Message Board  |  Advertising  |  Contact Us  |  Directions     

 
 
 
 
   The Music Column  By Scott Detweiler  www.detweilermusic.com Back to Main
 

Photo courtesy of Rony Armas


DOVER OF NOHO

 

“Schism Vs. It’s A Small World II” opened on Thursday, March 11th, at the ever eclectic and regal Lankershim Art Gallery in Noho (www.doversart.com), located at 5108 Lankershim Blvd., on the LANKER-STRIP (Lankershim Boulevard in NoHo), only two blocks south of the luxurious Leonard H. Goldenson Theatre at the Academy of Arts & Sciences, (http://www.emmys.com/events/lhgtheatre.php), and only four blocks south of the historic and majestic El Portal (www.elportaltheatre.com).  This event opened the new exhibition of masterpieces created by members of the Valley (San Fernando Valley) Artist’s Guild.         

(Art?  I know, pilgrim….this IS a music column….kindly read on.)

With probably the highest ceilings and most square footage than any other venue of its kind in the city, the Lankershim Art Gallery (LAG) in Noho is the largest and most unique institution fully dedicated to the exhibition of new art in Los Angeles.  This is absolutely because of the two people who run everything behind the scenes.  (They will be presented later in the southern region of this the article, y’all).  One of the things that they do that makes LAG so different and special is bringing in live music performance artists to entertain at the premiere receptions.  

Many art gallery openings tend to be arenas for dry, stale, staring matches between people who are trying to out-sophisticate one another, in between sips of middle grade wine.  They may, perhaps, for example, be on a first date with someone from the next cubicle over (or beyond), and merely using the event as a diversion, or a “smoke screen” (as they say in the covert, spy, secret agent, Cody Banks world), intended to disguise their real mission of the evening.  The pressure involved in a delicate operation such as this can be enough to drive a man/woman/person (whatever they happen to be at the moment) to drink.   Then, on top of all of this, there is SILENCE.  DEAD silence.  Pregnant pauses.  Paintings on walls that stand silent except for the sounds of the sipping of middle grade wine.   (Gulp.) 

Library whispered exchanges of interpretations of art pieces, against the backdrop of graveyard silence, are often nothing more than components of sparring matches, in which contestants (date participants) compete to see who can drop the most names of famous artists.  Their feet slowly follow the walls as they run out of names.  More silence.

Evidently there must be some sort of consensus out there, among art show curators, that the average art enthusiast does not possess the wherewithal to operate more than one of the five senses at a time; thus: silent art galleries.  (To blame for all of this, there is, undoubtedly, at a university somewhere, a curator curriculum that includes courses such as “Intimidation of Art Buyer 101,” and “Introduction To ‘I Am Cooler Than You Will Ever Hope To Be’”).   That is, they must think that if a person is looking at a painting, they cannot listen to music at the same time.  But not all curators, ladies and gentlemen, are cut from the same cloth, woven from the same loom or muraled from the same brush.  

Dover Abrams, the curator of the Lankershim Art Gallery for the past five years is like no other.  He has complete faith in the ability of his following of art fans to simultaneously process parallel sensual information through more than one portal.  (The growth of his faithful following by the hundreds of attendees at the monthly openings is a testimony to this and is the bedrock of the NoHo Art Community).  But beyond the fact that they can see and hear at the same time, he understands and respects the fact that wet canvases do not possess the exclusive right to have audience with lone intelligent beings, but rather, that dry canvases, too, are fully able to participate in the harboring of intelligent, multiple-being satellite activity within its aesthetic gravitational allure.  (Dover is also a brilliant artist whose works are always on display and available for purchase at the Lankershim Art Gallery.  He also is responsible for several incredible murals that grace the walls of some of NoHo’s buildings.  Open your eyes and be amazed.)  

In confirmation of this respect and understanding, Dover secures live music for the monthly opening receptions at the Lankershim Art Gallery, making it one of the most consistently active music venues in NoHo.    Marvelous.   (The opportunities provided by Mr. Abrams to performing artists through these shows is another story that is beyond the scope of this article.)

The LIVE music enhances the cultural experience and creates an atmosphere that relieves the art enthusiast of pressure to waste saliva and breath to fill silent spaces between wine sips.   People feel uninhibited to talk to each other about the art.  The energy that is generated during the evening is always stimulating and inspiring.  And, since Dover typically shows multiple artists, as opposed to a single artist (LAG is HUGE/GRANDE and has lots of /mucho room!), there in an ever present, fixed and interesting dynamic.  Constant, exciting interaction between the artists provides a free-spirited tone that makes them very accessible and approachable for comments and questions from the attending art lovers.   (It should also be noted that the quality of the art displayed within the walls of this gallery is consistently second to none.)

Lankershim Art Gallery Events are a lot of fun.  (A stone groove and gas.)

The other person behind the scenes at the Lankershim Art Gallery who is responsible for making