how much you worry that everything Fear is saying to you may be accurate, you must not allow Fear to cause you to be inactive. It will then become a self-fulfilling prophecy.

Inaction will only fuel your Fear. Inaction will only cause your Fear to grow larger and larger and it will drown out your own creative voice completely.

However, the more action you take, the more proof you will have to hold up in the face of your Fear proving that you have done the work necessary to create a remarkable solo show.

When Fear tries to tell you of your inadequacies, you will have a long list of positive actions you took to contradict Fear’s accusations.

2) Allow your Fear to be your compass. 

Most of the time, we feel Fear because we are on the cusp of creating something truly magnificent with our solo shows. We have a message within our one person play that is capable of  transforming us and the world around us, and that reality is terrifying. Our fear would prefer to play small and not step into such unknown greatness.

So, rather than allowing Fear to convince you that you are heading in the wrong direction, allow your Fear to serve as your creative compass indicating that you are headed down the path of innovation, creativity, and true freedom.

3) Face your Fear on the page and on the stage. 

It is unlikely that you and Fear just met for the first time during the creation of your solo show. It is far more likely that you and Fear have had a long dysfunctional relationship dating back to some of your earliest memories.

While this is a disturbing fact, the good news is that if you listen carely when your Fear speaks to you and you write down every lie, every worry, every scathing review it gives you, you will probably come up with a very dynamic character for your solo show that audiences will love to hate. Your audiences will also relate to this character because we all have a character of Fear within our psyche too.

Even if these Fear monologues do not make the final cut of your one person play, purging this fearful ranting from your heart and mind will help to create the blank canvas for your solo show to emerge.

Finally, starting to hear Fear’s voice as a separate entity, rather than your reality, is a very effective way to create a healthy distance between your Fear and the limitless creative possibilities that are before you.

4) Feel the Fear and do it anyway.

I hate to say it, but the odds are good that your Fear is here to stay.

However, if you can learn to disempower your fear by following the steps I have provided above, then you can learn to live with your fear and even befriend it.

Furthermore, you can learn to feel the Fear and do your Solo Art anyways!

Let’s keep LIVE theatre ALIVE! Check out the various solo theatre resources, opportunities and events listed below.

Jessica Lynn Johnson

Founder & CEO of Soaring Solo LLC SoaringSoloArtist@gmail.com www.SoaringSoloStudios.com

Tune in and Support the SOARING SOLO SALON on Tuesday October 20th @ 7pm (PST)!

soaring solo salon

Award winning Director & Developer, Jessica Lynn Johnson, hosts an evening of brand new solo show excerpts. This enticing program will be livestreaming from the Whitefire Theatre and will safely rotate 6 superb Solo Artists in and out throughout the night. There will be a post show Q&A with all of the artists, hosted by Jessica, on Zoom. This event will be monthly. ​CLICK HERE FOR MORE INFO ABOUT THE SOARING SOLO SALON.

Start every Hump Day off right with FREE Guided Meditation and Writing Prompts with “Isolate Meditate Create”​!

soaring solo

Join BEST NATIONAL SOLO ARTIST WINNER Jessica Lynn Johnson EVERY HUMP DAY @ 9AM (PST) on ZOOM for ISOLATE. MEDITATE. CREATE!

This is a 100% free guided meditation & writing prompt experience is designed to keep you healthy, connected and creative EVERY HUMP DAY during STAY AT HOME and who knows, maybe you will even write your one person play with the content you create.

CLICK HERE TO ATTEND ISOLATE MEDITATE CREATE ​ and obtain the Zoom link and password.

Attend the Soaring Solo FREE One Person Play Development class ONLINE!

No matter where you are in the creation of your solo show, idea phase, curiosity phase, full draft written, touring the festival and college market,BEST NATIONAL SOLO ARTIST & Founder of Soaring Solo, Jessica Lynn Johnson, will meet you where you are at and take you to the next level! All that is required to attend is a willingness to explore, a pen, and some paper. No previous writing or performance experience necessary, and no need to have written anything to bring to class. Each week Jessica will guide you in exercises to help generate and stage NEW material! So come and meet other creatives in a supportive space for expression and exploration! The class is ongoing and so you may pop in and out as you please as long as you RSVP by clicking here for this ​      ​FREE ONE PERSON PLAY CLASS​.

Watch a slew of sensational solo shows this month!

The best way to CREATE a solo show is to SEE solo shows! Jessica Lynn Johnson has proudly Directed & Developed over 100 solo shows in her solo theatre career and is still going strong! She would absolutely love to have you join her and the rest of the Soaring Solo Community at any of the following upcoming LIVESTREAMING solo shows she has had the honor of creatively collaborating on.

