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A HAUNTING REVUE

[NoHo Arts District, CA] – A NoHo Arts theatre review of  A HAUNTING REVUE – three short plays by Richard James Page, Aditya Putcha and Tennessee Williams.

The Art of Presence: What Actors Can Learn from Burt Lancaster

Burt Lancaster was an actor of striking contradictions – both a Hollywood superstar and a serious character actor, a rugged action hero and a performer of surprising depth. Known for his athletic prowess and charismatic screen presence, he burst onto the scene in the 1940s as a swashbuckling daredevil in films like The Crimson Pirate.

Vlog 21 – The Work of a Scene Part 5: “Delivering Theme”

[NoHo Arts District, CA] – Elise Dewsberry’s How to Get NO Feedback from Elise: Vlog #21 “The Work of a Scene – Part 5 – Delivering Theme.” 

Notes from a Narcissistic Negro and Other N Words

[NoHo Arts District, CA] – A NoHo Arts theatre review of Theatre Beyond Broadway’s Notes from a Narcissistic Negro and Other N Words written and performed by Elizabeth June.

SOLOFEST 2025 May Shows

[NoHo Arts District, CA] – Here are the SOLOFEST 2025 May shows at The Whitefire Theatre.

Los Angeles Drama Critics Circle 2024 Theatre Season Award Recipients

[NoHo Arts District, CA] – The Los Angeles Drama Critics Circle (LADCC), Southern California’s pre-eminent organization of professional theatre critics and journalists, is pleased to announce its 2024 Theatre Season Award recipients, and to invite Award recipients, nominees, and the greater Los Angeles professional theatre community to join us for a live reception event on Monday, April 21 sponsored by the William Turner Gallery in Santa Monica’s Bergamot Station Arts complex. 

Anniversary RUSH: A Decade of FON!

[NoHo Arts District, CA] – Join Force of Nature Productions in a celebration of the 10th season with their production of Anniversary RUSH: A Decade of FON! April 25-27.

Force of Nature Productions

Phone: 818-934-1366
Email: fonprodsteam@gmail.com|
Website: http://www.fonproductions.com

Dates & Times:

Friday, April 25 @ 8PM
Saturday, April 26 @ 8PM
Sunday, April 27 @ 2PM

About Anniversary RUSH: A Decade of FON!

In 2016, Force of Nature created a fun little show as a last-minute request to fill out a weekend. The show called RUSH became a huge success and a staple of the company’s season year after year. Now, in its 19th iteration and celebrating the company’s 10th anniversary, Force of Nature honors a decade of laughs, tears, and craziness with Anniversary RUSH: A Decade of FON.

But, what is a RUSH you may ask?

The RUSH is Force of Nature’s unique play festival format, uniting actors, writers, and directors in a collaborative whirlwind of creative energy.

The premise is deceptively simple: actors, writers, and directors are teamed together by lottery, then together select a handful of prompts – in this case, a line written for a previous RUSH, a prop used in a previous RUSH, and one of the top 100 Billboard songs during Force of Nature’s Anniversary Day (February 1st) from the last decade. Playwrights then author an original, short play based on these prompts and tailored to their cast. Directors and their casts then rehearse, tech, and mount the entire production over just a few weeks. It’s fast, fun and always results in a memorable show for audiences and talent alike.

So, join them this April to celebrate Force of Nature’s 10th season with their anniversary RUSH play festival. Nine original plays; a decade of FON memories.

Force of Nature Productions
The Team

Written by: Ash Muñoz, Dana Hammer, Dylan Porter, Evan Baughfman, Teresa Jusino, Tyler Bianchi, V Cate, Sophie Rusin, and Jonathan Josephson.

Directed by: Corey Chappell, Daria Good, David Tucker, Jahel Corban Caldera, Jerry Chappell, Ron Gabaldon, Sebastian Muñoz, and Teresa Jusino.

Produced by: Jahel Corban Caldera, Jerry Chappell, and Sebastian Muñoz with Force of Nature Productions.

The Cast

Featuring the Talents of: Ana Dragovich, Anne Westcott-Navarrette, Annegret Steioff, Asha Nataraj, Carol Cantu, Deborah Baum, Emilie Crotty, Georgan George, Gloria Galván, Hanna Tucker, Heather Vazquez, Maleah Woodley, Michelle Miyamoto-Galván, Susan Dziama, Tally Vartanian, Vicky Inoue, Carlos Chavez, Carlos Gomez, Ignacio Navarro, Jason Bowe, Jim Martyka, Kevin Carrao, Kyle Felts, Kindryn Durantt, Richard Marquis, Sammy Marquis, William Muñoz.

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More About Force of Nature Productions
To see what shows are playing, check out our theatre guide>>

Fritz Coleman’s Unassisted Residency

[NoHo Arts District, CA] – Los Angeles favorite and Honorary Mayor of Toluca Lake FRITZ COLEMAN takes up a Sunday afternoon residency at El Portal Theatre with Fritz Coleman’s Unassisted Residency. Check out the Interview here!

El Portal
Address: 5269 Lankershim Blvd,
North Hollywood 91601

Ticket Services/Box Office: 818 508-4200
Website: https://elportaltheatre.com
Email: info@elportaltheatre.com

Dates and Times:
Sundays at 3 pm
April 27, May 25, June 29, July 27, August 24, September 28
$45 – Cocktail Table Seating
(for cocktail table seating you must purchase 2 tickets)
$35 – General Admission
Buy Tickets Here

Fritz Coleman’s comedic artistry will continue to be showcased throughout the 2024/25 season. Fritz Coleman’s Unassisted Residency sell-out shows are set for Sunday afternoons at 3 pm, once a month in the Monroe Forum at the historic El Portal Theatre. “I’m happy to be here through 2050,” Fritz insists.

“I love playing this theater,” Coleman says. “The Monroe Forum has an intimacy. Of course, there’s nothing like a big theater crowd erupting into thunderous applause, but there’s something special about this environment. Seating is semi-circular. I can walk right up and have eye contact with people. It feels like I’ve invited a lot of people into my living room, except the snacks and alcohol are better here.”

“I don’t yell and scream and do the Sam Kinison thing, so the intimate atmosphere lets you have a conversation. You can be dramatic, raise and lower your voice, and when the show’s over, I know I’ve made contact with everyone in my audience.”

Coleman is like a great artist who paints spectacular pictures with splashes of vibrant colors. Except Fritz offers splashes of hilarity from his palette of vibrant observations. That is what the beloved former NBC4 weatherman does with his popular standup show. With the skill of an artist creating a masterpiece, he frames unique word pictures that are relatable and tickle our funny bones.

Before Coleman’s performance comes his clever artistry that creates a great standup routine. Talking about his process, Fritz says, “I’m a very disciplined writer. I write for two hours a day. It’s very meditative for me. An idea will occur, then I’ll write a good set up for it. The one caveat I have for all my material is that it has to be relatable to a large audience.”

For his Unassisted show at El Portal, Coleman wants it to be relatable to people of a certain age. “For example, here’s an idea I’ve been working on — ‘Another thing I hated about the pandemic is that restaurants wanted you to download their menu on your phone. I don’t want to read a menu on my phone. Because of my eyesight, I have to have fonts so big that I can only text one word at a time on my phone. So please give me a paper menu.’ That is a subject that is relatable and plugs into other material I do.”

Coleman did standup on The Tonight Show years ago, and he reveals, “The Tonight Show had a mandate that you had to do a joke every 30 seconds. I don’t do set-up, punchline like so many other comics. I tell stories with a twist at the end. I use a metaphor or an interesting observation to get the laugh. Making fun of myself helps the audience laugh at themselves. People may not be able to express their feelings about getting old. But I’m expressing it for them, so they can laugh about it. My whole mandate is to talk about common experiences and create a community of laughter. This does a couple of things— it tickles us and takes the pain of the experience away.”

Someone once called Coleman’s show a “baby boomer support group.” He likes that description.

“I think the job of a comedian now is weightier than ever before. I don’t do political humor, because I don’t feel people need to be reminded about how dark the world is out there. So for that one hour and a half we can lift people out of the weightiness of their lives. Then I think we’ve done a great public service.”

When Coleman hears bubbling chatter from the audience before a performance, he says he knows it will be a great show. “There’s an energetic vibe that comes from an audience and comedians can usually tell how good an audience is going to be by how actively they’re conversing before the show. If it sounds like they’re at mass you’re going to have to work for your laughs.”

Smart funny humor and word play are hallmarks of Coleman’s standup. Not surprising, he was drawn to the standup world when he was in high school and went to George Carlin’s show at the Valley Forge Music Fair. “I’m not exaggerating when I say it was a religious experience. I’m a big fan of language and no one investigated the language better than Carlin.”

What makes Coleman proud about his craft? Fritz says, “I try to be smart. I don’t talk down to the audience. I’m proud to offer relatable, well-written comedy that’s a little different. People come up to me after the show, particularly older people, who say, ‘Thanks, I really needed those laughs.’ It’s like I gave them relief from their aches and pains for a little while.”

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More About El Portal
To see what shows are playing, check out our theatre guide>>

Four Women in Red

“The show has been delayed due to the L.A. fires and we will post the new dates as soon as we have them.”

[NoHo Arts District, CA] – Someone knows. Somewhere. The Victory Theatre Center presents the world premiere of Four Women in Red, a provocative new play written by Laura Shamas (Chickasaw Nation) and directed by Jeanette Harrison (Onondaga), about four resilient women searching for their missing loved ones. 

