Latest from Entertainment

April 23, 2019

Mercury Retrograde and OM Music Sanity

by Caroline McElroy
April 19, 2019

Reviews - Shazam!; Hellboy

by Mike Peros
March 29, 2019

Film Reviews - Us; Gloria Bell 

by Mike Peros
Aya Nakamura's latest  album
March 17, 2019

Aya Nakamura “DjaDja”

by Lisa Bianconi
February 25, 2019

Superbowl 53, Adam Levine and Nipples

by Caroline McElroy
February 15, 2019

Cold Pursuit; Roma; BlackkKlansman

by Mike Peros
Lizzo
February 08, 2019

Lizzo "Juice"

by Lisa Bianconi
January 26, 2019

Movie Review - GLASS

by Mike Peros
January 23, 2019

In Search of Gram Parsons

by Caroline McElroy
January 11, 2019

Noname’s debut studio album “Room 25"

by Andrew Foerch
January 07, 2019

Film Review “Instant Family”

by Samantha Simmonds-Ronceros
December 14, 2018

The Favourite; Green Book; Stan and Ollie

by Mike Peros
December 10, 2018

Raquel Rodriguez "Mile High"

by Francesca del Console
November 21, 2018

Reviews: Widows; Boy Erased; Bohemian Rhapsody

by Mike Peros
November 13, 2018

Graham Bonnet @ The Viper Room

by Caroline McElroy

It’s all very well trying to analyse the brain’s response to a painting, but you can’t choose a Turner Prize winner by giving the judges an MRI scan IT SEEMS as if every other week there is a news story about how scientists, with the help of magnetic resonance imaging and positron emission tomography, are “unlocking the mysteries” of art. It has even spawned a hideous new neologism – “neuroaesthetics”, formally defined in 2002 as “the scientific study of the neural bases for the contemplation and creation of a work of art”.

Published in LA Art Shows

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