CLICK HERE FOR A ROSTER OF UPCOMING LIVESTREAMING SOLO SHOWS

Schedule an Online Coaching Consultation with Jessica Lynn Johnson to discuss the possibilities for your solo show!

Jessica brings her 15+ years of solo theatre expertise to work privately with solo artists from all over the world on an as needed basis.

1 on 1 coaching and consultation is for you if…

-You are curious about creating a solo show, but you need writing prompts to help you generate material.

– You are tossing around ideas for your solo show, but you need some accountability and encouragement to commit those ideas to the page.

-You have already written some material, but you need expert feedback on editing, story structure and play formatting.

-You have a great first draft, but need guidance on how to utilize multimedia and solo theatre technique in order to make your show a dynamic piece of solo theatre.

-You already premiered your solo show and now you want some tips on how to tour colleges and festivals, and garner accolades and great reviews!

-You have heard great things about Jessica’s work and you’re curious about hiring her as a Director & Developer for your solo show, but first you want to feel her out and see if she is the right fit for you and your project.

Wherever you may find yourself on your solo journey, Jessica will help you overcome whatever immediate obstacle stands between you and your solo success.

If you resonated with many of the things on this list, then take the next step by emailing

SoaringSoloArtist@gmail.com for more information.​

 

 

The Group Rep’s “Nine Winning One-Acts”

“Nine Winning One-Acts” has become “Nine Winning One-Acts” – Online!!  

Written by Bruce Bonafede, Craig Holland, Clara Rodriguez, Kris Rasmussen, Jim Geoghan, Bara Swain, Adam Kraar, Pamela Weiler Grayson and Ron Burch.

Directed by Linda Alznauer, Barbara Brownell, Bert Emmett,  JC Gafford, Helen O’Brien, Tom Dugan, Kathleen Delaney, Tom Lazarus and Marc Antonio Pritchett.

Running online only from October 10 through December 1. FREE admission!

https://www.facebook.com/TheGroupRep/videos/948943352261166


“Moonless Night” –  Marie Broderick, Doug Haverty. Image by Doug Engalla.

Each year the very fine folks at the Group Rep Company hold a playwrighting competition.

The top nine plays selected are then produced at their theatre, the Lonny Chapman Theatre, in the NoHo Arts District.  Obviously this year, this terrible Covid year, the shows could not be produced in the usual way. But rather than give up on the whole thing, they’ve adapted.

Simply and creatively produced, with honesty and humor and in the long standing tradition of the thespian, brave.

These plays have become something startlingly beautiful.  It’s all in the ‘try’ I think, whenever art is as it’s absolute best.  The effort and the sweat and the hope is what makes it worthy and honorable and why it becomes so important to us all.


“Phubbing” – Gina Yates, Mark Stancato, Van Boudreaux, Bita Arefnia. Image by Kadri Koop.

The best art isn’t ever perfect, it doesn’t strive to be.

Humans, in case you haven’t noticed yet, are far from perfect.  So when we write and perform, I always think that it is everything between what we think is our best work that is ultimately the most powerful part.  These nine plays, so artful, so purposeful and so individual, are made all the more special by the efforts the Group Rep has made to get them out in the world, no matter what.


“Shoe Story” – Fox Carney,  Clara Rodriguez.  Image by Clara Rodriguez.

Bugger Covid! It has kept us all holed up in our warrens, apart from each other and unable to experience humanity in its most profound, at the theatre.

I must see hundreds of plays each year and I have to admit that it has, on occassion, felt like a little too many. But curse me for ever saying such a thing, even under my breath. For now I have gone without a play since March and I am longing for them.  Where is the dusty squeaky seat.  Where is the lack of parking, the hand printed program, the same sofa they used in the last production? The ill fitting costumes, the half empty seats, the sudden hush before curtain, the shuffling off stage, the electricity in the air so heavy you could shave with it.  Oh how I miss each and every actor, good, bad and bloody brilliant. I miss the the getting ready for, the coming home from, the anticipation, the laughter, the tears, the humbling.


“Suspension” – Harley Walker, Marc Antonio Pritchett. Image by Doug Engalla.

All theatre isn’t always good, of course.

The Group Rep, however, is always wonderful and filled with actors thrilled to take part and productions created with love.  But even the so so play is always heaven sent. To witness bravery and hard work and total commitment from a group of humans originating in every part of the nation and sometimes the globe, all pulling together to make magic. It’s a privilege, truly. So I am thrilled to see the Group Rep do what it does best, create.  Giving space to writers and actors and directors and artisans of all kinds and letting them become who they were born to be.


“The Next Ivan Sharansky” – Barbara Brownell, Stan Mazin. Image by Doug Engalla.

This group of plays is just as inspirational and wildly different from one another as every other year’s “Nine Winning One-Acts” production that I have seen.