The Victory Theatre Center
Address: 3326 West Victory Blvd.
Burbank, CA 91505
Phone: 818-841-4404
Website: http://www.thevictorytheatrecenter.org/

Carolyn Dunn (Tunica-Choctaw/Biloxi, Mvskoke), Harriette Feliz (Chumash), Zoey Reyes (Diné and Chicana) and Jehnean Washington (Yuchi, Seminole and Shoshone) star as four First American women desperate to find missing friends and relatives in the face of apathetic sheriffs and dwindling clues. Are their loved ones lost? Were they taken? Are they even alive? This moving new play celebrates the power of community as the four women seek answers against all odds. Their roller-coaster journey involves mystery, grief, prayer and moments of sudden joy.

Indigenous women are currently facing an epidemic of violence, with some of the highest rates of physical and sexual violence in the nation.

“Women and girls are disappearing, and no one will look for them,” says Victory Theatre Center producing artistic director Maria Gobetti. “It’s horrifying.”

“It breaks my heart,” says Shamas. “I wrote this play to raise awareness about this very real crisis. Congressional hearings were held last month to try to address some of these issues, but most Americans are unaware of this horrible ongoing emergency, and we must take action.”

Four Women in Red was first developed by Native Voices, the only Actors’ Equity theater company in the country dedicated to developing and producing new plays by Native artists. Written during the pandemic for a virtual Native Voices Short Play Festival, an expanded, full-length version was selected for the 2022 Native Voices Festival of New Plays. The Victory’s world premiere production, championed by Gobetti and board members Zilah Mendoza, Donna Preacher-Hall and Herb Hall, marks the first time a play developed by Native Voices has been produced by another Los Angeles theater. The play is the recipient of a prestigious Los Angeles New Play Project (LANPP) grant. In addition, the production is supported in part by a Burbank Community Arts Grant.

“Four Women in Red exposes an issue that touches nearly every Native family, yet one that most people are completely unaware of,” explains Harrison. “Deb Haaland, currently Secretary of the Interior under Biden—the first Native woman ever appointed to a cabinet position—has started the Missing and Murdered Unit (MMU), so this is a particular moment in history. If we can let people know the true impact of programs like this, it may help.”

The Team

The creative team for Four Women in Red includes costume designer Lorna Bowen (Muscogee Creek Nation, Seminole and Cherokee); lighting designer Grayson Basina (Ojibwe); production designer Evan Bartoletti; sound designer Jose Medrano Velazquez; graphic designer Nipinet Landsem (Ojibwe and Michif, descendant of the Turtle Mountain Band of Chippewa and a citizen of the Manitoba Métis Federation); dramaturg Gail Bryson; and photographer Tim Sullens. The associate producer is Lisa Lokelani Lechuga and the stage manager is Ngan Ho-Lemoine. Maria Gobetti and Evan Bartoletti produce.

Click here to find the artists’ bios.

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More About The Victory Theatre Center
To see what shows are playing, check out our theatre guide>>

Bill W. and Dr. Bob

[NoHo Arts District, CA] –  Ronnie Marmo and Theatre 68 proudly announce the return of critically acclaimed BILL W. AND DR. BOB – the gripping, true story about the two men who founded Alcoholics Anonymous – written by Samuel Shem and Janet Surrey, directed by Ronnie Marmo at Theatre 68 Arts Complex.

Theatre 68
5112 Lankershim Blvd, North Hollywood, CA 91601
Email: theatre68rentals@gmail.com
Website: http://www.theatre68.com

Dates & Times:
February 15-April 13
Saturdays at 2:30pm and 8pm
Sundays at 2:30pm

In 1929, famous New York stockbroker Bill Wilson crashes along with the stock market and becomes a hopeless drunk. Dr. Bob Smith, a surgeon from Ohio, has also been an alcoholic for 30 years, often going into the operating room with a hangover.

Through an astonishing series of events, Bill and Bob meet and form a relationship, each helping the other to stay sober. BILL W. AND DR. BOB is the amazing and often humorous story of the two men who pioneered Alcoholics Anonymous, as well as the story of their wives who founded Al-Anon.

The play artfully illustrates Bill and Bob’s journey from the pain and isolation of alcoholism to the hope and inspiration they find in sobriety and helping others. The play originally opened Off-Broadway at the New World Stages to outstanding critical acclaim.

The Team

Playwrights – Samuel Shem and Janet Surrey
Producer and Director – Ronnie Marmo
Assistant Director – Janelle Marmo
Stage Manager – Eleanor Conniff
Set Design – Joey Mataratz
Lighting Designer – Cortney Roles

The Cast

Ronnie Marmo, Steve Gelder, Janelle Marmo, Joyce Fidler, Kimberly Demarse, Paul Ian Stanley, Jon Luke Thomas (Sundays only).

Reviews

Recommended “An often moving revival… Earnest, impassioned performances…” – LA Times

“A REMARKABLE STORY! By sheer dint of intelligent writing, a leavening of humor and the innate power of its biographical storytelling, this play TOUCHES ITS AUDIENCE” – VARIETY

Recommended “Marmo’s direction sensitively guides the action” – LA Weekly

“A moving gathering of the like-minded” – Chris Jones, Chicago Tribune

“Passion is felt in the urgency, honesty, and power of this simple staging.” – Backstage West

“A new version of the script that just ran Off-Broadway…dramatic, poignant, and compelling” – Beverly Hills Outlook

“Humorous, touching, and intelligent,Bill W. and Dr. Bob teaches viewers of the faith that is found within human connection and communal strength.” – SoCal

“It will appeal to everyone for the exciting story of the origins of this program, which is the foundation of the many self-help and recovery groups that are woven into the fabric of U.S. society. – Buzz Center Stage

“It’s an engaging, heartwarming, gently humorous story with a real message” -Splash Magazine

“Ronnie Marmo directs and instills in the story a noir-like energy. A rhythmic, nuanced stylish production brimming with authenticity” -NoHo Arts“This play is not just for people struggling with alcoholism or drug addiction; it’s emotionally gripping and quite inspiring” -Your Chicago Correspondent

****

Read the NoHo Arts Theatre Review>>
More About Theatre 68
To see what shows are playing, check out our theatre guide>>

ROD HINCKLEY BREAKS THE GUINNESS WORLD RECORD FOR LONGEST USABLE GOLF CLUB

[NoHo Arts District, CA] – The world premiere of Dan Waldkirch’s side-splitting comedy ROD HINCKLEY BREAKS THE GUINNESS WORLD RECORD FOR LONGEST USABLE GOLF CLUB directed by Denise Devin heads to Zombie Joe’s Underground Theatre March 21-April 5.

Zombie Joe’s Underground Theatre Group
Address: 4850 Lankershim Blvd.
North Hollywood, CA 91601
Telephone: 818-202-4120
Website: http://www.zombiejoes.com

Dates & Times:

March 21-April 5
Fridays and Saturdays at 8:30p

Rod Hinckley wants to have a big, important, life-changing adventure!  So he builds the world’s longest usable golf club, breaking the Guiness World Record! And his adventure begins – one that will take him from the murky recesses of the Columbus Ohio Sewer, to being hunted by secret “G” men to being hurtled into the Cosmos, all with his golf club tagging along!

ROD HINCKLEY BREAKS THE GUINNESS WORLD RECORD FOR LONGEST USABLE GOLF CLUB
Join Zombie Joe’s Underground Theatre for ROD HINCKLEY BREAKS THE GUINNESS WORLD RECORD FOR LONGEST USABLE GOLF CLUB – a wildly hilarious comedy that is all about big swings, bad ideas, and the meaning of life!
The Team

Written by Dan Waldkirch, directed by Denise Devin and produced by Zombie Joe.

Dan Waldkirch is a playwright and musician from Wauwatosa, WI. His musical The Unsackable Man – a retelling of Moby Dick on an NFL football field – lit up ZJU audiences in 2022; Denise Devin has been Lead Director at ZJU for over 20 years, directing, writing and creating many firsts for the theater including ten children’s plays, editing and directing a dozen Shakespeare plays, working with many new plays from other playwrights, and now stepping into a directorial role with the signature ZJU Urban Death Halloween Haunt. This is Ms. Devin’s second collaboration with Dan Waldkirch, and she looks forward to many more.

The Cast

Featuring the World’s Most Rib-Tickling Cast: Jonica Patella, Ian Heath, Tosca Minotto, Nick Salas, and Elif Savas AND the World’s Most Pluckiest Band Duo: Dan Waldkirch and Andrew Miller.

For Ages 15+. (Contains some strong adult language) This is a sit back, be-amazed and laugh-loudly show!

Duration:  One hour, with no intermission.  Wheelchair accessible.

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More About Zombie Joe’s Underground Theatre Group
To see what shows are playing, check out our theatre guide>>

Antigone

[NoHo Arts District, CA] – Los Angeles Pierce College Theatre will continue its 2024-2025 Season with Antigone, by Jean Anouilh, directed by JP Evans and running March 28-April 6.

Los Angeles Pierce College
Address: 6201 Winnetka Avenue
Woodland Hills, CA 91371
Phone: 818-719-6488
Website: https://www.lapctheatre.org

Dates & Times:
March 28-April 6
Friday and Saturdays at 7:30pm and Sundays at 2pm
There will be a special sign interpreted performance on Saturday, April 5 at 7:30pm.

Based on Sophocles’ original work, French playwright Jean Anouilh’s version has been adapted by Lewis Galantiere, with additional material by LAPC Director JP Evans and the cast.

The year is 2156. In this re-imagining of the Greek classic set in a post-apocalyptic landscape – out of a fallen world, a new society is born. Antigone endures the disgrace of her father, King Oedipus, and the death of her brothers in battle. Trapped within the oppressive regime of King Creon, she faces a decision – give burial rights to her brother and defy the state or seek true justice.

