The muse struck at a young age and began with Ernie's Record Shop on Lankershim Blvd. In North Hollywood where I purchased my first Beatle record "I Wanna Hold Your Hand" and a record by Major Lance titled "Um,Um,Um,Um,Um,Um". From there I saw the Beatles at the Hollywood Bowl and I was hooked...on Rock N' Roll. At the age of 13 it seems as if the magical world of Rock N' Roll opened up and welcomed me. A trip to Indio with Frank Zappa and possee, and subsequent gigs as a dancer at The Teen Fairs at the Hollywood Palladium sealed the deal. As a trained journalist, I've written for magazines, newsletters,newspapers and blogs. In addition, I have run a nightclub by the name of The Cave. Music is the thread that weaves a patchwork quilt of genres, venues and experience out of my life and in the process have introduced many fine acts to my followers.
For the rest of my story dear readers, read my articles and it will unfold like the petals of a lotus flower.
Ziggy Stardust and his alter ego David Bowie have impacted my life in big ways since back in the 70's. I adore Bowie's "The Rise and Fall of Ziggy Stardust" LP and wore the darn thing out, also had a brush with him when a few of my good friends at the time went to see a performance of his when he burst into a tirade at them about them being Jimmy Page's witches.
Although it took many years for Director Amy Berg to pull the rockumentary together, the final product of “Janis Joplin, Little Girl Blue” serves as a text book example of what to do when creating a montage tribute of a rock icon’s life.
I had the pleasure of meeting famous actor-rocker Robbie Rist while sitting in his studio during the taping of a radio show that he produces. Robbie has brought Legendary Ronnie Mack’s Barndance to radio audiences across the country.
Canadian act HEY ROSETTA recently kicked off their 5 show American tour at The Troubadour wowing their crowd with a carefully woven tapestry of tunes that ranged from their current 2014 CD SECOND SIGHT to their fledgeling 2007 effort PLAN YOUR ESCAPE.
When it comes to the question of the music scene in Paris, France, Nelson Vard and Felix Ramaen are the go to guys in Paris for anything music.
With the closing of many San Fernando Valley old school restaurant bars/nightclubs, one place still holds true to the old cliché of the neighborhood bar where everyone knows your name and they are always glad to see you! Cody’s Viva Cantina has been in the same location since 1965.
While I was recently working on a story, I stumbled upon “PAY 2 PLAY" Director John Wellington Ennis who has a strong background in music that is so imprssive that it needs to be lauded.
Clad in clothing that ranged from hippie chic to California casual the LOVE-IN 2015 was perhaps the most fun that I’ve had in quite awhile and am glad to have friends in LOVE-IN hosts Georgiana Steele-Waller and the band LOVE's co-founder Johnny Echols.
A few weeks ago, I just happened to walk into Joe’s Famous Bar & Grill in Burbank. I settled into a seat at the bar and heard the person on stage announce “Here’s a man who needs no introduction!” I turned toward the darkened stage and my face lit up as the familiar silhouette of a tall, lanky man walked up to the microphone. I shouted “RONNIE MACK!”, then giggled and laughed as the stage lights came on.
RINGO STARR recently celebrated his 75th birthday in front of Capitol Records with an OHM chant of PEACEANDLOVE. This is a tradition that STARR began in 2005 with a few participants which has now blossomed into a few hundred enthusiastic noon time PEACEANDLOVE chanters.
Ever since STING wasn’t cast as the Vampire Lestat in Anne Rice’s “Interview With The Vampire” I have viewed casting choices in movies with a touch of skepticism and a sideways glance. But LOVE & MERCY proved itself to be quite an extraordinary film with a soundtrack worthy of a BRIAN WILSON biopic.
In the 1970s as a pre-adolescent I was fortunate to study guitar with a legendary teacher and performer, Joe Corso on Long Island, New York. He required me to read and master traditional music notation, read cord forms and scale techniques for a jazz musician.
SCILLA SIEKMANN was the first act that lured me into Skinny’s Lounge in the NoHo Arts District. Once in there, her interpretation of JANIS JOPLIN's “Piece Of My Heart” had me convinced and convicted (like a religious conviction) and I became a huge booster for this multi-faceted vocalist.
On a Monday morning, in June 1979, a limousine pulled in front of Tower Records in West Covina, where I worked at the time. A man and two women exited the vehicle. The trio wore identical black t-shirts with white lettering. As they approached the entrance, I noticed the man carried several albums under his arms.