Making them into films is almost an afterthought really. They are still plays, which is important because film is such a very different zeitgeist.  Themes as disparate as dating a smartphone addict, heartbreak over shoes, a chance encounter on a misty bridge, awkward older dating, over analytical breakups, bonding over breasts…

The genius of this selection and the way some are shot as films and some put you right back in the theatre itself, is a lovely, if possibly accidental way of comparing the genres.  I like both styles. The play versions seem to work best for that particular material, the films for theirs, and the couple of Skype formats work perfectly for the premise of those stories.  But they are all well worth your time. Funny, provoking, illuminating and weirdly wonderful.

“Unfathomable” – Sascha Vanderslik, Anastasia, Burnett. Image by Bert Emmett.

“Nine Winning One-Acts” will be available for FREE, yes FREE, until December.

So you have absolutely no excuse whatsoever not to watch them.  The one good thing about all this time at home is the endless binge possibilities it allows, without the hang up of the explanation or the phony excuse.  We are all in this together, never really lost and alone, even if we are more than six feet apart at all times. Bravo!!!

www.facebook.com/thegrouprep

www.twitter.com/thegrouprep

www.instagram.com/thegroupreptheatre

Donations welcomed.  For links to the festival show and more information please visit theGROUPrep.com or call 818.763-5990.


“Unicorn Park” – Larry Eisenberg, Susan Priver. Image by JD Mata.

Co-produced by Helen O’Brien and Sascha Vanderslik, shot and edited by Doug Engalla, Bert Emmett, Kadri Koop, Tom Lazarus, J.D. Mata, Marc Antonio Pritchett, and Carla Rodriguez;  with original music by Marc Antonio Pritchett.

Actors:

T. Ryan Brennan, Katelyn Ann Clark, James J. Cox, Matt Lorenzo, Torrey Richardson, Sal Valletta, Marie Broderick, Doug Haverty, Bita Arefnia, Van Boudreaux, Mark Stancato, Gina Yates, Fox Carney, Clara Rodriguez, Karole Bennett, Marc Antonio Pritchett, Harley Walker, Barbara Brownell, Stan Mazin, Larry Eisenberg, Susan Priver,  Kathleen Delaney, Beccy Quinn, Sascha Vanderslik, Helen O’Brien and Anastasia Burnett.

Sunglasses are Now a Luxury Billion Dollar Industry: How Did We Get Here?

0

It would be fair to say that you could live without your sunglasses. Yes, clearly if you are out and about on a sunny day, they provide you with the relevant comfort you might need, but they are not by any stretch of the imagination a necessity.

However in 2020 it’s likely that pretty much every man, woman, and child, in the western world has a pair or two. That wasn’t the case in previous generations and that is in many ways down to the way the product has been marketed to the masses. I.e. very effectively indeed.

As of the most recent records to hand, 2018,, a total of 519 million units of sunglasses were sold in the US alone, resulting in revenue of close to $6bn, that figure increases to a massive $60bn when you factor in all associated costs. And 13% of all eyewear sales are in the sunglasses market, these statistics show an industry that is well and truly monumental.

Continued Growth

As a consumer product sunglasses were not considered an essential purchase until somewhere in the region of the 1980s, up until this point they were an occasional item. By this I mean it was not a necessity outside relevant regions where protection from the sun was a distinct need.

Clever marketing, branding and the evolution of sunglasses as a whole have meant that the audience and purchasing power has well and truly rocketed. 

Let’s not forget also that continued concerns of climate change, and the increased sun exposure affecting most populated areas of the world, has led to a beneficial uptick in sales as well. 

Form Over Function

One great way of milking your industry for as many dollars as possible is to use ‘style’ as a driver for cost. Think of it this way. Eyewear for the purpose of improving vision comes at a cost because it has a defined purpose. Namely the cost is justified by the function. 

The sunglasses market, when it works best, garners the most profit when it uses style to increase cost. So a company such as Ray-Ban can justify the high-end cost of it’s sunglasses, not due to a ‘function’ but due to its form. 

This helps make an industry like sunglasses develop into such a huge profit making machine.

An interesting, and relatively new, amendment to the form over function debate comes in the form of contact lenses, such as those offered at GlassesUSA.com, which in many ways readily straddle both aspects.

Contact lenses are an unobtrusive way to resolve vision concerns and they do so without requiring super expensive frames, or a high-end brand name, this is very much the market adopting a function over form path, one afforded to them due to advancements in technology.

Adapting and Growing Demographic

Whereas for many years the sunglasses market was geared primarily at a young, youthful market, there have been continuing efforts to expand the catchment area and recent moves to do so have proven very effective.

