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The recent Sixth Annual Starlight Jazz
Serenade Benefit for the Hands for Hope
organization, held at the plush and
luxurious Leonard H. Goldenson Theatre at
the Academy of Arts & Sciences in NoHo on
Lankershim Blvd. (http://www.emmys.com/events/lhgtheatre.php),
brought the smooth jazz heat back to the
NoHo musical grill.
The show began with the entrance of the
evening’s host, the gorgeous and talented
Rita Shelby, who has become part of the
annual Starlight Jazz tradition. As she
walked onto the stage in a brilliant magenta
dress and corset, she warmed up the audience
with a performance of “Old Man’s Girl”
(co-written by Shelby and Willie Daniels).
Her charming grace and style never fail to
deliver a stunning display of classic
showmanship. Based on the applause for this
one number, it was evident that the audience
wanted more of Rita Shelby.
94.7, The Wave, radio personality Pat
Prescott then joined Rita as co-host for the
evening.
ForeCast (www.the-forecast.com),
featuring J.S.Floyd, treated the audience to
a selection from their brand new release.
Fronted by the duo of the Floyd brothers,
Jonathan and Stafford, ForeCast is a unique
blend of guitar/keyboard-based smooth jazz.
Both have built careers by working
independently in many areas of the music
business. Bringing their seasoned abilities
together under one roof has ignited a music
explosion that has to be experienced.
Jonathan is an incredible guitar player that
plays in a relaxed melodic style in the vein
of Lee Ritenour. Stafford’s keyboard
playing is incredible too, especially in
regards to his full chord soloing. But what
is so monstrous about this magnificent duo
is their ability to play together in a way
that is complementary and never
crowded.
Next on the bill was R&B vocalist, supreme,
Christine Day. Christine performed at last
year’s Starlight Jazz Serenade Benefit and
created such a buzz she was asked back for
an encore. Her voice is as sultry and rich
as her performance style is hot and full of
energy. She has been compared with many of
the greats because of the way she displays
full command of the elements on stage and
delivers it down into the audience, hot and
fresh and still smokin. Nice. Check out
www.christineday.org for more about this
exciting Southern California vocalist.
Rendezvous Entertainment recording artist,
Saxophonist Michael Lington (www.michaellington.com)
then took the stage. It was no surprise
that Lington delivered his signature
“scratch-the-sky” melodic style to the
audience in heaps and mounds. However, his
showmanship, which is impossible to deliver
in a recording, really helped the evening to
shimmer. For one of the numbers, he came
down from the stage, dedicated a ballad to
an unescorted lady in the audience, planted
himself right in front of her and blew. The
way he gallantly kissed her hand and played
her the soaring and passionate lines stole
the hearts of all of the ladies in the
house. Michael Lington plays the ballad
with enormous control and depth of emotional
range. Beautiful.
Pianist
Kevin Toney (www.kevintoney.com)
was up next and he is no stranger to the
Starlight Jazz Serenade Benefit Concerts.
This was his third appearance and has become
a favorite of this annual event. His
background and legacy are well known to
music lovers but what really helps Kevin
stand apart is his true versatility. His
lines and solos over his smooth jazz
compositions are exceptional, solid and are
phrased in such a way that they stay with
the listener, long after hearing them. But
then, in the same breath, he can turn around
on a dime and blast out a cadenza of a
string of jaggedly dissonant chords that
tell a musical story in the grand tradition
of Stravinsky or Bartok. Kevin Toney
brought an interesting, expansive, musical
dimension to the evening that helped remind
the audience of the vastness of the range of
expression possible on a piano. Bravo.
Guest
saxophonist accompanying Kevin Toney for his
set was none other than star saxophonist
Andre Delano. If you don’t know the name,
you have probably heard him play with many
artists and on television. Andre Delano
plays with some of the most incredible
expression, nailed-to-the-wall timing, and
sinister phrasing ever blown from a
saxophone. And, as far as saxophone playing
goes, he stole the show. Check him out
www.andredelano.com.
Euge
Groove (www.eugegroove.com)
then closed out the show with his set in his
rowdy, flashy style. He was a real crowd
pleaser as he went through renditions of
pieces reminiscent of his days with Tower of
Power. Euge is a powerhouse performer and
took no prisoners as he roasted through his
set.
The house band, which would back up all of
the artists for the show, was fronted by
Bassist, Producer and Musical Director,
Dwayne “Smitty” Smith (www.smittysmithbass.com),
who is in his sixth year in this position)
and was comprised of Land Richards on drums,
Kim Hansen on keyboards, Mark Stevens also
on keyboards, and Freddy Fox on guitar.
Hands for Hope, founded in 2000, is a
non-profit organization that helps
underprivileged children and single parents
receive the kind of loving support that it
takes to raise and nurture the hopes,
dreams, and abilities of a child. For more
information, log on to
www.hands4hope.org, or call
818-763-4673.
©2006 Scott Detweiler. All Rights
Reserved.
Scott Detweiler is an accomplished musician in his own rite. For more
details, log on to
www.detweilermusic.com, or write to
scottdetweiler@hotmail.com.
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