The Antigone TEAM

LAPC Theatre’s production is directed by JP Evans. The cast includes David Armen, Melinda Birke, Deniz Boysan, Josie Breedlove, Elena Cozma, Olivia Espinoza, Lily Feldman, Pahola Godinez, Natalia Kane, Natasha Zakaria Marebridge, Stella Ramirez, Charley Ramos, Elias Ruiz, Andrew Tafur, Meagan Truxal and Dale Van Slyke.

The production features scenic design by Frederica Nascimento, costume design by Nataly Gomez, lighting design by Bri Patillo and sound design by Edward Salas. Felipe Pimentel Carneiro is the stage manager.

Antigone will be a special sign interpreted performance on Sat., Apr. 5 at 7:30pm.

LAPC Theatre’s venues are fully accessible to those with mobile disabilities and hearing impairments.

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More About LAPC
To see what shows are playing, check out our theatre guide>>

Modern Myths Awakened

[NoHo Arts District, CA] – Zombie Joe’s Underground Theatre Group proudly presents MODERN MYTHS AWAKENED – a terrifying re-imagining of some of the world’s most infamous!

Zombie Joe’s Underground Theatre Group
Address: 4850 Lankershim Blvd.
North Hollywood, CA 91601
Telephone: 818-202-4120
Website: http://www.zombiejoes.com

Dates & Times:
8PM and 10PM
Sunday, March 23
Sunday, April 6
Saturday, April 12
Sunday, April 13

Prepare for an unrelenting journey into the darkest corners of folklore as Zombie Joe’s Underground Theatre Group brings audiences MODERN MYTHS AWAKENED, an all-new horror experience that breathes terrifying new life into some of the world’s most infamous urban legends.

MODERN MYTHS AWAKENED
The Team

Written and directed by Charlotte Cocker and produced by Zombie Joe, this 45-minute sit-down horror event will twist and transform familiar tales—La Llorona, The Babysitter and the Man Upstairs, Slender Man, and more—into modern nightmares designed to unnerve even the bravest horror fans!

The Cast

Featuring Dantrell McClain, Jordan Rivera, Leila Elihu,  Matt Keim, Michael Medina, Michael Silva, Raven Mahoney, Ron Gabaldon, Samantha Rosenberg, Skeleton Steve, Steven Arce; Special Guest Appearance (on select nights) by Dani Gray, Jorge Vaca, Sunn’e Ratcliff.

MODERN MYTHS AWAKENED is for Ages 18+ only, due to graphic content, nudity, and extreme scares.

Duration:  45 minutes, with no intermission.  Wheelchair accessible.

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More About Zombie Joe’s Underground Theatre Group
To see what shows are playing, check out our theatre guide>>

THE TOTALITY OF ALL THINGS

[NoHo Arts District, CA] – THE ROAD THEATRE COMPANY and Founder/Artistic Director Taylor Gilbert together with Artistic Director Sam Anderson, announce the third show of its 2024-2025 season, the West Coast premiere of THE TOTALITY OF ALL THINGS, written by Eric Gernand and directed by Taylor Nichols. 

The Road
Address: 10747 Magnolia Blvd.
North Hollywood, CA 91601
Phone: 818-761-8838
Website: https://roadtheatre.org

Dates & Times:
April 18 – June 7
Fridays and Saturdays at 8pm; Sundays at 2pm.
There will be two captioned performances for the deaf and hard of hearing communities on Sunday, May 4 and Saturday, May 10
Buy Tickets Here

When a hate crime rocks a small Indiana town, an act of vandalism escalates into something with potentially deadly consequences, and the search for answers only leads to uncertainty about the very nature of truth itself.

ABOUT THE TOTALITY OF ALL THINGS Creative Team and Cast

ERIK GERNAND (Playwright) His plays have been in production and/or development at theaters including Premiere Stages (Union, NJ), Redtwist, American Theater Company, and Chicago Dramatists (all Chicago), The Road Theatre (Los Angeles), Actors Theatre of Louisville, as well as The Barrow Group (NYC). As a filmmaker, his award-winning short films have screened at more than 100 film festivals around the world, including SXSW, Chicago International Film Festival, and Cinequest, as well as been broadcast on IFC, PBS, and the Logo Channel. Erik is graduate of Ball State University and a Professor of Instruction in Radio-TV-Film at Northwestern University.of Netflix’s “Dead Boy Detectives,” adapted from the cult Vertigo/DC comic.

TAYLOR NICHOLS (Director) is an award-winning short filmmaker, known for directing Two Heterosexual Men Get Ready to Go Out… and writing and directing Last Train. His theatre credits include the world premiere of North Beach, and the West Coast premiere of Plunge by Christopher Kyle. He has also directed Oleanna with Darby Stanchfield and Stephen Caffrey at the Malibu Stage, The Incident at Vichy by Arthur Miller, and Getting Out by Martha Norman. Taylor has directed several staged readings and workshops at The Road Theatre, including three plays by Erik Gernand.  He has been collaborating with Gernand to adapt his play The Beautiful Dark into a feature film.  In addition to his work as a director, Taylor has produced the features The Next Step and Case 219. However, he is perhaps best known for his acting career, which began with the Academy Award-nominated Metropolitan and has included recent roles in Pen15, “Perry Mason,” and Roar.

The Cast

Tina Carlisi as “Judith,” Meeghan Holaway as “DeeAnn,” Gloria Ines as “Ms. Carter,” Carlos Lacamara as “Principal Benson.” Gabriel Palma as “Gregg,” and Victor Kallett as “Micah.”

The Design Team

Scenic Design by Mia Okada; Lighting Design by Derrick McDaniel; Projection Design by Ben Rock; Sound Design by David B. Marling; Costume Design by Jenna Bergstraesser; Properties Design by Scottie Nevil.  The Production Stage Manager is Maurie Gonzalez.

THE TOTALITY OF ALL THINGS is produced by Danna Hyams and Taylor Gilbert.

****

More About The Road
To see what shows are playing, check out our theatre guide>>

1984

[NoHo Arts District, CA] – Robo & Bash Productions, in collaboration with Theatre 68, presents 1984, an adaptation of George Orwell’s classic novel by Robert Owens, Wilton E. Hall Jr. and William A. Miles Jr., and directed by Danny Cistone at the Theatre 68 Arts Complex.

Theatre 68
5112 Lankershim Blvd, North Hollywood, CA 91601
Email: theatre68rentals@gmail.com
Website: http://www.theatre68.com

Dates & Times:

Running April 3-13
Thursdays, Fridays, and Saturdays at 8pm and Sundays at 7pm

“April 4, 1984,
DOWN WITH BIG BROTHER
DOWN WITH BIG BROTHER
DOWN WITH BIG BROTHER”

Winston Smith, an IngSoc Outer Party member who works at the Ministry of Truth rewriting the past, repeatedly prints these words in a small diary he found in an old proletarian junk shop. Never mind the words; the very fact that Winston bought the diary, that he opened it and began to compose, are acts punishable by death. Such is life in Big Brother’s Oceania, one cannot speak or think their own thoughts for fear of the thought police and the mystery behind the door of Room 101. Yet Winston is obsessed with the REAL past and yearns to unlock its truths. When Julia, a fellow Outer Party member, enters his life, he finally sees a way to reach the unreachable, to live beyond Big Brother.

George Orwell’s masterpiece, from which this play is adapted, is the foundation for most dystopian future imaginings. From music to visual art, to television and cinema, Orwell’s vision of the future, of “a boot stamping on a human face – forever,” continues to manifest, displaying the horrors of its harsh parallels to the modern world. Perhaps this is why 1984 is often considered one of the most banned books of all time; despite being published in 1949, Winston’s journey hits a nerve in the parties that want to suppress its message, as well as those who defend and advance its cautionary significance.

1984
The 1984 Cast

The cast includes Leif Gantvoort, Eddie Alfano, Shelly Snellman, Bella Balsamo, Grant Fletcher Prewitt, Mark Tracy, Eleanor Conniff, and Nicholas Adams.

About Danny Cistone

Danny Cistone has over 35 years of experience in the entertainment industry. Most notably, he co-created, directed, and designed the Off-Broadway Hip-Hop sensation Groovaloo, beginning his collaboration with Bradley Rapier. He directed both stage and film productions of West of Brooklyn, as well as the feature film Monster Heroes. Other theatre credits include Music, Cocaine & Philosophy at Greenway Court Theatre, The Afflicted at Theatre 68, and John Patrick Shanley’s The Big Funk for a Shanley Fest with the author’s blessing. He directed and designed the music video for Dr. Stank’s Turn That Shit Up.

He is a member of the Art Director’s Guild specializing in film and television design and is currently working on the stop-motion animation film Astray. He recently Art Directed the flagship seasons of Quantum Leap (NBC/Universal), Kindred (FX), Our Kind of People (FOX), and season three of YOU (Netflix). He also designed season two of Black Jesus (Adult Swim), and seasons two and three of Disney XD’s #1 hit Walk the Prank.

As a designer, Danny has embraced the challenges of shooting an entire season on location with limited budgets and time (Final Witness – ABC/ Disney, School Spirits –SyFy, Emmy Award winner A Crime to Remember – Investigation Discovery). His flashy, exuberant designs have been seen on giant stadium screens (Katy Perry’s Candifornia Tour, The Eagles’ History of the Eagles Tour and Pink’s European Tour) and the small screen (Superfruit, Garbage). He has artfully executed the vision of the first SAG deaf director and now Oscar Winner, Troy Kotsur’s feature film No Ordinary Hero and his stage sets have won numerous accolades (multiple Ovation and LA Drama Critics Circle nominations).