Those big players in the market have put a lot of effort in moving towards prescription sunglasses which simultaneously helps in two ways. Firstly this offers a genuine function aspect and secondly helpfully increases the range in other demographics, namely the more mature customer, who clearly will be more likely to need the product due to vision deterioration.

As with anything in the marketing industry, the motto “Evolve or Die” is very true in the sunglasses market and seems that the major players in this arena know very well just how to do that.

How COVID-19 Has Decimated the Los Angeles Restaurant Scene

0

The scourge of coronavirus has of course proved to be a major obstacle for many industries but one area perhaps hardest hit worldwide is the restaurant industry and in the Los Angeles area this has certainly been illustrated to be the case.

As of last month reports suggest that as many as 20% of restaurants in the LA area are violating one form of COVID regulation or another and though this is of course a major concern it isn’t surprising that the dining sector is keenly trying to maintain some level of service, whatever the cost. This is an industry that is pretty much on its knees across the world. 

L.A county’s suggested mid-October reopening is now very much under threat as the rate of cases has experienced a slight rise in recent weeks, which is of course a situation that is mirrored across the country and beyond. 

In San Francisco there remains some cautious optimism as a number of outlets reopen some indoor dining facilities, albeit with coronavirus limits imposed, LA will be looking on keenly as major cities seek to garner relevant data and knowledge that may help them in the short and medium-term. 

Given that the rate of transmission and infection of the virus is more acute in indoor settings it is those restaurants with major outdoor areas that are likely to get back to some semblance of normality soonest.  

Indeed given that the COVID-19 age isn’t likely to leave us any time soon, some restaurants may well look to be more creative in the way they plan and layout their patrons, expect an uptick in sales of commercial outdoor furniture sales. 

Those L.A restaurants with sufficient outdoor space could well look to take the current circumstances to better design their layout but will have to balance the guidelines in relation to spacing of customers with a keen eye for making the most of what area they have to play with.  

Others have actually welcomed the reclaiming of road space from cars back to people, with some finding the resultant reduction in noise somewhat refreshing. 

Some have gone all out and erected marquee tents placed in parking lots, others have elected to nudge their existing outdoor areas a little further on to the sidewalk and beyond. One would hope that pedestrians understand the need for such minor inconveniences as every additional seating space could be the very difference between success and closure. 

It’s going to be a delicate balancing act in the coming months as restaurants seek to battle each other for the custom available, with a large swathe of those who would usually dine out more than likely electing to opt for a takeaway option or perhaps even shun the commercial culinary experience all together. 

A number of restaurants are already falling by the wayside, most recently last month saw the steakhouse chain Sizzler declare bankruptcy with 107 locations set for closure, and without strong backing from governmental agencies the coming months, and even years, may well prove the toughest in the industry in living memory. 

The industry may well look to the government to offer them some leeway but that doesn’t appear to be forthcoming, LA County will look to reopen 25% of indoor dining capacity, which will severely impinge on a restaurant’s chances of covering their bottom line costs. 

In order to maximise the use of outdoor areas a number of city planners are scrambling to reconfigure streets to facilitate a higher level of safe outdoor dining areas. Repurposing parking areas is one way to go, altering driving routes is another, though clearly the latter is fraught with issues for city planners on the whole.  

The restaurant scene in L.A, as with any other major metropolitan area, is going to see the dining industry very much undergo a ‘survival of the fittest’ scenario. In this climate the bigger chains and high-end establishments are most likely to effectively last through the toughest months of this crisis and the fear therefore is that the more bespoke, small and medium-sized outlets have a truly monumental task just to keep their businesses open. 

One thing is for sure. They are going to need the support of their clientele during these tough times.

The Festival of Books, Stories and Ideas

***

The 25th annual Los Angeles Times Festival of Books will present 25 individual, online events October 18 – November 13.

The Los Angeles Times has announced the program schedule for the .  The annual literary event has been reimagined this year as a communitywide gathering online. Celebrating its 25th year, the virtual festival will include 25 individual events, beginning Sunday, October 18 and continuing over the course of four weeks. Participants include a variety of writers, poets, artists and storytellers, plus many bookstore exhibitors. The festival will present a wide range of programming, including children’s story time, conversations on the Black experience, exchanges on romantic fiction, debates about the upcoming presidential election and a dance performance.

Beginning on Sunday, October 18, and continuing over the course of four weeks, The Times will celebrate storytelling with author panels, readings, and other events. Please reserve your virtual front-row seat now for this free celebration of books! For details, go to and follow the festival on Facebook, Twitter and Instagram (#bookfest).

RSVP for free virtual Festival of Books events.

