Read the best movie reviews for the latest films showing in N Hollywood movie theatres including: Regency Theatre North Hollywood, Century 8, and Laemmle NoHo 7.
If you’ve seen Lily Tomlin in …just about anything---ever, you’ll find her performance is often the best thing, whether it’s Robert Altman’s Nashville or the new Netflix series Grace and Frankie (a well-deserved second season is on its way), or her supporting turn in Paul Weitz’ Admission.
Tom Cruise as Ethan Hunt is out to save the world again in Mission: Impossible – Rogue Nation, another in the very profitable series of action films that Cruise turns to when he needs a bona-fide hit.
Part superhero movie, part caper film, part dysfunctional family movie (everyone’s got issues), Antman is a nice surprise, an enjoyable entry in the Marvel superhero series that is seemingly taking over the cinematic galaxy.
Arnold Schwarzenegger is ba-a-ack in his signature role for Terminator Genisys, but the question you may have by the end is why anybody bothered.
Jurassic World has it all, as rampaging dinosaurs chow down on theme park visitors and employees alike, while Vincent D’Onofrio gets to chew up a lot of scenery.
The future is once again playing at your multiplex, but it could also be the present, with isolated warring factions amidst a parched wasteland and rapacious leaders who bully the underprivileged masses by hoarding all manner of resources, including water and gasoline.
Avengers: Age of Ultron has plenty of fireworks, as befits a movie with no fewer than seven superheroes, a few more superheroes in waiting, some minor bad guys, and one very major villain at the core.
Noah Baumbach’s While We’re Young is at its best in the early going, as it explores the emerging relationship between a middle-aged, childless couple (Ben Stiller, Naomi Watts) and an affectionate, energetic younger couple (Adam Driver, Amanda Seyfried).
Kenneth Branagh’s Cinderella (I never thought I’d use those three words in tandem) turns out to be a visually sumptuous, beautifully scored (Patrick Doyle), and altogether enjoyable rendition of Charles Perrault’s well-known fairy tale, as adapted by Chris Weitz and fairly light on the Grimm.