Danny’s early experience as an actor, dancer, and subsequent director paved the way for his work as a notable, in-demand designer. He is a Broadway veteran with over ten years of experience performing and touring with such productions as Gypsy, Grease!, and Lost in Yonkers, while also working closely with the late choreographer Jerome Robbins (West Side Story) on the personal and revealing autobiographical A Poppa Piece. Upon moving to Los Angeles, he continued to work steadily in film and television as an actor (Deuces Wild, General Hospital, Malcolm in the Middle, etc), while also working behind the scenes on over 100 productions, developing his own aesthetic and innovative ways of storytelling.

Danny’s experience in nearly all aspects of entertainment and his ability to move easily between departments enable him to design and direct with flexibility, mindfulness, and a passion for creating a world that is a character in and of itself.

About Leif Gantvoort

Leif’s latest feature film, A Pretty Good Movie (writer, co-director, and lead actor) won Best Feature at the Pasadena International Film Festival and at the Portland Festival of Animation and Technology, and won Best Comedy at the GenCon Film Festival. As an actor, Leif has been in The Amazing Spider-Man (where he killed Uncle Ben) and Paul Blart: Mall Cop 2. He has guest starred on numerous TV shows, including The Hunting Party, Will Trent, The Rookie, Magnum, P.I., NCIS, S.W.A.T., How to Get Away with Murder, and Chicago P.D. You can also see him jumping out of planes or traversing volcanoes while playing board games at Above Board TV on YouTube. In his limited free time, he skates as a banked track roller derby referee (under the name of Wild Bill Hiccup)for the L.A. Derby Dolls.

About Shelly Snellman

Shelly Snellman is a producer/ actress and co-founder of Robo & Bash Productions, a “mom and pop” shop that recently made a huge splash with its award-winning debut short A Blue Shroud. Shelly’s first love, however, has always been the theatre.

As a producer, her favorite theatre productions include Rope (Avery Schreiber Theatre), and Crumble: Lay Me Down Justin Timberlake (Theatre 68). As an actress, she is partial to her roles in Drop Dead! (written and directed by Billy Van Zandt), The Afflicted (written by Leif Gantvoort and directed by Danny Cistone), and An Italian American Reconciliation and The Red Coat (written by John Patrick Shanley and directed by Ronnie Marmo), among several others.

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Jane Eyre

[NoHo Arts District, CA] – Mystery and romance abound in A Noise Within’s production of Jane Eyre, the thrilling and heart-wrenching tale of self-determination by Charlotte Brontë, adapted by Elizabeth Williamson and directed by Geoff Elliott. Check out the Review here!

A Noise Within
Located in: The Stuart at Sierra Madre Villa Apartments
Address: 3352 E Foothill Blvd, Pasadena, CA 91107
Phone: (626) 356-3100
Website: https://www.anoisewithin.org

Dates & Times:
Previews March 23 – March 28:
• Sunday at 2 p.m. / Wednesday, Thursday and Friday at 7:30 p.m.
Performances March 29 – April 20:
• Thursdays, Fridays and Saturdays at 7: 30 p.m. / Saturdays and Sundays at 2 p.m. (no Saturday matinee on March 29)
Buy Tickets Here

Orphaned as a child and determined to live life on her own terms, strong-willed Jane (Jeanne Syquia) takes a position at Thornfield Hall working as a governess for the brooding Edward Rochester (Frederick Stuart). There, she falls in love with her mysterious employer… until the discovery of a dark secret leads to a devastating aftermath. This bold and dynamic production offers a compelling portrayal of one woman’s quest for freedom and fulfillment in the face of devastating adversity.

“I read the adaptation first, having never read the novel, and I couldn’t put it down—it set me on fire,” says Elliott. “It’s a deeply affecting love story that’s also a Gothic horror tale, at once stirring, terrifying, with an impending sense of violence, and, in the end, uplifting. Williamson did a remarkable job of distilling the novel, which I’ve since read three times, into a sweeping, fast-moving two hours that moves like a river.”

A one-hour INsiders Discussion Group will take place prior to the matinee on Sunday, March 30, beginning at 12:30 p.m. Post-performance conversations with the artists will take place every Friday (except the preview) and on Sunday, April 6. Student matinees are scheduled on select weekdays at 10:30 a.m.; interested educators should email education@anoisewithin.org.

A Noise Within’s production of Jane Eyre
The Jane Eyre Cast

The cast also includes Deborah Strang as Mrs. Fairfax, and Bert Emmett, Julia Manis, Trisha Miller and Riley Shanahan, who each take on multiple roles. Young Stella Bullock plays Jane as a child, as well as Mr. Rochester’s ward, Adele.

The Creative Team

The creative team includes scenic designer Frederica Nascimento; costume designer Angela Balogh Calin; lighting designer Ken Booth; composer and sound designer Robert Oriol; wig and make up designer Tony Valdés; properties designer Stephen Taylor; dialect coach Andrea Odinov; and dramaturg Miranda Johnson-Haddad. The production stage manager is Candice Segarra-Stroud, assisted by Katelyn Hampton.

About A Noise Within

A Noise Within has been called “an oasis for those who love classic stories” by the Los Angeles Times and is a leading regional producer based in Pasadena, California. Under the leadership of Elliott and Rodriguez-Elliott, the award-winning resident theater company is honored to represent the entire community at its state-of-the-art, 324-seat performance space. In addition to producing world-class performances of classic theater, the organization runs robust education programs with the goal of inspiring diverse audiences of all ages. ANW is committed to anti-racist policies and practices across the entirety of the organization. By interpreting its mission to fully engage audiences through community and artist-centered work in multiple creative disciplines, ANW is striving to be a theater that better serves the entire community.

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More About A Noise Within
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Drat! The Cat!

[NoHo Arts District, CA] – The Group Rep is proud to present the West Coast premiere of the notorious musical DRAT! THE CAT! with book and lyrics by Ira Levin and music by Milton Schafer. See the Review here!

The Group Rep
Address: 10900 Burbank Blvd.
North Hollywood, CA 91601
Phone: 818-963-5990
Website: http://www.thegrouprep.com

Dates & Times:
March 21-April 27
Fridays and Saturdays at 8pm. Sundays at 2pm.
After the matinee talkback Sundays with cast and staff are March 23 and March 30.
Buy Tickets Here

Bruce Kimmel directs as he fulfills a promise to the writer.  Gerald Sternbach serves as musical director. The show is produced by Koushik Chattopadhyay for The Group Rep.

In 1957, Levin got the idea for a Broadway musical, “Idea for a musical comedy: Girl jewel-thief vs. the world’s greatest detective, or a young rising one.”

It’s turn-of-the-previous-century New York. A clever, stealthy cat burglar is lifting diamonds from society’s wealthiest patrons. The most respected sleuth is engaged but suddenly dies. The police turn to his good-hearted but inept-but-earnest son, Bob. His bumbling attempts to follow in his dad’s footsteps do lead him to the “Cat” but he falls head over heels with … her. So, he tries to reform her while she thwarts him at every turn. Will good-ness and love triumph? Can they return the diamonds and be forgiven? The musical includes the top ten song “He Touched Me.”

“The genre-defining works of novelist-playwright Ira Levin (1929-2007) include such indelible titles as Rosemary’s Baby, The Stepford Wives, The Boys from Brazil andDeathtrap – the fifth longest-running play in Broadway history. At home in nearly every genre – horror (Rosemary’s Baby), crime (Edgar-winning A Kiss Before Dying), science fiction (This Perfect Day), comedy (No Time for Sergeants), even a Broadway musical (Drat! The Cat!) – Levin’s enduring works continue to resonate with readers and audiences, acting as iconic cultural and creative touchstones.” – iralevin.org

DRAT! THE CAT! musical
The DRAT! THE CAT! Cast

The Group Rep cast features the talents of Ben Anderson, April Audia, Riley Croman, Sydney DeMaria, Lareen Faye, Amy Goldring, Lee Grober, Doug Haverty, Angie Lin, Hisato Masuyama, Constance Mellors, Savannah Mortenson, Maxwell Oliver, Lloyd Pedersen, Alec Reusch, Rob Schaumann, Nicole Slatin, Melissa Strauss, and Steve Young.

The Team

The production team includes Audrey Szot (Set Design), Echo Brejcha (Lighting Design), Robbie Myles (Lighting Consultant), Shon Le Blanc (Costume Design), John Harvey (Sound Design), Cynthia Payo (Assistant Director), Denise Downer (Marketing), Art & Soul Design (Graphic Design), Cathy D. Tomlin (Sound Mixer), Krys Fehervari (Wig Design), Terrie Collins-Grant (Properties Design), Maria Kress (Artistic Council Liaison), Kristin Stancato (Webmaster & Online Marketing), Doug Engalla (Promotional Video & Photography), Jackie Shearn (Social Media), and Maxwell Petrie (Stage Manager).

The musical will run on The Group Rep Theatre’s Main Stage (First Floor).

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More About The Group Rep
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The Women of Lockerbie

[NoHo Arts District, CA] – Glendale Community College Theatre Department presents The Women of Lockerbie, a play by Deborah Brevoort and directed by Jeanette D. Farr.

Glendale Community College
Address: 1500 North Verdugo Road
Glendale, California 91208
Phone: 818-240-1000 ext. 5618
Website: http://www.glendale.edu/theatre-arts

Dates & Times:

March 27-29 and April 3-5 at 7:30pm
March 30 and April 6 at 2pm

A mother from New Jersey roams the hills of Lockerbie, Scotland, looking for her son’s remains that were lost in the crash of Pan Am 103. She meets the women of Lockerbie, who are fighting the U.S. government to obtain the clothing of the victims found in the plane’s wreckage. The women, determined to convert an act of hatred into an act of love, want to wash the clothes of the dead and return them to the victims’ families.