Festival of Books little bebe Credit  Dania Maxwell : Los Angeles Times
The L.A. Times Festival of Books, Stories and ideas 2020. Photo Credit: Dania Maxwell / Los Angeles Times

Festival highlights:

• Pulitzer Prize-winning author Marilynne Robinson will discuss her latest novel, “Jack.” • Novelist and Pulitzer Prize-winning playwright Ayad Akhtar, author of “Homeland Elegies,” in conversation with Reza Aslan.
• Academy Award-winning actress Natalie Portman reads from her children’s book “Natalie Portman’s Fables,” a retelling of three classic tales.
• A panel about memoirs of the Black experience with Emily Bernard, Morgan Jerkins and Frank B. Wilderson III moderated by Times Columnist Sandy Banks.
• Authors Maria Hinojosa and Laila Lalami will discuss their family stories of immigration and life in America with Times Column One Editor Steve Padilla.
• Pulitzer Prize-winning author Viet Thanh Nguyen, illustrator Thi Bui and their kids, Ellison Nguyen and Hien Bui-Stafford, will read their children’s book, “Chicken of the Sea.”
• Fiction panel with Kevin Kwan, Heather Cocks and Jessica Morgan moderated by Jade Chang.
• Former California Governor Jerry Brown and biographer Jim Newton, author of “Man of Tomorrow,” in conversation with Times Columnist Gustavo Arellano.
• Henry Winkler and Lin Oliver, authors of the “Alien Superstar” series, will lead a children’s story time reading of their new release, “Lights, Camera, Danger!” followed by a discussion with Times Reporter Michael Ordoña.
• Inaugural winner of the Ray Bradbury Prize, Marlon James, author of “Black Leopard Red Wolf,” in conversation with Tananarive Due.
• A discussion on presidential politics with Jean Guerrero, Kurt Andersen and Stuart Stevens.
• A look at the coronavirus and pandemics with Nicholas Christakis, Debora MacKenzie and Sonia Shah, moderated by Times Health Care Reporter Soumya Karlamangla.
• A panel about writing contemporary romance with Jasmine Guillory, Casey McQuiston, Rebekah Weatherspoon and moderator Elissa Sussman.
• Performance by USC Glorya Kaufman School of Dance BFA students.
• Featured exhibitors with books and merchandise for sale.

The 25th annual Los Angeles Times Festival of Books is presented in association with USC. Sessions are free to attend and require advanced registration. Books will be available for purchase through special sellers. The schedule can be found on the festival website, Facebook, Twitter and Instagram feed (#bookfest).

https://www.instagram.com/p/CDmXGfyJ15G/

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

The Shape of Economic Recovery

On June 8, 2020, the National Bureau of Economic Research (NBER), which has official responsibility for determining U.S. business cycles, announced that February 2020 marked the end of an expansion that began in 2009 and the beginning of a recession.1 

This was no great surprise considering widespread business closures due to the coronavirus pandemic and the resulting spike in unemployment, but it was an unusually quick official announcement.

The NBER defines a recession as “a decline in economic activity that lasts more than a few months,” so it typically takes from six months to a year to determine when a recession started. In this case, the NBER’s Business Cycle Dating Committee concluded that “the unprecedented magnitude of the decline in employment and production, and its broad reach across the entire economy,” warrants the designation of a recession, “even if it turns out to be briefer than earlier contractions.”2

Another common definition of a recession is two or more quarters of negative growth in gross domestic product (GDP), and it’s clear that the current situation will meet that test. The U.S. economy shrank at an annual rate of 5% in the first quarter of 2020 — a significant but deceptively small decline, because the economy was strong during the first part of the quarter.3

The first official estimate for the second quarter will not be available until July 30, but the Federal Reserve Bank of Atlanta keeps a running estimate that is updated based on incoming economic data. As of July 9, the Atlanta Fed estimated that GDP would drop at a 35.5% annual rate in the second quarter.4 By comparison, the largest quarterly drop since World War II was 10% in the first quarter of 1958, followed by 8.4% in the fourth quarter of 2008.5

Most economists believe that GDP will turn upward in the third quarter as businesses continue to open.6 But with the extreme decline in business activity during the first half of 2020, it will take sustained growth to return the economy to its pre-recession level. In its June economic projections, the Federal Reserve Open Market Committee projected a 6.5% annual drop in GDP for 2020, followed by 5.0% growth in 2021 and 3.5% growth in 2022.7 The simple math of these projections suggests the economy may not return to its 2019 level until 2022.

By the letters

Economists traditionally view economic recessions and recoveries as having a shape, named after the letter it resembles.

