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Career Self-Assessment and
Setting Goals
By Susan Koblin Schear
You are not alone! No matter which discipline you work
in, you will find comfort in knowing that many artists
face the same challenges. These include being able to
define their vision, evaluate their career, and set and
achieve goals.
Your career can often challenge you in relation to where
you are presently, where you want to go, and how you are
going to get there. Many times you can be faced with
juggling your career as an artist and supporting
yourself through part- and full-time positions.
Balancing day-to-day responsibilities, as well as
personal and family needs, can also add frustration and
challenge. The reasons for career self-assessment and
goal setting are therefore not hard to find.
It can be difficult to sincerely ask and answer
questions about your career, but this is what you need
to do as part of career self-assessment. You may not
know the questions to ask, but it is important to
identify them and answer them honestly. To do this, you
need to be aware of your mission, your values, your
vision, your motivations, and your goals.
Your career needs to be developed and planned on a
long-term basis: three to five years in advance is a
common timeframe. For some, it is easy to think about
the bigger picture and where they would like to be in
five years; for others, it is more comfortable to be
completely reality-based, and thinking five years into
the future may be daunting. No matter; take some time
and plan where you see your career in five or ten years.
Roll it back to today. How can you make this future
become a reality? The answer is through career
self-assessment and goal setting.
Start with your vision for the future. Where do you want
to be in five years? In ten years? What do you want your
career to look like? What will you be doing? Will you
have altered your current discipline? Will you have
moved, retired, purchased new equipment, or built a new
space?
Next, ask more detailed questions about where you are
and where you want to be within a certain period of
time. How are you going to get there? What resources,
including time, money, people (creative and technical),
and space will be required? Will you need to hire others
to help you, perhaps those with complementary skill
sets? Will you need to move your visual or performing
space? Do you want to shift your focus from process to
product? Will you need to alter the chemicals or
processes that you are using because they are too
dangerous or expensive? Is your studio space threatened
because of commercial development?
There is also value in looking back at your career to
identify highlights that you’d like to repeat and low
points that you’d like to prevent. What has worked for
you in the past? Can it continue to work for you in the
future? What does today’s environment offer to assist or
challenge you in your journey?
Your values are also quite important to self-assessment.
It is your belief system, what you value, that allows
you to develop as a person and as an artist. What are
your beliefs? They are the things that are important to
you in your life, the things you will not compromise on.
Would you refuse a project if it compromises something
you believe in? Would you not sign a contract because
you believe the other party is unethical? Note them as
you think about your career. They will help guide you in
setting your goals.
Once you have contemplated these types of questions,
asked them of yourself, and developed honest answers,
you can utilize goal setting to move along in your
career to newly identified milestones.
As defined by Webster’s Dictionary, a “goal” is
“the result or achievement toward which effort is
directed; aim; end.” Goals need to be realistic,
measurable, specific, and achievable within a specific
timeframe. You may want to prioritize them if you’ve
developed too many or if some seem too aggressive for
the timeframe. “Sell my art,” “Get a gig,” “Find
funding,” and “Perform in a show” are not examples of
well-formulated goals. “Selling five pieces at Gallery X
during the month of November” is an example of a
well-written goal. It is realistic and specific, has a
time frame, and can be measured.
Setting goals will tremendously benefit you with your
career path, direction, growth, and achievement of your
vision. It is useful to do so at the start of each
calendar year, planning and prioritizing at least three
goals for every three months. Include goals that will
balance your career and personal life. They could also
be goals about a certain project or performance.
After initially working to develop your goals on paper,
evaluate them to make sure they are not too lofty and
aggressive or too weak and demoralizing. If possible,
spend time with a family member, friend, fellow artist,
colleague, supporter, or someone whom you trust, and
review the work that you have done. Then review your
goals and progress every three months. Are you on track,
ahead, or behind? What needs changing, adding, or
deleting? What will you continue doing?
While understanding that goals are a projection you
desire to achieve within a specific timeframe (e.g.,
yearly, quarterly, or monthly) or for a specific project
or program (e.g., a gallery opening, a performance, or
raising money for marketing your literary works or
production), it is quite possible that you may exceed
your goals or not fully reach them. Therefore, it is
necessary to develop the means to measure, assess, and
evaluate the outcome: the reason that you achieved or
did not achieve your goal. What constraints or outside
factors positively or negatively impacted the final
outcome?
Over time, as you become more proficient in this
process, you will notice that self-assessment and goal
setting go hand-in-hand with your vision. Achieving your
goals energizes you and motivates you to go onward,
toward your vision, and, perhaps, to even to bigger
things than you thought yourself capable.