The Women of Lockerbie is loosely inspired by a true story, although the characters and situations in the play are purely fictional.

Written in the structure of a Greek tragedy, it is a poetic drama about the triumph of love over hate.

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More About Glendale Community College
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From Passion to Profession: Building a Long-Term Career in the Music Industry

Even the most gifted musicians eventually face the unfortunate reality—talent alone isn’t a long-term strategy. For many artists, the early years are fueled by creativity, excitement, and the pursuit of stardom. But success in music, especially fame, can be fleeting. Tours end, trends shift, and streaming royalties don’t always pay the bills. That’s when passion needs a plan.

The Body

[NoHo Arts District, CA] –  Breakdowns Productions returns to The Sherry Theater with “The Body,” a darkly comedic collection of four one-acts exploring one mysterious event.

The Sherry
11052 Magnolia Blvd,
North Hollywood, CA 91601
Website: https://www.facebook.com/sherrytheater

Dates & Times:
April 18, 19, 20
April 25, 26, 27
Fridays, Saturdays and Sundays at 7:30 pm.
Buy Tickets Here

After three years of success with “The Ho Bag” series of one acts at the Sherry Theater, Breakdowns Productions returns with “The Body.” The one-acts include “Content” and “Fish” written and directed by Janna King, and “Séance” and “Leverage” written by Genah Redding and co-directed by Redding and Bobby Bruton.

The darkly comedic one-acts all center on a tragedy and the wildly varying POVs of the people who watch the progression of the evening’s events. The body in question (never shown to the audience) brings up issues for all the characters: grief, sex and fidelity, family dysfunction, addiction, corporate greed and social media obsession.

Longtime creative partners King and Redding enjoy working with a device that links one-acts. Their original concept “The Ho Bag” in which a gaudy handbag is passed between friends sold out three years in a row, with “The Ho Bag 3” capping off the collection last spring 2024.

“Genah and I love coming up with a centerpiece inspired by real-life. I had an experience where a body bag was rolled past my home on a gurney as friends and I were getting ready for casual night out,” reveals King. “This definitely changed the mood and social trajectory of the night. Everyone was affected in both contrasting and comparable ways.”

“We both need to keep a sense of humor during dark times,” says Redding. “We don’t shy away from deeply flawed characters because imperfections are also human connection. We’ve all got our ‘stuff’ and hope that our audience will not only be curious about the mystery but these complex tangential relationships.”

NoHo Arts theatre guide listing of "The Body" at The Sherry Theater
Breakdowns Productions returns to The Sherry Theater with “The Body,” a darkly comedic collection of four one-acts exploring one mysterious event.
“The Body” Cast

The talented cast includes (in alphabetical order) Allen Barstow, Alyssa Berkowitz, Theodore Coonradt, Kore Murphy, Genah Redding and Peter Schiavelli. These actors will play different roles in the different short plays. Written by Janna King and Genah Redding. Directed by Bobby Bruton, Janna King and Genah Redding

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More About The Sherry
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Aristotle/Alexander

[NoHo Arts District, CA] –  Company of Angels and Combined Artform, in partnership with Legacy LA, present the world premiere of Aristotle/Alexander, written and directed by two-time Ovation Award winner Alex Lyras runs March 29-May 4. Check out the Review here!

Company of Angels
Address: 1350 San Pablo St,
Los Angeles, CA 90033
Phone: 323-475-8814‬
Website: https://www.companyofangels.org/

Dates & Times:
March 29-May 4
Saturday at 8PM and Sunday at 3PM
With an additional matinee
Saturday, April 19 at 3PM
Buy Tickets Here

About Aristotle/Alexander:

This new show explores the historical relationship between Aristotle and Alexander the Great. Based on historical events, the play weaves verbatim text from multiple extant sources with an original score featuring authentic ancient instrumentation, complemented by innovative, immersive video design.

When star philosopher Aristotle accepts the coveted position of court tutor for an adolescent Alexander the Great, an intellectual battle of wits between teacher and student collides with high stakes Hellenistic realpolitik bearing life and death consequences. Both then and now, the question of how best to rule reaches a chilling conclusion: democracies are far more fragile than we realize.

Aristotle/Alexander is co-produced by Armando Molina (South Coast Repertory’s The Long Road Today, Company of Angels’ LA Views – Traffic Jam), Matthew Quinn (Combined Artform + Asylum), and Alex Lyras (Off-Broadway’s The Agony and the Ecstasy of Steve Jobs, Off-Broadway’s Plasticity).

“Company of Angels is excitedto collaborate in bringing Aristotle/Alexander to our stage and audience,” expressed co-producer Armando Molina. “Aligning with our mission, the play re-envisions several timely and universal themes: democracy versus tyranny, education versus indoctrination, ethics versus politics, and the role of family as the foundation of good leadership.”

“It’s a rare moment in history when two figures of this stature crash into each other, and at such a pivotal period in each of their lives,” shared writer, director, and co-producer Alex Lyras. “The impact is apparent on both lives, and ancient Greece was never the same. The parallels to our current political dilemma two thousand years later are uncanny.” He added, “I’m thrilled that Aristotle/Alexander will be having its world premiere at Company of Angels and to be working with my friends and fellow artists Armando Molina and Matthew Quinn.

Aristotle/Alexander
John Kapelos as Isocrates, Andrew Byron as Aristotle, and Nicholas Clary as Alexander the Great during the staged reading at the Getty Villa Museum. Courtesy of Aristotle/Alexander

Aristotle/Alexander was originally commissioned by the J. Paul Getty Museum for the Getty Villa Theater Lab and produced as a staged reading in Spring 2024.

Company of Angels will also present post-show discussions at each Sunday matinee performance. The talkbacks, which are included in the ticket price, will feature director and playwright, Alex Lyras and accredited classical scholars. Please check AristotleAlexander.com for up-to-date information.

The Aristotle/Alexander Cast

The cast includes Andrew Byron (West End’s Night of the Iguana, Brighton Fringe Festival’s The Good Russian) as Aristotle, Nicholas Clary (Mountain Avenue Theatre’s Midnight Summer’s Dream, Acidman) as Alexander, John Kapelos (National Hellenic Museum’s The Trial of Socrates, The Breakfast Club) as Isocrates, and Elyse Levesque (CW’s The Originals, Fox Searchlight’s Ready or Not) as Queen Olympias.

The Creative Team

In addition to Lyras, the creative team for Aristotle/Alexander includes original score by Andreas Fevos, set design by Joel Daavid, visual design by Jon Bonk and Tim Kennedy from Immerse Studios video, video and lighting design by Matt Richter, costume design by Paula Davis, hair & make up by Heidi Lowry, fight choreography by Orion Barnes, technical direction by Justin Huen, digital content by Effie Samios, video editing by Peter Chakos, casting by April Webster, and stage management by Claire Dewar.

BIOS

ALEX LYRAS (Writer, Director, Co-Producer), whose roots lie in New York theater, has written and produced four Off-Broadway shows. Plasticity topped the Huff Post’s “Best Plays” list and won an Ovation Award before transferring to the Greenwich House Theater. His previous production, The Common Air, won multiple awards in Los Angeles and transferred Off-Broadway to 45 Bleecker Street. Unequalibrium was selected for publication in New Playwrights Best Plays and Best Men’s Monologues for the 21st Century. He has sold TV pilots to FOX and Warner Brothers, developed an action comedy for Jerry Bruckheimer and a drama for Joel Silver. His screenplay, Edison Illuminated, won the Alfred P. Sloan Grant from the Tribeca Film Institute and was optioned by Castle Rock Entertainment. Smith & Kraus has published a trilogy of his work with long time writing partner Robert McCaskill. He is a member of the Writers Guild of American West.

COMPANY OF ANGELS (Co-Producer) was founded in 1959 by Leonard Nimoy, Richard Chamberlain, Vic Morrow, and Vic Tayback, among others, is the oldest non-profit professional equity waiver theater in Los Angeles. With a collective of Actors, Directors, Playwrights, Designers, and Administrators, the Company has forged meaningful relationships with the residents of Los Angeles, producing more than five hundred plays, garnering over thirty Los Angeles Drama-Logue Awards, including a special award for Continued Excellence, nine Back Stage West Garland Awards, eight Los Angeles Drama Critics Circle Awards, including a special award for Distinguished Achievement, six LA Weekly Theatre Awards, six NAACP Theatre Awards, eleven LA Stage Alliance Ovation Awards, five Dimension Robby Awards nominations and seven Broadway World Los Angeles nominations.

COMBINED ARTFORM + ASYLUM (Co-Producers) was co-founded by Matthew Quinn and Bertha Rodriguez, has been a leader in theater production, venue management, and festival development for over 20 years working across San Francisco, Los Angeles, and internationally. A longtime advisor, venue manager, and producer for the Hollywood Fringe Festival, the company has helped artists navigate logistics, marketing, and touring, producing 50+ Fringe shows, including WOMEN (Top of the Fringe & Best Comedy). Since 2018, he has scouted and booked shows for the International Fringe Encore Series (NYC) and SoHo Playhouse. He also founded the Hollywood Independent Theatre Festival (HITFest) and the 30 Minutes or Less Festival. Most recently, he was hired as festival co-management & logistics lead for the San Diego International Fringe Festival, alongside Baja Fringe Festival manager Bertha Rodriguez Quinn to expand cross-border touring opportunities.