V-shaped — a rapid fall followed by a quick rebound to previous levels. The 1990-91 recession, which lasted only eight months and was followed by strong economic growth, was V-shaped. This type of recovery would require control of COVID-19 through testing and treatment, a quick ramp-up of business activity, and a return to pre-recession spending habits by consumers.8-9

U-shaped — an extended recession before the economy returns to previous levels. The Great Recession, which lasted 18 months followed by a slow recovery, was U-shaped. If COVID-19 takes longer to control and the economy does not bounce back as expected in the third quarter, the current recession could be prolonged.10-11

W-shaped — a “double-dip” recession in which a quick recovery begins but drops back sharply before beginning again. The U.S. economy experienced a W-shaped recession in 1980-82, when a second oil crisis and high inflation triggered a brief recession, followed by a quick recovery and another recession sparked by overly aggressive anti-inflation policies by the Federal Reserve. This type of recession could occur if a second wave of COVID-19 forces businesses to shut down again later in the year, just as the economy is recovering.12-13

L-shaped — a steep drop followed by a long period of high unemployment and low economic output. The Great Depression, which lasted 43 months with four straight years of negative GDP growth, was L-shaped. This is unlikely in the current environment, considering the strength of the U.S. economy before COVID-19 and the unprecedented economic support from the Federal Reserve.14-15

A swoosh

In the July Economic Forecasting Survey by The Wall Street Journal, which polls more than 60 U.S. economists each month, 13.0% of respondents thought the recovery would be V-shaped, 11.1% expected it to be W-shaped, 5.5% indicated it would be U-shaped, and none thought it would be L-shaped.16

The vast majority — 70.4% — believed the recovery would take a “Nike swoosh” shape, which suggests a sharp drop followed by a long, slow recovery.17 This view factors in the possibility that businesses may be slow to rehire, and consumers could be slow to resume pre-recession spending patterns. It also considers that some businesses may be impacted longer than others. Airlines do not expect to return to pre-COVID passenger activity until 2022, and movie theaters, beauty salons, sporting events, and other high-contact businesses may struggle until a vaccine is developed.18

Adding to the prognosis for a slow recovery is the fact that the rest of the world is also fighting the pandemic, including many countries where growth was already more sluggish than in the United States. And if the virus resurges in the fall or early 2021, the recovery may turn jagged with significant setbacks along the way.19

While the general consensus suggests that the duration of the actual recession may be brief, it is much too early to know the true shape of the recovery. However, the economy will recover, as it has in even more challenging situations. All of these projections indicate that a key factor in determining the shape of recovery will be control of COVID-19. Beyond that, the underlying question is whether the virus has fundamentally changed the U.S. and global economies.

1-2, 8, 10, 12, 14) National Bureau of Economic Research, June 2020
3, 5, 15) U.S. Bureau of Economic Analysis, June 2020
4) Federal Reserve Bank of Atlanta, July 9, 2020
6, 16-17) The Wall Street Journal Economic Forecasting Survey, July 2020
7) Federal Reserve, June 10, 2020
9, 11, 13) Forbes Advisor, June 8, 2020
18-19) The Wall Street Journal, May 11, 2020

Most economists believe that GDP will turn upward in the third quarter, but it will take sustained growth to return the economy to its pre-recession level.

Exciting Locations to Visit in the Bahamas

0

When you’re planning a trip to the Caribbean, the Commonwealth of the Bahamas should be on your list.

The Bahamas are located on the Lucayan Archipelago and are made of hundreds of islands, islets and cays. Watersports, fishing, gambling, and fine dining are only a few of the activities you’ll find in the Bahamas. Although tourism accounts for over half of the country’s GDP, the country’s islands include both lively tourist attractions and secluded natural spots for relaxing. Some of the incredible locations that you’ll find in the Bahamas are discussed in the following sections.

Grand Bahama Island

Grand Bahama Island is east of Ft. Lauderdale, Florida, and accessible with many cruise deals. It’s world-famous for its white-sand beaches and clear waters. Kayaking, fishing, parasailing and diving are everyday activities on the shores of Grand Bahama, but you can also visit Lucayan National Park or Garden of the Groves. With six miles of charted underwater caves and gorgeous white sand beaches, Lucayan is a unique park favored by divers, hikers and bird enthusiasts. The Bahama swallow and olive-capped warbler are two species of birds that use the island as a permanent habitat.

The Garden of the Groves is a fantastic wildlife habitat that has colorful vegetation, cascading waterfalls and a secluded chapel for weddings.

Green Turtle Cay

In comparison to Grand Bahama, Green Turtle Cay is a much smaller island located near Great Abaco. The cay’s name is derived from a species of green turtles that once used the cay as a habitat. One of island’s main attractions is its picturesque town, New Plymouth. The houses with white picket fences, quaint shops and weathered boatyard will make you feel like you’re in New England rather than the Bahamas. The island is home to several local anglers, and if you’re lucky, you may see one of the fishing boats unloading a crate of lobsters on the docks. The first Methodist church in the Bahamas was built in Green Turtle Cay, and when you visit the island on Sunday, you’ll discover that the churches are the only buildings open for business.

