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October 13, 2017

Review of Blade Runner 2049; Battle of the Sexes

by Mike Peros
October 11, 2017

Musonia - Music School and Historic Museum

by Caroline McElroy
October 09, 2017

Believe in Your Body

by Connor Coman
October 06, 2017

Have You Reviewed Your Life Insurance Recently?

by Lillian Appleby
October 05, 2017

Fall Decor for 2017

by Christopher Porikos
October 04, 2017

Inspiration for indie filmmaking…no money…no problem

by Samantha Simmonds-Ronceros
September 29, 2017

Free Horoscopes - October 2017

by Maya White
September 26, 2017

Review of Mother and IT

by Mike Peros
September 25, 2017

Creating an Acting Plan - Part Two

by Fran Montano
September 20, 2017

Get to Know '818 Empire'

by Luckie
September 19, 2017

Time As Activity – David Lamelas and Bernd & Hilda Becher

by Raleigh Barrett
September 13, 2017

A Weekend in the "American Riviera"

by Jack Witt
September 12, 2017

KCON LA 2017 @ The LA Convention Center

by Caroline McElroy
September 11, 2017

What Can a Dollar Buy? Depends on Where You Live

by Lillian Appleby
September 08, 2017

How successful are you?

by Jessie Marcus
September 07, 2017

Six Simple Dating Tips to Call in The One This Fall

by Cristina Morara
Saturday, 28 May 2016 09:15

Reviews: The Nice Guys; Money Monster

The Nice Guys; Money Monster

Published in Movie Reviews
Published in Movie Reviews


The future is once again playing at your multiplex, but it could also be the present, with isolated warring factions amidst a parched wasteland and rapacious leaders who bully the underprivileged masses by hoarding all manner of resources, including water and gasoline.

Published in Movie Reviews

The best parts of George Clooney’s The Ides of March are those scenes centering on loyalty, betrayal and revenge—which is not surprising as the title is an allusion to a pivotal moment in the Roman political arena immortalized in Shakespeare’s Julius Caesar. While there is nothing that compelling on display here, Clooney’s (co-writing, directing, starring) film is a fairly enjoyable drama about a rising young junior campaign manager(Ryan Gosling) for Democratic presidential candidate Clooney—and what happens when some crises fall Gosling’s way--in the form of an invite (from a cool, calculating Paul Giamatti) to join the other team—and a casual fling with a campaign intern (Evan Rachel Wood) that leads to some unwanted revelations that could bring down candidate Clooney. The weakest parts have to do with Gosling’s savvy character’s first reactions to the news regarding his intern. It reminded me of supposedly sharp cop Andy Garcia’a over-the-top, shocked reaction in Night Falls on Manhattan when he learns that there’s (gasp!) corruption in the NYPD. In other words, how could the Gosling character—in this day and age—be so overcome by certain developments? However, once you get past that, there is a lot of enjoyment to be had in scenes involving Gosling and Philip Seymour Hoffman (whose monologue about loyalty is one of the best moments of the year), Gosling and Giamatti-especially when Giamatti reveals his Macchiavellian side, and in the climactic confrontation between Clooney and Gosling where each plays his hand—with no less than the future of the free world (perhaps I’m exaggerating) at stake.

Published in Archived Movie Reviews
Wednesday, 20 October 2010 10:46

The American

Movie poster for The American starring George Clooney

 The American starring George Clooney is attractive to look at…and that’s about it. The plot deals with an assassin/weapon maker who wants to get out of the game (following a taut opening sequence that leads us to expect more from the movie). 

Published in Archived Movie Reviews
Monday, 14 December 2009 08:08

Up In The Air

up_in_the_air-749257.jpg

If you’re looking for a feel-good film for the holidays, Up in the Air is not it, despite the jaunty nature of the nonstop television ads. Jason Reitman, working from his and Sheldon Turner’s script, from Walter Kirn’s novel, creates an arresting yet ambivalent portrait of a smooth frequent-flyer who has spent his life avoiding personal connections, while racking up the miles by working for a company that has prospered- namely by firing employees for firms without the wherewithal to do it themselves. The film is graced by a winning George Clooney performance as a downsizer/motivational speaker (how’s that for a winning combination) who –when he isn’t preparing terminated employees for a life of “unlimited possibilities”, is motivating others to get rid of the excess baggage in their lives (I do believe there are some not-so-subtle metaphors here).

Published in Archived Movie Reviews

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