LEGACY LA (Partner) has as its mission to make positive interventions in the lives of young people by offering alternatives to gangs and violence. Legacy LA builds the capacity of youth to reach their full potential and equips them with tools to transform their lives and community.

Founded in 2007 by former Ramona Gardens neighborhood resident Maria “Lou” Calanche, Legacy LA addresses the impact of multi-generational gang violence and low educational attainment in Ramona Gardens in Boyle Heights and surrounding neighborhoods in the City of Los Angeles. Built in 1941, Ramona Gardens is one of the City’s oldest public housing developments and is home to approximately 2,000 residents – primarily Latino – in 498 units of affordable housing for very low-income families.

ARMANDO MOLINA (Co-Producer) is a director and writer with a background in theater development. His recent directing credits include The Long Road Today by Jose Cruz Gonzalez at South Coast Repertory, and LA Views – Traffic Jam by CoA Playwrights at Company of Angels. He also directed Refugee Nation by Leilani Chang & Ova Saopeng at Los Angeles Theater Center (LATC), Distracted by Lisa Loomer at TheaterWorks, Visitors Guide to Arivaca by Evangeline Ordaz at Teatro Vision and Company of Angels, Hippie Mexicana aka Digging Rios by Evangeline Ordaz at Borderlands Theater, Sissy by Ricardo Bracho at Company of Angels, Anna In The Tropics by Nilo Cruz at PCPA Theaterfest, Living Out by Lisa Loomer at TheatreWorks and at Mixed Blood Theatre, The Waiting Room by Lisa Loomer at Company of Angels, among others. Armando received national recognition from the NEA and the Theater Communications Group as a recipient of their Career Development Program for Directors.

MATTHEW QUINN (Co-Producer) has 20+ years in theater production, venue management, and festival development in San Francisco, Los Angeles, and internationally. Co-founder of Combined Artform with Bertha Rodriguez, he has produced and promoted hundreds of live shows, supporting artists’ careers beyond festivals. A longtime advisor and producer for the Hollywood Fringe Festival, he has guided artists with logistics, marketing, and touring, producing 50+ Fringe shows, including WOMEN (Top of the Fringe & Best Comedy). He founded the Hollywood Encore Producers’ Award for standout shows and expanded with Beyond Encores, co-producing Pulp Shakespeare, Pokémusical, and Sunny Afternoon. Since 2018, he has scouted shows for the International Fringe Encore Series (NYC) and SoHo Playhouse. He also founded the Hollywood Independent Theatre Festival (HITFest) and the 30 Minutes or Less Festival. He recently became Festival Co-Management & Logistics Lead for the San Diego International Fringe Festival, collaborating with Baja Fringe to expand cross-border touring.

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To see what shows are playing, check out our theatre guide>>

The Secret Comedy of Women

[NoHo Arts District, CA] – Philip Roger Roy presents the national touring production of Barbara Gehring and Linda Klein’s The Secret Comedy of Women at The Colony Theatre in Burbank from April 24-May 18.

The Colony Theatre
Located in Burbank Town Center
Address: 555 N 3rd Street
Burbank, CA 91502
Phone: (315) 818-5587
Website: https://www.colonytheatre.org/

Dates & Times:
April 24-May 18
Thursday and Friday at 8pm, Saturday at 2:30pm and 8pm,
Sunday at 2:30pm and 7:30pm.
Additional performance on Thursday, May 1, at 2:30pm
Buy Tickets Here

The Secret Comedy of Women celebrates the joys of the journey from girlhood to womanhood. An immersive theatrical experience that rejoices in the challenges of being a woman — from boys to bras and pantyhose to menopause — this two-woman show explores the universal female experience through a rollicking spectacle of sweetly sharp comedy, songs, dances, stories, and spontaneous moments of discovery that all women share.

Inspired by authors Barbara Gehring and Linda Klein’s earnest and amusingly absurd writings in their girlhood diaries, The Secret Comedy of Women is a mix of sketches, improvisation, audience participation, witty songs, and clever videos. The show reminds audiences of the very funny and very charming similarities between all women.

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Barbara Gehring and Linda Klein’s The Secret Comedy of Women
“It’s really like a girlhood reunion,” says Klein. “Our show is something highly universal, made personal. It’s for women of all ages – and for the men who love them,” adds Gehring.

The Secret Comedy of Women actively engages its audience with its high-spirited, good-natured style of humor. With reviewers calling the show, “…truly brilliant.” (Denver Post) and “Laugh out loud comedy!” (Broadway World), it is no wonder that this “two-hour celebration of bras, purses, showers, breastfeeding, and menopause” (Pittsburgh Tribune) ran continuously for nearly two years at the Denver Center for the Performing Arts and has played to over a quarter of a million women (and men!) across North America.

About Barbara Gehring and Linda Klein

Barbara Gehring and Linda Klein both began writing and performing comedy at an early age. While young Barbara directed elaborate puppet shows in her secret fort a thousand miles away in Canada, little Linda was producing extravagant backyard circuses in a tiny Colorado mountain town. Neither could have foreseen how well these skills would blend together decades later when they wrote this show. Had they known each other all those years ago, The Secret Comedy of Women is exactly the type of show they would have created together and, now as adults, it is exactly the kind of show in which they’ve always wanted to perform. Gehring and Klein have successful careers in the entertainment industry beyond comedy and have rich expertise in the areas of training, writing, creative thinking, logistics, administration, marketing, and public relations.

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More About the Colony Theatre
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Theatre Rocks!

[NoHo Arts District, CA] –  Theatre West and David P. Johnson present Theatre Rocks! A rock concert on Saturday, April 5, produced by Garry Kluger, to benefit Theatre West community programs.

Theatre West
3333 Cahuenga Boulevard West
Los Angeles, CA 90068
Phone: 323-851-4839
Website: https://theatrewest.org

Dates & Times:

Saturday, April 5 at 8PM

Three great bands!

Rock out to the music of 53 Trees featuring Grace Marquez and David P. Johnson; Bobby Bognar (acoustic); and Cat Chemist featuring Bobby Cox (acoustic).

Proceeds from this concert support the ongoing artistic endeavors and community programs of Theatre West, a non-profit organization.

Stage manager: Ernest McDaniel.

About Theatre West

Established in 1962, Theatre West is celebrating its 63rd year as the oldest continually running professional theatre company in the city of Los Angeles. It is a membership collective of actors, playwrights, directors, and technicians. Theatre West’s alumni members include Ray Bradbury, Beau Bridges, Richard Dreyfuss, Sally Field, Betty Garrett, Martin Landau, Lee Meriwether, Jack Nicholson, Carroll O’Connor, Sherwood Schwartz, Joyce Van Patten, Jim Beaver, and Paul Winfield.  Theatre West has produced more than 300 plays and musicals.  Of these plays, nearly 70% are original works developed in its workshops and many have led to Broadway, regional tours, and feature films including A Bronx Tale by Chazz Palminteri; A Very Brady Musical by Lloyd Schwartz and Hope Juber; Our Man in Santiago by Mark Wilding that transferred to Off-Broadway in the Fall of 2022;  and our co-production of Eisenhower: This Piece of Ground that went to Broadway in 2023. Theatre West is supported in part by The Ahmanson Foundation, California Arts Council, Peter Glenville Foundation, The Green Foundation, Kaplan-Loring Foundation, the Los Angeles County Board of Supervisors through the Los Angeles County Department of Arts and Culture, Los Angeles Department of Cultural Affairs, National Endowment for the Arts, Lloyd E. Rigler-Lawrence E. Deutsch Foundation, Sidney Stern Memorial Trust, Dwight Stuart Youth Fund, and L.A. Parent Magazine.

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More About Theatre West
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From a Yardie to a Yankee

[NoHo Arts District, CA] –  Sardia Robinson brings her award-winning, one-woman play FROM A YARDIE TO A YANKEE to Theatre West on May 17 only to raise funds for families devastated by the Eaton Fire.

Theatre West
3333 Cahuenga Boulevard West
Los Angeles, CA 90068
Phone: 323-851-4839
Website: https://theatrewest.org

Dates & Times:

Saturday, May 17 at 8PM

Buy Tickets Here

LA FIRE FAMILY FUNDRAISER! ONE NIGHT ONLY!

As the Eaton Fire killed at least 17 people and destroyed more than 9,000 buildings, becoming the fifth deadliest and the second most destructive wildfire in California history, one unfortunate Haitian-American family of 10 lost four homes in the fire and is struggling to survive, as evidenced on their GoFundMe page.

One LA resident has sprung into action to help. LA resident and Jamaican-born actress, writer, and director Sardia Robinson, along with Theatre West and LA-based myKeetv Magazine, is producing a one-time return of the award-winning, one-woman play FROM A YARDIE TO A YANKEE as a fundraiser for the affected family. Robinson will perform free of charge and Theatre West has offered the theatre free of charge to help make this event possible, with all funds going to support the family.

Discover what reviewers rave is “A Must See!” Fresh off a world tour, including New York, London, Jamaica, and the Bahamas, FROM A YANKEE TO A YARDIE portrays writer and performer Sardia Robinson’s epic struggles from the murderous streets of Kingston, Jamaica to the deadly consequences of Chicago’s drug wars. Full of colorful characters, powerful portrayals, obstacles overcome, and heartwarming humor, this show will grip your heart and imagination.

FROM A YARDIE TO A YANKEE was awarded Best of Show in the TAG Studio Solo Festival 2019, Best Solo Production by BroadwayWorld 2022, and one of the Top Ten Shows to See in LA by BroadwayWorld 2022. Sardia was awarded the “Innovative Women in Theatre” award for her performance at the Hollywood Fringe Festival. She is a member of Greenlight Women, a dynamic and diverse community of women over 40 in media and entertainment. Feedback from audiences and industry insiders alike has been overwhelmingly positive.