Paradise Island

Unlike the bucolic Green Turtle Cay, Paradise Island is one of the most popular locations in the Bahamas. If you enjoy endless beaches, lively nightlife and numerous tourist-friendly activities, you’ll love Paradise Island. One of the island’s main attractions is the Atlantis Resort. The massive, towering pink building is home to one of the highest-rated waterparks in the world. The Aquaventure Waterpark has 141 acres of slides and pools. If you’d rather swim with the dolphins, you can visit Dolphin Cay. The cay has trained dolphin handlers who help you and your family swim safely with dolphins.

New Providence

After visiting Paradise Island, you can travel across a Nassau Harbor bridge to reach New Providence. The island is home to the capital city Nassau and is a favorite destination of anglers and scuba divers. Filled with scenic coastlines and vibrant locals, Nassau is also notable for the National Gallery of Art and the Pirate Museum.

Bimini

Bimini is made up of North Bimini, South Bimini, and East Bimini. The three islands are famous for big game fishing. The nearby Gulfstream creates an ideal environment for marlin, tuna, wahoo and dolphin, and it is considered the anglers paradise of the Bahamas. For scuba divers and snorkelers, Bimini offers several shipwrecks like the SS Sapona, and if you’re interested in American literature, you can visit the area that Ernest Hemingway once called home.

Andros Island

Andros Island is the most massive island in the Bahamas, but it’s not as populated as Grand Bahama or Paradise Island. Andros has one of the greatest barrier reefs in the Caribbean that stretches for over 190 miles. It’s an excellent spot for bonefishing, scuba diving, and snorkeling. Because it’s not as developed than the other islands, Andros offers more secluded beaches. In 2002, Andros established West Side National Park, and it’s an excellent place to view mangrove forests and tidal creeks.

With so many locations to choose from, you may have trouble deciding where to spend most of your time in the Bahamas. Whether you enjoy wild entertainment or relaxing seclusion, you’ll find what you love in the islands.

Elliott Orion at Al Fresco Fridays

***

What’s the NoHo Motto? “NoHo is only as great as its people.”

Meet Elliot Orion, a talented violinist and guitarist who will play a mix of classical and jazz for us on Magnolia Blvd. in the NoHo Arts District as part of Al Fresco Fridays on Friday, October 16 from 6:30-9:15PM.

Elliot Orion takes over AL FRESCO Fridays – Music on Magnolia on Friday, October 16 from 6:30-9:15PM via www.nohoartsdistrict.com

Why did you start playing the violin?

I don’t remember exactly, I was 5 years old, and for some reason I begged my parents to let me play the violin. It was like my soul knew it was what I was destined to do.

Why do you continue to play the violin?

I continue to play because it is my soul’s connection to the rest of the universe. It’s my therapy, my connection to a higher plane, and my catharsis.

What are your favorite songs to play on the violin?

Honestly, I love to play original songs I write myself. I write music I’d enjoy listening to.

Where do you see yourself in five years?

Performing around the country and writing music for myself and others.

https://www.instagram.com/p/CDhbqcUBEPm/

Thanks for doing everything you can to #KeepNoHoArtsy!

STATIC al fresco fridays  with lineup

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Hip Hop Dancers Talk About Why They Vote – Tin Nguyen

***

Antics and Vision Paradox present “Hip Hop Dancers Talk About Why They Vote” – a series of six talented hip hop dancers sharing their personal stories about why they dance and why they vote.

I vote because Vote mural by BBoy Gillotine via L.A. Cultural Exchange and www.nohoartsdistrict.com
Vote mural by BBoy Gillotine

These dancers speak from the heart about why voting is a form of self-expression just like dancing. They believe that democracy is strongest when young people participate. They hope to use their dance skills to inspire other young people to register to vote, to vote, and to participate in democracy.

Kicking off the series is Tin Nguyen; sharing his experience of growing up in Vietnam fantasizing about life in America to having it become a reality.

“I vote because I can really make a difference.” – Tin Nguyen

ABOUT ANTICS

Antics is a hip hop dance theater company based in Los Angeles under the artistic direction of Amy “Catfox” Campion. Antics creates multimedia street dance performances that incorporate breaking, locking, popping, waacking, house dance, krump, poetry, theater, and film into virtuosic and provocative performances. Founded in 2007, Antics dancers represent the best in L.A. with credits that include major films, TV shows, and music videos. Antics is committed to empowering communities through hip hip dance residencies, workshops, and lecture demonstrations.

ANTICS SOLIDARITY STATEMENT

Antics stands in solidarity with the Black Lives Matter movement and the fight for racial justice. We believe it’s our responsibility to undo racism. Hip Hop originated in marginalized Black, Latinx, and Immigrant communities in the Bronx during the 1970s and has become one of America’s greatest cultural creations. We are committed to dismantling White supremacy, patriarchy, and the systems of oppression that gave rise to Hip Hop in the first place.