Congratulations! You are now ready to become accountable
and begin the process toward career self-assessment,
setting goals, and developing your vision. You have been
provided with several opportunities to begin and work
through the process:
Determine if anything makes you uncomfortable with the
process of career self-assessment and setting goals.
Examine and carefully assemble the responses to the
questions provided in this essay and others you feel are
related to career assessment. Determine the
reasons—purpose or mission—for your art and your career.
Begin to answer the questions and develop your vision.
What other internal and external factors impact your
vision?
Work closely on identifying your goals for the current
calendar year and/or for a specific project, program, or
performance.
Based on the previous year and the upcoming calendar
year, develop a list of targeted and specific points
that you want to keep, delete, and add. Evaluate,
measure, and assess the entire process on a continuing
basis; determine the means that are most comfortable,
realistic, informative, and yielding for you. Make the
changes accordingly.
Share with a peer group or someone whom you trust and
feel comfortable with . . . and . . . Enjoy the process!
Bibliography
Aldisert, Lisa M. and Terri Lonier. The Small
Business Money Guide: How To Get It, Use It, Keep It.
New York: John Wiley & Sons, 1998.
Small-business experts Terri Lonier and Lisa Aldisert
provide the essential tools and techniques you need to
find and grow your money masterfully.
Bristol, Claude M. The Magic of Believing: The
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New York: Simon & Schuster, 1991.
Millions of success-oriented Americans have drawn on the
no-nonsense techniques described in this book to achieve
long- and short-term goals.
Cameron, Julia. The Artist’s Way: A Spiritual Path to
Higher Creativity. Tenth edition. New York: J.P.
Tarcher, 2002.
With the basic principle that creative expression is the
natural direction of life, Cameron leads the reader
through a comprehensive twelve-week program to recover
creativity from a variety of blocks, including limiting
beliefs, fear, self-sabotage, jealousy, guilt,
addictions, and other inhibiting forces, replacing them
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Gelb, Michael J. How to Think Like Leonardo da Vinci.
New York: Dell Books, 2000.
Gelb argues that we all can unlock the “da Vincian”
genius inside us with seven critical principles that
need to be followed for success, whether you’re learning
a new language, studying to be a gourmet chef, or just
hoping to be more effective on the job.
Tracy, Brian. Maximum Achievement: Strategies and
Skills That Unlock Your Hidden Powers to Succeed.
New York: Simon & Schuster, 1993.
The motivational speaker shares the secrets of effective
self-actualization, drawing on the insights of Carl
Rogers and Abraham Maslow to offer a blueprint for
change.
www.bcentral.com
From accounting to Web design, the site showcases
leading local businesses and offers advice, pricing, and
contact information to simplify your search.
www.inc.com
“Where to start and grow your business.”
www.sba.gov
The US Small Business Administration, established in
1953, provides financial, technical, and management
assistance to help Americans start, run, and grow their
businesses.
www.score.org
Score is dedicated to aiding the formation, growth, and
success of small business nationwide.
www.startupjournal.com
Information on how to start a business, including
research, financing, and hiring employees.
Susan Koblin Schear, president of ARTISIN®, LLC, founded
the company in 1995 to offer comprehensive business
development and management services for the arts and
culture. She brings more than fifteen years of for
profit and nonprofit management expertise to this
venture, benefiting artists, arts organizations, and
arts-related businesses.
Schear focuses on serving artists to augment the
business side of their art careers. Her passion for the
arts, in combination with her expertise in understanding
the challenges of an artist, allows her to closely help
her clients with career self-assessment, planning, goal
setting, portfolio development, marketing and promotion,
business planning, time management, and being valued as
an artist. She provides the opportunity for artists “to
balance both sides of the scale”—artist and
businessperson.
Schear’s visionary strengths allow her to be resourceful
for arts organizations and arts-related businesses. She
can provide links to partners inside and outside the
arts and culture community while creating and expanding
economic opportunities that are mutually beneficial and
reciprocal. Schear’s passion and participation working
in continually evolving and changing communities
benefits her clients by customizing services and
providing all aspects of business and strategic
planning, marketing, branding, and identity. She also
focuses on collaborative development, needs assessment,
community development and outreach, and board
development. Additional services include retreats, focus
groups, workshops, seminars, and training.
Schear is an established speaker on many subjects
associated with artists, arts organizations, and
arts-related entrepreneurship. She is currently teaching
leadership and team building at Pratt Institute and has
also taught at New York University School of Continuing
and Professional Studies, as well as the Fashion
Institute of Technology.
Schear serves on the boards of several organizations
that connect the arts, entrepreneurship, and the local
or national community. She is also a member of several
arts and business-networking organizations.
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