FROM A YARDIE TO A YANKEE
Here is what just a few industry pros are saying:

“The moment Sardia hit the stage I was hooked. What a brilliant performance and performer. I highly recommend FROM A YARDIE TO A YANKEE. A must see!” – William “Mickey” Stevenson – Songwriter, Producer, and Motown Records’ first A&R Director.

“An amazing show, filled with heart, drama, happiness, and hope. Sardia takes the audience through her humorous yet challenging transition from Jamaica to America. Passionately performed from the heart of a beautiful woman for all to see.” – Gregory Marquette – Television and Film Writer/Director/Producer responsible for such films as Innocents, Genius on Hold, and Oba: The Last Samurai. 

“This show is a gem! A real must see!!! Sardia takes the audience on a journey from childhood in the real Jamaica, the one we never see, to the trials of being a single mom, to dreams coming true when she becomes an American citizen! Her acting skills are excellent and her characters range from loveable to horrifying, each with their own voice! Great job! Brava!” – Tom Cavanaugh – Playwright (The Circus Still Comes to Town, Diner Talk, The Wildness Treatment, Adam & Yoshi), Screenwriter (Harvest, The Heroes of ‘76), Producer and Writer.

View Sardia Robinson’s IMDB page at www.imdb.com/name/nm2430882.

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Read the NoHo Arts theatre review of FROM A YARDIE TO A YANKEE>>
More About Theatre West
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The Best of Broadway…And Everything Else!

[NoHo Arts District, CA] – Valley Opera and Performing Arts (VOPA) presents The Best of Broadway…And Everything Else! at El Portal Theatre on April 5 and 6 only.

El Portal
Address: 5269 Lankershim Blvd,
North Hollywood 91601
Ticket Services/Box Office: 818 508-4200
Website: https://elportaltheatre.com
Email: info@elportaltheatre.com

Dates & Times:

Saturday, April 5, 2025 @ 6 pm
Sunday, April 6, 2025 @ 3 pm

VOPA’s most popular concert series – The Best of Broadway…And Everything Else! – returns, bigger and better than ever!

A huge cast of soloists, dancers, ensemble, and children’s chorus joins the VOPA Orchestra, conducted by Maestra Noreen Green, and the VOPA Rocks band to bring you an eclectic concert of greatest hits from across many musical genres. Selections from Broadway, R&B, Country, Classic Rock, Opera, and more come together to prove that…Good music is good music, so let’s just enjoy it all!

TICKETS

$29 – $92 (including all fees)

USE CODE: VOPA2
for 10% off any Tier 1 or Tier 2 ticket
(not valid with any other discount)

Valley Opera and Performing Arts
ABOUT Valley Opera & Performing Arts (VOPA)

VOPA presents world-class musical and theatrical productions, fostering a vibrant cultural scene in the heart of the San Fernando Valley. Our commitment to providing accessible, diverse, and high-quality performances that engage, challenge, and unite our audiences, artists, and supporters shines as we celebrate the transformative and timeless beauty of the human spirit expressed through music and the performing arts. VOPA presents performances of everything from fully staged opera and musical theater works with orchestra, to laid back concerts of jazz standards and even classic rock concerts with its band, VOPA Rocks. Through the company’s Outreach, Education, and Community Service program, VOPA provides entertainment for underserved and economically or otherwise disadvantaged communities. VOPA also mentors up-and-coming artists, many of whom have gone on to enjoy careers working in the most elite theaters in the world.

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More About El Portal
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Best Entertainment Apps to Download to Keep You Entertained While Travelling

Travel is incredible; new places, new faces, new experiences. But let’s be real: there are also the not-so-glamorous moments. The long layovers. The train delays. The hours spent squished into a plane seat, trying to find a comfortable position (spoiler: there isn’t one).That’s where your phone comes in. A solid lineup of entertainment apps can make even the longest journey feel like a breeze. Whether you’re a movie buff, a gamer, or just need something to pass the time, here are my go-to apps to keep boredom at bay while on the move.

Lost Cellphone Weekend

[NoHo Arts District, CA] – Producers John Lant and Tamra Pica of Write Act Repertory present the West Coast premiere of Stephen Gilbane’s Lost Cellphone Weekend, a new musical cautionary tale about our screen-centered modern life at the Brickhouse Theatre April 5-27. Check out the Review here!

Brickhouse Theatre
Plays/Musicals Sketch/Improv Comedy
Address: 10950 Peach Grove St.
North Hollywood, CA 91601
For Show information:
http://www.writeactrep.org

Dates & Times:
April 5-27
Friday and Saturday nights at 7:30pm,
Sunday matinees at 2:00pm.
(No shows Easter Sunday April 20)
Buy Tickets Here

Lost Cellphone Weekend is inspired by the 1945 Billy Wilder film The Lost Weekend with Ray Milland, a love letter to Film Noir. This noir parody on artists who try to single-handedly solve social problems through their writings is fitting in any time period.

Don Birnam has a problem.  But it’s not the usual stuff, like booze or drugs. He has a social media problem, a problem with his cellphone.  Like many of us do. This weekend, he will be tested as never before! Begging the question, “Can you survive a weekend offline?”

The Lost Cellphone Weekend Cast

Lance Bagley, Birdie, Scott Di Lorenzo, Lauren Faulkner, Trevor Murphy, Courtney South and Jess Spruiell.

The Creative Team

Produced by John Lant and Tamra Pica
Written and Composed by Stephen Gilbane
Directed by Darrin Yalacki
Choreographed by Misty West
Casting by Tamra Pica Casting
Music Direction by Daniel Pietruska
Accompanist by Grace Balint
Lighting and Set Design by Zad Potter
Associate Producer Jonathan Harrison
Stage Manager – Abigail Westman
Percussion – Nancy Guzman
Additional Music Recording – Erich Rausch
Costumes – Susan Eiden and Darrin Yalacki
Publicity – Sandra Kuker-Franco of Sandra Kuker PR

Stephen Gilbane – Composer for Film, TV, & Theater

Steve won a New England Emmy Award in 2023 for Outstanding Musical Composition & Arrangement for the music he composed and orchestrated for the 5-episode series, Slatersville: America’s First Mill Village, which premiered on Rhode Island PBS on September 16, 2022.  He is currently working on Season 2, which is in post-production.

Steve has composed music on the fly for comic & dramatic scenes as an improv theater accompanist in Boston since the early ’90’s.  He has also taught theater improvisers how to make up songs on the spot.  He attended Berklee College of Music for Film Scoring, back when projects were on VHS tape.

He has written the music for the feature length slasher film Bit Parts, as well as for several shorter horror films for Elftwin Productions.  He has scored half a dozen 48 Hour Film Project submissions, honing his skills composing under extreme deadlines.  He also has written music for a number of musicals, including 10 Halloween-themed ‘Gorefest‘ musicals for Improv Boston, as well as his own latest noir parody Lost Cellphone Weekend.

Darrin Yalacki – Director

Darrin, is a writer and improviser in Los Angeles, hailing from Grand Rapids, Michigan. He trained in improv, at ComedySportz San Jose. After moving to Southern California, he continued his training at iO West and ComedySportz Los Angeles. While at iO West he has performed with several groups as well as written and performed with the acclaimed sketch show What! and the sketch group, No Beaks. In addition, he has also directed several improv and sketch groups and runs the Improv Lab at Write Act, including the recent Cringe Fest 2023. Darrin created, produced, and starred in the pilot Rehab. He contributed as a producer for the pilot presentation PepU. He wrote and produced Con-Sequences:  The Web Series and produced and acted in Corporate: The Web Series. He also played Rafael in the new musical Beguiled and performed his one-person show Human Me-Sources (a show about how working in Human Resources for 10 years destroyed him as a person) and has recently completed his short film Interpretive Dance and his play Not/Now.

Tamra Pica – Producer / Casting Director

Tamra is a versatile producer and casting director whose 36-year career spans theater, television, and digital live production. She has worked on over 500 productions, including recent Off-Broadway hits like Frankenstein, Wicked City Blues, and Swing. Other notable credits include Lili Marlene, Caldwell’s Bomb for the New York Venus/Adonis Theater Festival, Renewal, Your Name on My Lips at Theater for the New City, and the long-running musical Fabulous! Queen of the New Musicals. Her work at the Brick House Theater in North Hollywood includes productions of Freeway Dreams, Path to Catherine, and Playwright’s Parlor: An Evening of 15-Minute New Works. Her television work includes production, casting, and development for major networks such as Disney, Sony, Cartoon Network, NBC, TBS, CBS, MTV, ABC, and FOX, most recently on Disney’s Mira, Royal Detective and Netflix’s Blood of Zeus. After the pandemic, Tamra’s love of technology and live events led her to produce over 125 digital events, blending innovation with storytelling. As a passionate advocate for writers, she consults on projects across television, film, novels, and theater, helping writers clarify their vision and connect with audiences. She also developed the global virtual writing retreat Second Saturday, which has run monthly since 2020 allowing writers a creative community. A tech enthusiast and regular panelist on YouTube’s series The Rundown, she frequently shares insights using technology to enhance creative work and digital presence.