We also believe it’s important to recognize the global significance of Hip Hop culture and to welcome people of all identities who wish to learn about and create Hip Hop with integrity. Anyone can love and appreciate Hip Hop. Anyone can study Hip Hop. And anyone who works hard and finds inspiration can create dope Hip Hop art.

Antics’ mission is to empower people of all backgrounds through hip hop dance. We believe in collective liberation and the intersectionality of the struggles for LGBTQ rights, Immigrant rights, Indigenous rights, Women’s rights, Environmental Justice and Science. We support the protesters and activists fighting for justice across all of these movements. We are committed to listening to, working alongside, and amplifying the voices of those who are at the forefront of these struggles.

Website | Instagram | Facebook | Youtube

 

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

Beverly Hills Art Show

***

Beverly Hills Art Show October 2020 Has Artist Panels, Home and Studio Tours, Interviews by Art Experts and Live Lessons in Greystone’s Gardens.

This October, the Beverly Hills Art Show will continue in a format that is primarily virtual, while extending the dates and times of art show Zoom conversations with artists. Another addition to the Art Show this October are onsite demonstrations / workshops in the gardens of Greystone Estate, in a safe setting where social distancing will be practiced.

The Beverly Hills Art Show October 2020 Artists via www.nohoartsdistrict.com

Beverly Hills Art Show Artists – Panels, Home and Studio Tours, Interviews by Art Experts on Zoom

Beginning on Tuesday, October 13 and extending through Sunday, October 18, 11 Art Show Artists will discuss their work, lives, and even a bit of art show history – with each other and with art experts – during Art Show Preview Week and Art Show Weekend. Representational and abstract painters, a master ceramicist, a glass artist, sculptors, and photographers will all be discussing their artistic lives and taking questions from a live audience via Zoom.

The Beverly Hills Art Show October 2020 Artists via www.nohoartsdistrict.com

Beverly Hills Art Show Artists – Live Lessons in Greystone’s Gardens

Six highly-skilled Beverly Hills Art Show Artists will lead live interactive workshops in the gardens of Greystone Estate on Saturday, October 17 and Sunday, October 18, for small, socially-distanced groups. A master scratchboard artist, an exceptional watercolorist, two architectural and landscape photographers, an art professor specializing in drawing from nature, and an inventive copper jeweler will show and teach you how to do it! Join them in these grand gardens for an uplifting, artistic experience. Artists will also have their work on display for viewing and purchasing. Space is highly limited. *Important: Participants at the Greystone event will be required to wear masks and observe social distancing protocol.

https://www.instagram.com/p/CEDVGbql2Eb/

How to Register

To register for Live On-site workshops, go to www.beverlyhills.org/bhrec and click on the green Special Events tab.

For the Live Zoom sessions, visit www.beverlyhills.org/artshow. On the day of the Zoom Session, live links will go up 10 minutes prior to start of Session.

https://www.instagram.com/p/CF29TZGF5UE/

**** For information on Los Angeles theatre, tickets to theatre in North Hollywood’s NoHo Arts District, theatre reviews, the NoHo Event Calendar, restaurants, news and local businesses in NoHo, or anything and everything about the NoHo Arts Community, bookmark nohoartsdistrict.com. Follow us on Twitter @OfficialNoHo. On Instagram @NoHoArtsDistrict and Facebook @NoHoArtsDistrict.

It’s Italian Month!

***

October is National Italian American Heritage Month. We celebrate all things Italian. And there are many.

This month we look at the contributions the Italians have made to our society. Way back in the 1980s, President Reagan declared October as National Italian American Heritage Month and even the City of L.A. has made October Italian Month.

Did you know that we are celebrating the contributions of an estimated 20 million Americans of Italian descent — the fifth largest ethnic group in the United States? – National Italian American Foundation www.niaf.org

But really, when can we finally say goodbye – arrivederci – to the Italian images of the Godfather, fist-pumping bafoons and Columbus? For the millions of Italians and Italian Americans, these images are whole-heartedly inaccurate. Italians have made many significant contributions to our history, culture and every day life. Let’s focus on the positive.

Here’s a list of our favorite Italian inventions. Our friends at ItaliansRus.com have a huge, mega, comprehensive list that will shock many of you. And yes, Antonio Meucci was the inventor of the telephone and was robbed by Alexander G. Bell. Read more about the scandal>>

italian inventions graph2

So try an Italian recipe, learn a few Italian phrases and/or book a trip to Italy today. Support the Italian Hall downtown, a group that maintains Italian history in Los Angeles.