OUR BLOGGERS!

March 21, 2017

The Artist Dilemma – Perfections vs Excellence

by Fran Montano
March 17, 2017

Affordable Countertops; Who knew.

by Christopher Porikos
March 15, 2017

818 Arts

by Raleigh Barrett
March 09, 2017

Firehouse Subs on Lankershim

by Samantha Simmonds-Ronceros
March 08, 2017

Giving to Charities - Choosing a Cause With Care

by Lillian Appleby
March 05, 2017

Four Things You Can Do to Have an Edge in Dating Now

by Cristina Morara
March 03, 2017

Get Out; Post-Oscar Reflections

by Mike Peros
February 28, 2017

Horoscopes - March 2017

by Maya White
February 26, 2017

Saving Animals - One Bite at a Time

by Nancy Bianconi
February 23, 2017

Low Budget Film - High Expectations

by Samantha Simmonds-Ronceros
February 22, 2017

Acting Advice - Assess yourself

by Fran Montano
February 17, 2017

Kids & Money: Important Lessons Start Early in Life

by Lillian Appleby
February 15, 2017

Jane the Baptist

by Raleigh Barrett
February 14, 2017

Peace Frog - Tribute to the Doors

by Caroline McElroy
Friday, 13 January 2017 11:40

MMA World Reacts to Meryl Streep

MMA World Reacts to Meryl Streep

Published in Sports

While some have been waiting for the screen version of Wicked, I guess we’ll have to make do with the anticipated adaptation of Into the Woods. With a beautiful score by Stephen Sondheim and well-crafted screenplay by James Lapine (adapting his own “book”), Into the Woods approaches a beloved story (or two) in a different manner.

Published in Movie Reviews

Jay Roach’s funny but uneven political spoof The Campaign pits morally lax incumbent North Carolina congressman Will Ferrell against insecure, uptight tour guide Zach Galifianakis.  Before you can say “no contest,” Galifianakis, with some seriously shady financial backing, not to mention a shark of a campaign manager (Dylan McDermott), manages to give the previously unopposed Ferrell a run for his money, as the two candidates descend to the kind of overzealous one-upmanship (including a novel use of a sex video) that gives politics a bad name.   While the movie makes some passing references to the current economic situation and the power of the media, much of what occurs is a little too silly, with a corresponding lack of insight, to make this a genuine political satire.  Despite this lack of artistic ambition, The Campaign is pretty funny, with a few hilarious sequences including a dinner in which Galifianakis learns more than he wanted about family secrets, and a scene involving the overly eager candidates and a baby.  There is solid support form Dan Aykroyd and John Lithgow as Galifianakis’ rapacious backers, Jason Sudeikis as Ferrell’s campaign manager, and Dylan McDermott as Galifianakis’ campaign manager from Hell-almost literally.  As for the candidates: I've rarely found Galifianakis funny in the past, yet here he manages to be likable and appealing, even when he engages in some down and dirty dealings.  Ferrell’s incumbent also manages to retain his likability, even when indulging in the must outrageous, childish behavior.  Amidst all the shenanigans, there is a quiet scene where Ferrell and Galifianakis share some bourbon and reflections. It is not a particularly funny scene (nor was it intended to be), but it manages to convey some of the characters’ decency, so that what happens at the end of the contest is not totally unexpected or unfounded.

The sunny trailers for David Frankel’s Hope Springs might lead you to believe this may be a cheerful comedy about post mid-life crisis, but it’s much more serious than that.  Meryl Streep and Tommy Lee Jones’ lengthy marriage has fallen into a malaise of hasty morning goodbyes, unrelieved small talk (if any) at dinner, separate bedrooms, and nothing in the way of intimacy.  While Jones is seemingly content with how things are, Streep has decided (over Jones’ objections) that they will travel to a small town in Maine (called-you got it-Hope Springs) for some intensive couples therapy with compassionate counselor Steve Carell. There is some humor here- in the befuddled, cantankerous Jones’ reactions to small town life, as well as Streep’s sojourn in a tavern (under the watchful eye of bartender Elizabeth Shue—somebody get that actress more work). However, the wrenching power of the movie is in the portrayals of Streep and Jones.  They are entirely convincing as a couple whose relationship is more like that of roommates than of soulmates. One can see Streep’s insecurity as she wonders if she is still attractive to Jones, as well as Jones’ fear that he is no longer the man he was-or that Streep deserves.  The most intense scenes are in the therapist’s office as they lay bare, under Carell’s gentle prodding, all the disappointments and regrets-as well as the happy memories that caused them to find each other in the first place.  The movie shows is how easy it is for two people to fall into marital monotony, to forego meaningful communication in favor of impersonal distance.  Where the movie occasionally falls down is in not trusting the actors’ abiltities and instead adding some music to needlessly underscore the emotional moments.  In spite of this shortcoming, the exquisite artistry of Streep and Jones should manage to move the hardened heart.

Published in Movie Reviews

Do you have an event, video or news to share?  Drop us an email and you may see it on NoHoArtsDistrict.com