John Lant -Write Act Repertory’s Producing Artistic Director 

John’s a 44+year veteran, Interlochen Alumni, produced 18 Off-Broadway plays and been involved in over 800 hundred television, film, and theatrical productions as creative entity and/or production manager. He has served for 22 years at Write Act Rep’s, Production Managed Carnegie Hall for 14 seasons with over 2,000 events in three venues and the last three years at Tilles Center. His work includes Kennedy Center, Alliance Theatre, Lincoln Center, Juilliard, MTC, Circle Rep, Circle in the Square, WPA and EST. National tours include Phantom of the Opera, Evita, Singin’ in the Rain, One Mo’ Time, Gypsy, The Three Musketeers, Connecticut Ballet, and Aeros. An award-winning producer, SSDC director, writer, lighting and set designer, in LA & NYC work includes The Garfunkels at Carnegie Hall, BET JAZZ MASTERS Awards, NARAS Grammy Awards, The Academy Awards, Cal Arts, The Odyssey, Ivy Substation, Ricardo Montalban, Glendale Center, Hollywood Playhouse, Long Beach Playhouse, Jewel Box Theatres, Write Act Repertory in LA, Carnegie Hall, St. Luke’s, Actors Temple, St. Clement’s, Hudson Guild, Theater Row, A.R.T./NY, MTC, New World Stages and Tilles Center garnering DramaLogue Awards, Diamond Awards, LA Weekly, Garland, ADA, 2xNAACP, Ethel Casey, NY Theaterfest, MITF, BWWorld, Backstage Picks, Nominations and Awards. More info: https://www.linkedin.com/in/johnlantprod

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More About Brickhouse Theatre
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F*CKED UP EASTER EGG HUNT

[NoHo Arts District, CA] – This Easter season, Zombie Joe’s Underground Theatre Group invites you to experience the holiday like never before with F*CKED UP EASTER EGG HUNT — a twisted, terrifying, and unapologetically shocking horror experience for adults only.

Zombie Joe’s Underground Theatre Group
Address: 4850 Lankershim Blvd.
North Hollywood, CA 91601
Telephone: 818-202-4120
Website: http://www.zombiejoes.com

Dates:

April 17 – 20
Thursday, Friday, Saturday (April 17, 18 and 19)
Sunday (April 20)

Running April 17-20, 2025, this 18+ immersive horror show features nudity, graphic content, and intense scares, making it a must-see for those who like their holidays served with a side of chaos!

F*CKED UP EASTER EGG HUNT is a sequel to last Easter’s notorious production, plunging audiences deeper into its dystopian world, where the Easter Bunny has obliterated all other holiday figures and reigns as the last standing icon. But this year, the hunt is even deadlier, and no one is safe. Featuring most of the original cast, expect twisted surprises, grotesque encounters, and a nightmarish Easter celebration unlike anything you’ve ever witnessed.

The F*CKED UP EASTER EGG HUNT Cast and Team

Featuring Charlotte Cocker, Kyle Donovan, Dani Gray, Raven Mahoney and Jennie Tuliao.

Directed by Charlotte Cocker and produced by Zombie Joe.

FYI

F*CKED UP EASTER EGG HUNT is for Ages 18+ only, due to nudity, graphic content and intense scares. *(Releases to be signed at the door, prior to entry).  Wheelchair Accessible.

Zombie Joe’s Underground Theatre Group red logo

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More About Zombie Joe’s Underground Theatre Group
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Showstopper

[NoHo Arts District, CA] –   Showstopper, the one-man musical starring Gary Stockdale, heads to the Whitefire Theatre March 21-April 25.
Check out the Review here!

Whitefire Theatre
Address: 13500 Ventura Blvd.
Sherman Oaks, CA 91423
Phone: 818-990-2324
Website: https://www.whitefiretheatre.com

Dates & Times:
March 21-April 25
Fridays at 8PM
Buy Tickets Here

One Man. One Piano. A Lifetime of Musicals.

The name Jerry Rockwell may not instantly come to mind, but he is a composer/lyricist responsible for some of musical theatre’s most popular and innovative shows. Some, like Rascals & Rogues and Water Cooler, were hits, while others like Key Party and Tricky Dick were not. And others, like Beyond and Split, never even made it to opening night. Jerry’s work was always challenging, bold, and intensely personal.

Still doesn’t ring any bells? Well, that’s because Jerry doesn’t exist.

He’s the brainchild of theatre veterans Gary Stockdale and Spencer Green, who created the award-winning musicals Bukowsical and Bumpersticker; and Matthew Leavitt, co-artistic director of The 6th Act, and librettist for the operas Orpheus and The Wreck of the Miranda, and the book/lyrics for the musical Kid Gloves.

Showstopper is a one-person show which follows Jerry as he discusses his life and career to an “audience” at New York’s 92Y Theatre. He details the ups and downs, successes and failures, and everything that he sacrificed in his quest to become the Next Big Thing as a musical composer on Broadway.

Each song in Showstopper comes from one of Jerry’s own musicals starting in the late-1960s and going all the way to the present. Some are big and brassy, some anthemic, some jaunty and jolly, others introspective. And as he traces the development of his music, influenced and fed by his personal triumphs and struggles, we learn how life and art are inextricably linked.

Showstopper
The Showstopper Team
Gary Stockdale

Composer, Lyrics, Book, and Star of the Show.
Gary is a two-time EMMY Award- nominated TV and film composer (Sabrina, the Teenage Witch; Penn & Teller: Bullshit!, The Aristocrats), a veteran studio singer (Star Wars: Rogue One, Jurassic World, Skyfall  with Adele on 2013 Oscars), and a touring songwriter. His music has been featured on Broadway in Penn & Teller Rot In Hell. He was an original member of The Brian Setzer Orchestra, and also sang a featured solo in the cult-classic musical TV series, Cop/Rock. With Spencer Green, Gary co-wrote the irreverent adult musical Bukowsical, which won Outstanding Musical at the 2007 New York International Fringe Festival. Gary also composed the score for the original Off-Broadway production of Playdead, written by Teller of Penn & Teller. Bukowsical, the CD, as well as his albums Keep Letting Go, and Sure Of Mice Elf are on Spotify, Amazon and all music sites.

Spencer Green

Book, Lyrics
Spencer Green reminds you that the use of flash photography or any sound recording devices is strictly prohibited during this biography. Mr. Green has written for In Living Color, AAAHH!!! Real Monsters, Duckman, Mad TV, The Fairly Oddparents, Denis Leary’s Merry F#%$in’ Christmas, Americana for BBC Radio, and the radio play podcast Labora-Story for St. Louis’ Theatre Lab. He was a contributing editor for more than two decades to Leonard Maltin’s annual Movie Guide, as well as co-editor of Maltin’s Movie Encyclopedia and managing editor of Maltin’s Classic Movie Guide, and edited We’ll Never Be Young Again: Remembering the Last Days of John F. Kennedy. Mr. Green has performed at the Los Angeles comedic writers’ salon Sit ‘n Spin and is co-author/co-lyricist of the award-winning musicals Bukowsical, and Bumpersticker. His plays have been produced by St. Louis’ Theatre Lab, Chicago’s Hobo Junction, and Los Angeles’ Sci-Fest LA, and The Scorpion and the Frog: a time-killer was produced by The 6th Act at the 2019 Hollywood Fringe Festival. He has also written for The Huffington Post and created the parody web site The Parallel Universe Film Guide.

Matthew Leavitt

Book, Director
Matthew Leavitt: Matthew Leavitt is an award-winning playwright, director, librettist, and co-artistic director of The 6th Act Theatre Company. Most recently he directed the world premiere of The Brothers Abelson: Since 1946 at The Electric Lodge in Venice. Other selected directing credits include Hamlet (winner of ‘Best Director of a Play’ Stage Scene LA Award), Legally Brunette (World Premiere – The Garry Marshall Theatre in Los Angeles, 54 Below in NYC), Sonnets From Suburbia (World Premiere – Edinburgh Fringe Festival, 59E59 in NYC, Hollywood Independent Theatre Festival in Los Angeles), The Scorpion and the Frog: a time killer (World Premiere – Hollywood Fringe Festival), Double Play (World Premiere – Stephanie Feury Theatre), Arrival (Sci-Fest LA), Barfly Shakespeare (The 6th Act), Twelfth Night (Village Green Productions), The Taming of the Shrew (Village Green Productions) and Goes The Weasel (Ammunition Theatre Company). Playwriting credits include The $5 Shakespeare Company (LA Times Critics’ Choice) and The Boomerang Effect (published by Concord Theatricals), which has enjoyed numerous productions throughout the US and UK. His newest play Sukkot recently premiered at The Skylight Theatre in Los Angeles. He has been commissioned twice by LA Opera to write the librettos for two new operas, Orpheus and The Wreck of the Miranda (both collaborations with classical and film composer Nathan Wang). For more information visit www.the6thact.com

John Mitchell

Producer
John has been a theater producer and director for over 30 years.  Over his many years, he has produced shows in Sacramento, Los Angeles and New York.  Mr. Mitchell began producing at his own theater company in Sacramento at age 25 and completed two seasons of shows before he moved to Los Angeles to pursue his career in theater and television writing.  John has developed three sitcom pilots which were sold (the shows were not picked up) and currently is working on an animated show called Agro Squirrel.  Mr. Michell produced Bumpersticker for the Hollywood Fringe in 2016 and working with the same team, Mr. Mitchell produced Bukowsical! at the New York Fringe, where it took Best of Fringe 2008.  The following year, he brought the one-woman show Now That She’s Gone to the NY Fringe.  In between Mr. Mitchell has been busy developing new works and has three current musicals in development.

He has been active in the management of theater companies and non-profit organizations for more than 30 years as well and currently serves as the President of the Board of Directors of New Musicals Inc.

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More About Whitefire Theatre
To see what shows are playing, check out our theatre guide>>

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